The Babylonians worshipped the god 'Bel'. The Syrians called this god 'Baal' and, like the Egyptian goddesses Hathor Isis and Bat, was associated with bull worshipping. The sacred meaning of Baal has been lost in the mist of history, hence the Babylonian confusion (Tower of Babel). The Greek rendition of the word Babel translates not only into 'Confusion but also into the 'Gate of Bel', the gate of the god Bel. In Hebrew, 'Ba-el' means "Gate of God." All of these gods and goddesses were associated with a bull myth and represented Taurus around the time the Vernal Equinox Sun was in the Silver Gate in 4468 BC.
The Celtic druid Beltaine festival probably has its origins in the celebration of the rebirth of the Babylonian God Bel (as in "Beltain") at the Vernal Equinox in 4468 BC. Beltaine was a cross quarter day celebrated on the first of May when huge bonfires were lit on holy hills to celebrate the start of the summer season. By the time druids celebrated Beltaine, the original celebration date and its Babylonian sacred origins and significance (Great Celestial Conjunction) was lost in the Babylonian confusion. At the first of November, the start of the winter season was celebrated by the druids and this festival was called "Samhain." Neo-pagans, known as "Wiccan," later adopted the Beltaine festival. They celebrated the death and rebirth of their horned God, mentioned by many occultists such as Eliphas Levi, by the name "Baphomet." The horned God echoes the original veneration of the horns of the bull by the Sumerians, Babylonians and Egyptians, but the exact significance of the horns (as in the Isis mythology) and their symbolic reference to the birthplace of the Sun, was lost.
It's therefore striking to notice that the sacredness of the eight-pointed cross was "re-discovered" by the Wiccans since they celebrate eight solar holidays forming an eight pointed cross in a solar year associated with the equinoxes, solstices and cross-quarter days (halfway in between the equinox and the solstice)
Wicca wheel of the year
The origins of the eight-pointed cross and its solar significance, however, must be dated back to the Sumerians and Babylonians, who worshipped the Sun God 'Utu' (Sumerian) or 'Shamash' (Babylonian). The symbol of Utu/Shamash was an eight-pointed cross . This eight-pointed cross was composed of two superimposed four-pointed crossed of what the authors believe to be a symbol of the Great Celestial Conjunction.
Utu/Shamash, the ancient Sun God of Mesopotamia
Herschel explains on his website that the vision of Ezekiel recounted in the Old Testament is in fact the recount of an ancient visitation from space. Herschel is in good company with this hypothesis; many authors before him have suggested exactly the same thing. In fact it makes perfect sense since Ezekiel in his vision did see a wheel within a wheel coming down from the sky out of a whirlwind surrounded by fire. In addition the wheel had portals (eyes) around the wheel suggestion strongly that it could be a UFO.
Ezekiel 1:18 (KJ version) 18As for their rings, they were so high that they were dreadful; and their rings [were] full of eyes round about them four.
The alien visitation explanation for Ezekiel’s vision falls short, however, when one takes the astrological connotations of Ezekiel’s vision into account. The eyes around the wheel are not portals of a UFO but the constellations along the zodiac. First of all, Ezekiel’s vision happens on the bank of a river. While Herschel has failed to recognise the importance of the river in all of his star maps except for his initial discovery of the astrological meaning of the pyramids along the Nile, the reader of this article will by now be alarmed that the river in Ezekiel’s vision may in fact be a metaphor for the Milky Way.
Ezekiel 1:3 (KJ Version) 3The word of the LORD came expressly unto Ezekiel the priest, the son of Buzi, in the land of the Chaldeans by the river Chebar; and the hand of the LORD was there upon him.
Ezekiel explains that he saw four winged creatures with four faces each in his vision. They had the overall appearance of a human but they had the feet of a calf.
Ezekiel 1:7 (KJ Version) 7And their feet [were] straight feet; and the sole of their feet [was] like the sole of a calf's foot: and they sparkled like the colour of burnished brass.
The four faces of each of the four creatures looked like this:
Ezekiel 1:10 (KJ Version) 10As for the likeness of their faces, they four had the face of a man, and the face of a lion, on the right side: and they four had the face of an ox on the left side; they four also had the face of an eagle.
