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HECHOS 12:12 -JUAN MARCOS ES EL GRIAL: GIZE=GRIAL=JOHN (GOLDEN NUMBER/NUMBER 47/SHABBAT)
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 From: BARILOCHENSE6999  (Original message) Sent: 26/02/2013 17:12

 john in Simple Gematria Equals: 47 ( j 10 o 15 h 8 n 14 )
 grail in Simple Gematria Equals: 47 ( g 7 r 18 a 1 i 9 l 12 )

 gize in Simple Gematria Equals: 47 ( g 7 i 9 z 26 e 5 )
 john in Simple Gematria Equals: 47 ( j 10 o 15 h 8 n 14 )
 grail in Simple Gematria Equals: 47 ( g 7 r 18 a 1 i 9 l 12 )

EN JOHN HAY ALGO CURIOSO. LAS PRIMERAS LETRAS SUMAN 33 y luego con la N se suma 47,

 Put the point of your compass at (E) and extend it along the diagonal (EK) to point (m) where the circle intersects (EK), and draw the arc downward to intersect (KD f C) at (n). If (EK) = (5), and (l m/l D) and l i = .5, the diameter of this circle is 1.   This makes (E m) = .618 + 1, or 1.618. (E m) is the apothem. Draw (E n) which intersects (A i l D ) at (o). Put compass point at (f) and extend it to (n). Again put your point at (E) and draw the circle which happens to have the radius (E o). (f n) is the height of the Great Pyramid. This circle comes remarkably close to having the same circumference as the perimeter of the base (ABCD).

Let's go back to the original right triangle (EYZ)
(EY) = .5

(YZ) = phi

(EZ) = (phi)

EY = .5, The apothem is phi/1.618. This makes the 51 degree + degree angle.

Using a² + b² = c², this makes the height the square root of phi.

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## TUESDAY, MAY 18, 2010

### BORROMEAN RINGS (1/3)

“If one proceeded to announce that there is still nowadays a work of the former Egyptians, one of their books that escaped the flames that devoured their superb libraries, and which contains their purest doctrines on interesting subjects, everyone who heard, undoubtedly, would hasten to study such an invaluable book, such a marvel. If one also said that this book is very widespread in most of Europe, that for a number of centuries it has been in the hands of everyone, the surprise would be certain to increase. Would it not reach its height, if one gave assurances that no one ever suspected that it was Egyptian; that those who possessed it did not value it, that nobody ever sought to decipher a sheet of it; that the fruit of an exquisite wisdom is regarded as a cluster of extravagant figures which do not mean anything by themselves? Would it not be thought that the speaker wanted to amuse himself, and played on the credulity of his listeners?”
- Antione Court de Gebèlin, The Game of Tarots,
from le Monde Primitif (1781)

BORROMEAN RINGS

RING ONE: hidden element

3 Rings linked together, their centers being vertices (corners) of an equilateral Triangle.

Viewed in this diagram, we are looking at a 2-dimensional map of Earth from its side, represented by One ring of our choosing (blue):

Orient the planet so the Great Pyramid at Giza (30˚N) lays at one of the vertices, the Earth’s center at another, and its axis’ North pole at the third.

Exploring this set of relations, it can be demonstrated that the architectural proportions of the Great Pyramid at Giza exhibit a means of utilizing the measure of Earth to express the mathematical constant, π. To understand how we must suspend, for a moment, our habit of thinking of number in purely quantitative terms and consider the ways in which some numbers are also inherently bound to specific geometric forms - like with ‘square’ (1² 2² 3² 4² 5²...) or ‘cubed’ (1³ 2³ 3³ 4³ 5³...) numbers we see a sum attached to a particular shape. Other shapes each possess their own sequence of numbers also attached to their change in proportion.

These are called ‘figurate numbers’, and tradition has it they were introduced into Greek mathematics by the pre-Socratic philosopher, Pythagoras, in the 6th century BC. A student of the ancient mystery schools, it is likely he acquired this knowledge during his journeys to Chaldea & Egypt; but all that is really required to calculate the number sequences tied to these shapes is a stack of pebbles and time to spare, counting out the variety of polygons & devising ways of stacking them to construct polyhedrons.

To the careful interpreter of nature a pattern was discernible amidst this numerical data - One that, properly placed, could be applied to the measure of all things. It is suggested here that the Great Pyramid at Giza, in relation to the 3-Ring structure given above, embodies this application.

