ES OBVIA LA RELACION DEL PI EN EL CONTEXTO AL NUMERO 4 Y LA MISMA SANTA CENA.
PI=4/RAIZ DE PHI
ESE APARENTEMENTE POR KAVALA ES EL VERDADERO VALOR DE PI SEGUN LA BIBLIA.
EL PI ES EVIDENTE QUE TIENE CONOTACION CON EL TIEMPO, INSISTO EN EL MARCO A QUE EL UNICO MANDAMIENTO DE LA TORA, NEXO CON EL TIEMPO ES EL CUARTO. EXODO 20 Y DEUTERONOMIO 5
NOTEN LA RELACION CON EL PI EN LA FORMULA DE EINSTEIN
ESTO NOS CONFIRMA QUE DICHO NUMERO TIENE FUERTE NEXO CON EL TIEMPO.
My friend has recommended this for a long time, and I have finally found this amazing article which is well organized, and clear to understand. I also study 토토사이트 so you will probably be able to find my huge information.
I hope this one affects more widely so that many people could be happier than before. I have something simmilar too. 토토사이트 could also make people feel much better I guess.
Los Carmelitas descalzos obtuvieron un Breve apostólico de Paulo V para edificar conventos de su Orden en cualquier parte de la Cristiandad; fue este el primero que fundaron en la última parte del Monte Quirinal el año de 1606.
La iglesia se fundó en 1605 como una capilla dedicada a san Pablo para los carmelitas descalzos. La propia orden dotó de fondos a la obra del edificio hasta el descubrimiento en las excavaciones de la escultura conocida como el Hermafrodita Borghese. Scipione Borghese se apropió de ella, pero a cambio, y quizá para compensar su pérdida de influencia debido a la muerte de su tío y patrón, financió el resto de la obra de la fachada y prestó a la orden a su arquitecto, Giovanni Battista Soria. Estas concesiones, sin embargo, sólo se llevaron a efecto en 1624, aunque la obra se acabó dos años más tarde.
Después de la victoria católica en la batalla de la Montaña Blanca en 1620, que hizo retroceder la Reforma en Bohemia, la iglesia fue consagrada de nuevo a la Virgen María. Una imagen maltrecha había sido recuperada del ámbito de aquella batalla por Fray Domingo de Jesús María, de dicha Orden, de las ruinas de la casa de campo de un noble cristiano bohemio, a la cual se le atribuyó la victoria, llamándola Santa María de la Victoria. La imagen fue llevada a Roma por Fray Domingo, depositándose en Santa María la Mayor en presencia de Gregorio XV.
El nombre de Santa María de la Victoria, se dio ulteriormente, en conmemoración por haber reconquistado el emperador Fernando I la ciudad de Praga en 1671. Estandartes turcos capturados en el Sitio de Viena de 1683 cuelgan en la iglesia, como parte de este tema victorioso.
La iglesia es la única estructura diseñada y completada por el arquitecto del Barroco temprano, Carlo Maderno, aunque el interior padeció un fuego en 1833 y requirió una restauración. Su fachada, sin embargo, fue erigida por Soria en vida de Maderno (1624-1626), mostrando la inconfundible influencia de la cercana Santa Susanna de Maderno.
Su interior tiene una sola nave, amplia, bajo una bóveda segmentada baja, con tres capillas laterales interconectadas detrás de arcos separados por colosales pilastras corintias con capiteles dorados que apoyan un rico entablamento. Revestimientos de mármol que contrastan entre sí están enriquecidos con ángeles y putti de estuco blanco y dorado en bulto redondo. El interior fue enriquecido progresivamente después de la muerte de Maderno; su bóveda fue pintada al fresco en 1663 con temas triunfales dentro de compartimentos con marcos ficticios: La Virgen María triunfa sobre la Herejía y Caída de los ángeles rebeldes ejecutados por Giovanni Domenico Cerrini.
Sin duda, parte de la fama de este templo se debe a albergar una de las obras maestras del Barroco, la capilla Cornaro, espectacular y teatral espacio presidido por el grupo escultórico que representa el Éxtasis de Santa Teresa, de Gian Lorenzo Bernini, quizá la obra más conocida de este autor en el campo de la escultura. En la capilla situada frente a esta, dedicada a San José, se encuentra un grupo escultórico que representa el tema del Sueño de San José, obra del escultor Domenico Guidi, que se inspira en la obra de Bernini delante de la cual se halla.1
History. The Order of Isabel the Catholic was instituted by King Ferdinand VII on 14 March 1815. The original statutes of the Order were approved by Royal ...
