PROCEDURES FOR DESIGNING A CITY OF GOD

Washington, D.C. was designed as a Sacred Site, a City of God. By contrast Boston was designed through the daily course of life. The pasture was used by all the inhabitants for their cows. As a result it became known as The Common. People could trust that their cows would go to The Common and come home every day. The cows created paths going to and from The Common. Eventually the cow paths were paved and widened. The result is that heart of Boston is now a city laid out by cows. This makes Boston a unique city with a personality unlike any other. Since the cows were simply doing their local daily thing, they did not need a cosmic orientation. The cows did not need a star with a Rose Line orientation, or so I heard when I lived in Boston.

The contrast with New York is evident. Of course, New York was built on an island and commercial efficiency had a lot to do with the practical layout of its prime meridian which parallels the Hudson and East Rivers. Yet, as logical as the streets of New York may be, there is very little room for spiritual complexity and cosmic orientation.

The map of Washington, D.C. clearly shows that some intent other than grazing cows was behind the street design before habitation in the area. A Rose Line orients the city plan to the Earth. If the line between the Lincoln Memorial and the Capitol did not lay perpendicular to the Rose Line, then some other intent than orientation to an earthy Rose Line must have guided the city planners. Washington has a lay line not unlike Teotihuacán and Giza. These cities were dominated by their pyramidal architecture and the lay lines to celestial orientation and cosmic spirituality.  However, the fact that the Washington Monument is on the line between the Capitol and the Lincoln Memorial means that there was an intent to draw a line between the Capitol and the Lincoln memorial. Cows meander. Men of good judgment take straight paths to their destiny. The east west line is approximately one degree off the true east-west line, and yet the position of the obelisk is evidence that the designers knew that the line was straight. Either they had a defective protractor or they intended that the line be "off line" with respect to east-west line. This is how we know that the urban grid is a City of God. Teotihuacán  is oriented 15.5 degree off of the north-south meridian for the specific purpose of aligning the City of God to the return of the child in the mouth of the Feathered Serpent. Giza has so many lines of intent that one is often afraid to open Pandora's Box for fear of the Medusa that is locked inside. Yet, the Teacher of Righteousness, who was Sekhmet still stares due east at the rising stars. It has been shown else where that Sekhmet looks toward the star Spica and the dream of cosmic rebirth. But, her cosmic message is less apparent than her earthly message. She says, "Look eastward while you can, for the day is coming when you will pass through the gates of my necropolis.

New York City was not laid out by Sacred Cows or Righteous Lionesses. The intent behind New York City was efficient transit and maximum utility of a limited resource, land. They aligned the streets and the avenues to assure a thriving metropolis. The result was that NYC became the hub of rational commercial discourse. Nevertheless, Boston, Washington, and New York City clearly reveal design intent of Holy Cows, Sacred Fathers, and Commercial Enterprise. The designers put the spirit in each city at the Moment of the First Occasion for each city. The Moment of the First Occasion is the moment of the Intent to plan.

Artifacts found around ancient sacred cities clearly demonstrate that there was more than Bovine Intent when they started the project of civil construction. These artifacts may carry the essence of the Moment of the First Occasion, if they are the refuse of the original design. In archaeological undertakings we must assume that to be the case and then test the assumption by planning a city or sacred site around the artifacts we find. If the artifacts carry the true spirit of the planners the design will make itself known. However, if the rediscovered artifacts of the gods are interlopers or late comers, then we will be led down some primrose path. The next mistake is unconscionable. When we have false gods we must not force them to be the right gods for the sake of our own comfort. We desire to be on the right path. That is why the mistake of following false gods is unconscionable. We desire ourselves to be with the Right Gods and we have the power to choose which way we go. That power can get too close to usurpation and we fall into Perdition as the Eighth King of Seven. The Truth does not come with judgment, for that is when the truth dies in a mocker of a trial. The truth comes and comes and comes for ever when we witness is magical rebirth. It is for the sake of the rebirth of ancient truth that all great monumental cities were constructed. For what else is a monument is not a restoration of a Moment of the First Occasion.

