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GIZE, STONEHENGE, CHICHEN ITZA, ETC,ETC: http://thehiddenrecords.com/Australia-gosford-kariong-egyptian-glyphs-bulgandry-
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Article by Alice Smith 2013 updated 2014
There have been many attempts to try and discredit the ancient Egyptian hieroglyphs called "The Gosford Glyphs" found carved into large rock faces of Hawkesbury Sandstone in the popular public Brisbane Water National Park and walk area at Kariong near Gosford in New south Wales, 37km north of Sydney in Australia. It is a public park that welcomes visitors and visiting times and conservation rules are all covered here... click the image:
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For starters it has what many conspiracy theory researchers claim is a giant face geoglyph just 10 km south of the Egyptian Glyph site. Placed right in the middle of the primary bay area as if to welcome mariners of large Ocean vessels. One has to ask, is it something constructed using technology literally from beings out of this world, or... is it just a trick of light and shadow? See for yourself...
Face Geoglyph Google Earth: 33°33'11.54"S 151°18'18.92"E
Wayne believes at this stage its the latter, its just so faint and yes it does need the right lighting angle to see the relief. But the reason he added this image below is due to some other coincidences that are very compelling. Firstly it is positioned at the main bay entrance by Woy Woy near the Egyptian glyphs you are about to read about. Secondly its a face pattern more like either a cosmic deity wearing an ancient astronaut helmet or a face about to exit a Cosmic Serpent wormhole that is also repeated in Australian ancient Dreamtime rock paintings.
There is another reason Wayne thinks its worth mentioning here. Something being researched right now in the general area of the Egyptian Glyph site insists cutting stone on a vast scale was so easy that if they can do this then the crazy face theory is... not so crazy. Wayne has added a comparitive to a Maya 'ancient Astronaut' or face of deity in the mouth of a cosmic serpent sculpture to compare. One also has to remind oneself, the Face on Mars Star Map anomaly is of a similar size and yes, it too seems to be shown with a helmet of sorts. ref.
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Here is where the face geoglyph theory begins to look a little more than coincidence. In the star map theory proposed by Wayne the face monument is part of a message made to be deciphered from space. But it needs the Pleiades position and orientation in reference with it to become a star map where the face is positioned correlating with the primary Sun-like star system of our ancestors. The Pleiades is here as the 'leg of the bull' Egyptian symbol (following Gosford theme) called Lion Island (Sphinx thoughts are rife here as Gosford has a Sphinx depiction) and its correctly orientated and correct distance by scale to correlate ref .
There is another even larger face geoglyph possibility on the other side of the bay! It is looking with line of sight to the first face. It seems to be depicting a crowned King with Egyptian style dynastic beard and eye clearly visible! What are the odds of this? The two faces on each side of the bay! Ponder on the magnitude of this if the ancients were able to alter the terrain on a grand scale.
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Is it just a coincidence the most stunning example of nature's natural formed sandstone building blocks on the planet are found at Gosford. Yes, geologists can confirm it has to be natural because we know sandstone cannot be formed artificially like this where the inside geology of the rock appears of an altered state.
But ask them to explain the coincidence of consistent sizes and the most amazing feat of all, how nature has made them interlocking in this area seen below. They will say it here right before your eyes as evidence and it can only be natural because we can't duplicate this. Ask an engineer to describe this rock structure and the answer will be that this would be the ultimate way to build structures if it were possible somehow. Wayne is once again undecided if this is artificial but for now call it a strange collection of amazing coincidences. Especially when going on to Google Earth and looking at the Lion Island and see the rock debris shape all around its edges.
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The Egyptian Glyphs at Gosford in the Kariong area public park are a big controversial attraction here even with a barrage of academic insistence the symbols can't possibly be real or ancient. But most visitors have tried to find the area in the park and failed, so perhaps use google Earth first and make a sketch drawing using the coordinates that follow. Some extreme reasoning has been published by many scholars to discredit this ancient site. Probably based on the global academia protocols on the grounds of an 'official denial' due to unacceptable points as follows.
Firstly because the ship in context is a celestial ship riding a cosmic serpent from the heavens and this claim cant be taken seriously. Secondly, even if it were a normal wooden ship it is deemed unacceptable to consider ancient Egyptian mariners sailed so far. Records of history have their ships more suited for the Nile than the Sea. Lastly, to accept it was the son of Khufu means it needs to be around 5000 years old and this is absolutely shocking to say the least. Why? Because this claim is a great threat to rewrite the accepted slow progression model of human development.
Gosford Egyptian Glyphs Rock: 33°27'4.11"S 151°18'9.66"E
Google Earth or GPS coordinates here to copy and paste to locate the site.