Let us then imagine the Great Pyramid as keystone to a system of ‘projective numerology’ - an application of mathematics using figurate numbers to model distances and proportions as shapes, and translating them into their related forms as ‘seen’ from different angles & in other dimensions.

At the root of any square pyramid’s architecture is its’ seked - an ancient Egyptian ratio of angular measure used to determine the slope of a pyramid’s sides and thus its’ height.

Utilizing the seked of the Great Pyramid, the perimeter of a square pyramidal base equals the circumference of a circle whose radius is equal to that pyramid’s height.

Within our 2-dimensional map, as our planet rotates upon its’ axis, the Pyramid appears to move from one end of a vesica piscis to the other, as if turning on a Wheel whose rim is the 30th parallel. Thus, in one quarter turn (11/14 ≈ π/4) the Pyramid appears to move in a perpendicular line to the base of the equilateral Triangle articulated within our 3-ring diagram.

The distance of this perpendicular line from the Great Pyramid to the Earth’s polar axis is 3430 nautical miles, or 10x the cube of seven.

Let us then imagine this distance as a stack of 10 cubes, 7x7x7.

A ‘quarter turn’ (11/14) of the Earth thus ‘apportions’ a 10x10 square of these cubes:
10² x 14/11 = 127.27272727...

So, by the logic induced with this arrangement of proportions, distances can be pictured in the mind’s Eye as figurate numbers of octahedral symmetry with 7-unit sides. Reading the Run & Rise of the Great Pyramid’sseked both forward and backward we get a formula for modeling a linear distance of the Earth’s measure as a column made of figurative cubes.
[3d:2d = 343 : 127 ]

As such, we can picture the square pyramid monument atop this ‘column’ as pointing to the center of an imaginary 11th cube.

It follows, then, that a 12-hour rotation (180˚) measures a distance from center-point to center-point of the cubes at either end of a column 22 cubes of 7 long.

The center point of a unit cube has a specific relationship to the vesica piscis traversed in this 12-hour ‘distance’ within our diagram, as Two rings sharing a single radius give a rational approximation for √3, which is also the space diagonal of any unit cube.

In other words, with respect to a unit cube, the √3 is the distance between opposite corners of that cube. Tracing these space diagonal lines joins the opposing corners, all of which intersect at the center of that cube, and thereby delineate the edges of six square pyramids joined at their apex.

22:7 ≈ π
To the Egyptian god Thoth, equated with the Greek god, Hermes, and particularly the Roman god, Mercury, this ratio is significant in describing the number of conjunctions aligning Mercury & Earth with the Sun every 7 years. Also known as a ‘synodic cycle’, this is an example of what ancient Greek astronomers called an exeligmos, or ‘Turn of the Wheel’ - describing any period wherein Sun, Moon, and/or planets return to conjunction(s) from which they started. The term is still used today, but is more specifically applied to the Triple Saros cycle of reckoning lunar eclipses, each 120º of longitude apart, eventually returning to a point relatively close to where they began: exeligmos. The Romans used the term annus magnus, or ‘great year’ to describe the same class of periodic event.

As we shall see, each of the planets have a harmonic ratio of conjunctions with our planet Earth, and with each other. By fixing the Earth to the center of our ecliptic plane, the motion of other planets relative to our position appear as serpentine spiro-graph patterns, looping in close when aligning into conjunction with the Sun, and looping out to trace a wide arc that coils about the Earth until looping in again for another conjunction.

Mars:Earth

Venus: Earth

Consistent within our model of 10 cubes of seven, the Great Pyramid (pointing to the center of an eleventh) also corresponds to the tip of an octahedron of 7 = 231. And it just so happens that 11x 231 is the number of days in the exeligmos of Mercury & Earth, 22:7. In addition, the measure of the Great Pyramid’s base side lengths (440 cubits each) give a total base area measuring approximately 231 meters square.

Being a close approximation of the value π, and our annus magnus with the planet Mercury (Hermes/Thoth), let us then imagine this column of 22 cubes of 7 as the staff of his Caduceus. As we shall see, the cycles of the other planets can be represented as the serpents entwined about this Staff, their helices in tune with the ratio of their exeligmos.

Imparting more than just the inevitable passage of Time, they were the very music of the spheres by which the harmony of creation was made known to the ancient Geometers. Our 3-Rings establish the base unit of an entire system of weights & measures (metrology) by symbolizing an angular dimension constructed by the movement through Time of the Great Pyramid, like the point of a metronome entrained to the Earth’s tempo. In effect attuning the mathematical constant π with Mercury's Great Year  & the linear measure of Earth's size in units of angular measure. 'Squaring' the circle much like the Great Pyramid's seked.