These four faces are the four fixed signs of the zodiac, the face of a man (Aquarius), the face of a lion (Leo), the face of an ox (Taurus) and the face of an eagle (Aquila). Aquila is a constellation very close to Scorpio. Hence, the four faces of the four creatures in Ezekiel’s vision represent the so-called fixed signs of the zodiac (Leo, Taurus, Aquarius, Scorpio) that form a perfect four-pointed cross. During a Great Celestial Conjunction when the Sun is on the Milky Way at the equinoxes and/or solstices, these four zodiac signs rise heliacally, meaning before the Sun. This is why the ancient fixed signs of the zodiac denote the Galactic Cross!
Taurus rises just before the Sun at the summer solstice of the Great Celestial Conjunction era-2012
Aquila rises just before the Sun at the winter solstice of the Great Celestial Conjunction era-2012
While the Sun resides in 5° Gemini (sidereal zodiac) at the summer solstice of 2012, Taurus is the last constellation visible before the Sun rises and blurs Gemini which is next to rise along with the Sun. This is why the ancients were more interested in the heliacal rising of constellations than the constellations of the actual conjunction with the Sun. It is even interesting to learn that Ezekiel could be referring exactly to the Milky Way ecliptic crossing in 5° Gemini (sidereal zodiac) and/or 5° Sagittarius when he writes:
Ezekiel 1:1 (KJ Version) 1Now it came to pass in the thirtieth year, in the fourth [month], in the fifth [day] of the month, as I [was] among the captives by the river of Chebar, [that] the heavens were opened, and I saw visions of God.
Each zodiac sign spans 30° (thirtieth year) of the 360° of the zodiac. The Leo-Taurus-Aquarius-Scorpio cross in the zodiac divides the 12 signs in four groups of three (4th month) while the ecliptic Milky Way crossing itself occurs in 5° of the appropriate signs (fifth [day] of the month= +/- 30 days). Notice that he mentions the river (Milky Way) in the same sentence!
Ezekiel further writes about a wheel within a wheel:
Ezekiel 1:16 (KJ Version) 16The appearance of the wheels and their work [was] like unto the colour of a beryl: and they four had one likeness: and their appearance and their work [was] as it were a wheel in the middle of a wheel.
Suppose the wheel had four spokes (corresponding with the four faces of the creatures), than the wheel within a wheel could be referring to the superposition of two four-pointed crosses! More importantly, these are two separate four-pointed crosses since he’s referring to two wheels! One of these wheels was linked to the Earth!
Ezekiel 1:15 (KJ Version) 15Now as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces.
This wheel must be the equinox- solstice cross. In the article ‘Crucifying the Earth on the Galactic Cross’ (Smelyakov-Wicherink 2006) this cross is actually called the Earth Cross. The other wheel however was linked to the creatures with the four faces (representing the Galactic Cross):
Ezekiel 1:19 (KJ Version) 19And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up.
Earth Cross + Galactic Cross = eight-pointed cross (a wheel within a wheel)
It’s important to realize that there were four creatures each with the faces representing the fixed signs of the zodiac. These four creatures esoterically represent the four Great Celestial Conjunctions that occur within a Great Year when one of the wheels turns (Earth Cross) while the other is fixed (Galactic Cross). Exactly four times do the four spokes of the wheels overlap when the wheel within a wheel spins, and these moments thus represent the four Great Celestial Conjunctions.
Finally, Ezekiel spots God in the firmament. He appears in a bow in a cloud. The Milky Way is a bow that straddles the night sky from North to South. It was known to the ancients as either that great River in the sky or the big white cloud of the night sky.
Ezekiel 1:20 (KJ Version) 28As the appearance of the bow that is in the cloud in the day of rain, so [was] the appearance of the brightness round about. This [was] the appearance of the likeness of the glory of the LORD. And when I saw [it], I fell upon my face, and I heard a voice of one that spake.
The four fixed signs of the zodiac are also mentioned in John’s Revelation:
Revelation 4:6-8 (KJ Version) 6And before the throne [there was] a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, [were] four beasts full of eyes before and behind. 7And the first beast [was] like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast [was] like a flying eagle. 8And the four beasts had each of them six wings about [him]; and [they were] full of eyes within: and they rest not day and night, saying, Holy, holy, holy, Lord God Almighty, which was, and is, and is to come.
This time the four beasts of the Apocalypse are associated with the End of Time (= end of precession cycle)! In Christian art, Christ is often depicted inside a ‘Vesica Pisces’ (representing birth) surrounded by the four beasts of the Apocalypse (representing the Galactic Cross). More surprisingly, often the eight-pointed cross, the wheel within a wheel is depicted as well! Art expressions like the one below are very common; and in many cases, either a four or eight-pointed cross is depicted on the book held in Jesus his hands!