When this site was first found in 1975 it had already shown evidence that it was no modern hoax. The glyphs famously known as the 'Gosford Glyphs' were covered in rock lichens. Rock lichens are a moss-like growth that literally take many decades to form and even as long as 100 years on newly exposed rocks to reach the growth appearance as recalled by those who saw the original site in 1975. ref
Look at the stunning detail below, a definite cross symbol that Wayne found represents Orion ref Also at first glance seems like the leg of the bull symbol above it. ref.
Although the latter seems a little too straight to be the correct symbol for the Pleiades, it does have more of a hoof shape here at the bottom of the symbol, far more hoof-like than any other symbol it would better represent.
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The style of the leg of the bull symbol found in Egypt for the Pleiades is more often presented with a bent knee effect. But you will see later with Star Map Jerusalem the leg is shown more straightened out, just like the case for Lalibela and here in the Woy Woy Bay nearby with the two faces and Lion Island. Now in context with Wayne's secret of the cross of the chruches being Orion ref... The position of the leg orientation and the cross is a 100% celestial match too. Note in the image above how part of the text to the left of the cross probably pictographically explain following a line of alignment of three stars in Orion's Belt to find the place of the ancestors near the Pleiades.
There is more and it fits Egypt mythology as well... pictographically. The symbol between the line with three dots in green circle and the cross. Note how this symbol ... a line with bump and the water symbol is poised a little higher and off the line of flow of the other glyphs. Wayne is looking deeper into this symbol but it is worth mentioning its apparent pictoglyphic value.
The leg of the bull symbol aligns with the line with bump. Here is where it gets interesting. Egypt has a Creation myth of Zep Tepi which means "The First Time". All life starting on a primordial mound. Dare one suggests that this is the symbol for Zep Tepi... and it is by the water which is true and it aligns with the leg of the bull showing where the ancestors came from. Now this will sound too good to be true for now and its only a theory. But this is not the only example of the Pleiades poised above the primordial mound of Creation. It is found on an old Chokwe African tribe wooden tablet of the first time of the ancestors Wayne is seen holding... ref.
Local resident near the Glyph site Guy Carter, nick named PleiadianGuy on youtube, has film footage of the site here and tomb entrance and calls for protection of the park as this land is now apparently up for sale and the whole rock monument under risk of being demolished!
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There is a portion of the rock face that proposes another monumental pictographic representation probability that cannot go unmentioned. It is visible in the video above at the 2.20 time marker. Since this script is so ancient the pictographic values of many unseen symbols still remain unsolved and yet to be decoded. Wayne offers a little more to this combination here that shouts out the mythology of Zep Tepi. ref.
The 'first time' in Egypt legend of a cosmic egg landing with Ra inside it that came from the heavens as Wayne covers in his article here. ref.
In the image below the symbolism is quite compelling. The staff with hand and thumb pointing forward suggests firstly the authoritative gesture to establish the first time of Zep Tepi. Mainly because there is the Leg of the Bull symbol aligned correctly touching the staff that aligns vertically as above so below. All the is missing in the symbolism is the landing of the cosmic Egg and it seems to be placed correctly too. Look closely at the 'egg' symbol. It has some very faint concentric circles within it and there are many circles so its not an eye symbol.
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The lichens had obscured a lot of the stunning detail of all the carved areas so much that it was still argued that with so little visible to decipher, experts are obviously also not interested in the photographs either.
The ancient glyphs claim was ridiculed amongst many researchers from Sydney, and it led to the action by those who found them to see it more clearly. To clean the rock surface completely. Who would believe they were real anyway to consider archaeology procedures because the archaeology folks laughed at it. The cleaning technique chosen was some sort of acid wash!
It exposed the extreme importance of the text. It was not only very ornate unlike graffiti, but now the experts were interested to prove it was still a hoax. They saw the photographs and no doubt if they ever would tell the truth, they must have been completely blown away.
There was a real Egyptian scribe's story written here and even a version considered closer to the first Egyptian dialect and early symbols. But some of the content of the text contained the very reason this story has had a barrage of hoax attacks with some scholars writing essay upon essay to try and make it look fake.
The text not only had references of the ship accident, it used a pictoglyph over and over in correct context confirming that it was no ordinary historical water vessel. The symbols was a variation on the Egyptian symbol for Arrive... to come forth but with lines added beneath it and dots added. It seems used in context as a celestial ship that is often found in Egyptian records but depicted in a typical disc shape petroglyph as seen in the UFO papyrus claim Wayne made in a CNNiReport with Video content there proving it was a UFO. ref.
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The science of dating rock surfaces with lichens is a big part of archaeology but in this case here it seems avoided with all kinds of excuses made my academia. Mainly because of the insistence it's a hoax.
Here is a bit on the science and the forensic background how some lichens under a microscope can be dated as far back as 10000 years! ref ref
To attract experts to do tests here might be a little easier now if the lichen residues age only needs to be proved older than 100 years!
