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LA MANZANA, EN EL MARCO AL ESCARABAJO, OSEA UNA REFERENCIA AL ESCORPION, OSEA APOCALIPSIS 12 ESPECIFICAMENTE Y A LA FLEUR DE LIS, EN EL MARCO AL CODIGO DA VINCI. TODOS LOS CAMINOS CONDUCEN A ROMA
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salt lake city=alchemy (salt)=dollar=$= LOT S WIFE (SODOMA AND GOMORRA)
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First, NYC/Long Island can be associated with 'knowledge' through the symbolisms of 'apple' ("Big Apple"), 'rose' (state flower), 'fire' (Statue of Liberty, its connection to Paris/'torch'), etc. and as we've seen in foregoing sections it's part of the 'ark' complex via VI-97. Furthermore from the 'apple' connection follows the notion of the 'serpent'. Now, all those 'knowledge'/Sirius connections of NYC can be transferred to Mars because, as illustrated in 'Babylon Matrix', NYC is also related to Mars, especially the Cydonia region with all the potentially artificial structures. Mars being red and circular is associatable with the 'apple', the red and round 'Big Apple' (NYC). Now, some might argue that the fruit Eve ate was not necessarily an 'apple', but we generally thought of it as an apple today and that has to count in symbolism. But there is a much more precise connection - the latitudes of NYC and Cydonia are exactly the same, 40.5~41N.
The events closely associated earlier with X-72 and more or less with the ark, the two random shootings in a library and school ('Resonance' #7 and 8), appear to back up the Mars-Sirius connection also. Those two similar events, only five days apart, occurred one on the Cydonian latitude and the other on the Sirius 'angle' latitude. The Mormon library shooting took place at ~40.5N, and the Colorado school shooting at ~39.5N. The name 'Salt Lake City', where the library shooting occurred, may be relevant also since mythologically the 'salt water' is of female - and Sirius is filled with female associations ('goddess', 'star of Women', etc.).
Moreover, Temple mentions in his book that "when making rhetorical allusion to the Dog Days, the Latins would often speak of Sirius being red at the time..." Now, this is quite significant for not only is Sirius described as 'red' like Mars, but the "Dog Days" would refer to a period in or around July - the exact time-frame indicated by Quatrain X-72.
The Sirius-correlated Argo also turns out to be very relevant here. Because the main mission of Jason, the leader of the Argonauts who has been identified as the "appeasing King"/"King of terror" of X-72 earlier, was to obtain the 'golden fleece', and in Temple's words, "Aries was definitely identified with the golden fleece". In case you don't know, Aries is the Greek Mars. Aries is also a sign of the zodiac, "ruled" by Mars, and it is classified as a 'fire sign' - correlating with the fire-knowledge symbolism. I should also point out that Mars is called 'fire star' in Japanese.
Moreover, Sirius/Isis' son Horus provides intriguing correlations. First, the Great Sphinx associated earlier with 'ark' was called by Egyptians "Horus of Horizon" which also happens to be a name given to Mars. And the word 'Cairo', where the Sphinx is (actually slightly west of Cairo), is derived from 'Mars'. Mars was also called 'Horus the Red'. And the word 'Heru' (Egyptian name for Horus) also has the meaning of 'face' - seemingly a reference to the infamous 'Face on Mars' at Cydonia! (So, as you can see, the Mars-Horus connection is quite obvious.) Next, Sirius/ark comes into the web of associations, as the Argo also relates to Horus (thus to Mars too) as the Greek derivation of Horus, 'Circe', plays a prominent role in the story of Argo. Also, as Temple hypothesizes, the names of the original captain of Argo, Herakles, and his protectress Hera may be derived from 'Heru' - the Egyptian name for Horus. Furthermore, we're told that Herakles/Hera is related to the word 'Seirios' from which we have the word 'Sirius' - strengthening the Mars-ark-Sirius connection. But as if it wasn't enough, Temple goes on to point out that 'Seirios' also has the meaning of 'fiery/scorching', that can easily be a reference to Mars.
