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CALENDARIO HEBREO-SHABBAT LUNAR: PRECESION DE LOS EQUINOCCIOS TIENE NEXO SABATICO (47-CTO MANDAM. SEPTIMO DIA)
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Reply  Message 1 of 226 on the subject 
From: BARILOCHENSE6999  (Original message) Sent: 03/02/2013 01:10
 

LA PRECESION DE LOS EQUINOCCIOS (MOVIMIENTO DE 47 GRADOS) TAMBIEN TIENE UN NEXO KAVALISTICO CON EL SHABBAT (CUARTO MANDAMIENTO/SEPTIMO DIA/NUMERO 47)-DRACO TIENE FORMA DE SERPIENTE

 
 
  •  

     
    47 (CUARTO MANDAMIENTO CON REFERENCIA AL SEPTIMO DIA)
    EL SIGNO $, EN EL CONTEXTO AL TABERNACULO SIMBOLIZA APARENTEMENTE EL MOVIMIENTO RELATIVO DEL SOL A LO LARGO DE LAS CONSTELACIONES QUE TIENE FORMA DE SERPIENTE. VEMOS QUE LA POSICION DE LA VIRGEN EN EL CENTRO ENTRE LAS DOS COLUMNAS TIENE ORIGEN CIENTIFICO YA QUE LA CURVA CRUZA EL ECUADOR EN PISCIS Y VIRGO.
     
     
     
     
     
     

    Nebulosa Ojo de Gato

     
    New York City Rockefeller Center 05 Atlas Statue And St Patricks Cathedral 
     
    Vemos tambien en la grafica que hay un movimiento circular en el centro que es de 47 grados. En este contexto la "PRECESION DE LOS EQUINOCCIOS" TAMBIEN TIENE UN DISEÑO SABATICO Y EN FUNCION AL NUMERO DE ORO ya que sabemos que SABADO=SABIDURIA=SOPHIA=PHI=NUMERO DE ORO. LA CUPULA CATOLICA APARENTEMENTE ES UNA REFERENCIA A LA PRECESION DE LOS EQUINOCCIOS. VEMOS QUE TODO EL SISTEMA TIENE UN FUERTE NEXO SABATICO EN EL CONTEXTO AL CUARTO MANDAMIENTO CON REFERENCIA AL SEPTIMO DIA (47)
    CATOLICO/CAT-OLICO/CAT-EDRAL/CAT/GATO-EL OJO DEL GATO TIENE LA MISMA FORMA QUE LA DEL SEXO FEMENINO "VESCICA PISCIS"
     
     
     
     
     
    NUMERO 47

  • Anuncios:

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    Reply  Message 212 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 05/03/2016 15:22
     
    Number 9

    Nine, as the highest single-digit number (in base ten), 
    symbolizes completeness in the Bahá'í Faith. 
    In addition, the word Bahá' in the Abjad notation has a value of 9, 
    and a 9-pointed star is used to symbolize the religion.
    http://en.wikipedia.org/wiki/9_(numb...and_philosophy



    The symbols of the religion are derived from the Arabic word Bahá’ (بهاء "splendor" or "glory"), 
    with a numerical value of 9, which is why the most common symbol is the nine-pointed star. 
    The ringstone symbol and calligraphy of the Greatest Name are also often encountered. 
    The former consists of two five-pointed stars interspersed with a stylized Bahá’ 
    whose shape is meant to recall the three onenesses,
    while the latter is a calligraphic rendering of the phrase Yá Bahá'u'l-Abhá 
    (يا بهاء الأبهى "O Glory of the Most Glorious!").
    http://en.wikipedia.org/wiki/Bah%C3%..._Faith#Symbols



    In abstract algebra, the concept of a module over a ring is a generalization of the 
    notion of vector space, wherein the corresponding scalars are allowed to lie in an arbitrary ring. 
    Modules also generalize the notion of abelian groups, which are modules over the ring of integers.
    http://en.wikipedia.org/wiki/Module_(mathematics)


    The loop of "number nine" featured in the recording fuelled rumours about Paul McCartney's 
    death after it was reported that it sounded like "turn me on, dead man" when played backwards.







