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SEA UN CIENTIFICO CON LA BIBLIA: ROSE LINE/LINEA ROSA (EL METRO TIENE ORIGEN GRIALICO)
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Reply  Message 1 of 112 on the subject 
From: BARILOCHENSE6999  (Original message) Sent: 29/12/2012 08:44
 

MADRE/MOTHER/METER (GRIEGO) - NEXO CON EL METRO DISEÑADO EN FUNCION A LA LINEA ROSA/ROSE LINE QUE ES EL MERIDIANO QUE PASA POR PARIS

 
 
 
 
 

 

Act 12:12 And when he had considered the thing, he came to the house of Mary the mother of John, whose surname was Mark; where many were gathered together praying .
Bk
Chpt
Vs
Version
Verse # = 27350   |   Words = 19   |   Letters = 112
Data from Strong's Concordance
KJV Greek Strong's # Value
And τε 305
when he had considered συνειδω 1469
[the thing], he came ερχομαι 826
to επι 95
the house οικια 111
of Mary Μαρια 152
the mother μητηρ 456
of John, Ιωαννης 1119
whose surname was επικαλεομαι 272
Mark; Μαρκος 431
where ου 470
many ικανος 351
were ην 58
gathered together συναθροιζω 1647
praying και 31
(untranslated). προσευχομαι 1576
Total = 11919
Original Text
Greek Value Inc
συνιδων 1514
τε 305
ηλθεν 102
επι 95
την 358
οικιαν 161
μαριας 352
της 508
μητρος 718
ιωαννου 1381
του 770
επικαλουμενου 1181
μαρκου 631
ου 470
ησαν 259
ικανοι 161
συνηθροισμενοι 1222
και 31
προσευχομενοι 1700
 

Ιωαννης Ioannes {ee-o-an'-nace} of Hebrew origin 03110;; n pr m AV - John (the Baptist) 92, John (the apostle) 36, John (Mark) 4, John (the chief priest) 1; 133 John = VJehovah is a gracious giverV 1) John the Baptist was the son of Zacharias and Elisabeth, the forerunner of Christ. By order of Herod Antipas he was cast into prison and afterwards beheaded. 2) John the apostle, the writer of the Fourth Gospel, son of Zebedee and Salome, brother of James the elder. He is that disciple who (without mention by name) is spoken of in the Fourth Gospel as especially dear to Jesus and according to the traditional opinion is the author of the book of Revelation. 3) John surnamed Mark, the companion of Barnabas and Paul. Acts 12:12 4) John a certain man, a member of the Sanhedrin Acts 5:6


Gematria: 1119

 

Μαρκος Markos {mar'-kos} of Latin origin;; n pr m AV - Mark 5, Marcus 3; 8 Mark = Va defenseV 1) an evangelist, the author of the Gospel of Mark. Marcus was his Latin surname, his Jewish name was John. He was a cousin of Barnabas and a companion of Paul in some of his missionary journeys


Gematria: 431

 
Strong's Number         
< G3384 >         

μητηρ meter {may'-tare} apparently a primary word; TDNT - 4:642,592; n f AV - mother 85; 85 1) a mother 2) metaph. the source of something, the motherland


Gematria: 456

 

'Metro' means 'meter' in Spanish, Italian, Portuguese, etc. The meter is historically defined as 1/10,000,000 of the distance between the North Pole and the equator through Paris, or in other words the Paris Meridian between the North Pole and the equator. The Paris Meridian is also the 'Rose Line' (an esoteric concept popularized by The Da Vinci Code) i.e. a 'Red Line'...



First  Previous  2 to 7 of 112  Next   Last 
Reply  Message 2 of 112 on the subject 
From: BARILOCHENSE6999 Sent: 29/12/2012 08:44
COMPARE ESTA FIGURA CON WASHINGTON D.C (GOOGLE EARTH)
 

Reply  Message 3 of 112 on the subject 
From: BARILOCHENSE6999 Sent: 29/12/2012 08:45
 
WHITEHOUSE PENTAGON AND THE GREAT PYRAMID and NUMBER GEMATRIA CHRIST 3168
 
 
RELACION CON LA GRAN PIRAMIDE, LA NUEVA JERUSALEM, EL DIAMETRO DE LA TIERRA Y LA LUNA
 

Reply  Message 4 of 112 on the subject 
From: BARILOCHENSE6999 Sent: 29/12/2012 08:47
BARILOCHENSE6999 Enviado: 05/11/2012 17:31
 
mars in Simple Gematria Equals: 51 ( m
13
a
1
r
18
s
19
)

 

compare con  JUAN 1:51 en el contexto a la ESCALERA DE JACOB, OSEA LA ALQUIMIA ENTRE EL CIELO Y LA TIERRA, OSEA EL GRIAL.
 