1 nautical mile = 1.15 miles
The nautical mile used as our base unit of measure for obtaining the distance in cubes of seven is also a unit of angular measure equivalent to 1/60th degree of Earth longitude (=1 minute of arc degree). Converting this into survey land miles = 1/10² the number of days between Earth:Mercury conjunctions (=115).

22:7 = 12 hrs @ 30˚north (12x 30 = 360)
180˚ = 10,800 arc minutes of degree = 50x 216, the cube of 6
216 also equals the number of degrees between Earth:Venus conjunctions (x5 = 1 Earth:Venus pentagram = exeligmos). So, by subdividing each degree of arc into 60 minutes, Earth’s 180˚ rotation (22:7) upon its’ axis thereby possesses a kind of numerological resonance regarding its harmonic with Venus, the exeligmos of the pentagram. Reputedly a symbol of good will among the Pythagoreans, the pentagram also provides an easy means of obtaining the golden ratio.

12 : 1 = (22/7) = 60 minutes
In this way our measure of both Time & Space define each other by weaving together the value π with the ‘divine proportion’ of the golden ratio.

Of the numerous other curious facets to this TooL of Hermetic Metrology, establishing not only our system of weights & measures, its choice of cubes & octahedrons also exhibit a direct connection to speeds of both sound & light:

1 meter
=distance trave1ed by sound 1/343th of second
=distance trave1ed by light 1/299,792,458th of second

343 = cube of 7
299,792,458 = c = speed of light in meters per second
1296000 / π = number of square degrees in one whole sphere
c / 1296000 = 231.321....
231 = octahedron of 7

Stranger still, the proportions outlined above are also paralleled in the numerical structure of the Tarot de Marseilles’ pattern of 22 major arcana trumps when applied to the Hebrew alphabet - in turn derived from Egyptian (via proto-Sinaitic) hieroglyphs which depicted the symbols those letters are still associated with.

We see traces of this tradition within our own English alphabet with the letter A: also the glyph for an Ox head (turned upside-down) having the same origin as the Hebrew letter aleph.

Referred to by 'occultists' as the Book of Thoth (though never adequately explained why), the key to unlocking this puzzle, as with any cryptological TooL, is knowing where to place the cypher, or sifr - the arabic word from which we also get Zero, or ‘nothing’, the rank of every Tarot deck’s Fool [aleph=0].

And this role proves more than suitable for One who ushers in what ultimately reveals a prank, of sorts... leading to what is arguably the greatest punch-line in history.

http://yzygy.blogspot.com.ar/2010/05/borromean-rings-13.html

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32. Génesis 30:6 Dijo entonces Raquel: Me juzgó Dios, y también oyó mi voz, y me dio un hijo. Por tanto llamó su nombre DAN.

• Mateo 6:33: Mas buscad primeramente el reino de Dios y su JUSTICIA, y todas estas cosas os serán añadidas.

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## MARTES, 30 DE ABRIL DE 2013

### Olcoz-Eunate y la Astrología II: Apocalipsis y Escatología

Que sea la constelación de Virgo el referente astrológico constructivo de San Miguel de Olcoz y Santa María de Eunate tiene igualmente unos componentes simbólicos derivados del Apocalipsis de Juan. Ello se debe a que María fue asimilada a la  "mujer vestida del sol, con la luna bajo sus pies, y sobre la cabeza una corona de doce estrellas" (Ap 12,1) que está a punto de dar a luz a un niño. La Gran Serpiente (dragón) quiere aniquilar a ambos pero el arcángel san Miguel y su ejército celestial le derrota. Esta escena visionaria fue representada de múltiples formas a lo largo del Medievo y posteriormente.

 Visualización astrológica de los paneles de Torre Olcoz (Jesús Zulet)
"Hubo un gran combate en los cielos. Miguel y sus ángeles lucharon contra el Dragón. También el Dragón y sus ángeles combatieron, pero no prevalecieron y no hubo ya lugar en el Cielo para ellos. Y fue arrojado el Dragón, la Serpiente antigua, el llamado Diablo y Satanás, el seductor del mundo entero; fue arrojado a la tierra y sus ángeles con él." (Ap. 12,7-9)

 Escena apocalíptica, frescos de la iglesia de San Pietro al Monte (Civitate-Italia). Siglo XII.