Christ inside the Vesica Pisces with an eight-pointed cross on the cover of the book. The twelve apostles esoterically refer to the twelve signs of the zodiac. There are eight pedaled ‘flowers’ all over the painting.
Christ surrounded by the four beasts of the Apocalypse, The eight-pointed crosses occur in abundance on the rim of and inside the Vesica Pisces.
In all of these art expressions Christ always raises two fingers. What could be the meaning of these two fingers? Is he referring to the two twins Gemini which is his birth place in the precession cycle?
es.wikipedia.org Loba capitolina o Luperca, 300 × 225 - 22k - jpg
disfrutaroma.com Escultura de Romulo y Remo 900 × 600 - 122k - jpg
vigoenfotos.com Loba Capitolina - Romulo y 910 × 607 - 65k - jpg
ROMULO Y REMO (JACHIN Y BOAZ), OSEA UNA REFERENCIA A LAS DOS COLUMNAS DEL SIGNO PESO E INCLUSO A LAS DOS COLUMNAS DE HERCULES, EN EL MARCO A LA MANZANA DORADA. ROMULO Y REMO, EN UN CONTEXTO BIBLICO, SON UNA REFERENCIA A ESAU Y JACOB, OSEA LOS HIJOS DE ISAAC Y REBECA. ES OBVIA LA REFERENCIA A GALATAS 4:26. LA LOBA ROMANA ES REBEKA MISMA.
que.es Volver a la página de fotos de 1352 × 2048 - 514k - jpg
impactony.com anexo a las Torres Gemelas 1024 × 768 - 106k - jpeg
The giant ones of old were called "Els" because they could make the 90 degree el (as in El-o-him) between circle/light in matter, vs. line/light as energy. This is a meaning of picking up off "the cross" (of time and space) and following (the principle of) Crystos.
The story we tell is that if you connected the seven places in Pennsylvania named seven, the arrow would point through the crown of the Eagle to where the Pleiades should be when the Earth’s tilt is corrected. At any rate, just east of Oriole the eye, is the town of "El-ims-port." They could come and go from here.
As Earth tilts to new symmetry with the galactic 12-faced zodiac, the cup runneth over, and the serpent feeds the eagle. This refers to the sweet Kundalini tantric sting proceeding up the spine to the center of vision, the Cave of Brahma in the brain. The return of Quetzlcoatl, the many plumed one (an eye on each plume-consumed in perspective) is presaged by this drink from the silver cup, when the serpent nour-ishes the eagle. The rivers will flow on a new tilt.
Perhaps, as our psychologists would say, we are "just" projecting?
First the holographic film we call biomass, the surface of Earth, is cre-ated by zodiacal projection, then those dodecahedral faces permit us to project the "memories of biology" (or shall we say, how to turn light donuts into biology and metabolize starlight directly) into the cosmos.
An important angelic colleague of ours has this to say about the Eagle in the zodiac projected onto the Earth’s grid:
"The Eagle eats awareness. The Eagle is one of the four (cardinal) elemental logo figures for the zodiac. Each logo, as a zodiac figure, represents an aspect of consciousness."
Further research leads us to Don Juan’s first rule of the nagual as it pertains to the eagle (cf. Castanada’s Eagle’s Gift).
"The power that governs the destiny of all living beings is called the Eagle, not because it is an eagle, but because it appears to the seer as an immeasurable jet-black eagle, standing erect as an eagle stands, its height reaching to infinity… The Eagle is devouring the awareness of all the creatures that, alive on Earth a moment before and now dead, have floated to the Eagle’s beak, like a ceaseless stream of fireflies, to meet their owner, their reason for having had life".
The evolution of consciousness as feedback narrowing-into-aper-ture is a description of the evolution of perception.
By grasping the threads of ray’s tracing light into optical cortex hologram, the finer resolution phase/face locks the reality to which the symbol points. Result: take back the grid. Own her. Re-own re-sponse-ability for the nest. Only the inner optical hologram fed by phase discipline (Hebrew) to the coherent light of its maker, actually affects the matter (cross-ings) of light which it sees.
Here the symbol participates in the reality to which it points.