38. Juan 1:51: Y le dijo: De cierto, de cierto os digo: De aquí adelante veréis el cielo abierto, y a los ángeles de Dios que suben y descienden sobre el Hijo del Hombre.
 
JUAN EN CONTEXTO A MARTE ES OBVIO QUE ES JUAN MARCOS
 
EL HANGAR 51 ES UNA CONSPIRACION. RELACION ESOTERICA CON LA ESCALERA DE JACOB (JUAN 1:51)
 
 
Juan 1:45: Felipe halló a Natanael, y le dijo: Hemos hallado a aquel de quien escribió Moisés en la ley, así como los profetas: a Jesús, el hijo de José, de Nazaret.
 
FELIPE/PHILIP EN INGLES
PHILIPS ES SINONIMO DE ILUMINASION
SION=JERUSALEM=MARIA MAGALENA
 
La expresion "hijo de Jose" indudablemente tambien tiene una connotacion con JOSE EL HIJO DE JACOB Y RAQUEL, que estuvo en EGIPTO. Aqui, el/la escritor/a del cuarto evangelio nos esta dando un nexo con RAQUEL pero en un contexto a que Jesus fue descendiente de Lea, ya que ella fue la madre de Juda. Osea que aqui hay un fuerte nexo con Egipto y es en ese contexto que hay que interpretar la ESCALERA DE JACOB.
 
1:51 Y le dijo: De cierto, de cierto os digo: De aquí adelante veréis el cielo abierto, y a los ángeles de Dios que suben y descienden sobre el Hijo del Hombre. (Escalera de Jacob)
Comprementando al anterior, es que las BODAS DE CANA, expresadas en JUAN 2, TAMBIEN SON EN ESTE CONTEXTO. ¿SE ACUERDAN DEL SUEÑO DE JOSE EN GENESIS 37?
Génesis
37:1 Habitó Jacob en la tierra donde había morado su padre, en la tierra de Canaán.
37:2 Esta es la historia de la familia de Jacob: José, siendo de edad de diecisiete años, apacentaba las ovejas con sus hermanos; y el joven estaba con los hijos de Bilha y con los hijos de Zilpa, mujeres de su padre; e informaba José a su padre la mala fama de ellos.
37:3 Y amaba Israel a José más que a todos sus hijos, porque lo había tenido en su vejez; y le hizo una túnica de diversos colores.
37:4 Y viendo sus hermanos que su padre lo amaba más que a todos sus hermanos, le aborrecían, y no podían hablarle pacíficamente.
37:5 Y soñó José un sueño, y lo contó a sus hermanos; y ellos llegaron a aborrecerle más todavía.
37:6 Y él les dijo: Oíd ahora este sueño que he soñado:
37:7 He aquí que atábamos manojos en medio del campo, y he aquí que mi manojo se levantaba y estaba derecho, y que vuestros manojos estaban alrededor y se inclinaban al mío.
37:8 Le respondieron sus hermanos: ¿Reinarás tú sobre nosotros, o señorearás sobre nosotros? Y le aborrecieron aun más a causa de sus sueños y sus palabras.
37:9 Soñó aun otro sueño, y lo contó a sus hermanos, diciendo: He aquí que he soñado otro sueño, y he aquí que el sol y la luna y once estrellas se inclinaban a mí.
37:10 Y lo contó a su padre y a sus hermanos; y su padre le reprendió, y le dijo: ¿Qué sueño es este que soñaste? ¿Acaso vendremos yo y tu madre y tus hermanos a postrarnos en tierra ante ti?

LA BODA EN CANÁ DE GALILEA

En el libro de Juan (Yojanán), comenzando en Juan 1:19 hasta Juan 2:1 reseñaremos acontecimientos que sucedieron durante siete días de tiempo.

  1. Juan 1:19 = Día Primero
  2. Juan 1:29 = Día Segundo
  3. Juan 1:35 = Día Tercero
  4. Juan 1:43 = Día Cuarto

    Después del cuarto día, el Mesías (Mashíaj) judío Yeshúa/Jesús marcha a Galilea. Galilea es la palabra 1551 de Strong en el Diccionario hebreo. La palabra Galilea en hebreo significa "un círculo." Un círculo es sinónimo del cielo. Estos cuatro días son un cuadro/anteproyecto espiritual dado a nosotros por el Di-s de Israel de que el Mesías (Mashíaj) judío Yeshúa/Jesús vendría a la tierra, después de haber estado en el cielo/círculo (Olam Habá) 4.000 años desde la creación de Adán en el Huerto del Edén (Gan Edén).

  5. Juan 2:1 describe una boda en Caná de Galilea en el tercer día. Este tercer día (después de los cuatro días previos) es el séptimo día. En este día, hay una boda.