En  esta ascripción alegórica de la "mujer vestida de sol" con la Virgen María podemos encontrar, en la red de las "imágenes arquetípicas", a la Virgen que cantara Virgilio en su IV Égloga y que iba a dar  a luz a un Mesías que traería consigo una nueva Edad de Oro. La Virgen virgiliana era Astrea, la diosa de la Equidad-Justicia-Orden que ascendió a los cielos desilusionada de la humanidad durante la Edad del Bronce, y que durante la Edad de Oro enseñaba en las ciudades y en la Edad de Plata a los aldeanos de las montañas. Mas la Astrea virgiliana fue equiparada con la Virgen María y su Puer Avatar con Jesús.  Asimismo, en el Apocalipsis, la derrota de la Serpiente Antigua es el preludio de los acontecimientos que concluirán con el descenso de la Jerusalén Celeste (y de la Edad de Oro del Paraíso Celestial, por tanto).
 Pasajes escatológicos con el arcángel Miguel, en la iglesia navarra de San Miguel en Estella (Camino de Santiago como Eunate y Olcoz, y no muy lejos de ellas).
Estas concatenaciones simbólicas se difundieron durante la Edad Media así que no es extraño que fuesen conocidas por los promotores-patrones de las iglesias de Olcoz y Eunate, y es fácil así comprender el trasfondo apocalíptico de la advocación de ambos templos a  Miguel Arcángel y a María, como los ha sabido igualmente mostrar Jesús Zulet (véase panel siguiente suyo)

Asimismo existe un trasfondo escatológico puesto que San Miguel es el psicopompo en el Más Allá y quien pesa las obras buenas y malas en la balanza (tema ya presente en Egipto), y María es la Gran Mediadora en el Más Allá (además su antecesora astrológica, Astrea, era la diosa de la Justicia).

Y abundando en lo escatológico, se sabe documentalmente que Santa María de Eunate era ya en 1219 sede de una cofradía de ánimas de los pueblos de Valdizarbe y entorno inmediato, como lo descubriera José María Jimeno Jurío. Además, como he dejado claro en otro lugar, buena parte de la iconología de Eunate puede adscribirse a los escenarios del inframundo escatológico, a la par que su vinculación arquitectónica a la Ascensión de Jerusalén y el capitel de la Ascensión de Cristo son igualmente escatológicos y de gran importancia para la esperanza en al resureccción y bienaventuranza en la Jerusalén Celeste.

Si Virgo representa astrológicamente a la Virgen María en la cristianización del Zodíaco, San Miguel puede verse representado a su vez por Perseo, el vencedor de la Gorgona Medusa (a la cual se la representaba con la boca abierta y generalmente con la lengua fuera), que Jesús Zulet identifica con el personaje con capa que pisa la cabeza grotesca.

Pero es que -añado yo por mi parte-, San Miguel igualmente puede quedar alegorizado mediante las balanzas, emblema del signo zodiacal Libra (Astrea -no lo olvidemos- quedó desglosada realmente como Virgo y Libra en el zodíaco).

 Detalle del panel realizado por Jesús Zulet de los cilos de Perseo y Virgo en Olcoz y Eunate

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### Olcoz-Eunate y la Astrología II: Apocalipsis y Escatología

30 abr. 2013 - Que sea la constelación de Virgo el referente astrológico constructivo de San Miguel de Olcoz y Santa María de Eunate tiene igualmente unos componentes simbólicos derivados del Apocalipsis de Juan. Ello se debe a que María fue asimilada a la "mujer vestida del sol, con la luna bajo sus pies, y sobre ...

