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MATEMATICAS: Hipercubo
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Reply  Message 1 of 51 on the subject 
From: BARILOCHENSE6999  (Original message) Sent: 26/08/2012 15:08
 
The central figure is always the double headed eagle, the sword is for killing the Dragon, can be shown with the omphalos egg, the cross, and even Jesus crucified, but Athanasius Kircher tells us what is it about on his arcanum manuscripts.


Image

It's about magnetism, the eagles are the s-pira-ls, pira is latin fire from the pyra-mid-dle.
So the left eagle is number 9 and the right one number 6, when they join in one they add 15 which is 1111 binary, 3 =11 binary so 33 years of Christ = 1111.
As always the rhombic dodecahedron pomegranate hypercube of Mr Da Vinci explosive Christ code.
The arrow is on 60 degrees, the equilateral triangle, 60, 60, 60 or 666, the number of the beast and man - counterclockwise spiral.
 

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Reply  Message 37 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 17/02/2013 03:57
 
Gracias, pero no he dado una fecha especifica, la idea es que cada uno saque sus conclusiones en base a la informacion vertida.
El 21 de Diciembre coincide con el codigo de Jesus, su muerte y resurreccion 3 dias despues, el dia 24 o Navidad.
Sabemos que los Mayas conocian los codigos y sus calendarios eran muy exactos, si conocía la fecha con exactitud es un misterio.
Lo que he expuesto como mayor prueba de que estamos cerca de este acontecimiento es el componente magnetico del hipercubo a 60 grados, lo cual fue confirmado por el Voyager fuera del sistema solar, en realidad deberia ser inferior a 60, 59,9.. o simil ya que la forma hexagonal del hipercubo es incompatible con el fluido del tiempo, los cubos se fusionan al chocar el 9 y el 6, de 16 puntos de la matriz pasamos a 15, numero impar por lo tanto se pierde polaridad.
Por que 33, el misterioso numero? Simplemente por que 4/3 = 8/6 =1.33, 8 el octogono del orden conformado por 2 cubos sobre el hexagono como el caos.
El punto medio entre ambos simboliza el pasaje entre la muerte y la resurreccion, los 3 dias de noche, el sol negro, etc.


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El corte grafico 8/6 desde un extremo la singularidad del octogono en el centro de la galaxia a 33 grados y la componente medio de Virgo/Virgen a medio Piscis/Jesus desde la circunferencia exterior pasando por el centro.



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Las calles de Washington reflejan el octogono o la nueva era dorada.

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Fractales de tiempo del octogono regenerativo-24 horas del dia
8 octogono/33 = 0.242424
8 octogono/33.333..=0.2400024
800/33.333=24.00024
La lineas amarillas que alternan en 33 grados tienden y por lo tanto median hacia la semilla de la flor octogonal en verde del toro geometrico comprendido en el hipercubo.


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Reply  Message 38 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 17/02/2013 04:31
echanical and spatial determinants of cy... [Integr Biol (Camb). 2009] - PubMed - NCBI

Integr Biol (Camb). 2009 Feb;1(2):212-9. doi: 10.1039/b818874b. Epub 2009 Jan 6.
Mechanical and spatial determinants of cytoskeletal geodesic dome formation in cardiac fibroblasts.
Entcheva E, Bien H.
Source
Department of Biomedical Engineering, Stony Brook University, HSC T18-030, Stony Brook, NY 11794-8181, USA. emilia.entcheva@sunysb.edu
Abstract
This study tests the hypothesis that the cell cytoskeletal (CSK) network can rearrange from geodesic dome type structures to stress fibers in response to microenvironmental cues. The CSK geodesic domes are highly organized actin microarchitectures within the cell, consisting of ordered polygonal elements. We studied primary neonatal rat cardiac fibroblasts. The cues used to trigger the interconversion between the two CSK architectures (geodesic domes and stress fibers) included factors affecting spatial order and the degree of CSK tension in the cells. Microfabricated three-dimensional substrates with micrometre sized grooves and peaks were used to alter the spatial order of cell growth in culture. CSK tension was modified by 2,3-butanedione 2-monoxime (BDM), cytochalasin D and the hyphae of Candida albicans. CSK geodesic domes occurred spontaneously in about 20% of the neonatal rat cardiac fibroblasts used in this study. Microfabricated structured surfaces produced anisotropy in the cell CSK and effectively converted geodesic domes into stress fibers in a dose-dependent manner (dependence on the period of the features). Affectors of actin structure, inhibitors of CSK tension and cell motility, e.g. BDM, cytochalasin D and the hyphae of C. albicans, suppressed or eliminated the geodesic domes. Our data suggest that the geodesic domes, similar to actin stress fibers, require maintenance of CSK integrity and tension. However, microenvironments that promote structural anisotropy in tensed cells cause the transformation of the geodesic domes into stress fibers, consistent with topographic cell guidance and some previous CSK model predictions.