Lets reason how this is possible. Egyptian hieroglyphs were first very basically understood in 1822 by Champollion decoding just the basics on the Rosetta Stone ref and it only became a university level subject studied by expert Egyptologists long after he died. The perfection of the language took at least another sixty years of study to reach a standard where translated texts could be published. Only as recent as the late 1890s, more complete and comprehensive level of translations were possible. There were also only a few who were able to read hieroglyphs and they were not the people to waste time on a hoax. Since the Gosford glyphs are of a comprehensive quality it would need a very qualified expert to have carved them.
Lets ignore the outrageous belief by scholars that an expert Egyptologist would create a hoax in the middle of a forest in the first place and for what motives one would have to spend months in tough awkward conditions needing ladders carving such an elaborate story.
Lets not forget there are also potential real tombs here matching as the text claimed and a star map platform that will be compared to the full story as evidence.
UPDATE: A local biologist and lichen expert was interested in doing some lichen tests. It requires a micro sample of biological lichen spores lifted off the carved areas on the rocks, in some cases without touching the rock itself. The scientist was ready to go there to do tests and Wayne passed on a message that local researchers insisted they need to first spiritually evaluate anyone other than their team to see if they are allowed to go in.
The scientist said this Australian nature reserve site is officially a public open visit site and the people concerned are not in control and are mistaken thinking they are in control.
Further results will be published here later as a conclusive result needs to be reached thus possibly meaning more tests to confirm there is no errors.
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The lichens in the image below shows the bird symbol clearly has a wide patch of a particular lichen that some biologists say shout out they are over 100 years old because of the patch size alone. The circumpunct, once a big deal to those who read Dan Brown's Lost symbol (who never identified the real secret of the symbol in his book) is here. it's better known as the Ra symbol or Sol symbol that defines the star type as Sun type. For the Sun star in question here it is often shown with seven rays of light when it definitely is not our Sun. The symbolism most likely speaking of its position in the sky near a cluster of seven stars.
Wayne has found the seven rays of light to be global for the star deity themes from the First degree Freemason star map ref to the Dogon Tribe petroglyph ref and as general knowledge the 'god' Helios ref and Lady Liberty.
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A UFO crash record... pictograms that look like UFO's? these have been previous extreme claims made by a collaborator to this research and they might not be so far fetched. Lets see if there are other means to claim such a theory from a different angle.
Wayne has spent some time on the original source of text that is on line on a page presented by a dedicated to protocols academic trying to insist it's a hoax because 'it is just not possible to be real' attitude, although he admits it is of a 4500 year old early Egyptian style. ref
Wayne discussed his alterations with experts before pasting it below and the revelations it offers when taken verbatim is simply breathtaking and out of this world. A story slowly formed and after a little study of the geography here the text had a few minor updates before it could read consistently. This occurs also when one simply takes it verbatim and compared to the texts that are written of the star 'gods' and celestial ships that ride cosmic serpents in Egypt.
Here is Wayne's translation that only differs with just a hand full of words updated but it rewrites the story completely. It records an emotional story of advanced beings in a harsh environment struggling for survival. Wayne presents his admittedly 'dramatised' interpretation as a story possibility first in context with the surrounding measurable environment, then you the reader test the translated text that follows for yourselves and see if you agree or disagree.
The records on these Gosford rocks reveal an amazing story fit for a Hollywood movie.
Wayne recounts the story as follows:
The glyphs seem to have been written 5000 years ago and begin with the announcing of a journey from the heavens that went seriously wrong. A group of star travellers were on board a celestial ship and they were people who venerate the greatness of one they called the golden haired Ra deity.
The narrator of this story who carved the Gosford Glyphs is NEFER-DJESEB son of Khufu!
This prince claims he is actually son of one of the greatest pyramid builders of the beginning of the empire of Egypt! He was assigned to be present with a group of star traveller visitors who sailed down from the heavens with a celestial ship through a cosmic serpent wormhole.
The star gate wormhole seems to have opened far too low to the ground somewhere over the outback dry area East of the Gosford site. It was not supposed to occur like this. They came in too low and obviously too fast and crashed.
The crash injured one they called SUTI and killed one very dear to the narrator who will be later prepared for a royal burial. It seems the Australian tribes of the outback take a liking to one injured called SUTI. They pledge loyalty to help SUTI and the survivors stay in the Outback for some time.
The cosmic serpent wormhole opened months later with a rescue party but sadly only able to take on board just a few important ranking people and SUTI and the prince and perhaps a few others were left behind... abandoned.
The red dry land and insects and Sun heat literally burned the skin off their backs. The visitors here were possibly people of fair complexion and they would need to try and travel to a more gentle part of Australia with more trees and cooler climate if they were not rescued. It could have been more than a year of waiting for help before they gave up hope waiting. By this time the visitors no doubt became quite close to the tribal people that helped them survive.
