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ASTROTEOLOGIA-EVANGELIO EN LAS ESTRELLAS: TAURO/TORO (REFERENCIA A JOSE)
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Respuesta  Mensaje 1 de 18 en el tema 
De: BARILOCHENSE6999  (Mensaje original) Enviado: 30/03/2012 15:13
 Salmo 19:6
His going forth is from the end of the heaven, and his circuit unto the ends of it: and there is nothing hid from the heat thereof. Su salidas son desde el extremo de los cielos, y su circuito hasta los extremos de la misma: y no hay nada que a su calor.

" His going forth is from the end of the heaven.. .is a reference to the course of the sun's path through the ecliptic , so called because all the solar and lunar eclipses occur on this course. The words " going forth " in Hebrew are mowtsa [* H4161 ], meaning the dawn, the east, a gate, the rising of the sun. 5 "Su marcha adelante es desde el final del cielo ... es una referencia a lo largo de la trayectoria del sol a través de la eclíptica , llamado así porque todos los eclipses solares y lunares se producen en este curso. Las palabras "la salida" en hebreo son mowtsa [* H4161], es decir, el alba, el este, una puerta, la salida del sol 5.

Thus it refers to the place or gate of the rising of the sun, that indicates the sun's retrograde precessional movement, because the sun rises in a different "gate," or successive zodiacal house on average every 2,160 years. Por lo tanto, se refiere al lugar o la puerta de la salida del sol, que indica que el sol de movimiento de precesión retrógrada, porque el sol se levanta de una manera diferente "puerta", o una casa zodiacal sucesivos en promedio cada 2.160 años. The sun's annual cycle , or solar year is seen in " his circuit " above, which in the Hebrew is (* H8622 ) tequphah : rendered, " at the end of the year " in II Chron. Ciclo anual del sol, o año solar se ve en "su circuito" más arriba, que en el hebreo es (* H8622) tequphah: prestados ", al final del año" en la crónica II. 24:23 , an obvious reference to this annual solar cycle . 24:23, una referencia obvia a este ciclo solar anual. Thus we have in brief, a Biblical contrast between these two solar cycles. Así pues, tenemos en resumen, un contraste bíblico entre estos dos ciclos solares. The record of Joseph's dreams in Genesis 37 will take us into greater depth on the Biblical testimony of precession. El registro de los sueños de José en Génesis 37 nos llevará a una mayor profundidad en el testimonio bíblico de la precesión. Joseph's second dream in Gen. Segundo sueño de José en Génesis 37: 9-11 reveals a precessional context, with its use of stellar terms, especially the " eleven stars making obeisance " to his star or sign , of the Bull, Taurus . 37: 9-11 revela un contexto de precesión, con el uso de términos estelares, sobre todo los "once estrellas que rendir homenaje" a su estrella o del signo, del Toro, Tauro. These 12 "stars" of Joseph's dream correlate with the 12 sons of Jacob in Gen. Estos 12 'estrellas' de El sueño de José se correlacionan con los 12 hijos de Jacob en Génesis 49 making up the Sidereal zodiac . 49 que componen el sideral zodiaco . One can also look at the precession of the Vernal equinox as the tropical zodiac appearing to retrograde against the fixed background of the sidereal zodiac of the stars. También se puede buscar en la precesión de los Vernal del equinoccio en la zona tropical del zodiaco que aparece a retroceder contra el fondo fijo de la sideral zodiaco de las estrellas. Thus, the record of Joseph's second dream reveals astronomical truth that his first dream with an agricultural theme, does not. Por lo tanto, el registro de segundo sueño de José revela la verdad astronómica que su primer sueño con un tema agrícola, no lo hace.