HARDI: High-angular-resolution diffusion imaging and Q-ball vector analysis


Diffusion MRI - Wikipedia, the free encyclopedia


Early in the development of DTI based tractography, a number of researchers pointed out a flaw in the diffusion tensor model. The tensor analysis assumes that there is a single ellipsoid in each imaging voxel—as if all of the axons traveling through a voxel traveled in exactly the same direction. This is often true, but it can be estimated that in more than 30% of the voxels in a standard resolution brain image, there are at least two different neural tracts traveling in different directions that pass through each other. In the classic diffusion ellipsoid tensor model, the information from the crossing tract just appears as noise or unexplained decreased anisotropy in a given voxel. David Tuch was among the first to describe a working solution to this problem.[64][65]
The idea is best understood by conceptually placing a kind of geodesic dome around each image voxel. This icosahedron provides a mathematical basis for passing a large number of evenly spaced gradient trajectories through the voxel—each coinciding with one of the apices of the icosahedron. Basically, we are now going to look into the voxel from a large number of different directions (typically 40 or more). We use "n-tuple" tessellations to add more evenly spaced apices to the original icosahedron (20 faces)—an idea that also had its precedents in paleomagnetism research several decades earlier.[66] We just want to know which direction lines turn up the maximum anisotropic diffusion measures. If there is a single tract, there will be just two maxima pointing in opposite directions. If two tracts cross in the voxel, there will be two pairs of maxima, and so on. We can still use tensor math to use the maxima to select groups of gradients to package into several different tensor ellipsoids in the same voxel, or use more complex higher rank tensors analyses,[67] or we can do a true "model free" analysis that just picks the maxima and goes on about doing the tractography. We could use very high angular resolution (256 different directions) but it is often necessary to do ten or fifteen complete runs to get the information correct and this could mean 2,000 or more images—it gets to be over an hour to do the image and so becomes impossible. At forty angles, we can do 10 repetitions and get done in ten minutes. Also, in order to make this work, the gradient strengths have to be considerably higher than for standard DTI. This is because we can reduce the apparent noise (non-diffusion contributions to signal) at higher b values (a combination of gradient strength and pulse duration) and improve the spatial resolution.
The Q-Ball method of tractography is an implementation of the HARDI approach in which David Tuch provides a mathematical alternative to the tensor model.[68] Instead of forcing the diffusion anisotropy data into a group of tensors, the mathematics used deploys both probability distributions and a classic bit of geometric tomography and vector math developed nearly 100 years ago—the Funk Radon Transform.[69]


Buckminster Fuller

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Museo Dali


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Museo Dali - Duomo Buckmister Fuller


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Evolucion del icosahedro al domo geodesico

Algunas pistas ya revisadas


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Luca Pacioli con sacerdote Shem, piel de Leopardo al igual que Dali.



Atomos de oro, final del proceso alquimico y la gran obra.



Anillos de borromeo( El Señor ) se forman sobre triangulos rectangulo del icosahedro.

The following Cartesian coordinates define the vertices of an icosahedron with edge-length 2, centered at the origin:
(0, ±1, ±φ)
(±1, ±φ, 0)
(±φ, 0, ±1)
where φ = (1+√5)/2 is the golden ratio (also written τ). Note that these vertices form five sets of three concentric, mutually orthogonal golden rectangles, whose edges form Borromean rings.
If the original icosahedron has edge length 1, its dual dodecahedron has edge length , one divided by the golden ratio.




Grilla de la tierra

Última edición por IndigoMerovingio; 03-ene-2013 a las 02:12

Reply  Message 39 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 19/02/2013 01:48
 
RELACION DEL CUBO/METATRON CON EL NUMERO 19
 

Metatron's Cube

Metatron's Cube is usually presented as thirteen circles and the lines that connect the middles of those. When you look at this image, the eye is first presented with hexagons and hexagrams; then with triangles and rectangles.

Note that the figure depicts the "six directions in space" (3 dark lines), and is essentially an expansion (by adding six circles) of the Star of David, located at the center. Note especially that the Star of David consists of seven points, although the center point is seldom emphasized. The Cube is a depiction of 12 around 1 like the disciples or the 12 tribes, the labors of Hercules and the zodiac signs.

 

The Cube is easier to see if we fill in six more circles. Note that adding the Pythagorean "Y" to the hexagon yields three rhombus, which is how we depict a 3D cube in two dimensional drawings. Studying this cube is a lesson in perspective drawing.

 

Overlapping the circles (so that the center of one is on the circumference of another) and making them opaque, yields this figure; the cube of three, composed of 27 spheres, 8 of which (2 cubed) are hidden, leaving 19 visible. This means that the cube of two is hidden with in the cube of three, just as the cube of 1 is hidden in the cube of 2. The cube of 4 conceals the cube of three.

 

Making the spheres transpart yields the figure known as "the flower of life", composed of vesicas. Note how you can see the "hidden" spheres, and how the center circle represents three different spheres; one at the front corner, one at the opposite corner and one in the middle of the cube.

 

 

The cube of 13 circles is an abbreviation of, or short-hand for, the cube with 27 spheres.

 

 

 

 

 

 

 

 

 


Reply  Message 40 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 22/02/2013 20:23

Reply  Message 41 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 25/02/2013 17:20
 
NUMERO 322/ 8 DIVISORES/ NUMERO 8/ RESURRECCION/ LUGAR SANTISIMO/ CUBO/ NUMERO DE ORO PHI/ NUMERO 23 / SIRIO / ESTADOS UNIDOS / KABA (ISLAM) / 911

Divisors of the Number 322

  • 322 has 8 positive divisors: 1, 2, 7, 14, 23, 46, 161, 322
    • The sum of the positive divisors is 576
  • 322 has 7 proper divisors: 1, 2, 7, 14, 23, 46, 161
    • The sum of the proper divisors is 254
  • 322 is a deficient number since the sum of the proper divisors is less than 322
  • 322 is not a perfect number
  • 322 is not an abundant number

Reply  Message 42 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 05/03/2013 07:16
 
La eleccion del ultimo Papa, Pedro/Piedra, la piedra fundamental del Arco Real, el 96 Cancer y Don-key el burro de Jesus.
La piedra pulida del Mason para la culminacion del Magnum Opus, el gran trabajo.