Esto es un cuadro/anteproyecto dado a nosotros por el Di-s de Israel de que después de los 6.000 años de tiempo (el final del Olam Hazé), Él entrará en la plenitud del matrimonio con Su pueblo, cuando el Mesías (Mashíaj) judío Yeshúa/Jesús gobernará y reinará con Su Novia durante la Edad Mesiánica (Atid Lavó). En el pensamiento tradicional judío (casa de Judá), la Fiesta de las Trompetas (Rosh HaShaná) es el día de la plenitud del matrimonio del Di-s de Israel con Su pueblo.

 

EL AREA 51, ESTA CONECTADO A LA "HISTORICAL AXIS" DE PARIS, ADONDE ESTA LA "PUERTA DEL TRIUNFO" E INCLUSO LA TORRE EIFFEL, QUE incluso la misma esta diseñada en funcion a la salida eliaca de la estrella SIRIO (CAN MAYOR/PERRO/DOG/GOD/GRIAL). Esta es la causa del porque ROBERT LANGDON HACE REFERENCIA A LA MISMA EN EL "CODIGO DA VINCI". ESTO EXPLICA INCLUSO DESDE OTRA PERSPECTIVA DEL PORQUE LA INTERRELACION DE ROSE LINE CON EL PLANETA MARTE EN EL CONTEXTO AL NUMERO PI=3.14 E INCLUSO EL NUMERO DE ORO PHI=1.618033. EL MENSAJE ESPIRITUAL DEL AREA 51 TIENE REFERENCIA A LA ESCALERA DE JACOB/PUERTA DEL CIELO Y CASA DE DIOS, OSEA LA ALQUIMIA, LA UNION ENTRE EL CIELO Y LA TIERRA, o la union entre el hombre y la mujer, osea el HIJO. Recordemos que el METRO/METER=MADRE EN GRIEGO, esta diseñado en funcion al MERIDIANO DE PARIS /ROSE LINE que incluso con el mismo esta determinado en forma promedio la DISTANCIA DEL SOL A MARTE EN 227000000 de km. Concretamente EL MENSAJE, EN CONEXTO AL NUMERO DE ORO e INCLUSO AL NUMERO PI es una REFERENCIA AL 15 DE AGOSTO (DIA NUMERO 227) E INCLUSO EN UNA POSICION DE ORO ENTRE 4 de julio y el 11 de septiembre, 13 de mayo y 13 de octubre (Primera y Ultima aparicion de la Virgen de Fatima), 11 de febrero y 8 de diciembre (Virgen de Lourdes) e incluso con el CALENDARIO GREGORIANO ENTRE EL 1 DE ENERO Y 31 DE DICIEMBRE. ¿LA PREGUNTA ES EL PORQUE ESTA EN LOS ESTADOS UNIDOS? EN REALIDAD MARTE ES EL SANTO GRIAL DESDE LA PERPECTIVA CON EL COLOR ROJO.
 

The Axes of Paris are aligned with key sites in the US as you should know by now, and in 2005 it was most notable that the 'Tower Axis' (the axis of the Eiffel Tower/Champ de Mars) was aligned with the landing site of the sole space shuttle mission in 2005 ('Return to Flight').

Eiffel tower
RECORDEMOS que el "HOMBRE DE VITRUBIO" DE LEONARDO DA VINCI, SIMBOLIZA A LA ALQUIMIA EN EL CONTEXTO A LA cuadratura del circulo.
15 parts vitruvian man
LA PALABRA DE DIOS ES CIENCIA PURA, QUE DEGRACIADAMENTE LOS PSEUDOINTELECTUALES NO LOGRAN DISCERNIR POR SU ALTO "ALTER EGO". EL MAS GRANDE CIENTIFICO DE TODA LA HISTORIA DE LA HUMANIDAD, QUE FUE SIR. ISAAC NEWTON, QUE INCLUSO SE LE HACE REFERENCIA EN EL "CODIGO DA VINCI" FUE UN GRAN ESTUDIOSO DE LA PALABRA DE DIOS.
Mars mapping to Paris
EL MISMO PARIS ESTA DISEÑADO EN FUNCION A LA ALQUIMIA. PARIS ES PARE ISIS/ISIS PARE/GEN DE ISIS/GENESIS.
TODO EL SECRETO ESTA EN FUNCION A GENESIS 3:14=NUMERO PI.
Mars in Ecole Militaire detail
MARCOS/MARTE/ROJO-LA SANGRE ROJA SIMBOLIZA A JUAN MARCOS, EL HIJO DE NUESTRO SEÑOR JESUCRISTO Y MARIA MAGDALENA. RECORDEMOS QUE NUESTRO SEÑOR HIZO REFERENCIA SUBLIMINAL A PARIS CLAVADO AL PIE DEL MONTE HERMON, EN CESAREA DE PHI-LIPO, UBICADO A 33.33 DEL MERIDIANO DE PARIS.
EL GRIAL ES EL MUNDO AMIGO. LA UNICA VERDAD ESTA EN YHWH MEDIANTE CRISTO Y MAGDALENA

Reply  Message 5 of 112 on the subject 
From: BARILOCHENSE6999 Sent: 29/12/2012 08:47

Rose Line

From Wikipedia, the free encyclopedia
 
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Gnomon in the Saint-Sulpice church.
The obelisk, the meridian brass line on the floor.