    Knights Templars & PRIME numbers:
    http://www.davidicke.com/forum/showthread.php?t=217191





    see GOD (c)
    http://science2art.tumblr.com/post/2...0624/see-god-c

    Last edited by science2art; 23-07-2012 at 06:42 PM.
     

    Reply  Message 213 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 06/03/2016 13:28
    Default Love 2 the 9s

    Love 2 the 9s



    Quote:
    God said to Haggai (2:18, 2the9)

    “From this day on – from this twenty fourth day of the ninth month, give careful thought: 
    Is there yet any seed left in the barn? Until this day the vine (bride of Christ) and 
    the fig tree (Israel – bride of God) the pomgranate and the olive tree have not borne fruit. 
    From this day on I will bless you.”
    Quote:
    In verse 12 God says to Israel:

    “Return, faithless Israel, declares the Lord.
    I will frown on you no longer, for I am merciful, declares the Lord. 
    I will not be angry forever. 
    Only acknowledge your guilt – you have rebelled against the Lord your God, 
    you have scattered your favors to foreign gods under every spreading tree, 
    and have not obeyed me.”
    The Dawn of Earth's Great Millennium
    Magnificent Evidences that the New Day is Dawning!

    http://www.sonstoglory.com/millenniumgematria.htm


    “Come, let us return to the Lord. He has injured us but he will bind up our wounds. 
    After two days he will revive us; on the third day he will restore us, that we may live in his presence. 
    Let us acknowledge the Lord; let us press on to acknowledge him. 
    As surely as the sun rises, (the dawn of the Millennium) he will appear; 
    he will come to us like the winter rains, like the spring rains that water the earth.”



    “I was pushed back and about to fall, but the Lord helped me. 
    The Lord is my strength and my song; he has become my salvation.... 
    The Lord has chastened me severely, but he has not given me over to death. 
    Open for me the gates of righteousness; I will enter and give thanks to the Lord... 
    I will give thanks for you answered me; you have become my salvation.... 
    This is the day that the Lord has made; let us rejoice and be glad in it. 
    O Lord, save us; 
    O Lord grant us success. 
    Blessed is he who comes in the name of the Lord.”


    “The fruit of righteousness will be peace; 
    the effect of righteousness will be quietness and confidence forever."




    21 12 (20+1) 12
    onOFFonOFF


    http://en.wikipedia.org/wiki/Crucifix_(Michelangelo)



    3.6.
    9 
    = 1 + 8

    __________________
    CRISTIS

    Last edited by science2art; 29-07-2012 at 07:00 PM.
     
     
     
    Reply  Message 51 of 51 on the subject 
    From: BARILOCHENSE6999 Sent: 05/03/2016 20:34
     
    Default Monad

    24 permutations 



    The Hieroglyphic Monad
    http://www.scribd.com/doc/65244258/Deem-on-Ad










    "he who causes to exist"

    4 x 6 = 24 = 12 + 12

    The term tetragrammaton (from Greek τετραγράμματον, meaning "4 letters")



    external link:
    MONAD
    http://science2art.tumblr.com/post/37550538168/monad
    __________________
    CRISTIS

    Last edited by science2art; 12-12-2012 at 08:43 PM.
     

    Reply  Message 214 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 08/03/2016 18:12
     
     
     
     
     
    Reply  Message 21 of 21 on the subject 
    From: BARILOCHENSE6999 Sent: 07/03/2016 21:11
     
     
    NE-CESAR-IO
     
    C-SAR
     
    S=CONSTELACION DE DRACO=$ = SARA (ESPOSA DE ABRAHAM)= GALATAS 4:26
    DRACO=S-ARA
    REPO-SAR / DESCAN-SAR / CESAR
    SABIDURIA / SOPHIA / SABADO (CUARTO MANDAMIENTO- SEPTIMO DIA)
     
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    Reply  Message 215 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 28/04/2016 16:24

    Hercules origins are not found in Greece,

    But in the night skies of Egypt where he is called Bau,

    In combat with  the snake Draco.

    image

    Surprisingly, even in the later versions of these Herculean stories you do not find a man of super human strength but a man of great wisdom and wisdom is more powerful that brute force. One of the best-known Herculean stories is, The Stuck Cart. A man had mired his cart and was unable to free his vehicle. So on the cart seat, the driver was in fervent prayer to the pantheon of the Greek gods and goddesses asking for them to free his cart. Hercules hears the man’s prayer for help; however, his response is not of a godlike benefactor, but as an exasperated father speaking to a dim-witted son.