The grid is ours to weave. The inner (w)hologram (opticus Eagle’s eyrie) bends the focus of light which made matter. Persuade ma to terr, light to cross, line to circle; E=mm see^2, because momentum in a line is energy. Entering the circle/the turn/the labyrinth, entering into mass, requires symmetry. Order is the price a ray pays attention to.
To create is to see clearly. Only that resolves. Coherence is the eye beam which sharpens the shadows. Make a conscious resolution. Since after the dust settles only ONE coherence is possible.
So the two light cones, Yod and Vau (say them slowly to see their shape), knew that there was more here than the present eye could see. To wit, wishing to see more, they made a holographic film onto bio-mass Earth. This was like yearning to zoom in on a fractal on high res-olution film. You can only focus in so far until you encounter a grainy quality. Even God couldn’t focus on anything smaller than the light waves She was shining in.
The twelve houses of the zodiacal dodeca project-ed through a plane, makes a round table, which on Chartres’ maze opens a space in the center for the 13th ONE. There, new symmetry consumes all the faces round the table in a new order/dimension. The fractal projection of the zodiac on the faces of the tectonics of Earth, became an exercise in recreating the object which rendered the film in the first place.
All of this place making on the crystallizing clay of the tectonics, amounts to an unpacking of image out of star seed which planted in that first cup: the grid. No wonder they grew into a chip off the old block. Those planet faces are wearing their paternity suit.
The inner fire of Gaia becomes a cup that runneth over, when her light warps back up the spine of the galaxy, which will taste sweetness.
If the light shining through the film is (phase) coherent with the light that made the hologram in the first place, then you can USE the mirror and the magnifying glass INSIDE of the hologram to see objects OUT-SIDE the same hologram. The fire inside Earth is that light. The designer genes of womb man are the lens, the mirror and the magnify-ing glass. Who is the ONE who sees? Whom does the grail serve?
Arthur and the land are ONE.
And how was this cryst-all architecture etched onto the fabric of history?
After those two halves of the green stone breastplate of Earth divided across the rib cage of the Atlantic, they were still hinged and connected. It was up to the Reverend Mothers to shepherd the genepool to touch those breast plate faces, so that prophecy could be kept alive. The seers and the seer stones, the Sirius stones, these kept the light of the long wave here focused, far from downtown.
So let us matriarchally reinterpret history: from a motherly per-spective.
The "God-Men" did more than to announce to an advanced age Rachel and Sarah that they were with child. Rachel was ritually virgin for temple rites producing a genetic cement between neighboring king-doms.
This was the practice of the time. Only in this case, the king-doms whose gene pools needed cementing, were separated by galactic space.
The great women of the bible knew how to save the seeds. They were tantric. They could raise the red fire of their own passion up through the green stone of the heart to the blue aura of tantra: "The Blue Fire." This training enabled them to meet the star men whose command was: "From y branch unto x a cross this gene Isis."
When the Pleiadean starseed outpost was established here to enrich the genepool, the original assignment was the males were to fertilize the indigenous peoples on Earth but the females were to abstain. I believe this had to do with the y chromosome’s additive pres-ence? Y is branch, X is cross, here they needed a branch.
Apparently the presence of "space people" or "star people" or "God men," was quite common. The literature suggests common associations with Latvians, Mayan, and Hebrew.
What the green moss does for the stone is chelate the mineral so that maximized surface area makes the memory of pattern in mineral accessible to the touch/digestion/absorption (consumed perspective) of biology. What the fold of membrane in the skull of the holy women does is surface unpack the memory (the pressure waves) of touch with stars seeds.
The skull of Magdalen was the vessel which contained the star seeds of Jesus. Her perfect Heart was the green cross point between red-orange passion/erotic energy and the blue light aura around their tantric heads. Thus she saved the seeds. His sperm con-tained DNA lightning. In proper kundalini process, the force of sperm not ejaculated is collected and pooled by tantric sexual excitation. (There are references to the unusual nature of young Jesus’s late unmarried state. In Kazantzakis’ Last Temptation of Christ, there is even reference to what all that sperm did to his brain.)
The coiled braid of DNA contains a lightning life force. It is the ulti-mate programming language because braid within braid within braid can contain the complete discipline to nest machine code within assem-bler within Dbase within Report Form Generator within whatever many times over. All switches are morphic/shape active site-aligned & switched context-dependent.