Rose Line is a fictional name given to the Paris Meridian and to the sunlight line defining the exact time of Easter on the Gnomon of Saint-Sulpice, marked by a brass strip on the floor of the church in the Priory of Sion mythology, where the two are conflated.

 
HECHOS 12:12 -JUAN MARCOS ES EL GRIAL (JOHN MARK)

The fictional name Rose Line was also popularized by Dan Brown in his 2003 novel, The Da Vinci Code.[1]

[edit] Priory of Sion Mythology

The 1967 Priory of Sion document Au Pays de la Reine Blanche[2][3] states that "Rennes-les-Bains is located precisely on the Zero Meridian, which connects Saint-Sulpice in Paris" adding that "the parish of Rennes-les-Bains guards the heart of Roseline", being a reference to Saint Roseline de Villeneuve. Au Pays de la Reine Blanche also referred to "the line of the Zero Meridian, that is to say the red line, in English: 'Rose-line'".[4] Later in 1978, Pierre Plantard also referred to the "red line of the meridian, the 'Rose-Line'...since Roseline, the Abbess of the 'Celle aux Arcs', celebrates her feast day on 17 January... and her legend is well worth a read".[5]

The document entitled Le Serpent Rouge - Notes sur Saint-Germain-des-Près et Saint-Sulpice de Paris[6] conflates the Paris Meridian with a gnomon in the Parisian church of Saint-Sulpice marked in the floor with a brass line, which it calls the "Red Serpent".

Philippe de Chérisey in his document Stone and Paper recounted a story that a Roseline was also the name of his acquaintance: "there was a Roseline I knew who died on 6 August 1967, on the Feast of the Transfiguration, when leaving the zero meridian by car."[7] Another document by Philippe de Chérisey entitled Circuit,[8] in Chapter VII, adds the detail that Roseline was killed in a car accident whilst working as a double on the Television film La beauté sur la terre (1968),[9] a film that also starred Philippe de Chérisey under his stage name of Amédée.[10] The story about Roseline in Circuit also involves an imaginary character named Charlot who appears frequently throughout Circuit and both characters are patently imaginary beings appearing in one of Philippe de Chérisey's surrealist compositions.

Chapter XIII of Circuit is devoted to the Zero Meridian, with de Chérisey claiming it was established by Till Eulenspiegel (before Jean Picard), listing key sites that it passes through (in a fictional work attributed to Abbé François-Pierre Cauneille). In this chapter Roseline is called 'Fisher Woman', preferring herself to be known as "Di O Nysos, DON" ("dondon" is French slang for "fat woman"), an otherworldly being who organises funerals for the dead who are still living in her new Citroen 2CV (the make of car she was killed in).

[edit] Dan Brown's The Da Vinci Code

The term Rose Line has been popularized by Dan Brown in his novel The Da Vinci Code as an alternate name for "the world's first prime meridian",[1] identified as the Paris Meridian.[11] Brown's novel also conflates this meridian with a gnomon in the Parisian church of Saint-Sulpice marked in the floor with a brass line,[12] as did the 1967 Priory Document Le Serpent Rouge - Notes sur Saint-Germain-des-Près et Saint-Sulpice de Paris. The Paris Meridian actually passes about 100 metres east of the gnomon,[13] which according to author Sharan Newman and a sign in the church was "never called a Rose-Line".[12][14] A St Sulpice booklet dating from 2000, in the page about the history of the gnomon describes the brass line as "a meridian", it does not use the term Roseline or Rose Line.[15] Author Paul Murdin describes such sun lines as a "Meridian", or meridiana.[16]

Brown identified the Paris Meridian with the alleged bloodline of Jesus Christ and Mary Magdalene as well as Rosslyn Chapel, the central part of his novel. Quoting from The Da Vinci Code:

"Rosslyn Chapel's entrance was more modest than Langdon expected. The small wooden door had two iron hinges and a simple oak sign, Roslin. This ancient spelling, Langdon explained to Sophie, derived from the Rose Line meridian on which the chapel sat; or, as Grail academics preferred to believe, from the 'Line of the Rose' — the ancestral lineage of Mary Magdalene..."[17]

Quoting Mark Oxbrow and Ian Robertson from their book Rosslyn and the Grail:

"Dan Brown simply invented the 'Rose Line' linking Rosslyn and Glastonbury. The name 'Roslin' definitely does not derive from any 'hallowed Rose Line'. It has nothing to do with a 'Rose Bloodline' or a 'Rose Line meridian'. There are many medieval spellings of 'Rosslyn'. 'Roslin' is certainly not the 'original spelling': it is now the most common spelling for the village."[18]

At the climax of the novel, the protagonist follows the line of Arago medallions to the Louvre museum, where (according to the book) the Paris Meridian passes beneath the so-called Inverted Pyramid in an underground mall in front of the museum. Following the tradition of esoteric interpretations of this meridian, the novel hints that this is the final resting place of the Holy Grail. The fact that the meridian passes near the Inverted Pyramid is also noted in the book Le guide du Paris maçonnique by Raphäel Aurillac, who likewise ascribes some deeper, esoteric significance to this.

In the Louvre area, the meridian line marked by the Arago medallions actually runs through the museum and the great courtyard at a spot considerably to the east of the Inverted Pyramid. The medallions in the museum are behind ticketed access points, while the Inverted Pyramid is located in a public mall next to the museum.

Other landmarks said to lie on the line are Arques and Conques,[19] the Lady of the Roses cathedral in Rodez, St. Vincent's in Carcassonne, and the Church of St. Stephen's in Bourges, and Rennes-les-Bains.

While Dan Brown presents the Rose Line as "the world's first prime meridian",[1] the idea of establishing a Prime Meridian dates back to antiquity,[20] with suggested meridians running through Rhodes or the Canary Islands. When Greenwich was adopted as the universal zero longitude in 1884[21] (not 1888 as the novel says), it had at least nine rivals besides Paris (Berlin, Cadiz, Copenhagen, Lisbon, Rio, Rome, Saint Petersburg, Stockholm, and Tokyo).


Reply  Message 6 of 112 on the subject 
From: BARILOCHENSE6999 Sent: 29/12/2012 08:48
 
LEONARDO DAVINCI
LEON (LEON de la tribu de JUDA)
NARDO=UNGIMIENTO DE BETANIA
Busqueda para NARDO
 ¿PORQUE MARIA MAGDALENA UNGE LOS PIES DE JESUS EN

EL NARDO TIENE UN FUERTE NEXO CON MARIA MAGDALENA EN CONTEXTO AL UNGIMIENTO DE BETANIA
 
Entonces María tomó una libra de perfume de NARDO puro, de mucho precio, y ungió los pies de Jesús, y los enjugó con sus cabellos; y la casa se llenó del olor del perfume.
 
DAVID
VID/VINO/GRIAL
VIDA
1232. Salmos 128:3: Tu mujer será como VID que lleva fruto a los lados de tu casa;
Tus hijos como plantas de olivo alrededor de tu mesa.
GENESIS 49
49:8 Judá, te alabarán tus hermanos; Tu mano en la cerviz de tus enemigos; Los hijos de tu padre se inclinarán a ti.
49:9 Cachorro de león, Judá; De la presa subiste, hijo mío. Se encorvó, se echó como león, Así como león viejo: ¿quién lo despertará?
49:10 No será quitado el cetro de Judá, Ni el legislador de entre sus pies, Hasta que venga Siloh; Y a él se congregarán los pueblos.
 ¿PORQUE MARIA MAGDALENA UNGE LOS PIES DE JESUS EN
49:11 Atando a la vid su pollino, Y a la cepa el hijo de su asna, Lavó en el vino su vestido, Y en la sangre de uvas su manto.
49:12 Sus ojos, rojos del vino, Y sus dientes blancos de la leche. (LAODICEA=ILUMINACION=APOCALIPSIS 3:14. LA ILUMINACION en la tora tiene un fuerte contexto con MARIA MAGDALENA Y EL SANTO GRIAL. En la pelicula "EL CODIGO DA VINCI" cuando ROBERT LANGDON Y SOPHIE NEVEU van a la mansion del INGLES SIR  LEIGH TEABING es increible que PREVIO A QUE ESTE ULTIMO le revele a SOPHIE el nexo de MARIA MAGDALENA CON LEONARDO DA VINCI le hace cerrar los ojos y le pregunta de cuantas copas habia en la mesa en la SANTA CENA y justamente ella responde que una sola. TEABING, un ingles, cuando SOPHIE abre los ojos (ILUMINACION) le muestra que en dicha pintura no hay ninguna copa y que el GRIAL ES JUSTAMENTE LA MUJER QUE ESTA A LA DERECHA DEL SEÑOR CON PELO ROJIZO. LA ILUMINACION EN LA TORA ESTA 100% INTERRELACIONADA CON LA ESPOSA DE NUESTRO SEÑOR JESUCRISTO)
  • María Magdalena, Misiones

    María Magdalena
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    detailed map of Colonia Maria Magdalena and near places