And finally, Mars and Sirius are linked by the 'tetrahedral angle' of 19.5 degrees. '19.5 degrees' is one of the most significant notions derived from the supposed artificial structures of Cydonia that suggests their artificiality, according to investigators like Richard Hoagland ('The Monuments of Mars'). It is viewed as a definite 'signal in the noise' - some kind of a 'message' left there by some intelligence. This number, '19.5', is called t, the 'tetrahedral constant', because of  its significance in tetrahedral geometry (a tetrahedron is a pyramid shape composed of four equilateral triangular sides): the apexes of a tetrahedron when placed within a circumscribing sphere, one of the tetrahedron's apexes touching the south (or north) pole, the other three apexes touch the surface of the sphere at 19.5 degrees north latitude. So it is interesting that the Egyptian symbol for Sirius is a triangle which can be viewed as a 2-dimensional representation of a tetrahedron.
https://www.goroadachi.com/etemenanki/1999-sirius.htm |
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Swatch Internet Time
 Swatch .beat time logo
Swatch Internet Time (or .beat time) is a decimal time system introduced in 1998 by the Swatch corporation as part of the marketing campaign for their line of ".beat" watches. Those without a watch could use the Internet to view the current time on the watchmaker's website, but now a dedicated wiki serves the purpose.[1] The concept of .beat time is similar to decimal minutes in French Revolutionary decimal time.[2]
Instead of hours and minutes, in Swatch Time the mean solar day is divided into 1,000 equal parts called .beats, meaning each .beat lasts 86.4 seconds (1.440 minutes) in standard time, and an hour lasts for approximately 42 .beats. The time of day always references the amount of time that has passed since midnight (standard time) in Biel, Switzerland, where Swatch's headquarters is located. For example, @248 BEATS indicates a time 248 .beats after midnight, or 248⁄1000 of a day (just over 5 hours and 57 minutes; or 5:57 AM UTC+1).
There are no time zones in Swatch Internet Time; it is a globally unified timekeeping system based on what Swatch calls "Biel Mean Time" (BMT), the time zone conventionally known as Central European Time or West Africa Time. Note that it is based on the time zone and not the actual mean solar time measured in Biel. Also, unlike civil time in Switzerland and many other countries, Swatch Internet Time has never observed daylight saving time (DST), even prior to more recent decisions to abandon DST in certain locales.[3]
Swatch Internet Time was announced on 23 October 1998, in a ceremony at the Junior Summit '98,[4] attended by Nicolas G. Hayek, president and CEO of the Swatch Group, G.N. Hayek, president of Swatch Ltd., and Nicholas Negroponte, founder and then director of the MIT Media Lab. During the summit, Swatch Internet Time became the official time system for Nation.1, an online country (supposedly) created and run by children.
 A Swatch watch showing .beat time in the bottom part of the display
During 1999, Swatch produced several models of watch, branded "Swatch .beat", that displayed Swatch Internet Time as well as standard time, and even convinced a few websites (such as CNN.com) to use the new format.[5] PHP's date() function has a format specifier, 'B', which returns the Swatch Internet Time notation for a given time stamp.[6] It was also used as a time reference on ICQ, and the online role-playing game Phantasy Star Online used it since its launch on the Dreamcast in 2000 to try to facilitate cross-continent gaming (as the game allowed Japanese, American and European players to mingle on the same servers). In March 2001, Ericsson released the T20e, a mobile phone which gave the user the option of displaying Internet Time. Outside these areas, it is infrequently used. While Swatch still offers the concept on its website, it no longer markets Beat watches.[citation needed] In July 2016, Swatch released Touch Zero Two, its second wirelessly connected watch, with Swatch Internet Time function.
Beatnik satellite controversy
[edit]
In early 1999, Swatch began a marketing campaign about the launch of their Beatnik satellite, intended to service a set of Internet Time watches. They were criticized for planning to use an amateur radio frequency for broadcasting a commercial message (an act banned by international treaties). The satellite was intended to be deployed by hand from the Mir space station. Swatch instead donated the transmitter batteries for use in normal Mir functions, and the satellite never broadcast.[7]
The concept was touted as an alternative, decimal measure of time. One of the supposed goals was to simplify the way people in different time zones communicate about time, mostly by eliminating time zones altogether. It also does away with the division of the day into 12 or 24 parts (hours), then 60 parts (minutes), then 60 parts (seconds), then 1000 parts (milliseconds). Furthermore, there is no confusion between the AM/PM system and 24-hour time.
Instead of hours and minutes, the mean solar day is divided into 1,000 parts called .beats. Each .beat lasts 1 minute and 26.4 seconds. One .beat is equal to one decimal minute in French decimal time.