    Reply  Message 216 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 20/05/2016 13:52
     
     
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    Reply  Message 217 of 226 on the subject 
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    Reply  Message 222 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 18/08/2016 15:28
     
     
    SABIDURIA=SABADO=LETRA S=$
     
     
     
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    Reply  Message 223 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 03/09/2016 03:09
    Resultado de imagen para pyramid 254 feet

    Reply  Message 224 of 226 on the subject 
    From: BARILOCHENSE6999 Sent: 30/06/2017 12:58

    Ground-plan of the Tabernacle of Israel

    Hebrew Tabernacle layout

    In Exodus 25:8 God commands Moses to make a sanctuary for Him.

    “Then have them make a sanctuary for me, and I will dwell among them. Make this tabernacle and all its furnishings exactly like the pattern I will show you.

    It is noteworthy that when we examine the mathematical and geometric pattern God refers to here, it emerges from the sacred measures that Moses got from God by revelation, corresponding to the geometric canon called the Phi ratio or divine proportion. The God-given architectural plan for both the Tabernacle and Temple was designed to embody the framework of the celestial structure of Creation in miniature, on the earthly plane. This view is supported in the following quote from Nigel Pinnock, who details some key elements in the pattern given by God to Moses and David:

     The Tabernacle stood inside a court whose geometry was a double square [1 x 2 rectangle], 100 cubits long by 50 cubits wide. Inside the double square enclosure was a triple square 30 cubits long and 10 cubits wide. Its walls were constructed of wooden planks 1.5 cubits wide and 10 cubits high, held in line by strong horizontal bars of wood. The whole structure was covered with skins sewn together in strips 30 cubits long by 4 cubits wide. The Tabernacle was placed in the court towards the west, but with its entrance oriented east-wards, so that according to Josephus: “when the Sun arose it might send its first rays upon it.” The interior of the Tabernacle was divided into two compartments, a scheme which was copied later in the Temple…..The outer compartment called the Holy Place, was a double square 20 by 10 cubits, whilst the inner compartment, the Holy of Holies, comprised a single square. As the height of the Tabernacle’s ceiling was also 10 cubits, the Holy of Holies enclosure was thus a perfect cube (containing the Ark of the Covenant)….The Altar of Sacrifice was the outer equivalent of the Ark of the Covenant. It stood at the center of the outer of the two squares of the enclosure This altar represented one of the two poles at the center of two squares-each upon its own center of polarity… The dimensions of the Temple, like the Tabernacle before it, were precisely detailed: [I Chron. 28, II Chron. 3]. A triple square double the size of the Tabernacle, and the walls of the Temple were hewn stone lined inside with wood overlaid with gold. The interior comprised a double square rectangular holy place, and a single square Holy of Holies. The interior was 20 cubits high, making the Holy of Holies again, a cubic enclosure. At the very center of the Holy of Holies stood the Ark of the Covenant which formerly had occupied the central point of the  of the Tabernacle… The actual entrance to the Temple was 5 cubits in width, and opened from a porch which comprised two squares of 10 x 10 cubits. It was this porch which supported the two pillars….Jachin and Boaz. 1

    An example of the geometry for the 1 x 2 golden rectangle referred to above is seen below.

    Plate 1. The Golden Ratio Rectangle

    Here is a simple way to draw and understand a rectangle using the Golden Ratio:

    Draw a square (of size “1”)
    Place a dot half way along one side
    Draw a line from that point to an opposite corner (it will be √5/2 in length)
    Turn that line so that it runs along the square’s side

    Then you can extend the square to be a rectangle with the Golden Ratio. This rectangle above shows us a simple formula for the Golden Ratio.