Aligning active sites switches the codes of DNA on and off. The braid aligns the sites. Coherence is the intelligence of emotion to (s)witch DNA. The braid within braid of DNA is woven phase coherent (long wave nested in "synch" with short) by ecstatic coherent emotion/Eros/tantra. The lightning of the memories within the high baud rate gene pool of Jesus and Magdalen (recombinant starseed) were thus unpacked and saved for biology that way.
The role of tantra in the necessary high voltage/pressure incubation of starseeds should be taught. Frequent pregnancies not accompanied by sexual intercourse (virgin birth) are described in women with kun-dalini experience. Thus describing something about the profound func-tion of the ritual virginity of Sarah, and Mary. The massaging of infor-mation into the haploid genetic egg, is the perfect symmetry to mate with the half helix which is lightning, and kundalini. ("ANGLE"-ic touch.) It is potentially a profoundly erotic marriage with a larger con-textual body. In my personal experience, Earth responds dramatically and erotically to kundalini.
She yearns for meaningful touch, a massage, even deeper than we do. Her response is to relax/align her geometry of pressure (tectonic/jet stream). In the past this would have been a technology so advanced as to be indistinguishable from magic (once said of comput-ers). A simple emotional alphabet (of long wave beat note ratios) con-nects us to the planet metabolism. In this way we can "phase lock"/ become at one, with our symbiotic role.
The genepool is a grail cup, a chalace, and a light receiving vessel.
There is a long history of the need to hide the starseed origin of branches of the genepool. This was why the priests of Egypt were sys-tematically poisoning the Kingship/Pharaonic line. The message of ONEness which Tut and Akhnaton brought would unify the dream force of the people, creating a "Godforce."
Schizophrenic dreams for the people were preferred by the priests so the illusions of their control over the kindergarten could be maintained.
Tut and Akhnaton’s line possessed the classic indications of starseed genetic origins: pointed skull up and back, nose length, dis-tended belly, and extra braid or turn on the muscles of the inner organs (hence the need to hide these in Canopic jars.)
The starseed contingent overlooking the Earthly blossoming of their seeds, wanted to orchestrate an avataric birth in the Egyptian the-ater (cf: Secret Places of the Lion by George Hunt Williamson). However, when the interference of the priests became too great, other destinies were arranged. This pat-tern repeats itself with the Coptic, the Albigensian, the Cathar, the Templar, and the Druid.
The priests represent a false-faced Patriarchy, NOT the true Father.
In fact, the story of the concealment of the true star origins of Father seed, BECAME literally "The Myth of the Birth of the Hero" (also a book by Otto Rank). It is the story of the "virgin" birth of Moses and Jesus. Tantric ladies could preserve the seed. Tut took a secret Jewish lover.
They bore twins Moses and Aaron. That Jewish lover mothered Moses her real son, by concealing his Father in the Starseed and Pharaoh’s genetic line. In this way the flame of Starseed was passed from Joseph in Egypt, via Tut, back out of Egypt into the Hebraic theater, one hopefully more responsive to the Oneness mes-sage of the "God" men.
The Pleiadean and Sirian forces never wished to be mythologized as "separate" from the ONE God. They knew that only one "form" of coherence was possible. (In an interfering system, when interactions go to their "limit" only ONE phase-locked coherent system can remain.)
So let us go back to our biblical remothered interpretation.
Rachel’s passage of starseed went to Benjamin, and Joseph (whose coat/raiment was of many colors). Benjamin’s lineage beget Magdalen.
Joseph’s story tells of Benjamin’s link to a cup among the seeds. The genepool is a grail cup. "Blossoming gene, cup of the grail". DNA’s chalice is a web work planar surface or an infinite tube, tempting light out of the fast lane into biology..
Joseph’s seed includes Jesus. Benjamin’s seed is Magdalen (born of his lineage). Jesus and Magdalen had three children. (Holy Blood Holy Grail). The passage of the contents of those recombinant starseed becomes our story.
So, having filtered some of the false patriarchy out of our look at biblical times, a matriarchal lineage also emerges.
To review: Abraham undertakes an important rite with Sarah, when three "God Men," Sirius representatives, announce that she, Sarah, would bear her first child then, even though she was over 100. Apparently she was not barren, but rather ritually virgin (teacher of tantra?) as part of her priestess line (a significant lineage of matri-arch). The rite they did was always done when royal blood was mar-ried to her lineage. She was fertilized as if by lightning from the stars, presaging another "angel" Gabriel who came to Mary.