That is why Judgment Day is the most important day in the processing of any plan. It is not a single Moment in Time. It is never being unconscionable for the sake of self righteousness. As such, it comes on the day of the last judgment when truth is self evident. In other words we have to see the false gods when we create them and before they become the habit of our own personality. Boston, Washington, and NYC are domains of the habitual where the people wander like ruminating beast chewing on the truth without swallowing its sweet grace.. The lay of the land creates the habits of the occupants of the land. We feel comfortable being loose and fancy free in Boston. That is how Boston became a focal point of Liberal Minds. We feel the need to do commerce in NYC. That is why The Big Apple is the greatest center of commerce in the world. We feel the governing power in Washington. That is why Washington has grown to become the city that governs all cities on earth. The plan in Boston was to ruminate. The plan in NYC was for enterprise. The plan in Washington was to govern.

In order to establish a City of the God of Government it is mandatory that the urban plan incorporate the Cosmic Design, otherwise the city is governed by chaos and it is without judgment, or worse it becomes a lair for tyrants and pirates. The urban planners of all great civil enterprises have understood this fundamental essence. In a  city dedicated to the Gods of Government special tasks must be performed because of the undeniable corruptive power of governing power. Planners of the Cities of God have to put cosmic order in their streets so that the King of Kings remains on the Throne of Truth. Consider the many tyrants who have tasted power without an appreciation for Cosmic Truth and you will see many nations at war. Was Giza, USA a Sacred Site, or was Giza, USA a commercial site, or was Giza, USA a pasture of good times? The way to find out is to unravel the lay of the Rose Line.

In Washington D.C. the earth bound Rose Line runs between the Jefferson Memorial and the Presidential Mansion along the Prime Meridian of the new country. The short north-south aspect was dictated by the need to incorporate the great civilizing influence of the Native American and Egyptian mentors who taught their people that the soul was composed of five parts, Water, Earth, Air, Fire, and Light.. The west triangle off the Rose Line dictates the width and breadth of the mall. Lincoln, being a fallen hero needs to be memorialized in the west. Freedom, being the goddess of the New World Order needs to be on a pedestal to motherhood in the east. The soul matures during the experience of life. If the individual does not make a mockery of the trial of life the soul of the individual will merge all the apexes of the pentahedron into the highest apex. This is the point where the four created parts of the soul merge into the Eternal Light that is the essence of the Universal Being. To be One with God is a lofty goal, for sure. But, to deny the potential of one's own soul is simply a path to perdition. That is why great cultures have always crated Stairways to Heaven. That is also why the crystal pentahedron on the Washington mall is hidden in plane sight rising high above the grassy knoll upon the memorial phallus of the First Father of the nation for which Washington is the Rose Line and Capitol. Most people see the great obelisk, but to see the crystal pentahedron an individual must learn how to utilize the All Seeing Eye. The Beatles made the pathway to the top of heaven popular in a song about Mother Mary speaking words of wisdom, let it be. That is how we become adepts at cosmic accomplishments. We let the accomplishment unfold within us as we witness the All Seeing Eye through us in such manner that our own example is the example of heavenly righteousness. It is this spirit of righteous freedom that ruled the urban planners when they set out to raise an Eternal city of God out swamp lands of Maryland and Virginia.