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 From: BARILOCHENSE6999 Sent: 14/05/2018 14:56
 SIRIO ES LA CONSTELACION DEL PERRO/ CAN MAYOR     EL MISMO DISEÑO DE ORION 99. Ezequiel 22:7: Al padre y a la madre despreciaron en ti; al EXTRANJERO trataron con violencia en medio de ti; al huérfano y a la viuda despojaron en ti.     NOTEN EL NEXO DE DAN, CON LA SERPIENTE (VENECIA) Y EL CABALLO (PLAZA SAN MARCOS)   7. Génesis 49:17 Será Dan SERPIENTE junto al camino, Víbora junto a la senda, Que muerde los talones del caballo, Y hace caer hacia atrás al jinete. VENECIA=PLAZA SAN MARCOS 11. Proverbios 25:11 MANZANA de oro con figuras de plata Es la palabra dicha como conviene.   12. Cantares 2:5 Sustentadme con pasas, confortadme con MANZANAs; Porque estoy enferma de amor.   13. Cantares 7:8 Yo dije: Subiré a la palmera, Asiré sus ramas. Deja que tus pechos sean como racimos de vid, Y el olor de tu boca como de MANZANAs,   ALLI ESTA LA CONEXION VENUS / VENECIA CON EL 666   VENUS= PENTAGONO= VENECIA= NUMERO DE ORO= 1.618033     LAS MATEMATICAS SON EXACTAS. GLORIA A DIOS TODOPODEROSO. QUE BELLAS SON LAS MATEMATICAS

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## 30 noviembre 2016

### LAS DOS VIDAS DE SAN MARCOS (2). SUS RELIQUIAS

Filed under: ICONOGRAFÍA — Etiquetas:  — vicentecamarasa @ 10:12

### O su ayuda a un naúfrago sarraceno

https://palios.wordpress.com/2016/11/30/las-dos-vidas-de-san-marcos-2-sus-reliquias/

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 ¿PORQUE HERODES LE CORTO LA CABEZA A JUAN EL BAUTISTA? 83 BARILOCHENSE6999 26/05/2018 16:12 MARCO AVELLANEDA (MARCO/TRANSFIGURACION)-MISTERIO CON LA CABEZA-ARGENTINA 1 BARILOCHENSE6999 26/05/2018 16:04 PIRAMIDE EN MARTE-RELACION CON EL SANTO GRIAL-SECRETO MASONICO 36 BARILOCHENSE6999 26/05/2018 16:00 PIRAMIDE DE LOUVRE=666=ORTO HELIACO DE SIRIO=LEON DE LA TRIBU DE JUDA=LEO=GIZE 92 BARILOCHENSE6999 26/05/2018 15:58 LEON/ LEONARDO DA VINCI / LEON DE LA TRIBU DE JUDA 5 BARILOCHENSE6999 26/05/2018 15:56 NUMEROS 24:9 ISRAEL=LEON Y LEONA 13 BARILOCHENSE6999 26/05/2018 15:56 NUMEROS 24:9=JOB 4:11=ISAIAS 30:6=EZEQUIEL 19:2=NAHUM 2:11,12=LEONA 32 BARILOCHENSE6999 26/05/2018 15:55 GENESIS 49:8,12 LEONARDO DA VINCI DECODIFICADO 452 BARILOCHENSE6999 26/05/2018 15:55 GENESIS 49:8,12 LEONARDO DA VINCI-DECODIFICADO 943 BARILOCHENSE6999 26/05/2018 15:54 NARCISISMO="OJOS DE GATO"/LEO (LEON)-VIRGO-CLAVE CODIGO DA VINCI 12 BARILOCHENSE6999 26/05/2018 15:50 METRO GOLDWYN MAYER-SAN MARCOS-BEVERLY HILLS-PARALELO 33 132 BARILOCHENSE6999 26/05/2018 15:47 Egipto; cuando Pablo VI devolvió a los coptos las reliquias de San Marcos 12 BARILOCHENSE6999 26/05/2018 15:45 ALEJANDRO MAGNO=TEMPLO DE ARTEMISA (EFESO=EFECTIVO=CA\$H)=PLEYADES=FILADELFIA 57 BARILOCHENSE6999 26/05/2018 15:43 ¿PORQUE EN LA IMAGEN DE JUAN MARCOS HAY UNA CABEZA OCULTA? (SECRETO MASONICO) 19 BARILOCHENSE6999 26/05/2018 15:40 ¿PORQUE EL NARCISISMO ES EL MAYOR ENEMIGO DE CRISTO, MAGDALENA Y JUAN MARCOS? 11 BARILOCHENSE6999 26/05/2018 15:34 MARTE-LA CARA OCULTA-NEXO CON EL CAMINO DE SANTIAGO/TRANSFIGURACION/GRIAL 28 BARILOCHENSE6999 26/05/2018 15:33 CONSTELACION DE ANDROMEDA=MARIA LA MAGDALENA 9 BARILOCHENSE6999 26/05/2018 15:20

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11 DE SEPTIEMBRE O SEPTIEMBRE 11

11/9 O 9/11

Image roll-over

11 Septembre 2001...?

Sapientia Aedificavit Sibi Domum. Es decir, "la sabiduría ha edificado aquí su casa". Resulta curioso que la misma frase aparece en el Evangelio de María Magdalena, un texto apócrifo. Se dice que en el interior de esta iglesia y de otras muchas de Venecia está escondido el tesoro de los templarios. Pero no hay ninguna prueba de ello. Para terminar ya con esta entrada me gustaría que nos acercásemos un momento a uno de los edificios más emblemáticos de Venecia: el Palacio Ducal.