96 = 15=1111

111 Papas - Malaquias + 1 Pedro el Grande = 1111

El próximo papa se llamará Pedro de Roma y será el último de la historia - elConfidencial.com


Click para ampliar


Recuerdo por arriba el codigo del boton en el espacio tiempo

Octogono 8 nueva era dorada - pulpo no a la venta segun la ODVG
Hexagono 6 rombo dodecahedro forma de la granada, y el panal de abejas que dara la miel de la nueva era dorada.
Los espirales binarios 6 y 9 rotan sobre el eje del tiempo en espiral aureo que llega a su fin en el codigo hermafrodita, 6 hombre + 9 mujer, entre los botones.
6 =0110 binario
9= 1001 binario
15=1111 binario - la suma natural y las coordenadas cartesianes del espacio en el hipercubo.

El hipercubo esta compuesto de 2 cubos, uno de dominio 6 nuestra rotacion en sentido antihorario, el Sol sale por el Este, codigo hijo del hombre, Man-son, 6 la bestia Saturno, Satan, Kronos el padre del tiempo.
El otro de dominio 9, sentido horario, boton de la mujer, la casa a la izquierda del tiempo.
Arquetipo Venus retrogrado Lucifer, Cassiopea en el centro de la galaxia, la Sirio que representa a Isis, la Cruz del Sur.




El hipercubo en movimiento, contraccion y expansion del espacio el cual genera nuestro tiempo, de alli la relatividad del tiempo.
El tiempo se acelera a medida que se acerca el fin, el codigo mercurio el mensajero de los Dioses, proceso de fermentacion, codigo del pan el vino y la mostaza de Jesus.
En Ingles Must-ard
Must/Mosto/vino joven
ard - ardens Latin arder

Mateo 17:20

20 Jesús les dijo: Por vuestra poca fe; porque de cierto os digo, que si tuviereis fe como un grano de mostaza, diréis a este monte: Pásate de aquí allá, y se pasará; y nada os será imposible.

EL hipercubo es la cuadratura del Toro geometrico, digamos que es la forma de simplificar la comprension de formas y visualizaciones mas complejas.





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La fuerza del Toro, la Mostaza, el Pino/Piña y el Papa.
Lux et Tenebris - La Luz tenebrosa de Lucifer


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La mari-quita, Mari Diosa Vasca que quita la vida, el Androgino.

Última edición por IndigoMerovingio; 01-mar-2013 a las 16:13
 

Reply  Message 43 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 11/11/2015 14:23
 

XLA X-stem Logic Alphabet and the New Jerusalem (tesseract) 
note: the 16 CUBES 
note: keep in mind that St. Peter Square, is demarcated by 16 'winds' 
note: keep in mind that the Tarot KEY I have recovered (see below) clearly indicates we should notice the first 15 letters have passed, and currently the stem indicates MNO
Which I have suggested can be rotated/reflected into words like OWN, NWO, ONE, WON, NOW, hey MON! 

Thus the 16th letter on the TAROT KEY is P or p. 
Now the p used in this next link/article will make so much more sense. 
>>> http://www.logic-alphabet.net/mirrors_title.htm 

Let The Mirrors Do The Thinking 

and 

Let The People Do The Reflecting
 

 

LANGUAGE, LETTER, NUMBER AND FORM COLLIDE 
Be sure to link on the interview at the end of this post. 

Quote:
Introduction 

Our story begins with a simple example. Suppose that someone asked you to keep a record of your thoughts, exactly, and in terms of the symbols given, when you are making an effort to multiply XVI times LXIV. Also suppose that, refusing to give up, you finally arrive at the right answer, which happens to be MXXIV. We are sure that you would have had a much easier time of it, to solve this problem, if you would have found that 16 times 64 equals 1024. 

This example not only looks at what we think and what we write. It also looks at the mental tools, the signs and symbols, that we are using when that thinking and that writing is taking place. How we got these mental tools is a long story, one that now includes the presence of some new developments. 

Our main idea comes from calling attention to a deep commonality that cuts across the parallel streams of development that in recent millennia have unfolded in the ways and byways of evolutionary notation. It took many centuries of collective search to devise a place-value notation for counting. Likewise to devise a sound-value notation for reading. Likewise to devise a note-value notation for singing. And so forth, for each neurologically specialized ability; in effect, a different specialized notation for each specialized ability. These observations, easily recognized in the history of evolutionary notation, strongly suggest that every kind of intelligence needs its own kind of notation. 

In what follows, with emphasis on a fast-forward recapitulation, we will run a replay of what happened when Europe took several centuries to go from MXXIV to 1024. This replay in not for numbers. It is for another specialized ability. It is for logic, when it is recast in terms of a shape-value notation. Modern logic starts in the middle of the 1800s and, as is well recognized, with the work of George Boole. This means that we have had only about 150 years to think up and to grow into the symbols we now use for symbolic logic. 
These symbols, and they are only symbols, leave a lot to be desired. We hope that we can draw you into taking a look at a lesson in lazy logic. If you follow us all the way, we hope to leave you with a new set of signs, signs that are much better than any you have seen yet. Not only will it be much easier for you to use them. Even mirrors will be able to use them. 