Genesis 37:5-11 Génesis 37:5-11
And Joseph dreamed a dream, and he told it his brethren: and they hated him yet the more. Y soñó José un sueño, y lo contó a sus hermanos: y lo odiaron más todavía. [6] And he said unto them, Hear, I pray you, this dream which I have dreamed: [7] For, behold, we were binding sheaves in the field, and, lo, my sheaf arose, and also stood upright; and, behold, your sheaves stood round about, and made obeisance [H7812] to my sheaf. [8] And his brethren said to him, Shalt thou indeed reign [H4427] over us? [6] Y él les dijo: Oye, te lo ruego, este sueño que he soñado: [7] Porque he aquí, estábamos atando gavillas en el campo, y he aquí que mi manojo se levantaba y estaba derecho; y he aquí que vuestros manojos estaban alrededor y se inclinaban [H7812] al mío. [8] Y sus hermanos le dijo, te has de reinar [H4427] sobre nosotros? Or shalt thou indeed have dominion [H4910] over us? ¿O te has de dominio [H4910] nosotros a través de? And they hated him yet the more for his dreams, and for his words. Y le aborrecieron aún más por los sueños, y por sus palabras. [9] And he dreamed yet another dream, and told it his brethren, and said, Behold, I have dreamed a dream more; and, behold, the sun and the moon and the eleven stars made obeisance [H7812] to me. [9] Y soñó aún otro sueño, y contó a sus hermanos, y dijo: He aquí que he soñado otro sueño, y he aquí, el sol y la luna y once estrellas se inclinaban [H7812] para mí. [10] And he told it to his father and to his brethren: and his father rebuked him and said unto him, What is this dream that thou hast dreamed? [10] Y lo contó a su padre ya sus hermanos: y su padre le reprendió y le dijo: ¿Qué sueño es este que soñaste? Shall I and thy mother and thy brethren indeed come to bow down [H7812] ourselves to thee to the earth? [11] And his brethren envied him; but his father observed the saying. Se yo y tu madre y tus hermanos, vendrá a postrarse [H7812] ante ti la tierra [11] Y sus hermanos le tenían envidia, pero, ¿su padre observó el dicho.