The order was established on March 14, 1815 by the Spanish King Ferdinand VII in honor of the Queen of Castile Isabella I with the original name "Royal ...
2 oct 2021 — It was created on March 14, 1815 by King Ferdinand VII in honor of Queen Isabella I with the intent of “remembering the firm allegiance to ...
25 may 2023 — ... Isabella the Catholic. This recognition is a distinction of the Spanish State, instituted by King Ferdinand VII on March 14, 1815, with the ...
The Order of Isabel the Catholic was instituted by King Ferdinand VII on 14 March 1815. The original statutes of the Order were approved by Royal Decree of 24 March, with membership made in three classes: Grand Cross, and Knights of First and Second Class. Ferdinand VII was declared the Order's Founder, Head, and Sovereign. On 7 October 1816, at the suggestion of the Chapter of the Order, the Knights of the first class were renamed Commanders and the second class were renamed Knights.
By royal decree of 26 July 1847, Isabella II reorganised the four royal orders in Spain: the Order of the Golden Fleece, the Langues of Aragon and Castile of the Order of Saint John of Jerusalem, the Order of Charles III, and the Order of Isabella the Catholic. The latter was reserved to reward exclusively the services rendered in the Overseas territories. The classes of the order became Knight, Commander, Commander by Number, and Grand Cross. The concession and tests of nobility was suppressed in all the Royal Orders. By royal decree of 28 October 1851, no concessions of Grand Cross of any orders were to be made without the proposal of the Council of Ministers and concessions for the lower classes with the proposal of the Secretary of State.
After the establishment of the First Republic, the Order was declared to be extinguished by Decree of 29 March 1873 as deemed to be incompatible with the republican government. Use of the various insignias was allowed to those who possessed them. When King Alfonso XII ascended to the throne, the Order was reestablished by Decree of 7 January 1875.
Coat of arms of Alfonso XIII, with collar and heraldic mantle of the Order.
During the minority of Alfonso XIII, his mother and Regent, Maria Cristina, signed the royal decrees of 15 April 1889 and 25 October 1900. Among other things, they sought to impose entry into the Order by the category of Knight, to prohibit the use of decorations until the corresponding title was obtained, and to ratify the obligation that the Grand Cross be awarded with the agreement of the Council of Ministers and for conferees to be published in the Official Gazette. By Royal Decree of 14 March 1903, the Silver Cross of the Order was created, and by Royal Decree of 15 April 1907, the Silver and Bronze Medals.
In Royal Decree 1118, of 22 June 1927, the superior grade of Knights of the Collar was created, to be awarded to prominent personalities of extraordinary merit. It also provides that women can also be decorated with either the lazo or banda.
The Provisional Government of the Republic, by decree of 24 July 1931, abolished all orders under the Ministry of State, except for the Order of Isabella the Catholic. The regulations approved by decree of 10 October 1931 introduced a new degree: Officer (Oficial). By decree of 8 August 1935, it was established that the first degree in the Order of Isabella the Catholic was that of the Grand Cross, the Collar being reserved exclusively for very exceptional cases.
In 1938, Franco, by decree of 15 June, restored the Order in its traditional meaning: to reward meritorious services rendered to the country by nationals and foreigners. The order's regulations were approved by Decree of 29 September 1938. According to the 1938 regulations, the order consisted of the following grades: Knight of the Collar, Knight Grand Cross, Commander by Number, Commander, Knight, and Silver Cross. Decree 1353/1971, of 5 June, re-incorporated the rank of Officer, placing it between the grades of Knight and Commander. Thus, the Order consisted of the following grades: Knight of the Collar, Knight of the Grand Cross, Banda de Dama (denomination of the Grand Cross when granted to ladies), Commander by Number, Commander, Officer, Knight, Lazo de Dama (the degree of Knight when it is granted to ladies), and Cruz de Plata.
The order's current regulations date from 1998 as approved by Royal Decree 2395/1998, of 6 November. Among its provisions, the categories of Banda de Dama, Cruz de Caballero and Lazo de Dama were repealed to avoid possible interpretations of there being gender discrimination. Notwithstanding this, for aesthetic and functional reasons, the ladies who are decorated use reduced versions of the insignia of each degree of the Order.
Previous subject
![That's one small step..." —Neil Armstrong [1024 x 1333] : r/QuotesPorn](https://i.imgur.com/lfLGX.jpg)
.svg)