X-stem Logic Alphabet: 
http://www.logic-alphabet.net/ 

Background: 
http://www.logic-alphabet.net/background.htm


 

Why only 15 cubes in this version of XLA? 
It appears two have been combined into one. 
Take a look at the first image of the tesseract. 
It is clear in this second image the S and Z have been combined into one center cube. 
And I find that interesting, because the S is one of the 8 vertices of the outside cube, and the Z belongs to one of the 8 vertices of the inner cube. 

AHA?? 

Who does not see two intersecting SHAPES resembling 'SZ' in the center of the image above or in the image below we see a ZZ in the center of the 7000 year old plate found in Samarra Iraq....from the SZ, the SueZ region? Laughing 

 

What does the geometric shape look like if we reflect one of the 'Z' in ZZ into a S? 

The SHAPE resembling an '8' perhaps? 
More research is necessary in this fIELd by (me?) because the pieces are fitting rather well. 

WOW MOM Interview with a kindred spirit: 
http://www.cabinetmagazine.org/issues/18/crystal.php 

I have found myself a new hero. 
Shea Zellweger makes far more sense than that wanker Zechary Stitchen, in fact proving ZS along with his planet Nibiru are flights of UFO fancy taking off in his head and coming out of his mouth like a swarm of locusts. 

May ZSitchen Rest In PieceS and some of his music decompose along with him. 

YAhoo YAHU 

 

Which reminds me of another TRUE to LIFE real hero who used his imagination NOT to script science fiction and confuse the sheeple even more like that wanker ZS, but instead the imagination of ELI-YAHU RIPS will still pay dividends to humanity in the years to come. 

 

DOT >>> 1D LINE >>> 2D SQUARE >>> 3D CUBE >>> 4D TESSERACT 
important to know about the tesseract: 
http://en.wikipedia.org/wiki/Tesseract 

Quote:
 

The tetrahedron forms the convex hull of the tesseract's vertex-centered central projection. Four of 8 cubic cells are shown. The 16th vertex is projected to infinity and the four edges to it are not shown. 

http://en.wikipedia.org/wiki/Tesseract 


namaste

_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory 
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…” 
-Albert Einstein

Reply  Message 44 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 15/11/2015 16:38
 
Hey Ralph

Your video game IDEA is also part of how I SEE the evolution of GOD Helmet. I had this IDEA in 2009 when I was reading DanIEL Winter's work. Although he SEES the coherence of mind & heart as an end to itself I sEE it as a means to an end. Let mi explain.

I see ascension as a part of CUbic enfoldment-unfoldment of 9 Levels over 3 Layers or Realms.

The 9 Levels each poses 3 Cubes = 9 x 81 dimension Specific Solfeggio Frequency CODES.


But how do we know which dimension WE are accessing and communicating with? How do we know that the RAndom Music being transmitted from your oversoul layers or you guardian angELs are infact the TRUE Music tuned for your healing and activation?


DanIEL Winter talks about Phire, Implosion, embedding and LOVE via coherence biofeedback.

I believe that by getting feedback regarding eeg and ecg coherence WE can KNOW that the music which is being created through RANDOM EVENT GENERATION as PINK NOISE is TRUE to one's heART or not. The goal is to monitor what sort of Solfeggio CODES are being generated @ the EDGE of CHAOS while at the same time maximizing coherence in MIND and heART. The Music is then modulated upon LIGHT LED and ELectromagnetic pulses as well as Infrasound. The magnetic coils are placed upon the tempolar lobes above the ears bilaterally. The Infrasonic transducer is placed upon the Crown Itself rattling the dome with BASS via 270 non-solfeggio freq.

There is much reasearch regarding the spiritual effects of Infrasound waves, talk about goose bump effects and BASS

The infinity sign @ the top of the Magician's head comes to MIND. 2 Sets of Fib seq.

This sort of Music can indeed do some exorcising and enabling 3D boxed fellows to talk to one's higher SELF. What would happen to churches, unholy scripts, and child molesting middle man?

So I like to get your feedback regarding the evolution of the God Helmet deSIGN.

Thanks regarding 1212 1215. Here is some interesting inPho from Tsarion regarding EL

“The ancient name of Saturn was, as mentioned, EL. It is the reason why those that were chosen by EL, were called Elites. In fact the words, Elect, Elder, Elevated, Elohim, Temple, Circle, Gospel, Apostle, Disciple, Evangelists, etc., all derive from the Cult of EL.


Angels are messengers of god. But god was EL, which is why we have the names of the Archangels bearing the ‘el,’ suffix Raphael, Michael, Uriel, Gabriel, etc,.”

Michael Tsarion, “Astrotheology and Sidereal Mythology”

“The plural term Elohim appears over 2500 times in the Old Testament but is falsely translated in most versions. This fact of plurality explains why in Genesis ‘Gods’ said, ‘Let us make man in our image.’



"As stated, Elohim refers to both ‘gods’ and ‘goddesses,’ and its singular form, El, served as a prefix or suffix to names of gods, people and places, whence EmmanuEl, GabriEl, BethEl, etc. Even ‘Satan’ was one of the Elohim.”

Acharya S., “The Christ Conspiracy”


The gods of ELohim are angELs, the messengers of god.


When witches cast a speEL, they put the “Hex” (6) on someone, and when chefs deep fry something, they “Deep 6” it. It is the ELites who run the world today. Elite comes from the “IsraElites” which came from the Egyptian worship of the Moon (Isis), the Sun, (Ra), and Saturn (Elohim), hence IsRaEl.

So we have three types of CODE. Would this be a correct assumption?