    Google Local — Colonia Maria Magdalena mapWelcome to the Colonia Maria Magdalena google satellite map! This place is situated in Eldorado, Misiones, Argentina, its geographical coordinates are 26° 15' 0" South, 54° 36' 0" West and its original name (with diacritics) is Colonia María Magdalena. See Colonia Maria Magdalena photos and images from satellite below, explore the aerial photographs of Colonia Maria Magdalena in Argentina. Colonia Maria Magdalena hotels map is available on the target page linked above.

    http://www.maplandia.com/argentina/misiones/eldorado/colonia-maria-magdalena/

     

     EL DORADO

     
     
    FI=PHI=NUMERO DE ORO=1.618033
     
    171. Salmos 45:9: Hijas de reyes están entre tus ilustres;
    Está la REINA a tu diestra con oro de Ofir.

    SO-FI-A/SABIDURIA/S-OFI-A/FI-L-OFI-A
    REINA VESTIDA CON ORO DE O-FI-R
     
    201. Romanos 11:33: ¡Oh profundidad de las riquezas de la sabiduría y de la ciencia de Dios! ¡Cuán insondables son sus juicios, e inescrutables sus caminos!

    Reply  Message 7 of 112 on the subject 
    From: BARILOCHENSE6999 Sent: 29/12/2012 08:48
    Migdal David, Jerusalem's citadel, was first built by Herod the Great more than 2,000 years ago. The fortress has served throughout the centuries as Jerusalem's primary defense against any attack from the north and the west, the city's defensive weak points.

    Migdal ...tower ...yes Bill I see your point
    but I think it also means Migdal home of one of Israel's oldest synagogues
    in the town of Magdala
    Magdala was a fishing town that was mentioned in Jewish documents of the period as a major site during the First Jewish–Roman War (66CE–73CE) at the time of the destruction of the Second Temple in 70 CE and is also mentioned in Christian texts as the home community of Mary Magdalene.[2]
    The synagogue is located in Migdal (‘Magdala’ in Aramaic

    Migdal played an important role during the Great Revolt

    so if you look at Tarot cards

    the Tower
    A tower on a rocky outcrop, a powerful bolt of lightning, one or two figures falling from the tower, sometimes waves crashing below.

    Basic Tarot Meaning

    With Mars as its ruling planet, the Tower is a card about war, a war between the structures of lies and the lightning flash of truth.

    _________________
    Everything is Connected and there are no
    coincidences


    http://andrewgough.co.uk/forum/viewtopic.php?f=1&t=3075&start=600
     
     
    Respuesta  Mensaje 23 de 33 en el tema 
    De: BARILOCHENSE6999 Enviado: 19/11/2012 21:36
    El 2003, año del estreno del CODIGO DA VINCI, fue el año numero 227=Pi, muy interrelacionado con FATIMA, desde la INDEPENDENCIA DE EEUU. OTRO DATO ES QUE EL 2011es el año numero 235=47x5 , INSISTO, desde 1776.
     
     
    Respuesta  Mensaje 24 de 33 en el tema 
    De: BARILOCHENSE6999 Enviado: 27/11/2012 20:02

    The Martian Message

    By Goro Adachi
    Sept. 29, '02
    / Jan. '03

     

    [The following is a portion taken from Chapter 2 of my book The Time Rivers. It should quickly summarize the baffling saga of the "Monuments of Mars" for those not very familiar with the subject.]


     

     

    19.5°: A Signal From Mars

    [...] The esoteric significance of 19.5° was actually first brought to mankind’s attention through another celestial body much closer to Earth – the Red Planet.

    This is not as strange as it sounds. For instance, Mars happens to be intertwined with ancient Egypt in curious ways: 

    • The Egyptian capital Cairo, situated adjacent to Giza, derives its name from Al Qahira denoting Mars. (More literally it means ‘the victorious’.)

    • The ancient Egyptians called Mars ‘Horus of the Horizon’ (Horakhti), which was the very same name given to the Great Sphinx. Mars was also called ‘Horus the Red’ (Hor Dshr), and for a long time the Sphinx was painted red.[1]

    • Just as the Great Sphinx is the hybrid of man and a lion, in ancient Hindu myths Mars is Nr-Simha, the ‘Man-Lion’.

    • The term ‘pyramid’ derives from the Greek term pyr meaning ‘fire’, as in Mars the ‘fire planet’. (Mars is often referred to as pyroeis in Greek.)

    As for the angle 19.5°, it resides at the heart of the geometric ‘message’ claimed to have been found on the deceptively barren Martian surface.

    Indeed, the first sign of the ‘Martian message’ emerged through certain structures that were not only pyramidal but also tetrahedral.

    These apparent pyramids were captured on camera in 1972 by NASA’s Mariner 9, the first spacecraft to enter Mars orbit in history. As it flew over a region called Elysium Quadrangle, the probe just happened to detect this ‘tip of the iceberg’ – as they would turn out to be – quietly sitting there.