Sarah, as ancestor to Magdalen, received starseed as did others in the feminine tradition of "The Myth of the Birth of the Hero(ine)" in which one of the chief features was the concealing of true (starseed?) parentage.
We can now understand the symbolism of tearing off the roots, ADAMic meant damned or stopped up or segregated, literally red mak-ing or hard making power. The "red" hard making was damming (in the sense of creating a stoppage in the flow of light: matter). Adamic race would create the illusion that the stars did not Father them. The parental lineage from Godhood was exactly what patriarchy would segregate or forget (Siriusly).
Remember that in the mother all the eggs are born with her, so that all human eggs were born at once with the first mother, irretriev-ably rooted. IEVE means tempted unto knowledge of separateness by WORD (the illusion that substances are "separate" as shape symbol or womb).
So then, in the Hebraic story as starseed, Isaac, the Magical child of Sarah & Abraham, begets Jacob with Rebeccah. Of Jacob’s 12 sons, the magical ones are by Rachel (whose lineage was said to begin the Messianic age?). These are Joseph (coat of colors & link to Egypt) and the favorite young one, Benjamin.
From Joseph, the attempt to incarnate an avatar moves to Egypt. Akhnaton is straight Pleiadean, or starseed blood, as is Nefertitti. Tut, their son, undertakes the message of ONEness, and the familial ideal. Patriarchy and the priests poison this. SO, Tut fathers Moses (& twin) by a secret Hebrew lover (amidst great intrigue ) and Moses returns the identity and coherence of the starseed lineage to Hebrews.
Then, Magdalen is born of the Benjamin line, Jesus is born of the Joseph line, they have three children which begins the "Holy Blood, Holy Grail" story.
It is lightning quickening her story.
Thus, Iesus/Magda is adiabatically the reunion of the (star)seeds through Rachel. He folds seeds, she unpacks –– matriarchy now leads to unfolding of Bio-logos’ seeds to galactic Milky spaces.
After the death of Joseph, the husband of Mary/mother of Jesus. The household was run by older brother Lazarus. Lazarus was a bit Father intoxicated, over-imbued with his new role as "head of house-hold". Young sister Magdalen, really a cousin of Jesus, (the Essenes were a carefully bred extended family) decided she must exit from under the oppression of Lazarus & family.
She runs away, and later manages to acquire a fortune running a house of prostitution in Northern Palestine. This was consistent with her promise to herself, that if she couldn’t have the ONE man (Jesus) she would have every man. (When Jesus was at an age appropriate for betrothal, as he reached out for beautiful Magdalen, he was struck down as if by light-ning. The sense of electrical seizure is on occasion an unwitting tantric moment, but with the Earth itself. Sometimes the lover cannot resist.)
The wealth of Magda became the seed for the Templar treasure she founded. (Even the cobalt blue of the Templar Marianist Gothic Cathedrals was taught by her, the tantric blue only seen as you turn.) What she managed to save in that oldest profession was not just mate-rial currency/symbol for human energy, but also a treasure of informa-tion. She became consort to the rulers of nations and expert in the energy of sexuality.
So, when Magdalenbecomes expert at Tantra, while running the celebrated house of prostitution in northern Palestine, before Jesus returned from his initiatory travels, she was learning a critical biologi-cal lesson on saving the seeds. Her former profession paid for his later travels, and her skills to conserve the lightning of tantra, created the genetic nest for his children to redeem history. Magdalen is empowered feminine. She is here with us, as is her green stone.
We approach the mysteries of the green stone itself, and the crys-tal skull, and the skull and crossbones.
Jesus meantime had departed for India, and later initiations in Egypt at around age 13-14. Instead of the prescribed marital energet-ics, his Eros was conserved for initiation. On his travels he gradually learned an appropriate Yogic Tantric discipline for the lightning in his loins. His seed moved explosively upward. However a critical break-through was required before he could taste the sweetness from the sil- ver cup. Silver cords of information-sweet lightning pounded for access to the cave of Brahma in his brain. But there was a necessary stricture.
At this juncture, a knowledge of Kundalini’s biological mechanics is essential to understand the true origins of the green stone.
The highest frequency, ultraviolet & information-richest, nectar of the collective cells of the body are focused in the lower sexual glands. Erotic attention concentrates them into a pool. They are assembled in the male via the gonads into a genetic single arrow/haploid helix/light-ning bolt. The prostate surrounds them with sweetness.