Lunar 1212 or 1215
Solar 25811
Saturnic 1379 1376


Now back to the Cube.

"Jews and Muslims alike worship a huge black cube/box called Kabba at Mecca. Their god YHWH is known as the “Tetragramaton” meaning their 4 letter (4 sided?) God. The “Kabballah” of Jewish mysticism/Masonry comes from KabbaAllah or “CubeGod” around which people gather and ceremonially walk in circles."

Thus it can be said they are “circling the square.” Masons are also constantly referring to “circling the square” and “squaring the circle.”


So whats the relationship between hexagonal numbers and their corresponding Cubes?


The sequence of the centered hexagonal numbers is 1, 7, 19, 37, 61, 91, 127, 169, 217, 271, 331, ...





The formula is an=3n²-3n+1.
There is 1, 1+7=8, 1+7+19=27, 1+7+19+37=64, ...
The series to the sequence of the centered hexagonal numbers is the sequence of the cube numbers.

Now I like to better understand the old formula and the new formula

27 + 37 vs 26 + 38 and their aSSociation with the hexagonal numbers. Can you shed some Light Ralph.

Namaste

Mo
 

Reply  Message 45 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 09/02/2016 23:49
 
Hypercube or Tesseract 32 sides encoding 32 paths of Masonic hierarchy before the invisible top 33 symbolizing breaking through the other side.

http://sealrevelation.blogspot.com.ar/search/label/11111
 
Image


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Reply Hide message Delete message  Message 2 of 2 on the subject 
From: BARILOCHENSE6999 Sent: 09/02/2016 20:44
Fermentation - nigredo - bread and wine of Christ

Image


Image


Image

La vesica piscis (vejiga de pez en latín) es un símbolo hecho con dos círculos del mismo radio que se intersecan de manera que el centro de cada círculo está en la circunferencia del otro. Esta forma se denomina también mandorla (que significa "almendra" en italiano).
 



 
Se  produce el mismo patron. LA SERPIENTE SE MUERDE LA COLA.



 
EL MISMO CUBO ESTA DISEÑADO EN FUNCION AL NUMERO 12, EN EL CONTEXTO A LAS 12 HORAS DEL RELOJ. EFECTIVAMENTE TENEMOS 4 LINEAS EN LA PARTE SUPERIOR, 4 EN LA PARTE CENTRAL Y 4 LINEAS EN LA INFERIOR (4+4+4=12). EN EL MARCO AL HIPERCUBO, ADONDE TENEMOS 2 CUBOS COMO PODEMOS OBSERVAR EN LA PARTE SUPERIOR, TENEMOS UNA REFERENCIA OBVIA A LAS 24 HORAS DEL DIA, OSEA 12+12=24. ES OBVIO EN ESTE MARCO QUE EL PATRON DEL HIPERCUBO RESPONDE AL DIA DE 24 HORAS. TODO ESTO ES UNA OBVIA REFERENCIA A HECHOS 12:12, OSEA JUAN MARCOS. EL MISMO PATRON EN EL CONTEXTO AL NUMERO 8 DE LA PLAZA DE SAN PEDRO, TAMBIEN RESPONDE AL PATRON DE LAS 24 HORAS= 8*3 HORAS= 1440 MINUTOS= 8*180 MINUTOS= 86400 SEGUNDOS= 8*10800 SEGUNDOS
 
 
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From: BARILOCHENSE6999 Sent: 14/02/2016 19:21
 
Hypercube or Tesseract 32 sides encoding 32 paths of Masonic hierarchy before the invisible top 33 symbolizing breaking through the other side.

http://sealrevelation.blogspot.com.ar/search/label/11111
 
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From: BARILOCHENSE6999 Sent: 09/02/2016 20:44
Fermentation - nigredo - bread and wine of Christ

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La vesica piscis (vejiga de pez en latín) es un símbolo hecho con dos círculos del mismo radio que se intersecan de manera que el centro de cada círculo está en la circunferencia del otro. Esta forma se denomina también mandorla (que significa "almendra" en italiano).
 



 
Se  produce el mismo patron. LA SERPIENTE SE MUERDE LA COLA.



 
EL MISMO CUBO ESTA DISEÑADO EN FUNCION AL NUMERO 12, EN EL CONTEXTO A LAS 12 HORAS DEL RELOJ. EFECTIVAMENTE TENEMOS 4 LINEAS EN LA PARTE SUPERIOR, 4 EN LA PARTE CENTRAL Y 4 LINEAS EN LA INFERIOR (4+4+4=12). EN EL MARCO AL HIPERCUBO, ADONDE TENEMOS 2 CUBOS COMO PODEMOS OBSERVAR EN LA PARTE SUPERIOR, TENEMOS UNA REFERENCIA OBVIA A LAS 24 HORAS DEL DIA, OSEA 12+12=24. ES OBVIO EN ESTE MARCO QUE EL PATRON DEL HIPERCUBO RESPONDE AL DIA DE 24 HORAS. TODO ESTO ES UNA OBVIA REFERENCIA A HECHOS 12:12, OSEA JUAN MARCOS. EL MISMO PATRON EN EL CONTEXTO AL NUMERO 8 DE LA PLAZA DE SAN PEDRO, TAMBIEN RESPONDE AL PATRON DE LAS 24 HORAS= 8*3 HORAS= 1440 MINUTOS= 8*180 MINUTOS= 86400 SEGUNDOS= 8*10800 SEGUNDOS
 
 
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Reply  Message 47 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 30/09/2016 14:44
 
Resultado de imagen para cern babel
 
LA TORRE DE BABEL, OSEA LA UNION ENTRE EL CIELO Y LA TIERRA, ES UN "AGUJERO DE GUSANO". EN ESTE MARCO ES EL GRIAL MISMO. SIMBOLIZA LA UNION ENTRE EL CIELO Y LA TIERRA, O LA CUADRATURA DEL CIRCULO (CIRCULO=CIELO; CUADRADO=TIERRA) O LA ESCUADRA Y EL COMPAS MASONICO. ES OBVIA LA CONNOTACION CON LA "ESCALERA DE JACOB". MAGDALENA TIENE CONNOTACION CON EL MISMO TERMINO TORRE EN HEBREO.
 