    When one side is 1, the other side is:

    The square root of 5 is approximately 2.236068, so the Golden Ratio is approximately (1+2.236068)/2 = 3.236068/2 = 1.618034. This is an easy way to calculate phi and related geometry we find in blueprints of the Temple and Tabernacle.

    This is a key topic in our study of Biblical Astronomy principles evident in other studies on our [www.try-god.com] website, like The Calendar of the Biblical Patriarchs. This study points out among many other things that the cycles of the Sun and Moon are correlated via the phi ratio [1.618] in the 50-year Jubilee cycle, because there are 618 full moons every 50 solar years. This not only exhibits another phi relation in our solar system, but also links this divine knowledge to the Hebrew calendar as commanded in Levitcus 25. So, God has designed the phi ratio in our solar system, even as He has all the other phi/Fibonacci/ Lucas relations, throughout the Natural World, exhibiting the Creator’s symmetrical Intelligent Design across multi-levels of His Creation. The preponderance of the phi ratio through the Four Kingdoms of Life, is an awesome testimony to the Creator’s Temporal Order. This phi ratio, is arrived at by a scale invariant comparison. The relationship that becomes evident in this comparison is divine, because it is found throughout all levels of the Natural World, including the micro to the macro. In this comparison of the divine proportion, the whole is to the larger as the larger is to the smaller. This relationship is seen in Plate 1 above as the linear Phi ratio divided into the square root of 5/2 and 1/2. As we observe the appearance of the Phi ratio in the Temple and Tabernacle, we also find the examples of the two altars within the courts of the Temple/ Tabernacle pattern as a whole.

    These ground plans of the Tabernacle and Temple of Israel depict the heavenly image of eastern access to God’s presence, via the High Priest’s annual ministry behind the veil, in the holiest of all. The pattern of access from the east mentioned above, holds true not only for Solomon’s Temple of the Old Testament, but also remained for the later Temple referred to in Ezekiel 43:1-5. The two celestial poles of the ecliptic / Equator are mirrored terrestrially in the physical counterparts of their altars, in both the holy of holies and the holy place. As Pinnock states, regarding the brazen altar of burnt offering:” This altar represented one of the two poles at the center of two squares -each upon its own center of polarity….”2

    Image result for phi ratio temple/tabernacle of israel

    This terrestrial arrangement mirrors the Venn Diagram at the North Astronomical pole, [Figure A.]. These two altars illustrate the bipolar structure of the heavens, seen not only in the galactic poles of the two great celestial circles of the ecliptic and the Equator in northern skies, but also in their reflection in the Earth’s magnetic and geographic bipolar system. The interplay between these galactic poles exhibits a precession of the poles, where the pole star receded from Thuban of Draco, to Polaris of Ursa Minor, over the last five thousand years, [as seen above in the banner for this study]. This embodies the shift of spiritual power from the dragon at the North pole to Cepheus the enthroned human king, [Christ at God’s right Hand] with the North Star Polaris under his feet [Eph. 1:19-22] in this precession of spiritual power. Within the common space shared between the poles of these two circles moving in opposite directions, lies the astronomical vesica or Venn Diagram of the North Pole. [Fig. A]

    This quote above from Pennick gives us an indication of how the original principles of “sacred geometry” are preserved in the dimensions and measures of the Tabernacle and Temple and the corresponding elements of their walls, furniture, columns, curtains, altars, orientation, and architecture. This divine celestial plan modeled in the Hebrew Temple and Tabernacle, is the foundation of the “sacred geometry” adopted by Freemasons and others before them, who have tainted these truths in the defiled context of mysticism, divorced from their authentic roots in Judaism and the Astronomy of the Biblical Patriarchs. This study endeavors to return the roots of Astronomy to its genuine origins, dispensing with the corrupt astrological influence and heathen mythology of various ancient cultures and secret societies. Figure A illustrates the double square rectangle, based on the phi ratio, that provides key aspects of both the “pattern of the Tabernacle” and  Temple of Israel. [Heb. 8:5, Exod. 25:9, 40]

