VISIT OF HIS HOLINESS POPE FRANCIS
TO VENICE

Sunday, 28 April 2024

______________________________________

6:30	Departure from the Vatican heliport.
8:00	Landing in the internal square of the Venice Women's Prison on the Island of Giudecca The Holy Father is received by: - Patriarch Francesco Moraglia of Venice; - Maria Milano Franco D’Aragona, Superintendent; - Mariagrazia Felicita Bregoli, Director; - Lara Boco, Prison Police Commander.
8:15	Internal courtyard of the Prison: MEETING WITH THE INMATES Address of the Holy Father Also present: administrative staff, Prison Police, Volunteers. The Holy Father will personally greet the inmates (approximately 80)
8:45	After the meeting in the Courtyard, the Holy Father will go to the Church of La Maddalena (Prison Chapel), where he will be received by His Eminence Cardinal José Tolentino de Mendonça, prefect of the Dicastery for Culture and Education, curator of the Holy See Pavilion at the Venice Art Biennale.
9:00	Church of La Maddalena: MEETING WITH ARTISTS - Greeting from Cardinal José Tolentino de Mendonça. Address of the Holy Father The Holy Father will greet the Authorities and the Artists participating in the Exhibition.
9:30	The Holy Father will leave the Island of Giudecca and will proceed to the Basilica of Santa Maria della Salute by motorboat.
10:00	Square in front of the Basilica of Santa Maria della Salute: MEETING WITH YOUNG PEOPLE Address of the Holy Father To be attended by young people from Venice and the dioceses of the Veneto region.
10:30	After his address, accompanied by a delegation of young people, the Holy Father will cross the bridge connecting with Saint Mark’s Square. At the entrance to Saint Mark’s Square, the Holy Father will be received by: - The Honorable Luca Zaia, president of the Veneto Region; - Dr. Darco Pellos, prefect of Venice; - Dr. Luigi Brugnaro, mayor of Venice.
11:00	Saint Mark’s Square: CELEBRATION OF HOLY MASS Homily of the Holy Father Regina caeli At the end of Holy Mass, thanks will be given by Patriarch Francesco Moraglia of Venice.
12:30	At the end of the Eucharistic Celebration, the Holy Father will enter Saint Mark’s Basilica privately to venerate the relics of the Saint; he will then board the motorboat and proceed to the heliport of the “F. Morosini” Naval College at Sant’Elena. The Holy Father will take leave of the civil and religious authorities who received him.
13:00	Departure from Venice.
14:30	Arrival at the Vatican heliport.

Holy See Press Office Bulletin, 25 March 2024

At Venice's Church of Santa Maria Maddalena, Pope Francis met with artists participating in the international art exhibition called the Venice Art Biennale.

The Holy See also has a pavilion at the exhibition, called “With my eyes.” Pope Francis explained the meaning behind it: because all people have the need to be “looked at and recognized.” He said that it is necessary for art to help “educate the gaze so that it is not indifferent or superficial.”

POPE FRANCIS
I confess that next to them I do not feel like a stranger: I feel at home. And I believe that this is actually true for every human being, because, for all intents and purposes, art has the status of a “city of refuge,” an entity that disobeys the regime of violence and discrimination to create forms of human belonging capable of recognizing, including, protecting, and embracing everyone.

Pope Francis invited the artists present to make their art a struggle against selfishness. He reminded them that the pavilion of the Vatican is on display in a Venice women's prison for a very special reason.

POPE FRANCIS
There is a joy and a suffering united in the feminine, in a unique way that we must listen to, because it has something important to teach us.

At the end of the meeting, Pope Francis greeted each of the artists present.

PA
TR: AT

VeniceCNN —

Pope Francis has become the first pontiff to visit Venice’s contemporary art festival during a trip which saw him visit a female prison and rehabilitate the reputation of a pioneering American nun artist.

The 87-year-old Pope traveled to the northeastern Italian city by helicopter on April 28, touching down at the prison on Giudecca Island in the Venetian lagoon which has been taken over by the Holy See for the eight-month-long biennale.