Although Swatch does not specify units smaller than one .beat, third party implementations have extended the standard by adding "centibeats" or "sub-beats", for extended precision: @248.00. Each "centibeat" is a hundredth of a .beat and is therefore equal to one French decimal second (0.864 seconds).[8][9]
There are no time zones; instead, the new time scale of Biel Mean Time (BMT) is used, based on the company's headquarters in Biel, Switzerland. Despite the name, BMT does not refer to mean solar time at the Biel meridian (7°15′E), but to the standard time there. It is equivalent to Central European Time and West Africa Time, or UTC+1.
Like UTC, Swatch Internet Time is the same throughout the world. For example, when the time is 875 .beats, or @875, in New York, it is also @875 in Tokyo. Unlike civil time in most European countries, Internet Time does not observe daylight saving time, and thus it matches Central European Time during (European) winter and Western European Summer Time, which is observed by the United Kingdom, Ireland, Portugal and Spain's Canary Islands during summer.
The most distinctive aspect of Swatch Internet Time is its notation; as an example, "@248" would indicate a time 248 .beats after midnight, equivalent to a fractional day of 0.248 CET, or 04:57:07.2 UTC. No explicit format was provided for dates, although the Swatch website formerly displayed the Gregorian calendar date in the order day-month-year, separated by periods and prefixed by the letter d (e.g. d31.01.99).[citation needed]
Calculation from UTC+1
[edit]
The formula for calculating the time in .beats from UTC+1 is:
⌊3600ℎ+60�+�86.4⌋,
Where h is UTC+1 hours and m is UTC+1 minutes. The result is rounded down.[10]
When does the day begin?
[edit]
Example cities across the globe @000 BEATS midnight:
@000 BEATS
| City | Time | Time zone | UTC offset |
| San Francisco |
03:00 PM |
PST |
UTC-8 |
| New York |
06:00 PM |
EST |
UTC-5 |
| London |
11:00 PM |
BST |
UTC |
| Biel |
12:00 midnight |
CET |
UTC+1 |
| Tokyo |
08:00 AM |
JST |
UTC+9 |
| Sydney |
09:00 AM |
AEST |
UTC+10 |
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https://www.goroadachi.com/etemenanki/horus_horizon.html
Dark Horse at Hellgate
By Goro
February 1, 2014
["Blucifer" at Denver International Airport -
in city of Denver Broncos playing in 2014 Super Bowl]
After years of tracking the Trojan War/Horse/Golden Apple motif, here we are finally at the start of the Chinese Year of the Wood Horse which just commenced on Jan 31. (Trojan Horse also called "Wooden Horse".) It is essentially a Dark Horse from Hell, reflected in "Blucifer" at Denver International Airport, currently being highlighted by the Denver Broncos playing in the Super Bowl (February 2). This represents a fusion of our two major themes, Trojan War/Horse & Hellgate Activation (Contact with the Devil), the latter we officially identified as the next big thing last year (November on STRUG, December on Etemenanki).
Related Etemenanki articles:
By now even the casual observer can see this darkness rising. No need to be particularly good at pattern recognition. At this point it's meant to be noticed. Everywhere you look, you just see it...  In this update I will focus primarily on Katy Perry's "Satanic ritual" performance [video] at the Grammy Awards just several days ago, January 26...
...right during our hellgate window ( ~Jan 26-27) which we had highlighted beforehand.
Sure, it's just Katy Perry, just a pop star. Except we've been tracking her since 2010, when we identified her as a major pentagram goddess figure...
...reflected in the big presence of The Beatles (particularly Ringo Starr) at the 2014 Grammys...
 Jan 27 Paul McCartney, Ringo Starr reunite at the Grammys
...who are also all about the (apple) pentagram (hellgate).
 
Katy Perry's occultic performance naturally caused a bit of a controversy... just as her performance did back in November (2013) at the American Music Awards, where it was all about Japan. Her "geisha" look prompted some to accuse her of racism (which is kinda of silly). But more relevant in the context of our golden-ratio time code we had projected for the Jan 26-27 window (Grammys) - which has the 2011 Japanese mega-quake/tsunami as a temporal anchor - is the fact that there were clear "tsunami" allusions during her AMA performance ( video)!
Additionally the idea of a "gate" was a strong signal there too as she performed her song "Unconditionally" in front of a traditional Japanese gate ("mon") the whole time...
...which happens to resonate with the 2014 Grammys where she performed her song "Dark Horse".