    Figure A. The Northern Astronomical Vesica

    celestial design of the heavens

    This view powerfully depicts how the Temple and Tabernacle symbolized God’s celestial design of the heavens, seen in their two altars, mirroring the two poles of the ecliptic and the Celestial Equator. This also agrees with many of the principles seen in the pattern of God’s Intelligent Design inherent in His Creation. Since this God given “pattern of the Tabernacle” is constructed upon the phi ratio also known as the “divine proportion” or the golden section we find definitive Biblical evidence that this universally recognized standard of measure is truly divine in origin, since the dimensions of these sacred architectural structures were given by revelation from God to Moses and King David. By prioritizing a godly view of this evidence, it allows us to catch new glimpses of glories long hidden from the astrologers and empiricists, whose practices for too long have clouded the inherent grandeur of the Creator’s sacred architecture.

    Figure B. The Plans of the Hebrew Temple and Tabernacle


    Figure A
     above shows another view of the precession of the poles from the perspective of the interlocking wheels of the ecliptic and Equator, with the fish shaped lozenge of the vesica between them. This “vessel of the fish” is formed from the lozenge of these two inter-locking circles, the center of each located on the perimeter of the other. Archimedes called the formula associated with this, the “Measure of the fish,” and it is also linked to John’s Gospel record in [Jn. 21:11], where the disciples caught 153 fish following Jesus’ directions. Its import to math and geometry was found in the ratio of its height to its length [153:265], and that it represented the nearest whole number approximation of the square root of three, along with controlling ratios of equilateral triangles.3   



    Reply  Message 22 of 23 on the subject 
    From: BARILOCHENSE6999 Sent: 29/06/2017 20:15
    Resultado de imagen para VESICA PISCIS PYRAMID
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    Reply Delete message  Message 7 of 7 on the subject 
    From: BARILOCHENSE6999 Sent: 02/01/2018 11:05
    32. Génesis 30:6 Dijo entonces Raquel: Me juzgó Dios, y también oyó mi voz, y me dio un hijo. Por tanto llamó su nombre DAN.

    • Mateo 6:33: Mas buscad primeramente el reino de Dios y su JUSTICIA, y todas estas cosas os serán añadidas.


    Reply  Message 10 of 10 on the subject 
    From: BARILOCHENSE6999 Sent: 02/01/2018 09:52

    MARTES, 30 DE ABRIL DE 2013

    Olcoz-Eunate y la Astrología II: Apocalipsis y Escatología

     
    Que sea la constelación de Virgo el referente astrológico constructivo de San Miguel de Olcoz y Santa María de Eunate tiene igualmente unos componentes simbólicos derivados del Apocalipsis de Juan. Ello se debe a que María fue asimilada a la  "mujer vestida del sol, con la luna bajo sus pies, y sobre la cabeza una corona de doce estrellas" (Ap 12,1) que está a punto de dar a luz a un niño. La Gran Serpiente (dragón) quiere aniquilar a ambos pero el arcángel san Miguel y su ejército celestial le derrota. Esta escena visionaria fue representada de múltiples formas a lo largo del Medievo y posteriormente. 

    Visualización astrológica de los paneles de Torre Olcoz (Jesús Zulet)
    "Hubo un gran combate en los cielos. Miguel y sus ángeles lucharon contra el Dragón. También el Dragón y sus ángeles combatieron, pero no prevalecieron y no hubo ya lugar en el Cielo para ellos. Y fue arrojado el Dragón, la Serpiente antigua, el llamado Diablo y Satanás, el seductor del mundo entero; fue arrojado a la tierra y sus ángeles con él." (Ap. 12,7-9)  

    Escena apocalíptica, frescos de la iglesia de San Pietro al Monte (Civitate-Italia). Siglo XII.
     