Curated by Chiara Parisi and Bruno Racine, the pavilion — titled “Con i miei occhi” (which translates as “With my eyes”) — reflects the Pope’s concern for society’s outsiders, especially prisoners, and includes works from several female artists. Francis began his Venice trip by greeting each of the approximately 80 inmates in the prison courtyard, several of whom are involved in the exhibition.

Poetry from some inmates has been placed on the walls of the prison, while others act in a short film by Italian director Marco Perego and his wife, actor Zoe Saldaña, a star of the “Avatar” films. (Saldana plays a prisoner on the day of her release alongside other inmates.)

“Paradoxically, a stay in prison can mark the beginning of something new…as symbolized by the artistic event you are hosting,” Francis told them. “Let us not forget that we all have mistakes to be forgiven for and wounds to be healed — me too.”

Pope Francis is the first pontiff to visit the contemporary art exhibition.

Vatican Media via Getty Images

Afterwards, in the prison chapel, the Pope met artists involved in the biennale and the Holy See pavilion, where he told them their work can help tackle racism, xenophobia, ecological “imbalance,” “fear of the poor” and inequality.

“The world needs artists,” he stressed.

His meeting with them also marked a rehabilitation for Corita Kent, known as the “pop art nun,” whose works are included in the Holy See pavilion but who in the past faced resistance from a powerful cardinal. During his speech, the pope singled out Kent – along with Frida Kahlo and Louise Bourgeois — as female artists whose works have “something important to teach us.”

Kent, a religious sister of the Immaculate Heart of Mary community in Los Angeles who later left the order, was renowned for her colorful screen-prints which raised awareness of racial injustice and championed civil rights. But in the late 1950s and 60s, her progressive religious order clashed with the then Cardinal Archbishop of Los Angeles, James McIntyre, who took a particular dislike to some of Kent’s art, calling it blasphemous.

For 2024, the Venice Biennale has taken the theme “Foreigners Everywhere” and seeks to highlight artists from marginalized backgrounds.

Vatican Media via Getty Images

Although he has struggled with bouts of ill health in recent months, Francis seemed animated and engaged while in Venice on a trip that lasted just five hours and was jam-packed with events. At one point, he joked with a local journalist about the weather and said that every time he goes to a prison he asks: “why them and not me?”

Francis traveled around Venice on a motorboat, an open-air golf buggy with the Holy See coat of arms emblazoned on it and his wheelchair, something which he is increasingly using due to mobility difficulties.

Along with the trip to the female prison, Francis also held a meeting with young people, presided at an open-air Mass in St. Mark’s Square, led the Sunday midday prayer, and prayed in front of the relics of Saint Mark in the basilica.

During his homily, he warned against the threats Venice faces including from climate change, saying that rising sea levels mean the city “may cease to exist” and talked about the need for “adequate tourism management.” His visit comes just days after Venice began charging day-trippers an entry fee.

The Vatican first entered a pavilion for the biennale in 2013, but this is the first time it has shown at a prison. The 2024 pavilion was commissioned by its culture office, which is led by the Portuguese prelate, Cardinal José Tolentino de Mendonça, an award-winning poet. The cardinal explained that the pavilion is an attempt to involve visitors “directly in reality.”

As it is a working prison, those who visit the Holy See pavilion have to hand in their cell phones, while the façade of the building is covered with a mural of the soles of two dirty feet by Maurizio Cattelan, who is known for his sculpture of Pope John Paul II being hit by a meteorite.

The Venice Biennale was first held in 1895 and takes place every other year, with each country having their own pavilion (the Vatican is the world’s smallest sovereign territory). For 2024, it has taken the theme “Foreigners Everywhere” and seeks to highlight artists from marginalized backgrounds.