Taurus the Bull , as Joseph's sign in the Hebrew zodiac was split into its two horns , representing his sons Ephraim and Mannasseh [ Num . 2:18-20 & Deut. Tauro, el Toro, como signo de José en el hebreo del zodiaco se divide en sus dos cuernos, que representan a sus hijos Efraín y Mannasseh [Nm. 2:18-20 y Deuteronomio. 33:17 ]. 33:17]. This was done to accommodate a substitution for the rebellious tribe of Dan, made in the circle of the twelve Hebrew tribes, the twelve signs of the Sidereal zodiac . Esto se hizo para dar cabida a una sustitución de la tribu rebelde de Dan, hecho en el círculo de las doce tribus hebreas, los doce signos del sideral zodiaco . This allowed for the Levitical 13th tribe to be placed in the center of the zodiac's circle, the pattern of the stars mirrored in the seed of Israel, as they camped around their Tabernacle in the wilderness of Sinai during their forty years of wandering. Esto permitió que la tribu levítica 13 para ser colocado en el centro del círculo del zodíaco, el patrón de las estrellas reflejadas en la descendencia de Israel, ya que acamparon en torno a su Tabernáculo en el desierto del Sinaí durante sus cuarenta años de vagar. This relation of the Levitical 13th tribe to the Sun, could be a symbolic reference to the regular Intercalation of a 13th month in the Hebrew Calendar. Esta relación de la tribu levítica 13 al Sol, podría ser una referencia simbólica a la regular intercalación de un mes 13 en el calendario hebreo. The Levites, being the priestly tribe, had the charge of the affairs relating to the Tabernacle, which housed the Ark of the Covenant. Los levitas, la tribu sacerdotal de ser, tuvo el cargo de los asuntos relacionados con el Tabernáculo, que albergaba el Arca de la Alianza. An aspect of the Tabernacle's celestial plan can be found in the edifice of the wooden framework that provided a foundation upon which the Tabernacle's curtains [H3407] ( Ps. 104:2-3, Isa. 40:22, Ex. 26, 36 ), hung. Un aspecto del plan celeste del Tabernáculo se encuentra en el edificio de la armazón de madera que proporciona una base sobre la cual las cortinas del Tabernáculo [H3407] (Sal. 104:2-3, Isa. 40:22, Éx. 26, 36) , colgado. They were assembled from 48 units , each ten cubits high, and 1.5 cubits wide... 6 This implies the structure of these 12 zodiacal signs including their 36 decans, (12+36= 48 ) which are divided into ten degree decan s , showing not only God's celestial order in the tabernacle of the Sun [ Ps.19:4 ], but also marking the earthly Tabernacle as the focal point of the spiritual light of God's presence among His people during the Old Testament. Ellos se reunieron a partir de 48 unidades, cada uno de diez codos de altura, y 1.5 codos de ancho ... 6 lo que implica la estructura de estos 12 signos zodiacales, incluyendo sus 36 decanatos, (12 36 = 48) que se dividen en diez grados decanato s, mostrando no sólo orden celestial de Dios en el tabernáculo del Sol [Ps.19: 4], sino que también marca el tabernáculo terrenal como el punto focal de la luz espiritual de la presencia de Dios entre su pueblo en el Antiguo Testamento. This was established in the priestly order of service instituted in the Temple by King David, with 24 courses of priests, each serving two times during Israel's calendar year, totaling 48 weeks. Así quedó establecido en la orden sacerdotal de servicio instituido en el Templo por el rey David, con 24 cursos de los sacerdotes, cada uno sirviendo dos veces durante el año civil de Israel, por un total de 48 semanas. When the three weeks of Passover, Pentecost and the Feast of Tabernacles are included, wherein all the priests served, we have the 51 weeks of Israel's luni-solar year, divided according to sacred and civil standards. Cuando las tres semanas de la Pascua, Pentecostés y la Fiesta de los Tabernáculos se incluyen, en el que todos los sacerdotes servían, tenemos las 51 semanas de luni-solar de Israel al año, divididos de acuerdo a las normas sagradas y civiles. The sacred year began in Nisan , the month of the spring Passover , while the civil year in the fall started with the seventh month Tishri 1 , the Day of Trumpets signaling the onset of Israel's holiest month. El año sagrado comenzó en Nisan, el mes de la Pascua de primavera, mientras que el año civil en el otoño se inició con el séptimo mes de Tishri 1, el Día de las Trompetas de señalización del inicio de mes más sagrado de Israel. This depicts the Creator's light reflected in the celestial structure of creation, ruling over the Hebrew timekeeping, manifest in the sacred architecture and service of the Old Testament Tabernacle and Temple, fulfilled in Jesus Christ as the King and High Priest, after the order of Melchisedek. Esto representa la luz del Creador se refleja en la estructura celeste de la creación, gobernando sobre la hora normal de hebreo, que se manifiesta en la arquitectura sagrada y el servicio del tabernáculo del Antiguo Testamento y el templo, realizada en Jesucristo como el Rey y Sumo Sacerdote, según el orden de Melquisedec .

 
 

ecliptic - Welcome to Try-God.com

 
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When they camped during the evenings, Numbers 2 tells us they camped in the order of the tribes as it matched the order of the course of the sun on the ecliptic, ...

in creation. The graphic below shows the relation - Welcome to Try ...

 
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We will see how the harmony of these three celestial cycles influenced timekeeping practices the world over. The Natural Law evident in the common ...


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Respuesta  Mensaje 2 de 18 en el tema 
De: BARILOCHENSE6999 Enviado: 19/07/2012 20:12
CUBA/CUBO TIENE UN FUERTE NEXO ESOTERICO CON EL LUGAR SANTISIMO DEL TEMPLO DE SALOMON Y DEL TABERNACULO

EL SIGNIFICADO DE LOS NUMEROS EN LA BIBLIA

 
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El Lugar Santo El Lugar Santísimo Con relación al Tabernáculo: El Lugar Santísimo era un cubo (10 pies x 10 pies x 10 pies) Con relación al Templo: El Lugar ...
  • DEL VELO ADENTRO (LUGAR SANTO O SANTISIMO EN HEBREOS) [Archivo ...