    En  esta ascripción alegórica de la "mujer vestida de sol" con la Virgen María podemos encontrar, en la red de las "imágenes arquetípicas", a la Virgen que cantara Virgilio en su IV Égloga y que iba a dar  a luz a un Mesías que traería consigo una nueva Edad de Oro. La Virgen virgiliana era Astrea, la diosa de la Equidad-Justicia-Orden que ascendió a los cielos desilusionada de la humanidad durante la Edad del Bronce, y que durante la Edad de Oro enseñaba en las ciudades y en la Edad de Plata a los aldeanos de las montañas. Mas la Astrea virgiliana fue equiparada con la Virgen María y su Puer Avatar con Jesús.  Asimismo, en el Apocalipsis, la derrota de la Serpiente Antigua es el preludio de los acontecimientos que concluirán con el descenso de la Jerusalén Celeste (y de la Edad de Oro del Paraíso Celestial, por tanto).
    Pasajes escatológicos con el arcángel Miguel, en la iglesia navarra de San Miguel en Estella (Camino de Santiago como Eunate y Olcoz, y no muy lejos de ellas).
     Estas concatenaciones simbólicas se difundieron durante la Edad Media así que no es extraño que fuesen conocidas por los promotores-patrones de las iglesias de Olcoz y Eunate, y es fácil así comprender el trasfondo apocalíptico de la advocación de ambos templos a  Miguel Arcángel y a María, como los ha sabido igualmente mostrar Jesús Zulet (véase panel siguiente suyo)



    Asimismo existe un trasfondo escatológico puesto que San Miguel es el psicopompo en el Más Allá y quien pesa las obras buenas y malas en la balanza (tema ya presente en Egipto), y María es la Gran Mediadora en el Más Allá (además su antecesora astrológica, Astrea, era la diosa de la Justicia).

    Y abundando en lo escatológico, se sabe documentalmente que Santa María de Eunate era ya en 1219 sede de una cofradía de ánimas de los pueblos de Valdizarbe y entorno inmediato, como lo descubriera José María Jimeno Jurío. Además, como he dejado claro en otro lugar, buena parte de la iconología de Eunate puede adscribirse a los escenarios del inframundo escatológico, a la par que su vinculación arquitectónica a la Ascensión de Jerusalén y el capitel de la Ascensión de Cristo son igualmente escatológicos y de gran importancia para la esperanza en al resureccción y bienaventuranza en la Jerusalén Celeste.

    Si Virgo representa astrológicamente a la Virgen María en la cristianización del Zodíaco, San Miguel puede verse representado a su vez por Perseo, el vencedor de la Gorgona Medusa (a la cual se la representaba con la boca abierta y generalmente con la lengua fuera), que Jesús Zulet identifica con el personaje con capa que pisa la cabeza grotesca.

     Pero es que -añado yo por mi parte-, San Miguel igualmente puede quedar alegorizado mediante las balanzas, emblema del signo zodiacal Libra (Astrea -no lo olvidemos- quedó desglosada realmente como Virgo y Libra en el zodíaco).


    Detalle del panel realizado por Jesús Zulet de los cilos de Perseo y Virgo en Olcoz y Eunate


    Reply  Message 66 of 66 on the subject 
    From: BARILOCHENSE6999 Sent: 02/01/2018 09:22
    http://miradaesoterica.blogspot.com.ar/2013/04/olcoz-eunate-y-la-astrologia-ii.html
     
    http://miradaesoterica.blogspot.com.ar/2013/04/olcoz-eunate-y-la-astrologia-ii.html
     
    http://miradaesoterica.blogspot.com.ar/2013/04/olcoz-eunate-y-la-astrologia-ii.html
     

    Olcoz-Eunate y la Astrología II: Apocalipsis y Escatología

    miradaesoterica.blogspot.com/2013/04/olcoz-eunate-y-la-astrologia-ii.html
    30 abr. 2013 - Que sea la constelación de Virgo el referente astrológico constructivo de San Miguel de Olcoz y Santa María de Eunate tiene igualmente unos componentes simbólicos derivados del Apocalipsis de Juan. Ello se debe a que María fue asimilada a la "mujer vestida del sol, con la luna bajo sus pies, y sobre ...

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