The people of the Outback were spoken of dearly and respectfully since these people seemed to honour all living creatures great and small, even the pesky bugs. It appears the survivors decided they would wait a few more months in the Outback for winter to pass to begin a long trek East in Spring to where the locals would know where the greener lands are located near the ocean.
The prince wrote his testimony: He said after great irritation from insects and the intense desert heat it took 2 years before they found the Coast. There was a time the Outback people worried the prince and although he demanded he keep their daggers, SUTI was the one who was important and they pledged loyalty to SUTI.
The group of star travelling people arrived with their local friends at the East coast of Australia at Gosford. The prince also records his loyalty as a star traveller with honour to some sort of an alliance with the Egyptian kingdom on Earth and he probably teaches the locals some of his star knowledge. The place in the heavens is also of THEIR star visitor ancestor origins too so an elaborate star map carving project begins on the flat rock platform there. All this possibly occurring here in Gosford close to 3200BC!
They struggled with the insects who the local people honour as an important part of God created nature, people who respect all life including the nasty insects.
They make a burial tomb for the one called SUTI once they reached their destination and say a few words in a funeral ritual.
The son of Khufu the pyramid builder writes of his loyalty to the Egyptian king Menes kingdom who founded the pyramid builder kingdom seen in just one hieroglyph below. It was an advanced beginning of the pyramid era in Egypt on Earth he had knowledge of. Is the symbol below just proof of the Menes kingdom and is it quite possibly an originated symbol from the leg of the bull symbol pictoglyph?
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Story continues:
The star visitors obviously merged with the local people who travelled with the survivors and they might have lived many more years there before being rescued. They probably also fathered children adding to the local gene lines. Blond hair as per the star visitor reference is fitting with the pyramid builders of the earliest dynasties close to the Menes period ref and the tribe seemed to have an unexplained blond hair gene that pre-dates the first European settlers ref
The great secrets of astronomy might have been taught to the local people by these Pleiades 'star people' and how Orion's Belt shows the way to a place in the sky where their ancestors come from too. The people of the tribe might have been inspired to carve some of their own historical records of what they learned. They appear to have carved an Orion man holding our Sun in one hand and the places of the ancestors in the other hand. They call him Bulgandry, perhaps he is the one with unusually straight and long blowing golden hair. They might even have included a prophecy record of a sign in the sky in the future when the ancestors will return when our world will have great changes when a comet runs. Why would Wayne mention a prophecy is present here? The text refers to an Oracle, one who can see the future (See below).
Were they ever rescued? He was after all son of Khufu so that answer should be a resounding yes. But it is also backed up by the discovery that the tombs in Gosford were all empty. They would no doubt have taken the body of the dead back home.
Watch this space as the researchers studying this case have partly managed to enter one of the tombs. See the video below for the footage.
Here is the heiroglyph text first translated by R.Johnson and updated by more recent experts comparing to the book of the dead texts, especially the updated interaction with the local people. The source of translation is from an academic who desperately tried to prove it was not ancient: ref
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"THUS SPEAKETH HIS HIGHNESS
THE PRINCE FROM THIS WRETCHED PLACE
WITHIN THIS (RED) LAND, ........................(outback) TRANSPORTED FROM THE HEAVENS
BY CELESTIAL SHIP"........................(see Menes image)
"THIS WRITING HERE (AS RECORD) ............(updated)
FOR THE MENES CROWN LOWER EGYPT, ...(updated)
ACCORDING TO GOD’S WORDS.
THE INDIGENOUS PEOPLE .........................(updated)
CALL OUT FROM THIS PLACE
IN THIS STRANGE LAND, FOR SUTI.
I, NEFER-DJESEB, SON OF THE KING KHUFU,
THE KING OF UPPER AND LOWER EGYPT,
BELOVED OF “PTAH” HAVE TRANSPORTED “SUTI.”
“I NEFER-TI-RU AM KIND AND BENEVOLENT,
A FOLLOWER OF THE GOLDEN-HAIRED “RA-HERU.”
“TWO YEARS THAT I MADE WAY WESTWARDS,
I NEFER TI-RU PUT UP STRONG FRONT,
PRAYING, JOYFUL, SMITING INSECTS.
HIS HIGHNESS, A SERVANT OF GOD,"
"THEY SAY GOD BRINGS THE INSECTS,
THUS THINE OWN INDIGENOUS PEOPLE PROTECT.”
"THE COSMIC SERPENT OPENED A SECOND TIME, (updated)
ALL THOSE OF THE DIVINE LORD OF KHUFU,
THE LORD OF THE TWO ADZES,
MIGHTY ONE OF LOWER EGYPT GO."
"NOT ALL GO BACK.
WE ARE MARCHING FORWARD,
WE DO NOT LOOK BACK."