1. Josué 15:37 Zenán, HADASA, Migdal-gad,

2. Ester 2:7 Y había criado a HADASA, es decir, Ester, hija de su tío, porque era húerfana; y la joven era de hermosa figura y de buen parecer. Cuando su padre y su madre murieron, Mardoqueo la adoptó como hija suya.
 
ESTHER=ISHTAR=STAR GATE=PUERTA ESTELAR
BABEL=PUERTA DE DIOS

1 Pedro 5:13: La iglesia que está en Babilonia, elegida juntamente con vosotros, y Marcos mi HIJO, os saludan.

 
HECHOS 12:12 / 33 / JUAN MARCOS
 
ESTRELLA DE 6 PUNTAS = 33 = 2 TRIANGULOS CRUZADOS =ALQUIMIA
 

 

 
 
 
BABILONIA ESTABA EN EL PARALELO 33 Y ERA UNA CIUDAD DE 7 COLINAS.
BABEL/ BABY / BEBE /
 
milky way in Simple Gematria Equals: 119 ( m 13 i9 l 12 k 11 y 25 0 w 23 a1 y 25 )
queen mary in Simple Gematria Equals: 119 ( q 17 u 21 e5 e5 n 14 0 m 13 a1 r 18 y 25  
hebrew calendar in Simple Gematria Equals: 119 ( h8 e5 b2 r 18 e5 w 23 0 c3 a1 l 12 e5 n 14 d4 a1 r 18
mary magdalene in Simple Gematria Equals: 119 ( m 13 a1 r 18 y 25 0 m 13 a1 g7 d4 a1 l 12 e5 n 14 e5  

Reply  Message 48 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 19/03/2017 15:16
 

ABIMELEC (UN CASO BIBLICO DE TRASLACION EN EL TIEMPO)-JEREMIAS

CASO ABIMELEC (PARALIPOMENOS DE JEREMÍAS) -7-

 
Habló entonces Jeremías: "Por favor, Señor, muéstrame qué puedo hacer por Abimelec el etíope, que practicó muchas obras buenas con tu siervo Jeremías; pues él me sacó de la cisterna de lodo y no deseo que vea la destrucción y desolación de esta ciudad, sino que tengas compasión de él y no se vea afligido". Y dijo el Señor a Jeremías: "Envíalo a la viña de Agripa, y a la sombra del monte yo le protegeré hasta que yo haga que el pueblo retorne a la ciudad."...