     
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    14 Nov 2010 – La forma cúbica del lugar santísimo. Este era un cubo perfecto en todas las versiones del santuario terrenal, como si esta característica ...
  • NOTEN LA ESTRELLA/STAR DE 5 PUNTAS EN EL INTERIOR DE UNA PIRAMIDE ROJA (NEXO CON EGIPTO)-ROJO=MARTE=EGIPTO=HORUS=MARCOS, EL SANTO GRIAL
    LA LLAVE, EN CONTEXTO AL MAR Y A LA SALIDA DEL SOL (SOL NACIENTE) Y LAS PALMERAS. ESTAS ULTIMAS TIENE NEXO CON EL LINAJE DE JOSE/EFRAIM. JOSE, HIJO DE JACOB, TUVO FUERTE NEXO CON EGIPTO Y CON SU HERMANO MAS CHICO BENJAMIN. JOSE ERA HIJO DE RAQUEL/LA LUNA Y JACOB/SOL SEGUN EL SUEÑO DE JOSE DE GENESIS 37.
    EL 5 ES LA ALQUIMIA, OSEA LA ESCALERA DE JACOB, CASA DE DIOS Y PUERTA DEL CIELO.
    LA OZ Y EL MARTILLO, EN CONTEXTO AL COLOR ROJO ES UN SIMBOLO 100 POR 100 DE ORIGEN BIBLICO-CRISTIANO-DIOS YHWH MANEJA TODO E INCLUSO A USADO  Y USA A LOS COMUNISTAS -LA OZ ES UNA ANALOGIA A LA LUNA CRECIENTE Y EL MARTILLO ES UNA ANALOGIA A LA ESTRELLA DE 5 PUNTAS. MARTILLO TIENE ORIGEN EN MARTE (PLANETA ROJO) CON SU OBVIO NEXO CON JUAN MARCOS EL HIJO DE NUESTRO SEÑOR Y MARIA MAGDALENA. AMIGOS COMUNISTAS, LA VERDAD TIENE MAS PROFUNDIDAD Y DESINFLA EL EGO PORQUE NOS LLEVA A ADORAR AL  O LA CREADOR/CREADORA YHWH.
    8. Mateo 16:18: Y yo también te digo, que tú eres PEDRO, y sobre esta roca edificaré mi iglesia; y las puertas del Hades no prevalecerán contra ella. 

    A regular square pyramid is determined by its medial right triangle, whose edges are the pyramid's apothem (a), semi-base (b), and height (h); the face inclination angle is also marked. Mathematical proportions b:h:a of 1:sqrt{varphi}:varphi and 3:4:5  and 1:4/pi:1.61899  are of particular interest in relation to Egyptian pyramids.

     
     
    Mat 16:18 And I say also unto thee, That thou art Peter, and upon this rock I will build my church; and the gates of hell shall not prevail against it.
    Salmos 45:9: Hijas de reyes están entre tus ilustres;
    Está la REINA a tu diestra con oro de Ofir.
    SO-FI-A/SABIDURIA/S-OFI-A/FI-L-OFI-A
    REINA VESTIDA CON ORO DE O-FI-R
     
    .382    .618             1                   1.618                               2,618
     
    PLANETA MARTE Y SU NEXO CON ISIS, EL TORO Y LA LUNA CRECIENTE
     
    EL LUGAR SANTISIMO DEL TEMPLO DE SALOMON Y DEL TABERNACULO DE MOISES TENIA FORMA DE CUBO Y ESTABA ORIENTADO DE ESTE A OESTE. CONCRETAMENTE DICHO COMPARTIMENTO ESTABA HACIA ADONDE SALE LA LUNA CRECIENTE. ESTO EXPLICA SU FUERTE NEXO CIENTIFICO CON DICHA LUNA, INTERRELACIONADA CON EL NACIMIENTO DE UN NIÑO. LA LUNA CRECIENTE TIENE LA CUALIDAD DE QUE SALE Y SE PONE A LA PUESTA DEL SOL SIEMPRE EN EL OESTE. CONCRETAMENTE EL MENSAJE ESPIRITUAL DEL LUGAR SANTISIMO DEL TABERNACULO DE MOISES Y DEL TEMPLO DE SALOMON TIENE UN FUERTE NEXO, INSISTO CON EL NACIMIENTO DE UN NIÑO, Y MAXIME QUE EN EL CONTEXTO A LOS MESES DEL AÑO EL OESTE NOS CAE EN SEPTIEMBRE U OCTUBRE, OSEA EN LA FIESTA DE LOS TABERNACULOS. TABERNA/VINO/GRIAL
    Poster WTC