"WE DAMAGED THE SHIP AT A LOW PASS ...(updated)
OUR SHIP WENT DOWN ..................................(updated)
THE COSMIC SERPENT ERROR
CAUSED THE DEATH OF ONE.........................(updated)
WE USED HALF A SURVIVAL BOX,
AND PRAYED TO THE HIDDEN ONE,
FOR HE WAS STRUCK TWICE.” ................(two injuries)
"A HARD ROAD, WE ALL WEPT OVER THE BODY,
KEEPING TO THAT, WHICH IS ALLOWED."
“SEATED BY THE SIDE WAY
WITH CONCERN AND DEEP LOVE
BY THE INDIGENOUS PEOPLE,"
"PLANTS WILTING, LAND DYING,
IS THIS MY LOT FROM THE MOST HIGH GOD,
OF THE SACRED MER.
THE SUN POURS DOWN ON MY BACK,
O! KHEPERA, MOST HIGH,
THIS IS NOT AS THE ORACLE SAID".
"MY OBELISK IS OVERTURNED, BUT NOT BROKEN.
THE BANDAGED ONE IS CONFINED,
HERE IN THE RED EARTH REGION.”
"THEN OF TIME OF SPRING,
WE WALLED IN MOVING THE GREAT STONES
FORMING THE ENTRANCE TO THE SIDE CHAMBER". (fact visible)
"I COUNTED AND IMPOUNDED THE DAGGERS
OF THE INDIGENOUS PEOPLE."
"THE THREE DOORS TO ETERNITY
ARE CONNECTED TO THE REAR END
BEHIND THE BULWARK OF THE TOMB."
"A NECKLACE PLACED BY HIS SIDE.
A ROYAL TOKEN, SIGNIFYING HEAVENS GIFT,
AS FROM THOU…! O HOLY SHINING ONES.
TAKEN ACROSS TO PRIVATE SANCTUARY OF THIS TOMB.
WITH THE SILVER DAGGER,"
"A ROYAL TOKEN OF THE GREAT MAKER.
SEPARATED FROM THE CITY OF “PENU”
IS THE ROYAL BODY FROM ALL OTHERS.
THAT REGAL PERSON THAT CAME."
"FROM THE HOUSE OF GOD,
NEFER-TI-RU, THE SON OF KHUFU,
KING OF UPPER AND LOWER EGYPT,
WHO DIED BEFORE, IS LAID TO REST."
"HE IS NOT OF THIS PLACE.
HIS HOME IS PENU.
RETURN HIM TO HIS TOWN
ONE THIRD OF THE FRUITS,
I MYSELF DIVIDED FOR THE BURIAL SERVICE."
"HOLD HIS SPIRIT WITH LOVE, O MOST HIGH.
WORMS IN THE BASKET OF FRUIT,
GOING INTO HIM, SHALL NOT BE."
"MAY HE HAVE LIFE, EVERLASTING.
AM I NOT TO GO BACK BESIDES THE WATERS
OF THE SACRED NILE, THEN CLASP HIM,
MY BROTHER’S SPIRIT TO THY SIDE,
O FATHER OF THE EARTH." Wayne saw firstly saw one important symbol here had a lot to confirm in the mystery. It was the symbol for king Menes and the earliest epoch of Egyptian history where the two kingdoms are seen as one. ref
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The full context of the symbol on the stone wall is the green symbol at the centre of the image below.
Some traditional views by the Elders of this area pass down by oral tradition that it was an arrival of the people that was written about who came from the Pleiades, and that was without knowing the Menes symbol meaning. That is pretty remarkable. `
Wayne is convinced the symbol is more importantly the Menes kingdom of Egypt symbol which dates these glyphs around 3200 BC and the leg of the bull similarity denoting origin of the crown might be portrayed with partial appearance as a bull's leg just by chance.
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Australian researchers have made some claims that there are cup marks that map what they refer to as a star platform on a very large semi level rock. Although the researchers making the claim believe this is a real star map Wayne felt it was time for an experts opinion on the hundreds of cup marks there.
Wayne arranged with some local geologist friends to view the site since it is a Australian public site and some local elders who believe their ancestors originated here, they too felt it was time the experts made more sense of this rock platform.
The results are in.
Sadly it appears the cup marks thought to be a star map are a natural rock anomaly explained as follows although for now there is no official name offered for the anomalies.
Natural cup marks - some petroglyphs: 33°26'33.12"S 151°18'21.30"E
There are literally hundreds, maybe thousands of cup mark anomalies of a flat rock platform area that the previous researchers were presenting as a man made star map rock platform. Now according to the biologist, these are very rare Triassic fossils only found in this Gosford site of what is called Hawkesbury Sandstone. The type of fossil and its name is still being checked out but it is apparently something like a hard form of Jellyfish so it has no real remaining detail other than the strange cup shape print it once had. Did the ancients treat them as stars and place petroglyphs next to clusters that vaguely look like the Pleiades and Orion identified by Wayne? Watch this space for developments as certain film and publishing protocols need to be followed before debating any serious interpretations in public.