    While no serious scientific investigation was launched, it was certainly anomalous enough for celebrated scientist Carl Sagan to comment that these ‘beckoning pyramids’, as he called them, did ‘warrant…a careful look’.[2]

    Following this little prelude came Cydonia.

    Oh my God, look at this!’, exclaimed Tobias Owen of JPL (Jet Propulsion Laboratory) as he came across a photograph labeled 35A72, sent from Mars by Viking 1 in 1976. What he saw was the now infamous ‘Face on Mars’ situated in a region called Cydonia.

    It was a rock formation resembling a huge human face silently staring up into space.

    While seemingly a silly notion, there was at least some symbolic coherence here, as noted by Richard Hoagland, in that the Egyptian name given to the ‘Martian god’ Horus was Heru, which could also mean ‘face’.[3] 

     

     

    Figure 2.6  The first picture of the ‘Face on Mars’ (35A72) taken by the Viking spacecraft in 1976.


    Then came Vincent Dipietro, a NASA computer scientist, who discovered another photograph (70A13) in 1979 that showed the same object still looking like a face. But more importantly, DiPietro along with Gregory Molenaar found another peculiar feature in the vicinity of the ‘Face’. This was a gigantic and seemingly five-sided pyramidal structure, nicknamed the ‘D&M Pyramid’ (after DiPietro and Molenaar).

    Unlike the ‘Face’, this pyramid proved to be more effective in determining the involvement of intelligence, thanks to its geometric nature. And shocking was what the subsequent analysis revealed: the inferred design of the D&M Pyramid seemed to express Pythagorean mathematics and geometry![4]

     

     

    Figure 2.7  Geometric analysis of the ‘D&M Pyramid’ model.


    NASA, however, simply could not be bothered to look into the growing mystery.

    Understandably frustrated, Dipiero and Molenaar resolved to write Unusual Mars Surface Features – which would catch the attention of Richard Hoagland, a science writer and former space program consultant. (He presently heads ‘The Enterprise Mission’, a group devoted to investigating space anomalies as well as anything remotely related).

    Doing some investigation of his own, Hoagland found other anomalous objects in Cydonia, such as what he nicknamed the ‘City’, ‘Fort’, ‘Cliff’, and ‘Tholus’.

    Increasingly fascinated by those ‘Monuments of Mars’ and driven by pure curiosity, he went on to establish the Independent Mars Investigation (IMI) funded by SRI International, a renowned think tank in California involved with cutting-edge science and technology. This eventually evolved into the ‘Mars Mission’ and then into ‘The Enterprise Mission’. Among the members were DiPiero, Molenaar, anthropologist Randolpho Pozos, plasma physicist John Brandenberg, SRI scientists Lambert Dolphin and Bill Beatty, image-processing expert Mark Carlotto, and cartographer Erol Torun.

    These independent researchers then managed to accumulate ample evidence to strongly support the structures’ artificiality – the most compelling being the geometric attributes of the D&M Pyramid model found by Torun:

    What Torun discovered was a mathematically rich figure whose geometry contains the mathematical bases for the hexagon, the pentagon, and the classic proportions of the Golden Ratio… Twenty of the model’s internal angles, angle ratios, and trigonometric functions redundantly express three square root values, sqrt 2, sqrt 3, sqrt 5, and two mathematical constants, pi (the ratio of the circumference of a circle to its diameter) and e (the base of the natural logarithms) with a mean error of one-half of one percent… Except for sqrt 2 and sqrt 3, the constants do not appear alone, but in seven different mathematical combinations... The most redundant values discovered were e/pi, e/sqrt 5, and sqrt 3. These values are repeated four times each in at least two different modes of measurement.[5]

    The investigators additionally revealed that the geometry of the D&M Pyramid seemed to emphasize key tetrahedral angles such as 19.5° and 60°.[6] In particular, the ‘tetrahedral constant’ 19.5° was found encoded everywhere in the region of Cydonia.[7] There was, for example, a set of sixteen little ‘mounds’ in the ‘City’ area examined by Horace W. Crater, a physicist and pattern-analysis expert at the Tennessee Space Institute.

    Crater was astounded to discover that the mounds were definitely not randomly placed features. Many of the angles made by the mounds, he had to conclude, were decidedly tetrahedral and functions of 19.5°.[8]

     

     


    Tetrahedral geometry, therefore, had firmly emerged as the ‘message of Cydonia’. And on this point, Hoagland states in The Monuments of Mars:
     

    The key… now unmistakably centers on the geometric and geodetic properties of an inscribed tetrahedron… surrounded by a sphere, communicated so redundantly through the inter-locking geometry, angles, mathematical constants, and their associated trigonometric functions discovered so redundantly across Cydonia.[9]

     

    [Hoagland's 'Geometric Relationship Model' of Cydonia]


    If these findings are accurate, it would amount to one of the biggest revelations in history – the first sign of intelligence outside of our own planet. And yet, today the general public is largely oblivious to this development. Most people’s knowledge on this does not go beyond the mere existence of ‘the face-like thing on Mars’, as they are utterly unaware of all the remarkable geometric data.