  ["Blucifer" Trojan/Wooden Horse during "Dark Horse" performance]
Aside from obviously resonating with the main theme of the season (Trojan/Wooden Horse, hellgate/devil), it's in the galactic context established in our previous articles that we are able to effectively decipher the "Dark Horse" symbolism. (All the conspiracy theorists/end times enthusiasts/sync heads feverishly talking about her "Satanic ritual" are completely oblivious to this.) In fact, the symbolism was anticipated by last year's Super Bowl... where the biggest "signal" was the semi-blackout right after the halftime show involving the Galactic Center/Dark Rift...
...which is not only a Galactic " Gate" but also a " hell-gate". We talked all about it in Solstice Hellgate Activation (Dec 25/Jan 3), linking it to the Mayan "Hell" Xibalba:
At this point we can start putting the two and two together... The Galactic Center/Dark Rift and the devil/Satan... evoking the Mayan Underworld. Because the Milky Way's "Dark Rift" - a long black streak running through a segment of the celestial river overlapping the Galactic Center - was considered by the Mayans to be a road to Xibalba, their (heavenly) Underworld or Hell. ("Xibalba" means "Place of fear".) That's the domain of the devil/Satan of course.
This is important because there is a Dark Horse right there in the Dark Rift right next to the Galactic Center... in the form of the " Dark Horse Nebula":
In other words, performing Dark Horse and doing it in a overtly "Satanic"/"Luciferic" way just days before the start of the Year of the Wood/Trojan Horse and the Super Bowl, Katy Perry (or some higher "Enki" intelligence working through her) in effect reiterated the underlying storyline of the season/year... "Opening the Hellgate".
* * *
We started (re-)focusing on Katy Perry and her song Dark Horse over at STRUG back in November (2013) which was the month that saw Super-typhoon Haiyan/Yolanda, Katy Perry's "geisha" performance at the AMA, and the perihelion of Comet ISON. In addition to the " Phoenix Storm" interpretation, we correlated the "perfect storm" Haiyan/Yolanda with Katy Perry and Dark Horse, like this:
...during [Dark Horse's] chorus, Katy utters those words:
So you wanna play with magic
Boy, you should know what you're falling for
Baby do you dare to do this
Cause I'm coming at you like a dark horse
Are you ready for, ready for
A perfect storm, perfect storm
Cause once you're mine, once you're mine
There's no going back
Needless to say, super typhoon Haiyan/Yolandawas a "perfect storm" that hit a land called "Philippines" meaning "horse-loving". This is quite surreal...
Sep 08 Taal Volcano featured in Katy Perry's music video
MANILA, Philippines - Tourism Secretary Ramon Jimenez was elated to see the Taal Volcano appearing several times in the music video of... Katy Perry's song "Roar."
Jimenez, who graced the 73rd anniversary of the Bureau of Immigration (BI) yesterday, said he was "very happy" with the positive exposure of one of the country's famous tourist attractions. [...]
As surreal as all this is, it's not entirely surprising either. Katy Perry has been a major figure in our multicontextual reality research for some years now... associated particularly with the pentagram ("hell gate").
[End quote]
* * *
So, yes, Katy Perry was multicontextually radioactive even before her "Satanic" Dark Horse ritual at the Grammys. It was thus indeed a major signal that came right on time. (Not saying she's aware of any of this herself, which is very unlikely.) In this way the underlying storyline continues to be that the "Gates of Hell" are opening and we are making Contact with the "Devil".... in 2014. What kind of "perfect storm" are we in for this year? And now we are on to the Super Bowl (Feb 2) and the Sochi Winter Olympics (Feb 7-23)... Mars has been a big piece of the puzzle too...
 "California rest in peace..."
Big One/Birthquake... 2014/2015... in California?
Stay tuned...
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Olympics & Martian Resurrection
Babylon Baby, Grail Bloodline
& Genesis Total Recall
by Goro (goroadachi.com & supertorchritual.com)
August 03, 2012 (Updated Aug 14)
Preface
It was pretty good stuff we saw at the London Olympics Opening Ceremony on July 27. Perhaps not the most elegant opening ceremony we've seen as far as artistry and drama (that honor goes to Athens 2004), but more than adequate in terms of "whispering secrets" Enki-Prometheus style. Around here we weren't just watching, we were more actively engaged, anticipating pattern fulfillment. And boy did we ever get one!
Our multicontextual pattern assessment - most recently (re-)done in Aurora Code 2012 (July 21) - had indicated the following set of powerful themes to be in play during this period:
- Royal & Martian pregnancy/baby, Arthurian/Grail bloodline
- Intertwined issues of Mars (missions, life, panspermia, resurrection) & baby of Prince William & Kate Middleton
- Babylon/Tower of Babel
- Venus/Morning Star/Lucifer
- Sun (solar cycle, solar wind/flares/CMEs, aurora)
- And more...