    Respuesta  Mensaje 3 de 18 en el tema 
    De: BARILOCHENSE6999 Enviado: 31/07/2012 20:12
     

    Welcome to the Key of Solomon

    Pope Sixtus V

    In Rome, there are a total of 8 Egyptian and 5 Roman obelisks.  In the context of this article, we will focus on four obelisks that were re-erected by Pope Sixtus V.  Around 1587, all of Rome’s obelisks were toppled down and it was Pope Sixtus V who started re-erecting four of the fallen obelisks in Rome. Pope Sixtus V also redesigned the Piazza in front of the Saint Peter Basilica that was itself under construction at the time. The current oval shaped piazza with the obelisk at the Vatican was designed and built at the orders of Pope Sixtus V. It was part of an overall urban redesign of the city of Rome in which four of the obelisks were given new locations. These four new locations were centered around the obelisk at St. Peter’s Square which became the focal point.  

    The first Egyptian obelisk was originally shipped by Emperor Augustus in 10 BC from Heliopolis, Egypt (dedicated to Seti I/ Ramesses II) to the Circus Maximus in Rome. Circus Maximus was a Roman hippodrome used for chariot racing. The obelisk was moved by Sixtus V from Circus Maximus to Piazza del Popolo where it still resides today.

    The second Egyptian obelisk was originally shipped from Thebes (temple of Amun, Tuthmosis IV) to Circus Maximus in Rome by Constantine II the son of Constantine the Great. The initial plans to ship the obelisk to Circus Maximus (Latin for the greatest circus) in Rome however were made by Contantine the Great who didn’t have the facilities to actually ship the largest of the Egyptian obelisks (32.18 m tall) to Rome. Eventually, his son succeeded in carrying out his father plans. Both obelisks were placed on the Spina of Circus Maximus. The Spina (backbone) is a 217 meter long wall in the centre of the hippodrome. This obelisk was moved by Pope Sixtus V from Circus Maximus to Piazza di San Giovanni (Laterno) next to the Basilica of San Giovanni.

    It’s important to realize that both obelisks of Circus Maximus aligned with the Winter Solstice Sun at sunrise, since the Spina on which they were placed also aligned with the Winter Solstice Sun at sunrise! (see Vatican Alignment calculations)

    The third Egyptian obelisk was originally moved to Rome in 37 AD by Emperor Caligula and situated at the Vatican Circus. The origin of this obelisk is unclear. It’s the only obelisk without hieroglyphs. This obelisk was again relocated by Sixtus V to St. Peter’s Square where it is seen today.

    The fourth and last obelisk is a Roman obelisk that originally stood in Mausoleum of Augustus and was moved by Sixtus V to the piazza in front of the Basilica of Santa Maria Maggiore at the Piazza del Esquillino.

    What is interesting in the context of this article are the before and after locations of these obelisks in the overall urban redesign plan of Pope Sixtus V.

    Circus Maximus, for instance, was built in a bend on the bank of the River Tiber, and on a Winter Solstice day the Sun would be seen rising over the Tiber River in line with both obelisks at the Spina when viewed from the Vatican. Pope Sixtus V could have restored Circus Maximus and placed the obelisks at their original locations. It’s interesting to notice that viewed from the St. Peter’s Square these obelisks would be aligned with the Winter Solstice Sun! This is because St. Peter’s Square lies exactly in line with Circus Maximus and the Winter Solstice Sun. Instead, Sixtus had chosen to relocate one of the obelisks of Circus Maximus to the Piazza del Popolo.

    The obelisk at the Piazza del Popolo, however, aligns with the obelisk at St. Peter’s Square and the summer solstice Sun at sunrise!  (See Vatican Alignment calculations)

    Like the Equinox Sun, the summer solstice Sun is seen rising over the River Tiber from St. Peter’s Square since the obelisk at the Piazza del Popolo is situated only two blocks away from the river.