Discipline in what is consumed visually and informationally can con-serve the excitation/aggravation of these lower glands. This translates to mean that red meat and "dirty" (sex without love) movies make for a different quality of sperm release than whole grain and readings on love and oneness.
There is a suction tube at the lowest tip of the spine, the stinging tail of the serpent, the "organ kundabuffer" of Gurdjieff. When the pool of sweetness around the sexual organs is full and still, this pump-ing tube in the clear liquids of the spine, can "come" to have access to this sweetest nectar of biology.
Particularly in the beginning when this pump is just being primed, great care and discipline are required to nourish this alternate flow of erotic energy. If successful, the nectar will ultimately spill over in the high brain, exploding the psychoactivity there with congruent unflowering of the cells of the third eye/pineal pituitary complex. The cave of Brahma (in the brain) has the organs of Eros as its entry point.
The pelvic tilt and electric relaxation at the point of orgasm are some of the discipline that feed this "Sushumna" up the spine. Another very vital ingredient to achieving the flooding of the upper brain with these everlasting life-producing juices is described in the literature on the "Sacro Cranial Pump." The part most relevant to our understanding of the Green Stone has to do with the function of the heart in making this pump work.
Getting these sweet Tantric juices into the spine does not happen unless there is a pumping action upward. The motor for this pump is the sound waves created by the glands at the moment of emotional coherence. Understand please, that the electrical information product of the collective orgone cellular process exists largely in the blue ultra-violet.
This is the energy current which drives all of cellular mechanics. The human egg draws to itself the chosen sperm/information seed, by a blue UV tractor beam. Exactly in the same way mother Earth Gaia draws to herself her chosen information seed by a blue UV tractor beam. She however must draw that high frequency information folded-ness up the human spine into the realm of the longer waves within which is her bloodstream of mind.
The frequency distance between the UV (ultraviolet) currency of cellular reproductive Eros, and the sonic information fabric of ecstasy arranging liquids to crystal in brain, is seven octaves!
At each chakra glandular/nervous plexi, an additional turn or braid of light is woven on the petals of the lotus.
The sacro cranial pulse so perceptible in the Upledger school, is the low frequency sonic coherence which massages the envelope of the spinal pump upward. The key turning point in that process upward is the sound of the heart. The heart, half way between red erotic orgone energy and the blue aura of tantra, is also the green stone.
Her sweet immaculate heart sets the peritoneum around the heart to ring. It massages the spine, pumping the sweetness. Pure heart does it all. Magdalen taught Jesus that, as he embraced her.
It is common, as the force of kundalini surges upward for block-ages to be balled up and expelled. This is often in the form of dense mucus, but it can also be actual calcified excipient from the lymph pas-sages. This has been called a lingum stone. It comes from above the plate above the mouth, which is the classic tantric switch to the "micro-cosmic orbit." The tongue touching the back roof of the mouth per-forms this switching. That same area is connected to the sphenoid/occiput gate which opens to permit the sweetness to enter the brain.
That stone released in dramatic cases of kundalini arising is a potent electrical "ball of lightning." His lingum stone, the symbol of released blockage, became the green stone. She treasured it.
Her skull held his tantric star seeds. Her feet walked those green stone faces of Earth. From Jerusalem, to Southern France, to the Scottish Highlands, she massaged the envelope of Earth, guiding her children there. Shepherding the lineage of the genepool of her children across that sequence of tectonic green breastplates, across lifetimes, was the Marian legacy; reverend mothers touching the stones of the breastplate in sequence to massage alive the envelope of prophecy for a’closing time.
Face locking as they walked the memories of Earth, crystallized unpacked in stone faces, into one consumed perspective: body of Gaia: fractal of Zodiac.
1. Apareció en el cielo una gran señal: una mujer vestida del sol, con la luna debajo de sus pies, y sobre su cabeza una corona de doce estrellas.
2. Y estando encinta, clamaba con dolores de parto, en la angustia del alumbramiento. (ES OBVIA LA REFERENCIA ESOTERICA A LA MANZANA DE ORO Y DE PLATA, AL SOL Y LA LUNA, AL YIN Y YANG, AL PAN Y AL VINO, EL ALFA Y EL OMEGA, EL MISMO SALMO 119, EL HOMBRE Y LA MUJER ETC,ETC, OSEA A SALOMON O SOLOMON)
PROVERBIOS 25:11=MANZANA DE ORO Y DE PLATA =FUERTE CONNOTACION SEXUAL
3. También apareció otra señal en el cielo: he aquí un gran dragón escarlata, que tenía siete cabezas y diez cuernos, y en sus cabezas siete diademas;
4. y su cola arrastraba la tercera parte de las estrellas del cielo, y las arrojó sobre la tierra. Y el dragón se paró frente a la mujer que estaba para dar a luz, a fin de devorar a su hijo tan pronto como naciese.