If you watched the opening ceremony, you know how they turned out. Or maybe not. While some of the confirmations were fairly obvious, in your face even, like the "Tower of Babel" and the "Babylon Baby," there were other parts probably too cryptic for the average observer to discern. Especially the "Martian panspermia" segment. I am writing this article to elucidate what "really" happened at the Olympics opening ceremony, what was whispered by "Enki" from behind the wall, so everyone can get on the same page with regard to the true level of pattern fulfillment witnessed there, and what it could mean for the future. [Update: A new section discussing the closing ceremony has been added at the end of this article on August 14.]
The situation is that we have hidden patterns converging, uniting past, present and future... for a Total Recall of Martian Genesis.
Let the Games Begin.
* * *
London Olympics -
opening ceremony (July 27, 2012)
- Setting the tone right at the start of the show was the orchestral composition "Nimrod" - a dead giveaway already as Nimrod is the name of a Biblical figure who supposedly led the building of the Tower of Babel.
- Spatially anchoring the whole ceremony was a ziggurat-like hill bearing an uncanny resemblance to the Tower of Babel (officially a model of Glastonbury Tor), uniting all nations as described in the Book of Genesis.
You see it, and you know it.
* * *
London Olympics -
opening ceremony (July 27, 2012)
Baby Born
- Roughly halfway into the show, a mysterious giant baby took center stage. So big, no one could possibly miss it. Talk about in your face...
- As above, so below: The same day (July 27) an unmanned Japanese spacecraft "Kounotori" arrived at the space station ISS/Isis. "Kounotori" means "White Stork" and according to tradition storks supposedly bring babies to new parents. Storks are a harbinger of childbirth. Perfect.
Jul 27 Japanese Spacecraft "Kounotori" Arrives at ISS
This of course brings to mind SpaceX Dragon's historic berthing/birthing at the ISS late May, symbolically expressing the "Birth of Horus", a subset of a larger "Transit Ritual" permeating this special year of the Mayan Apocalypse. Horus is an ancient Egyptian god identified with the rising sun, magically reflected in Japan being the "Land of the Rising Sun", i.e. "Land of Horus."
* * *
London Olympics -
opening ceremony (July 27, 2012)
Who's Your Daddy?
The shocking (not really) answer was encoded in this scene...
People coming out the "Gate of God" (= Babylon/Babel), out the Underworld... symbolic of a baby coming out of the mother's womb. Bingo...
...traditionally associated with Avalon & King Arthur.
Avalon is where King Arthur - Once and Future King - is said to be resting in hibernation, awaiting "resurrection."
"Rebirth of King Arthur", then, was the subtext of the enigmatic "Gate of God" scene. In other words, the giant baby was suggested to be of the Grail Bloodline, semi-historically linked to the British Royal Family... more so on the Diana/Jacobite succession side, the side of Prince William, Kate and their presumably upcoming baby. So the Giant Baby, at least on the terrestrial level, directly or indirectly had to do with William & Kate, i.e. their baby. This matches what we've been projecting for 2012-2013.
- Avalon means "apple," implying "pentagram," signifying a gateway to the Underworld, the realm of the "underground stream" (Grail bloodline).
- The king of the dead in the Underworld is Osiris, who becomes his son Horus through resurrection via the Duat's pentagrammic interdimensional portal.
- A group called "Underworld" was in charge of music for the opening ceremony.
- Opening ceremony (July 27) was pinpointed by one of the apexes of a pentagram inscribed inside the Earth's orbit.
Olympics & Martian Resurrection (goroadachi.com) |
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...i.e. descendant of King Arthur, Grail bloodline... Diana, William-Kate... baby.
- The instantly recognizable coda of "Hey Jude" at the conclusion of the opening ceremony...
Na na na, na-na na na
Na-na na na, hey Jude
Na na na, na-na na na
Na-na na na, hey Jude
...invoked "Nanna" the Mesopotamian god of the moon (also known as "Sin"), resonating with the Roman moon goddess Diana, the namesake of Princess Diana, mother of Prince William/Harry.
"Nana" means "grandmother," which Princess Diana would be to the baby of William & Kate.
"Nana" can also mean "nanny," a child care provider, who used to be called "nurse." The Giant Baby scene was filled with nurses. A baby surrounded by "Diana."