Llegado el amanecer, Jeremías envió a Abimelec diciendo: "Coge la cesta, parte hacia la finca de Agripa por el camino de la montaña, trae unos pocos higos y entrégalos a los enfermos del pueblo, pues el favor del Señor está sobre ti y su gloria sobre tu cabeza". Tras decir esto, Jeremías le despidió; y Abimelec marchó según le había dicho."...
Abimelec, por su parte, llevó los higos bajo un Sol ardiente, por lo que al encontrarse un árbol se sentó bajo su sombra para descansar un poco. Y al reclinar su cabeza sobre la cesta de los higos se durmió, quedando dormido durante sesenta y seis años sin despertarse de su sueño. Y después, al levantarse de su sueño, dijo: "He dormido a gusto un rato, pero mi cabeza está pesada porque no he quedado saciado con mi sueño". Entonces, al destapar la cesta de los higos, los encontró destilando leche. Y dijo: "Quería dormir todavía un poco, porque mi cabeza esta pesada; pero tengo miedo, no sea que me duerma, tarde en despertarme y mi padre Jeremías me menosprecie, pues si no tuviera prisa no me habría enviado hoy de madrugada. Así, pues, me pondré en pie y caminaré bajo el ardiente Sol, pues ¿no hay ardiente Sol, no hay fatiga todos los días?". Levantóse, por tanto, tomó la cesta de los higos, se la echó a los hombros y marchó a Jerusalén, pero no la reconoció  ni su casa, ni su propio lugar , ni encontró a su propia familia ni a ninguno de sus conocidos. Y dijo: "¡Bendito sea el Señor, porque un gran éxtasis me ha sobrevenido hoy! Esta no es la ciudad de Jerusalén: he errado el camino porque fui por la senda del monte cuando me levanté de mi sueño; y como mi cabeza estaba pesada por no haber quedado saciado con mi sueño, he errado el camino. ¡Le parecerá sorprendente a Jeremías cuando le diga que he errado el camino!".
Entonces salió de la ciudad; y al fijarse bien vio los mojones de la ciudad y dijo: "Esta es ciertamente la ciudad; sin embargo, he errado el camino". Retornó de nuevo a la ciudad y se puso a buscar, pero no encontró a ninguno de los suyos. Dijo entonces: "Bendito sea e1 Señor, porque un gran éxtasis me ha sobrevenido.'". Salió nuevamente fuera de la ciudad y se quedó afligido, sin saber dónde ir. Y se quitó de encima la cesta, diciendo: "Voy a quedarme aquí sentado hasta que el Señor aparte de mi este éxtasis".
Mientras estaba él sentado, vio a cierto anciano que venia del campo; Abimelec le dice: "A ti te hablo, anciano, ¿qué ciudad es esta?". Le respondió: "Es Jerusalén". Abimelec le pregunta: "¿Dónde está Jeremías el sacerdote, Baruc el secretario y todo el pueblo de esta ciudad que no los he encontrado?". Repuso el anciano: "¿No eres de esta ciudad tú, que has recordado hoy a Jeremías, ya que preguntas por él tras tanto tiempo? Pues Jeremías está en Babilonia con el pueblo; fueron, en efecto, llevados cautivos por el rey Nabucodonosor, y con ellos está Jeremías para anunciarles buenas nuevas e instruirles en la palabra". Tan pronto como oyó esto Abimelec de aquel hombre anciano, dijo: "Si no fueras anciano, y como no le es lícito a un hombre encolerizarse con quien es mayor que él, me reiría de ti y te diría que estás loco, pues has dicho: "E1 pueblo ha sido llevado cautivo a Babilonia. ¡Aunque hubieran bajado sobre ellos los torrentes del cielo, no ha habido todavía tiempo suficiente para que hayan partido hacia Babilonia! Pues, ¿cuánto tiempo ha pasado desde que mi padre Jeremías me envió al campo de Agripa a traer unos pocos higos para que los diésemos a los enfermos del pueblo? Fui, los traje y al llegar hasta cierto árbol, bajo un Sol ardiente, me senté a descansar un poco, recliné mi cabeza sobre la cesta y me quedé dormido. A1 despertarme destapé la cesta de los higos, pensando que se me había hecho tarde, pero encontré los higos destilando leche, lo mismo que cuando los cogí. Tú, en cambio, dices que el pueblo ha sido llevado cautivo a Babilonia. Pero, para que te des cuenta, ¡toma, mira los higos!". Destapó la cesta de los higos al viejo y los vio destilando leche.
A1 verlos, el anciano dijo: "Hijo mío, hombre justo eres tú y no quiso Dios que vieras la desolación de la ciudad; por eso trajo este éxtasis sobre ti. Pues he aquí que hoy hace sesenta y seis años que fue llevado cautivo el pueblo de Babilonia. Y para que sepas, hijo, que es cierto cuanto te digo, alza los ojos hacia el campo y observa que no ha aparecido el crecimiento de las cosechas. Mira también los higos, que no es su tiempo, y date cuenta".
 
Resultado de imagen para higuera cristo
 
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Resultado de imagen para ISRAEL LA HIGUERA
Resultado de imagen para ISRAEL LA HIGUERA
 

klockit.com
6" Star of David Theme Clock
750 × 735 - 65k - jpg

amazon.com
STAR OF DAVID Wall Clock
355 × 355 - 34k - jpg
pic
185=37x5 (INDEPENDENCIA DE EEUU)
365=73X5 (DIAS EN EL GREGORIANO NO BISIESTO)
4/7 ES EL DIA NUMERO 185 DEL CALENDARIO GREGORIANO
1776=37X48
666=37X18
 
Resultado de imagen para NUMBER 37 CUBE
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Resultado de imagen para GENESIS 3:7
 
 

6. Apocalipsis 3:7: Escribe al ángel de la iglesia en Filadelfia: Esto dice el Santo, el Verdadero, el que tiene la LLAVE de David, el que abre y ninguno cierra, y cierra y ninguno abre:

 
 
1. Génesis 3:7 Entonces fueron abiertos los ojos de ambos, y conocieron que estaban desnudos; entonces cosieron hojas de HIGUERA, y se hicieron delantales.
Resultado de imagen para higuera cristo
 
31. Mateo 24:32 De la HIGUERA aprended la parábola: Cuando ya su rama está tierna, y brotan las hojas, sabéis que el verano está cerca.
Resultado de imagen para higuera cristo

Reply  Message 49 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 30/11/2018 17:50
Resultado de imagen para transformador toroide
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Respuesta Eliminar Mensaje  Mensaje 25 de 26 en el tema 
De: BARILOCHENSE6999 Enviado: 18/08/2018 15:32
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Respuesta Eliminar Mensaje  Mensaje 26 de 26 en el tema 
De: BARILOCHENSE6999 Enviado: 30/11/2018 14:30
Resultado de imagen para apple park silicon valley
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Resultado de imagen para apple park silicon valley
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Resultado de imagen para apple park silicon valley
Resultado de imagen para JUAN 3:14
22/7=3.14=PI
 
 
12 PUNTOS EN SU CIRCUNFERENCIA=RELOJ=SANTA CENA
 
 
LONGITUD CIRCUNFERENCIA=PIxDIAMETRO
Resultado de imagen para PI
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De: BARILOCHENSE6999 Enviado: 29/11/2018 17:22
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From: BARILOCHENSE6999 Sent: 21/04/2019 15:11
Resultado de imagen para realimentación positiva y negativa
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Previsualización de la tapa del diario Clarin
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Imagen relacionada
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Resultado de imagen para apple valley california PARALELO 37

 
 
 
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LLAVE DE ORO Y DE PLATA AL IGUAL QUE LA MANZANA
 

 


Resultado de imagen para NEW JERUSALEM PYRAMID
 
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Incendio Notre Dame: Última hora de la catedral de París (15 DE ABRIL)