The Gosford Kariong public access park has many public trails ref carefully watched over and under government care of the Brisbane Water National Park and the positions of the sites discussed will be presented with GPS coordinates so other nature lovers and ancient mystery followers can find the sites easily.
The geologist who prefers to remain nameless in fear of ridicule identified the cup marks were 'everywhere'. In places over the edges and in places obscure. Secondly as nature is as it is, there are thousands of very partial cup marks that are eroded or partly formed geologically. What he is saying if it were artificial they would have to be made before the arrival of any hominids they are so old. But due to the partial cup Mars found everywhere it is confirmed natural.
For this reason Wayne accepts their claims and have removed further star interpretations of these apparently natural cup marks. The expert did admit some circles exist in this area and perhaps some modified cup marks are without doubt touched by human hand.
Not too far from from the Egyptian glyphs area is the petroglyph that is apparently the most revered historically recognised relic of this area. It is said to be an entity they call Bulgandry who is an ancestor of the Pleiades by tradition and yes... it has been dated.
Historians propose the age virtually identical to the age of the Menes period of Egypt, over 5000 yrs ago. ref
There it is, the same age as the date of the glyphs style in Egypt AND the date given with the Menes symbol.
The knowledge of this petroglyph and its association with Orion showing the way to ancestors of the Pleiades is impossible to date who brought what forward or who decoded part of its meaning. It has more recently been brought forward by local oral tradition. However astronomer Ray Norris was probably the first to publish a paper on this petroglyph as an 'Orion Man' and identifying 'a comet' passing in front of it in 2007 however he could draw no further conclusions what it meant. ref.
Bulgandry Deity Main petroglyph: 33°27'13.37"S 151°17'9.38"E
Wayne noticed right away that this figure had the stance of the human form blueprint code he found as a global (and on Mars) representation of the human origin secret as 'Orion man that shows the way', but this was no ordinary 'belt' ref.
He stands with arms outstretched
He has legs apart
His male anatomy is drawn
He holds/narrates the stars of the gods position identical to many other depictions, especially the Orion Man as Gilgamesh of the Sumerians genesis story on the clay tablet in the Berlin Museum that Wayne has now acquired copies of for sale to the public. ref
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Bulgandry seems to encode a story and holds the Sun in one hand agreed by local tradition but something argued about in his other hand. Local people have believed he is a Pleiades associated deity and some suggested holds a boomerang in his other hand since it looks like a crescent.
Historians know this deity resonates with other historical sites of similar symbols and have stuck to it being our moon.
At a very low angle light one can see that it's a complete orb around the crescent and tradition follows more inclined to believe its a crescent heavenly object as you will see in the next depiction.
Wayne realised there were also the deep pock marks next to it with at least 7 also seen as important by the historical societies because their notice board positioned by it includes the dots and the main big orb below it. The large orb below the moon interpretation is not logical and out of place. There is a third smaller orb to the side of it too.
According to Wayne a very well presented star cluster of Pleiades is here fitting with local legend belief and the additional new possibility of a Solar Trinity combination that he has found in over 5 strong cases around the world. ref
A group of three Sun systems with a planet (depiction of crescent and orb) where the most important one is the larger one that if you look closely has three very faint lines radiating out the left side of it. The rays of light from the main sol is the same as the Dogon tribe records too... ref ... and the Freemason star map. ref
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The star map encoding here of Orion like the Sumerian clay tablet suggests the obvious... it is Orion Man. Credit here to aboriginal mythology that believe Orion's belt in these images is shown as three ancestors in a canoe sailing towards the Pleiades! ref Orion's Belt teaching clearly identified here shows you the way to find the world of the ancestors by following Orion's belt, with one very unusual 'belt' you may ask here. it's the same ancient star map as seen in the star map animation here common with 35 different cases explored on this website. Is it the canoe in the water legend, or is it something else?
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While on the subject of flat rock areas of interest there are some stunning examples of the extreme geology here at play that even the experts find amazing. A geological flat rock thet appears like Inca blocks! But with valuable ancient petroglyphs of male and female depictions as a form of Bulgandry with blowing hair.
Natural 'INCA' rock & Petroglyphs: 33°26'26.77"S 151°18'9.92"E
The latest image to add here is from a friend who has done some great research and he has documented another Bulgandry 'genesis' theme of the first time in Australia perhaps showing Sun deities holding the sun of the ancestors near the Pleiades.