The pieces fit.
* * * London Olympics - opening ceremony (July 27, 2012) Martian Descent 
Not quite perceptible to the untrained eye were the communications pertaining to Martian panspermia (cosmic seeding). Harder to see, but it was there...
It happened during one of the most memorable moments of the opening ceremony when " Queen Elizabeth II" (a double) jumped out of a helicopter and parachuted into the stadium accompanied by " James Bond"...
Let's start with this:
- A new 007/James Bond movie coming out in October, titled Skyfall. "Skyfall" is also the name of some of the "Autobots" in the Transformers universes...
- The first Transformers movie (current series) was released in the United Kingdom exactly 5 years before the opening ceremony (July 27, 2007).
- In the movie mankind makes First Contact with alien robots on Mars via the "Beagle 2" rover (see trailer):
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Contact via Earthquakes
Pentagonal Stargate Activation 2010
February 27, 2010
by Goro (supertorchritual.com & goroadachi.com)
Enki works in mysterious ways. He sees the angles. He sees the alignments. He understands space. He understands time. It's '2010' and he comes in peace. Contact via earthquakes... This is it. This is how it begins...
Haiti - Chile Alignment...
Behold, the Earth-Shaker opens the Pentagonal Stargate...
The pentagram is the symbol of Venus. Venus is the goddess/planet of love. Love in many languages is amor. Amor is the reverse of Roma. As they say, all roads lead to Rome. Even the pentagram. The Pentagonal Contact Sequence started back on April 6, 2009 near Rome...
Orbitally reversed and it becomes Megafault starring Brittany Murphy (who had an Italian father linked to the mob)...
...whose untimely death marked the winter solstice 2009 at the apex of the pentagonal 'V' apex.
'Vs' of course come in peace...
...through a Pentagonal Stargate
...and an earthquake.
'Knee' = Rome in leg-shaped Italy...
'Ring' = Pacific (= 'peace') Ring of Fire...
Chile is in the Ring of Peace/'V'...
And 'V' is balloons...
...reenacted right before the 'V' premiere (Nov 3, 2009)
via Balloon Boy on Oct 15...
...which was orbitally 'stereo aligned' with Feb 25-26,
or the Chile 'Big One' (Feb 27).
Contact via earthquakes = Contact with V = Contact with Peace = Contact with Love (Rome, Venus) = Contact via Pentagram
All in the 'Big One' space-time geometric overlay...
And that's how Contact is being made in 2010.
Just the tip of the iceberg.
* * *
NOTE: For those new here, please note that this strange thing that I do on this website is not the typical hindsight-driven dot connecting stuff that you may have seen out there. Here, much emphasis is placed on foresight. I regularly make predictions or multicontextual pattern projections to demonstrate that it is something very real - albeit 'impossible' according to the current paradigm - that I discuss and try to show again and again. So, for instance, even though I decided not to bring it up in the main text of the article purely for readabililty, both the April 2009 Italian earthquake and the January 2010 Haiti 'Big One' were, to a considerable degree, projected beforehand. (See here & here - the latter not including STRUG entries thus appearing less impressive than what was actually going on 'underground' projection-wise.) Even the latest Chile mega-quake was no surprise around here (especially on STRUG) - evidenced by the fact that I was able to quickly write up and post this article within 24 hours of the catastrophe. For many months, in fact, I kept highlighting the Vancouver Olympics (Feb 12-28) and its general timeframe, based on various patterns, in particular the following golden/phi-based timecode which had 'Big One' (mega-quake) written all over it.
Not surprisingly, there was to be further twists which I was able to closely follow, leading me to make a necessary adjustment just in time for (i.e. before) the early-January quakes including Haiti. (I haven't yet fully explained what caused me to make the adjustment but that it was a valid move is obviously not in question.) After Haiti, the status of the February 2010 window became uncertain - was it still radioactive or had it released all its energy in January? We now know the answer: Another small time shift, another 'Big One' (this time in Chile), coming the day before the closing ceremony of the 'V Olympics' instead of the opening ceremony. And it was decidedly pentagonal in nature. This is important because in addition to what's already been discussed the pentagram is nearly synonymous with (i.e. found encoded in its geometry) the golden ratio, i.e. '1 : 1.618', therefore linking back to the phi-based timecode above.
* * *
To be continued...
https://www.goroadachi.com/etemenanki/contact-penta-quakes.htm
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