In Venice pope tells artists to imagine cities where no one is a stranger

During the historic visit to the city on the lagoon, the pontiff met with 80 inmates at the Giudecca Women's Prison, “a harsh reality, but a place of moral and material rebirth.” At the Holy See's pavillion for the 2024 Biennale “With My Eyes”, Francis addressed the artists, stressing the “contribution of women”. He also said: “There is joy and suffering that come together in a unique form in women.”

Venice (AsiaNews) – “The world needs artists,” said Pope Francis this morning on the island of Giudecca, the first stop in his historic visit to the city of Venice.

The pontiff met with artists in the Chiesa della Maddalena (Church of the Magdalene), the chapel of the Venice-Giudecca Women's Prison, which hosts the Holy See Pavilion at the 2024 Biennale titled Con i miei occhi (With my eyes), where he also met with 80 inmates.

“Art has the status of a place of refuge, a city that disobeys the regime of violence and discrimination to create forms of human belonging,” Francis said. “Artistic practices work together to “rid the world of senseless antinomies” that impose themselves through racism, xenophobia, inequality, and aporophobia.

“I must admit to you that I do not feel like a stranger next to you: I feel at home," the Argentine pope said, addressing the artists. To counter antinomies, behind which "there is always the rejection of the other", he urged them to “Imagine cities that don't yet exist on the map, cities where no human being is considered an outsider."

Starting from this, the Holy Father began reflecting upon the main theme of the pavilion, namely the need of all individuals to "be looked at and to dare to look at ourselves.”

Jesus is the Master of this gaze. "He looks at everyone with the intensity of the kind of love that does not judge," he explained. “Art educates us to this kind of gaze.” For Pope Francis, this way of looking is “contemplative”.

“Artists are in the world, but are called to go beyond," he noted, warning the creators of art against the risk of confusing the latter with the market. The danger is that the market will “vampirise creativity, steal innocence, and, finally, coldly instruct what to do," despite its recognised role of promoting and canonising.

Francis spoke about the symbolic significance of the place that houses the pavilion “With my eyes”, the Venice Women’s Prison, one of Italy’s four detention facilities for women.

He arrived this morning around 8 am in a helicopter after taking off from the Vatican heliport at 6:32 am. He was welcomed by, among others, the Patriarch of Venice, Mgr Francesco Moraglia.

“There is joy and suffering that come together in a unique form in women, that we have to listen to, because they have something important to teach us," he said, citing some famous women artists like Frida Khalo, Corita Kent, and Louise Bourgeois.

This can provide hope that contemporary art will help, by broadening the gaze, to "adequately enhance the contribution of women, as co-protagonists of the human adventure.”

Finally, the pontiff called on artists to keep in their hearts a question that "pushes towards the future", i.e. “What did you go out to the desert to see? A reed swayed by the wind? Then what did you go out to see?” (Mt 11:7-8).

Earlier, Pope Francis spoke to 80 inmates in the Giudecca Prison. “You have a special place in my heart,” he said, hoping that the meeting would allow them to “give each other time, prayer, closeness and fraternal affection” rather than be experienced as an “official visit”.

“Prison is a harsh reality, but it can also become a place of moral and material rebirth,” he explained. On other occasions, the pontiff spoke about the problem of overcrowding and violence in prisons.

According to Francis, time spent in a prison can prove precious, especially because it can be “the start of something new through the rediscovery of unsuspected beauties in ourselves and in others”. This is visible in the artistic exhibit hosted in the prison.

Staying here "can become like a site for reconstruction, to look at and evaluate one's own life with courage."

The Bishop of Rome also issued an appeal that "the prison system offer prisoners tools and room for human, spiritual, cultural, and professional growth”, so that works in favour of prisoners may contribute not to "isolating one’s dignity", but to give one “new possibilities”.

After the meetings on the island of Giudecca, the Holy Father went to the Basilica of Santa Maria della Salute (Saint Mary of Health) to meet 1,600 young people from northeastern Italy.

This was followed by a drive across a pontoon bridge over the Grand Canal to St Mark's Square, where he led Holy Mass at 11 am, followed by the recitation of the Regina Coeli in front of the Basilica.