Like Giza the soul of America needs cosmic alignment. The south is the physical being, the baboon, the body soul, and it is asexual. Thus, the Jefferson Memorial is a feminine monumental design dedicated to a masculine personality. That was Jefferson. The west is the land of the Ka. It is the eternal material essence. Our genes carry the Ka of billions of years of the ascending soul from one generation to the next. When we die we return to the Ka. Thus, the president who most immortalizes death as a resurrected spirit belongs in the west. No president comes close to Lincoln in this regard because he took the holocaust of the Civil War and made it an example of the United States of America. That is the Ka of our land. The north is the land of the mind, Imsety. It is here that we must place the president's mansion. What the country needs most in this mansion is a mind for the ascending soul of America. This is the House of Seth and the House of Horus. These two gods of Liberalism and Conservatism must perpetually cycle through the mansion to maintain balance throughout all the land for all ages. The final point on the plan of creation is the east. It is the direction of future rising stars. It is also the direction of the gaze of the Sphinx and the place where Wise Men see the rising stars of kings to come. This is the direction of Kingdom Come. This is the future of the intent present at the Moment of the First Occasion when the city designers set about to accomplish the will of God. On the rotunda of the Capitol stands the dream of Kingdom Come, she is a Goddess called Freedom and she is the spirit of the Native Peoples of the Land of the Free. This spirit still reverberates in the land even though the overt traditions of the Native Peoples remain hidden from the view of impious fools.

The four compass points are visible in the codex of the urban grid of Washington. And they were not placed by accident or by ruminating cows. They are intentional. There is one other point of prime interest. It is the monument at the center. The obelisk is the phallus of the God Father. He was George Washington, whose name carries on under his monument. That monument points skyward to show the way we must all strive toward. Once we can see the pyramid of the soul on the mall in Washington, we can merge all the elements of creation, body, earth, mind, and spirit into a vision of the divine. To get there we have to rise on the wings of the eagle. That eagle has the Seal of Solomon on its obverse and the vision of God on its reverse. It is the Eye of Oneness. The magic of paying attention will overcome chaos, doubt, and denial. Eventually the Great Man with the crown of innocence will walk with the Heavenly Host.

The five primary stars chosen to tell the story of the birth of the New Age are Regulus, Spica, Arcturus, Zaniah, and Mintaka, but the whole of the heavens is implied by the destiny of all Great Men. The axiom "as above, so below" must be applied in the projection down to earth. That means we must project the stars down to the earth as they are seen from beyond the stars. The image of the Potter's Field shown above is the mirror image of the Potter's Field in the District of Columbia. It is what we see when we turn our back to Mother Earth and face the heavens. This is the major stumbling block of all cosmic research. We want to project what we see onto the ancestral monuments. But, having taken our hand from the play we fall on our back sides to the Redemptoris Mater.

The Redemptoris Mater Chapel of Pope John Paul II shows Christ at the center of a revolving field of stars. This is the location of Polaris at the north pole. It shows Christ with his back to the heavens as he opens his arms to the four apostles before him. This is a crystal pentahedron of the Cosmic Soul in which the Light of the World comes back down to earth. This is the meaning of salvation.

The view from the heavens through the star field toward the earth at Washington D.C. is shown by the following correspondences:  Washington monument is Spica, Lincoln Memorial is Regulus, and the White House is Arcturus. The Jefferson memorial is a mirror image of the earthward projection. It says, "as above, so below" as a doubling unto the double of the Redemptoris Mater symbolized by the rotunda of the Jefferson Memorial. That projection represents the Birth of a Nation under Heaven on July 4, 1776.

More proof of the Birth of Kingdom Come? Why does the eastward line point through the Capitol at slightly less than one degree north of east? The only star that hits that alignment is Zaniah at the back of the head of Virgo. Zaniah was the Harlot of Babylon and it was the location of Uranus in the circular horoscope of Denderah. The metaphor at Denderah was the Dream of Kingdom Come. Did the Masonic urban designers want to restore the Harlot of Babylon? Would such a timeless moment memorialize the birth of a nation? In Egypt is was the Birth of the Age of Pisces. In America on July 4, 1776 it was Novus Ordo Seclorum meaning "thus is born a new order of the ages." These metaphors use the same stars and it is difficult not to see the same Eyes of the Gods. How could expatriates of England, France, and the rest of Europe see the ancient Egyptian message when Napoleon had yet to go to Egypt and inaugurate Egyptology? There must be a simple explanation. And it may be that the consequence of using stars to forecast the destiny of a new nation results in the founders of the new nation utilizing the Eyes of the Gods to establish a birthplace on earth as it is in the heavens.

