EL TESORO DE RENNES-LE-CHATEAU. UN MISTERIO RESUELTO (En papel)

I just got back from Hawass King Tut exhibit at the Houston Museum
to my surprise I found out that the
Meandros or pattern on the Rennes Chateau floor

has an Egyptian hieroglyph related to it


it is the letter H or another meaning is House


Amiens Cathedral has the design too ...Greek yes but Egyptian also


Another pattern on here at the Amiens
has a Egyptian heiroglyph
that would be

it is the letter N ... or the symbol for Water

Its hard to see the wood floor below the altar
if anybody has a better picture please share

from what I can tell its triangular
forming an X

http://www.perillos.com/opoulms_1.html

A forgotten magic square
Part 1: numbers and keys


Salvaterra

Early Christianity is known to have reworked some of the pagan deities either into demons, or saints. Indeed, some of the early local saints should not be seen as historical characters, but largely as a mixture of a local pagan religion reworked into a saint, so that the people could be “Christianised”. Often, the names of these saints leave traces of their original alliance. In Southern France, it is now commonly accepted that places devoted to Mary Magdalene, were in origin devoted to the cult of Venus.
Equally, place names are up for such analysis, and in the past, some analysis has not been limited to the local language, but has been used “imaginatively” to come up with all types of theories.

In the case of Salvaterra, we fortunately do not need – at first – to stray far to get an idea of how this plateau got its name. The Saviour – Saveur in French – is also Salvator, which enables for a nice alliteration with terra – land – Salvator-terra, or Salvaterra – and onwards to the present Salveterra.
This, however, is but the “open reading” – visible to all. But the French language is known to have a particular predisposition to instil secondary meanings into most things. It is a type of hidden language, which can be used by using the same words, yet with a different meaning, which is only accessible to those who have an understanding of this “green language”, as it is sometimes known as. French is furthermore unique – at least when compared to e.g. English – in that it enables this phonetic “double entente” easily.
Let us use the example of SOL – sun – and note it is SOLIS, in French Soleil – sun. But in French it is linked with seul oeil – one eye. Indeed, is it then not remarkable how we note that some depictions – e.g. in Freemasonry – have a single eye? How the sun is often linked with an eye, and has the appearance of a solar deity?

Today, we find that Salveterra is hidden by another name, the so-called “Chateau d’Opoul” – the Castle of Opoul – even though it never was the castle of Opoul. But using our “double entente”, we easily transform it into “chat eau de poule” – “cat water of hen.” Such “tricks” might appear foreign – if not totally unscientific – to the English mind, but the French have centuries of experience with them, either as a secret language, or as a source of fun. Indeed, whereas Freemasons sometimes need to refer to code words such as asking whether it rains or not – to find out whether someone can talk openly or not – the French have the “double entente” to sneakily achieve the same goal.
“Tricks” such as “chat eau de poule” – “cat water of hen” – is also an almost alchemical, or esoteric, dissection, which will enable some to create another layer of understanding that goes far beyond the “double entente”. E.g. they will take each word – cat, water and hen – and transform it into something else. E.g. a phrase like “the cat threw water twice at the hen”, which might be a phrase through which the decodation needs to arrive at “chat eau poule” – to arrive at “Chat-eau eau-poul” – which orally is the same as “Chateau Opoul”. Indeed, who would ever guess that a phrase “the cat threw water twice at the hen” might be a code for a place name? But it is perhaps just such a leap of faith – though of course with a different system of decodation – that might one day make the “True Celtic Language” of Henri Boudet, or even the infamous verses of Nostradamus, understandable to all. — with Andrew Gough, Filip Coppens, Ben Hammott an