This Gosford area has repetitions of the celestial ancestor man called Ngalindi and ancestor woman called Walu with a crescent thought by tradition to be the moon. ref Wayne suggests like in all the Sumerian records it is a crescent world with its Sun. Note the Bulgandry entity with his unique hair shown as it is. Here is another image supplied by a friend who has researched this area in great detail. The site is of the Gosford Basin area and Wayne believes it depicts similar to the previous main petroglyph three heavenly bodies in its 'genesis' theme. These Wayne propose as the Solar Trinity of three Suns of the ancestors with world complete depiction here and the cup marks here might be man made although slight and a little chaotic suggesting Pleiades cluster to the left and Orion beneath the female. Our Sun perhaps the large arching curve above the male Bulgandry's head. So we have two cases now of three heavenly bodies... as proposed as a Solar Trinity.
The petroglyph detail to the left of the image appears to be the cosmic Emu bird ref that represents dark matter of the Milky Way which runs right next to the stars of Orion and Pleiades.
Click the image to get to the source images of all the Bulgandry examples and see the one that is also on a surface many thought was a real Inca similar block created rock platform, one that is apparently also created by nature.
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The whole world waited patiently in December 2012 and watched the Maya prophecy fall flat on it's face. It was foretold by a very poorly researched and inconclusive Maya calender prophecy calculation that did not take leap years into account in the 2012 date calculation. It also failed to reveal the words of the prophecy on a returning star visitor. Now we know the real prophecy and date is a lot closer now to fruition, this Australian 'prophecy' petroglyph is perhaps speaking of the same Maya prediction about the return of their star ancestors. ref
What is special about the Bulgandry Orion Man?
Firstly it is highly likely it is prophetic since the text decoded speaks of an oracle ref. Secondly, the teaching of his 'belt' alignment here which already mentioned shows the way to the Solar trinity area of our ancestors from following the three Belt stars in a row, but its a comet depiction overlay over the belt that Wayne believes is screaming out loud a prophetic comet story.
It has what Wayne is certain is not just any massive comet passing over the direction showing the way to the place of the ancestors position near the Pleiades.
Wayne was previously sure this comet was comet ISON due to its exact position astronomically here approaching the Pleiades area at a very crucial moment associated with cosmic deities. But ISON has passed. When will the next comet pass this exact area? We all wait and watch as time seems to be near. It is perhaps the same future comet that Wayne identified in the Inca Golden Tablet prophecy of a re-union of the people with their ancestors. It is also of matching depiction to the Maya prophecy of their return of their star visitor ancestor called Bolon Yokte, a messenger from the Tree of Life ref
The Inca prophecy (click link) also shows a comet precisely approaching the area of the star deities near the Pleiades. Now since the Inca prophecy actually shows the comet is fragmented perhaps just like the recent Comet ISON, then it should be something easy to identify when the time comes. The story will update as the unfolding clues update ref
The legend carried by the Wurundjeri people of south-eastern Australia have the Pleiades represented by the seven Karatgurk sisters. Seven Earth dwelling women, matching the feminine theme 'coincidently' to ancient Greek myth. They were the first to possess the secret of fire and each one carried fire on the end of digging sticks. Coincidently again Hebrew tradition appears according to Wayne to celebrate the seven celestial lights with flame with their Menorah. Although the Seven sisters refused to share these fire sources with anybody, they were ultimately tricked into giving up their secret by a Crow, who then brought fire to mankind. After this, the Karatgurk sisters were swept into the night sky. Their glowing fire sticks became the bright stars of the Pleiades cluster.
The clearest and strongest evidence of star visitor ancestors from the Pleiades in Aboriginal history for now appears to begin here with this stunning example of ancient knowledge. Or will something far earlier or far more spectacular be concluded with the Gosford site? For now while the mystery is just unfolding at the Egyptian Glyph site this case here stands as the most conclusive earliest pictographic evidence matching the oral legend of Pleiades ancestors on the Australian continent.
The rock face is found in the Northern territories of Wardaman country and the Wardaman Aboriginal tribe history. Here is a well documented case narrating the same general Aboriginal legend, but in place of the visitors having the power over fire, the Wardaman tribes describe it almost identically to the Greek myth of Zeus. ref
The ancestors from the sky had power over lightening and there was a difference of agreement between two lightening ancestors and their dispute caused the loss of the rainbow cosmic Serpent!
From here forward Wayne goes much deeper in comparing both the oral tradition and this rock depiction with the other global clues Wayne has uncovered.
It can be reasoned if one studies detail in the image.
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Look closely at the star alignment emphasizing the following of the Pleiades orientation at an offset angle about 20 degrees clockwise off alignment to the 'x' that marks the spot. A Sun deity blazing face. The Primary Sun star position. The placing of a face in a Sun and personifying the sol star like this is common around the world. So much so followed in tradition that a we remember as children, our first pictures of our Sun are depicted 'personified'.
There appears to be more...