    The other obelisk of Circus Maximus was Rome’s tallest obelisk and was moved to the Piazza di San Giovanni in Laterno (in southeast direction from the Vatican) which resides at an azimuth of 114° 0’ which is 9 degrees off the Winter Solstice sunrise azimuth of 123° for Rome. While both obelisks in Circus Maximus originally aligned to the Winter Solstice, Pope Sixtus V deliberately altered these alignments and made sure that one of the obelisks now aligned with the Summer Solstice Sun.  The other obelisk that previously aligned to the Winter Solstice Sun was now deliberately misaligned.

    It’s obvious that the alignment of both the obelisk at St. Peter’s Square and the obelisk at Piazza del Popolo must have been intentional since both obelisks were put there by Sixtus V. While he could have chosen for a Winter Solstice alignment of St. Peter’s Square obelisk by erecting the other obelisk at Cricus Maximus itself, he chose otherwise.

    It’s beyond any doubt that Sixtus V was well aware of these alignments since he designed St. Peter’s Square to be a giant sun dial. In 1817, circular stones were set marking the tip of the obelisk’s shadow at noon. Since the Sun moves in between the tropics during a solar year, it enters all of the signs of the zodiac in one solar year, and the marks set out in stone therefore make a gnomon of the obelisk at St. Peter’s Square. But there’s more …

    We surmise that Pope Sixtus V was also well aware of the significance of the Great Celestial Conjunction around 2012 and its association with the biblical End Times.

    To enhance this argument, it’s interesting to realize that the coat of arms of Pope Sixtus V contained an eight-pointed cross above four stacked mountains (or hills). The coat of arms of Sixtus was sometimes also depicted with three instead of four hills.

    As explained before, in ancient Egypt and freemasonry mountains, pillars and clouds all represent the Milky Way. The four mountains in Pope Sixtus coat of arms could therefore represent the four Great Celestial Conjunctions or the four Milky Way Equinox/Solstice alignments that occur in a Great Year!

    Santa Maria Piazza del Popolo (coat of arms of Pope Sixtus V), eight-pointed cross over the four mountains.

     

    Pope Sixtus V used the eight-pointed cross in abundance in architectures and; in many cases he even placed the four-pointed Christian cross on top of an eight-pointed cross! The obelisk at Piazza di Giovanni, for instance, was adorned with both a four and eight-pointed cross by Pope Sixtus V. It was also a reference to this coat of arms! 

    The four Great Celestial Conjunctions in a Great Year are the four mergers of the two superimposed four-pointed crosses (Earth Cross and Galactic Cross) to form a single four-pointed cross!

    Obelisk at Piazza di Giovanni, four-pointed cross on top of the eight-pointed cross! Although a symbol of the Great Celestial Conjunction, this obelisk no longer aligns with the Winter Solstice Sun as viewed from the Vatican.

     

    We therefore suggest that the eight-pointed cross at St. Peter’s Square symbolically represents a Great Celestial Conjunction.

    St Peter’s Square

     

    It’s the alignment of the Earth Cross with the Galactic Cross that is being symbolized at St. Peter’s Square. Notice that there is a small four-pointed cross in the center around the obelisk (the Sun) that is aligned with the outer eight-pointed cross.  The eight-pointed cross is the superposition of the Galactic Cross and the Earth Cross. This is why Pope Sixtus V placed a four-pointed cross on top of the eight pointed cross! The crosses are recognized as follows:

    • The axis on which the two fountains at St. Peter’s Square reside is the Galactic Equator of the Milky Way since the Milky Was is associated with water.
    • The cardinal direction of this Galactic Equator axis corresponds with the Milky Way that straddles the East horizon from North to South.
    • The Earth Cross aligns closely (but not perfectly) with the two solstice axis

    The esoteric significance of the Summer Solstice alignment of St. Peter’s Square obelisk with the obelisk at the Piazza del Popolo is that it symbolizes a Summer Solstice Galactic Alignment. Since the sky chart over St. Peter’s Square with the Pleiades residing over the Seven Hills symbolizes the Silver Gate, we postulate that the Vatican alignments represent a Summer Solstice Galactic Alignment at the Silver Gate. This alignment occurs right now in era 2012!

    Summer and Winter Solstice alignments as viewed from St. Peter’s Square. The white arrows show the displacements of the obelisks from Circus Maximus by Pope Sixtus V.



     
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