    Why is this? Why is the explosive matter of Cydonia being ignored? Is it because the findings are invalid conclusions conjured up by a bunch of crackpots?

    Not so, according to Stanley McDaniel, professor emeritus and former chairman of the philosophy department at Sonoma State University, a man most suited for evaluating this kind of issue for he is specifically trained in reasoning – man’s only true friend in finding truth.

    As McDaniel writes in The McDaniel Report: On the Failure of Executive, Congressional, and Scientific Responsibility in Investigating Possible Evidence of Artificial Structures on the Surface of Mars and in Setting Mission Priorities for NASA’s Mars Exploration Program (1993):

    My initial approach was one of considerable skepticism… [But] over the course of the investigation my appreciation for what these researchers had done, and the underlying scientific integrity of their work, began to grow. I found that the occasional faults in their work were far outweighed by the solidity of the data and their responsiveness to the needs of what is, after all, the first study of its kind in history.[10]

     

    The data collected in the course of these investigations appears to be highly reliable. The most advanced techniques of image enhancement, photoclinometry and fractal analysis, confirmed by cross-checking and thoroughly documented, have been used. The investigators are acknowledged experts in their fields with strong academic and professional qualifications. In every test, the data has consistently tilted in the direction of artificial, rather than natural, origin. Moreover, the various tests performed, including anthropometric and aesthetic evaluation, have been mutually cross-confirming.[11]

    As it was done by ‘an impeccable, unquestionably academic source’, The McDaniel Report represented ‘a major scientific and political breakthrough for the entire subject of Cydonia’.[12]

    So why, we must ask again, have the Martian findings not made the headlines all over the world, as they surely deserve?

    We find that this is largely thanks to the strange reaction of the establishment – namely NASA – to Cydonia. On this, McDaniel writes: 

    As my study of the work done by the independent investigators and NASA’s response to their research continued, I became aware not only of the relatively high quality of the independent research, but also of glaring mistakes in the arguments used by NASA to reject this research. With each new NASA document I encountered, I became more and more appalled by the impossibly bad quality of the reasoning used. It grew more and more difficult to believe that educated scientists could engage in such faulty reasoning unless they were following some sort of hidden agenda aimed at suppressing the true nature of the data. Eventually my original naïve view – that all NASA scientists were sincerely interested in the truth – was utterly shattered…[13]

     

    Seventeen years [as of 1993] of ridicule by NASA and a small handful of scientists whose field of expertise is severely limited has encouraged many people to ignore the data and dismiss the [issue] as a joke… Instead of carrying out legitimate scientific inquiry, NASA has regularly sent false and misleading statements regarding the landforms to members of Congress and their constituents. NASA has condoned efforts to unfairly ridicule and discredit independent researchers… despite the fact that the only real scientific study of the landforms indicates a clear possibility that they are artificial.[14]

    The issue concerning the ‘hidden agenda’ of NASA is ultimately too complex and obscure to delve into here. But suffice it to say that there are those behind the scenes who seem to know much more than the general public, academia, media, and even the government do, and they seem to wield an invisible but strong influence on our perception of ‘reality’. And for whatever reason, it appears that ‘they’ do not want the matter of extraterrestrial artifacts taken seriously.

    While there are certainly many layers of reasons and agendas involved here, on a basic level anthropologist Randolfo Pozos was probably on the mark when he stated: 

    The greatest difficulty posed by these curious landforms on Mars occurs… at the level of beliefs and fundamental values… In essence these landforms on Mars are intellectual land-mines.[15]

    It is also quite feasible that the apparent suppression of the information has much to do with the ultimate meaning of the ‘message of Cydonia’, which, according to Richard Hoagland, concerns what he calls ‘hyperdimensional physics’.

    This is a form of ‘hyperspace’ theory that basically adds extra dimensions to the normal four dimensions of space and time to explain physical phenomena. In the model promoted by Hoagland, stemming from the Cydonia research, tetrahedral geometry and angular momentum are viewed as the key to uniting the physical and ‘hyperdimensional’ realms.[16] And this unification, if achieved, would lead to the harnessing of an entirely new form of energy or force.

    If valid and developed further, it has the potential to quickly and completely upset the societal structure and utterly undermine those in control of the world’s economy – as the new physics would easily translate to something akin to ‘free energy’, which in turn translates to dramatically decreased dependency on oil and other conventional energy sources.

    [...]

     

    [Back to main page]

     
    http://www.goroadachi.com/etemenanki/martian-message.htm


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