Resultado de imagen para 15 DE ABRIL LEONARDO DA VINCI
Incendio Notre Dame: Última hora de la catedral de ParísIncendio Notre Dame (París), en directo (Bertrand Guay / AFP)
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PHI A NOTRE-DAME

 
A la catredal de Notre Dame hi observem més rectanlges auris:

Creat per Mario Pastor
 

The DaVinci Code, Notre Dame Cathedral from DaVinci Code

original movie prop

Resultado de imagen para notre dame cube
 
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HEXAGONO=OCTAHEDRO =ESTRELLA DE 6 PUNTAS= SATURNO =CUBO/HEXAGONO= ESPACIO/TIEMPO =1 DE REYES 6:20 Y APOCALIPSIS 21:16
 
EL SEXTO DIA ES EL VIERNES Y EL OCTAVO EL DOMINGO. INCREIBLE
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Math in Architecture and the Golden Section

 
math in architecture

The Golden Section (aka Golden Mean, and Golden Ratio) phys.org

We use math in architecture on a daily basis to solve problems. We use it to achieve both functional and aesthetic advantages. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance. As you will see from some of the examples below, the application of mathematical principles can result in beautiful and long-lasting architecture which has passed the test of time.

Using Math in Architecture for Function and Form

We use math in architecture every day at our office. For example, we use math to calculate the area of a building site or office space. Math helps us to determine the volume of gravel or soil that is needed to fill a hole. We rely on math when designing safe building structures and bridges by calculating loads and spans. Math also helps us to determine the best material to use for a structure, such as wood, concrete, or steel.

“Without mathematics there is no art.” – Luca Pacioli, De divina proportione, 1509

Architects also use math when making aesthetic decisions. For instance, we use numbers to achieve attractive proportion and harmony. This may seem counter-intuitive, but architects routinely apply a combination of math, science, and art to create attractive and functional structures. One example of this is when we use math to achieve harmony and proportion by applying a well-known principle called the Golden Section

Math and Proportion – The Golden Section

Math in Architecture

Perfect proportions of the human body – The Vitruvian Man – by Leonardo da Vinci.

We tend to think of beauty as purely subjective, but that is not necessarily the case. There is a relationship between math and beauty. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance.

The Golden Section is one example of a mathematical principle that is believed to result in pleasing proportions. It was mentioned in the works of the Greek mathematician Euclid, the father of geometry. Since the 4th century, artists and architects have applied the Golden Section to their work.

The Golden Section is a rectangular form that, when cut in half or doubled, results in the same proportion as the original form. The proportions are 1: the square root of 2 (1.414) It is one of many mathematical principles that architects use to bring beautiful proportion to their designs.

Examples of the Golden Section are found extensively in nature, including the human body. The influential author Vitruvius asserted that the best designs are based on the perfect proportions of the human body.

Over the years many well-known artists and architects, such as Leonardo da Vinci and Michelangelo, used the Golden Section to define the dimensions and proportions in their works. For example, you can see the Golden Section demonstrated in DaVinci’s painting Mona Lisa and his drawing Vitruvian Man.

Famous Buildings Influenced by Mathematical Principles

Here are some examples of famous buildings universally recognized for their beauty. We believe their architects used math and the principals of the Golden Section in their design:

Parthenon

The classical Doric columned Parthenon was built on the Acropolis between 447 and 432 BC. It was designed by the architects Iktinos and Kallikrates. The temple had two rooms to shelter a gold and ivory statue of the goddess Athena and her treasure. Visitors to the Parthenon viewed the statue and temple from the outside. The refined exterior is recognized for its proportional harmony which has influenced generations of designers. The pediment and frieze were decorated with sculpted scenes of Athena, the Gods, and heroes.

Math in Architecture

Parthenon Golden Section

Notre Dame Cathedral in Paris

Built on the Ile de la Cite, Notre Dame was built on the site of two earlier churches. The foundation stone was laid by Pope Alexander III in 1163. The stone building demonstrates various styles of architecture, due to the fact that construction occurred for over 300 years. It is predominantly French Gothic, but also has elements of Renaissance and Naturalism. The cathedral interior is 427 feet x 157 feet in plan. The two Gothic towers on the west façade are 223 feet high. They were intended to be crowned by spires, but the spires were never built. The cathedral is especially loved for its three stained glass rose windows and daring flying buttresses. During the Revolution, the building was extensively damaged and was saved from demolition by the emperor Napoleon.

Math in Architecture.

Notre Dame Cathedral in Paris

Taj Mahal

Built in Agra between 1631 and 1648, the Taj Mahal is a white marble mausoleum designed by Ustad-Ahmad Lahori. This jewel of Indian architecture was built by Emperor Shah Jahan in memory of his favorite wife. Additional buildings and elements were completed in 1653. The square tomb is raised and is dramatically located at the end of a formal garden. On the interior, the tomb chamber is octagonal and is surrounded by hallways and four corner rooms. Building materials are brick and lime veneered with marble and sandstone.

Math in Architecture and the Golden Section

Taj Mahal designed by Ustad-Ahmad Lahori

As you can see from the above examples, the application of mathematical principles can result in some pretty amazing architecture. The architects’ work reflects eye-catching harmony and balance. Although these buildings are all quite old, their designs have pleasing proportions which have truly passed the test of time.

 

https://bleckarchitects.com/math-in-architecture/


Reply  Message 51 of 51 on the subject 
From: BARILOCHENSE6999 Sent: 04/07/2019 17:20
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