Another large Secondary sun star and a thrird tiny orb anomaly. Two primary blazing Sun deities with faces... surrounded by red and white rings, or, orbs in front of each other. If orbs, then these could denote Sun and planets or more simply a wormhole tunnel to them. Following Wayne's 2002 theory cosmic serpents are wormholes, now something many researchers concur, look how the 'extra' two serpents (matching the narration of rainbow serpents) connect to the bright two Suns and to a third anomaly. A third Sun fitting again a global trend of three Suns as a Solar Trinity if one accepts the small orb is a third sun star ref
But the best part is here, just like in the global themes it needs human form designating it place of human origins. The two Lightening ancestors, one white and one dark, perhaps portrayed as good vrs evil are placed next to the 'x' Sun that marks the spot. In typical global symbolism again the human form has arms outstretched and legs apart. This is a crucial human genesis reference compared here: ref
In summary Wayne suggests: Pleiades aligns as a direction way shower to the place of the Primary Star of the ancestors which connects to two others with wormhole serpents... where the two lightening ancestors of good and evil (like at Angkor) competing in front of their star gate.
One of Wayne's most graphic representations of the ancient star map he proposes that is being repeated in almost every ancient civilisation has to be the image below of Stonehenge. It depicts the orientation of Pleiades representation correlation by the winterbourne Barrows in position to the 'x' Sun star with worlds of the ancestors that marks the spot. Yes there are actually two more suns in this star area but in all the star maps one sun star is more important than all the others qualifying as 'the first place' of human civilisation in the cosmos. The Sun star chosen as follows.
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What you are now about to witness are some breathtaking old Australian Aboriginal Dreamtime artworks reproduced by native traditional Aboriginal artists that go into deep trance and connect with a spiritual 'force' and source of great knowledge.
These artists are not your everyday public that collect books, watch TV and go on the internet. These are usually elderly people that practice trance ritual and live in simple life tribal settlements far away from the modern world.
Some will argue that its connecting with God Creation, some will say its connecting with a spirit. Either way the transfer of important human record information here can now be evaluated and compared with the other ancient star maps found around the world.
From Wayne's own spiritual experience in the deepest trance of all, an NDE event when one has a heart stop for exceptionally long period of time like he experienced ref , he believes the artists are connecting with the life source of the universe itself, home, Akashic Records, God Creation. Here the soul usually has the first most powerful spiritual questions of all to ask our Creational source of light. Who am I? It is followed with two answers, one the star maps explain our flesh and blood ancestors, the other on our spiritual home, The cosmic Tree of Life. Both are shown in vibrant detail and wormholes to get there, exactly like the Dreamtime artwork here.
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Click each image to get a link to the Dreamtime artist work and how the Aboriginal belief is common. They are all descendants of ancestors from the Pleiades. Look closely at this image above. Pleiades in position compared to Stonehenge image of the mounds orientation and the line of 'showing the way' to the Sun star. There actually is a Sun position by the artist next to the alignment line (Same as Wayne's NDE) and it is shown with seven radiant lines! Just like the Kariong Gosford Sun star depiction higher up on this page and in the Freemason star Map! ref .
There is more... Note the position of the second Sun star at the bottom of the the image with people coming out of it. In the star maps found all around the world it is classed Secondary Sol star out of the 3 Sun stars and this is the second most important one where Wayne deciphered in the Mars star map as fitting the human evolution origin sun star system position. Coincidence? ref
The question of one artist here fabricating this detail is now absolutely answered! It is exactly like the ancient sites all over the world.
There are also three well known artists here all coincidently depicting the same themes... all presenting Dreamtime artworks of absolute accurate orientation and distance of a precise positioned Sun star of our ancestors, some apparently predating the published date of Wayne's work completely.
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So whats the big deal if these Dreamtime art images predate Wayne's star map published work? The answer is mind blowing...
It shows they did not copy Wayne's controversial Sun star position theory. It shows the soul can do amazing things in deep trance. There are more cases of this artwork that is even older than the examples on line here. What about the cave paintings of Dreamtime? Watch this space.
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This story is far from over. Is there more here? The scientists want to do further testing on dating the glyphs and a fossil expert is keen to put a name to the fossils on the rock platform. There is lot more going on here that can't be discussed just yet. More images are also being studied and maybe even the unthinkable, just like in Egypt research. The geology expert thinks there is high probability inspired by the text claim and the strange area near the glyphs where the possibilities exist of a big undiscovered burial chamber holding the 'lost star visitor'. Will it be possible to use subterranean acoustic testing for cavities there? Its now all in the hands of some motivated experts.
Due to the previous 'attack' made to the researchers involved who are local experts, they insist in doing this article that I add their point of view here:
"We are not interested in other 'opposing' researchers religious belief about restricting access to scholars or any other researcher to a site that is firstly legally a public park and secondly not yet proven a 'traditional' burial ground. We insist also that we remain anonymous due to fellow scholars negative feelings about this site as well as what might turn out to be a shocking twist to the story we are interested in".
Wayne will offer coverage of their latest data very soon and present new evidence or their interpretations, or info on the current film documentary they might be involved in, or Wayne's own interpretations of the new data.
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