The design of the mall of Washington was simply a birth chart for a nation. The most important celestial alignment is the one that reveals the Time of the Chart. That means that the east-west line is actually a "Time Line." It points to a specific time in the east and a specific time in the west. If it pointed due east-west that would provide a time of year for one of the equinoxes. Since the city is a government city we can exclude the vernal equinox in Pisces. The autumn equinox marked the astrological entrance into the Judgment Hall of Libra. This is not the celestial house of Libra on the zodiac it is the astrological house on the birth chart. By virtue of the precession we can unite the cosmic time with the horoscope time. Zaniah was just under 1 degree north of the autumn equinox on July 4, 1776. Thus, the offset is revealing where the vernal equinox was on the birth chart for July 4, 1776.

EN GENESIS (GEN DE ISIS) 3:15 ESTA CODIFICADA LA GEMATRIA DE MARIA MAGDALENA EN GRIEGO (297) EN EL TERMINO SEED (GEMATRIA EN INGLES=33)-YHWH, EL/LA CREADOR/CREADORA DEL UNIVERSO NOS DA CODIGOS MATEMATICOS PARA QUE SALGAMOS DE LA MENTIRA Y LLEGUEMOS A LA VERDAD

Gen 3:15 And I will put enmity between thee and the woman, and between thy seed and her seed; it shall bruise thy head, and thou shalt bruise his heel.	Bk Chpt Vs
Verse # = 71   |   Words = 15   |   Letters = 61 Data from Strong's Concordance KJV Hebrew Strong's # Value And I will put שית H7896 shiyth 710 enmity איבה H0342 'eybah 18 between thee and the woman, אשה H0802 'ishshah 306 and between thy seed זרע H2233 zera` 277 and her seed; זרע H2233 zera` 277 it shall bruise שוף H7779 shuwph 386 thy head, ראש H7218 ro'sh 501 and thou shalt bruise שוף H7779 shuwph 386 his heel. עקב H6119 `aqeb 172	Total = 4266 Original Text Hebrew Value Inc ואיבה 24 אשית 711 בינך 82 ובין 68 האשה 311 ובין 68 זרעך 297 ובין 68 זרעה 282 הוא 12 ישופך 416 ראש 501 ואתה 412 תשופנו 842 עקב 172

¿CASUALIDAD O CAUSALIDAD?

EL ORO DE O-PHI-R ES EL GRIAL MISMO

phi in Simple Gematria Equals: 33

(

p 16

h 8

i 9

)

of Ophir.

אופיר

H0211 'Owphiyr

297

 

 

Mary	Μαρια	G3137 Maria	152
Magdalene.	Μαγδαληνη	G3094 Magdalene	145

 

152 MAS 145 ES IGUAL A 297=33X9

TODO CODIFICADO PARA GLORIA DE YHWH

Arco de Triunfo de París

De Wikipedia, la enciclopedia libre

 

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El Arco del Triunfo de noche.

El Arco de Triunfo de París (Arc de Triomphe, en francés) es un arco de triunfo ubicado en el VIII Distrito de París, en la plaza Charles de Gaulle —antigua Place de l'Étoile—, en el extremo oeste de la avenida Champs-Élysées, a 2,2 km de la Plaza de la Concordia. Construido entre 1806 y 1836, es probablemente el arco de triunfo más famoso del mundo.