5. Y ella dio a luz un hijo varón, que regirá con vara de hierro a todas las naciones; y su hijo fue arrebatado para Dios y para su trono.
6. Y la mujer huyó al desierto, donde tiene lugar preparado por Dios, para que allí la sustenten por mil doscientos sesenta días.
7. Después hubo una gran batalla en el cielo: Miguel y sus ángeles luchaban contra el dragón; y luchaban el dragón y sus ángeles;
8. pero no prevalecieron, ni se halló ya lugar para ellos en el cielo.
9. Y fue lanzado fuera el gran dragón, la serpiente antigua, que se llama diablo y Satanás, el cual engaña al mundo entero; fue arrojado a la tierra, y sus ángeles fueron arrojados con él.
10. Entonces oí una gran voz en el cielo, que decía: Ahora ha venido la salvación, el poder, y el reino de nuestro Dios, y la autoridad de su Cristo; porque ha sido lanzado fuera el acusador de nuestros hermanos, el que los acusaba delante de nuestro Dios día y noche.
11. Y ellos le han vencido por medio de la sangre del Cordero y de la palabra del testimonio de ellos, y menospreciaron sus vidas hasta la muerte.
12. Por lo cual alegraos, cielos, y los que moráis en ellos. ¡Ay de los moradores de la tierra y del mar! porque el diablo ha descendido a vosotros con gran ira, sabiendo que tiene poco tiempo.
13. Y cuando vio el dragón que había sido arrojado a la tierra, persiguió a la mujer que había dado a luz al hijo varón.
14. Y se le dieron a la mujer las dos alas de la gran águila, para que volase de delante de la serpiente al desierto, a su lugar, donde es sustentada por un tiempo, y tiempos, y la mitad de un tiempo.
Las escaleras de los Museos Vaticanos son una obra de arte más que añadir a la Capilla Sixtina, el Laocoonte o los Dalí y Miró que a menudo pasan desapercibidos, porque todo el mundo sigue las flechas hacia la gran obra pictórica de Miguel Ángel.
Escalera de Bramante del Vaticano
Esta increíble escalera que en un genial efecto óptico parece que no va a terminar nunca es obra de Donato d’Angelo Bramante, que ha pasado a la posteridad como Bramante. Vivió a caballo entre los siglos XV y XVI, y fue uno de los arquitectos italianos más reconocido, por ser el ideólogo de la Basílica de San Pedro.Bramante fue además quien introdujo el Renacimiento en Milán y realizó obras tan hipnóticas como esta escalera que emula las espirales del ADN. El efecto “infinito” lo consigue la doble hélice enrollada hacia la derecha. En realidad, cuando nos asomamos a la escalera, si nos fijamos, vemos que en realidad no es una sóla escalera, sino dos enroscadas. Una de ellas es para bajar y otra para subir.
La escalera se encuentra a la salida de los Museos Vaticanos, en realidad, es la última obra de arte que se contempla en las galería y el visitante se lleva de recuerdo esta espiral sin fin. Si la escalera está practicamente vacía, como en la foto, es más difícil de descubrirle el truco al artista, pero si circula gente, que es lo habitual, el secreto está en fijarnos en que una de las espirales está llena de personas – la de bajada – y otra casi vacía, – la de subida -, porque está cerrada al público.
As a short aside, the calendar system has been manipulated to keep us separated from the 13 lunar cycles in a year. As a further point of interest, there should be some obvious discrepancies for those who observe the month names. Notice how "September", "October", "November", "December" are based on the Latin numbers for 7-10 respectively, yet September is the 9th month, likewise the other months mentioned are 2 numbers higher than their Latin prefix would suggest. Isn't it "coincidental" and convenient that the end of the Mayan Calendar, which marks the end of the precesion of the equinoxes happens to synchronize with the Gregorian calendar at exact 11:11 on 21st December, 2012. 11:11 is a code, can you see the pillars of Solomon? (I'll talk more about this in a later section)