Índice  [ocultar]  1 Historia 2 Hechos diversos 3 Referencias 4 Enlaces externos

[editar] Historia

Napoleón Bonaparte decidió construir este arco tras su victoria en la Batalla de Austerlitz (1805), tras prometer a sus hombres: «Volveréis a casa bajo arcos triunfales». Inicialmente Napoleón deseaba que se construyera en la Plaza de la Bastilla, al este de París, que era por donde los ejércitos iban a volver de la guerra. Fue diseñado por Jean Chalgrin y Jean-Arnaud Raymond, inspirados en el Arco de Tito de Roma, y alcanza una altura de 49 metros y 45 de ancho. Posee una estatua en cada uno de sus cuatro pilares:

• 

  Le Triomphe (El Triunfo), de 1810

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  La Résistance (La Resistencia de 1814), de Antoine Étex

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  La Paix (La Paz de 1815), de Antoine Étex

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  Départ des volontaires de 1792 o La Marseillaise (La Marsellesa, de François Rude)

Sobre las caras exteriores del Arco están grabados los nombres de grandes revolucionarios y las victorias militares de Napoleón I. Sobre los muros interiores del monumento están inscritos los nombres de los 558 Generales del Imperio francés. Los nombres de aquellos que murieron en combate están subrayados.

En tiempos de Luis XV medio siglo antes, en la misma localización, estuvo proyectado otro monumento, un elefante de más de 50 metros que expulsase un chorro de agua por la trompa, pero su construcción fue desestimada.

Proyecto de Charles Ribart del elefante triunfal (1758)

Dentro del Arco se encuentra un museo que explica su historia y construcción. Es posible ascender al techo desde donde se puede disfrutar de una vista panorámica de algunos de los lugares turísticos más famosos de París.

El Arco del Triunfo forma parte de los monumentos nacionales que poseen una fuerte carga histórica. A sus pies se encuentra la Tumba al Soldado Desconocido de la Primera Guerra Mundial, en cuya superficie hay una inscripción: ICI REPOSE UN SOLDAT FRANÇAIS MORT POUR LA PATRIE 1914-1918 («Aquí yace un soldado francés muerto por la Patria 1914–1918») y una llama continuamente encendida que las asociaciones de antiguos combatientes o de víctimas de guerras reavivan todos los días a las seis y media de la tarde, conmemorando su recuerdo que es revivido cada 11 de noviembre, aniversario del armisticio firmado en 1918 entre Francia y Alemania que puso fin a la Primera Guerra Mundial. Sus dimensiones son de 50 metros de altura y 45 metros de ancho.

[editar] Hechos diversos

Las secciones de curiosidades deben ser evitadas. Puedes mejorar este artículo introduciendo la información útil de esta sección en el resto del texto y quitando los datos inapropiados.

• Durante el traslado de las cenizas de Napoleón, el 15 de diciembre de 1840, el cortejo pasó por el Arco del Triunfo.
• El cuerpo de Victor Hugo fue velado bajo el arco el 22 de mayo de 1885, antes de ser enterrado en el Panteón.
• Dos veces por año (entre el 10 de mayo y el 1 de agosto), la puesta del sol tiene lugar en el eje de los Campos Elíseos. Desde la perspectiva de los Campos Elíseos, el sol puede ser apreciado durante algunos minutos bajo el Arco del Triunfo. El 10 de mayo de 1994, el fenómeno fue acompañado por un eclipse parcial de sol, observado por alrededor de 200.000 personas.
• El 7 de agosto de 1919, un aviador destacado, Charles Godefroy, logró pasar en avión bajo el Arco del Triufo, hecho fotografiado por Jacques Montane.^[1]
• En octubre de 1981 Alain Marchand vuelve a pasar en avión por del Arco del Triunfo; fue condenado a una multa de 5000 francos (alrededor de 800 euros).
• El 11 de agosto de 1991, un piloto no identificado pasó de nuevo por el Arco del Triunfo y la Torre Eiffel pilotando un Mudry Cap-10B que había sido reportado como robado en el club aéreo de Lognes.
• http://es.wikipedia.org/wiki/Arco_de_Triunfo_de_Par%C3%ADs

 

GENESIS 9:11 (COLUMBIA/PALOMA DE NOE/LINAJE DE SEM/ARCO IRIS / M-ARCO)