Tomb of Tommaso Temanza

ISLA SAN GIORGIO (VENECIA)=GEORGE LEMAITRE

GEMATRIA EN INGLES DE SEED=33
GEMATRIA EN INGLES DE GATE=33
SARA (CE-SAREA DE FILIPO)=PARALELO 33

"¡Oh profundidad de las riquezas de la sabiduría (sophia)
y de la ciencia (gnwsiV, gnosis) de Dios!
¡Cuán incomprensibles son sus juicios, e inescrutables sus caminos!"
(Romanos, 11: 33).

the Apple

 milky way in Simple Gematria Equals: 119 ( m 13 i9 l 12 k 11 y 25 0 w 23 a1 y 25 )
 queen mary in Simple Gematria Equals: 119 ( q 17 u 21 e5 e5 n 14 0 m 13 a1 r 18 y 25
 hebrew calendar in Simple Gematria Equals: 119 ( h8 e5 b2 r 18 e5 w 23 0 c3 a1 l 12 e5 n 14 d4 a1 r 18
 mary magdalene in Simple Gematria Equals: 119 ( m 13 a1 r 18 y 25 0 m 13 a1 g7 d4 a1 l 12 e5 n 14 e5

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SIRIO ES LA CONSTELACION DEL PERRO/ CAN MAYOR

# Nebulosa Cabeza de Caballo

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Nebulosa Cabeza de Caballo

Statue of Liberty

The height of the Statue of Liberty is 111′-1″ from bottom of foot to top of head. The 7 rays on the crown and the 11 points of the base star echo the proportions of the Great Pyramid’s 7:11 height to base proportion. The superb book Talisman by Graham Hancock and Robert Bauval convincingly shows this goddess is actually the Egyptian Isis.

Image courtesy Elcobbola under the Creative Commons Attribution-Share Alike 3.0 Unported license.

http://www.viewzone.com/onstott66.html

hace 3 días - Manipularon la historia a través de las fuentes de los textos en su lenguaje inventado llamado Latín, peeeeero no pudieron cambiar el ... Jose Alfonso Hernando ... la famosa batalla de Troya, y HASTA AHÍ NOS VAMOS PARA VER QUE ... “Las matemáticas nos hacen más libres y menos manipulables”.
hace 3 días - Principal / Valdeande Magico / ¡¡¡ Visitamos TROYES, donde fue la Guerra de Troya !!! ¡¡¡ Visitamos TROYES, donde fue la Guerra de Troya !!!

Troyes is the former capital of Champagne and is a perfect short trip visit from Paris. At just an hour and a half by train it can be a day trip but a couple of days and an overnight stay would be better because there’s so much to see and do in this lovely, vibrant city.

### A town that is shaped like a Champagne cork in Champagne?

Troyes is an ancient city, once a Roman town with a direct road from Milan and onwards to Boulogne-sur-Mer on the Opal Coast in the north of France – the route for the invasion of Britain. Later the rich and powerful Counts of Champagne built a palace in Troyes and it was a prosperous place that attracted merchants from all over Europe. The counts fortified their town and though at that time Champagne didn’t even exist, the walls took the form of a Champagne cork.

Following a huge fire in 1524 that destroyed many of the ancient buildings that were constructed from wood, new brick buildings were erected and many of them remain to this day. Indeed the inhabitants of Troyes lived in these buildings pretty much as they had been for hundreds of years right up until the 1950s. It was a decade when the town council went on a bit of a renovation rampage to improve conditions since many of the old buildings had no bathrooms and poor hygiene conditions.

Fortunately they didn’t destroy too much and visiting Troyes is like stepping back in time. Every street seems to have its quota of half-timbered houses and there are cobbled streets and tiny alleyways that create a mesmerising maze in the centre of the old town of Troyes.  In the little ruelle des Chats (Cats Alley) you’ll see it is so narrow that the houses lean in and touch via a central gutter at the top and cats could cross from houses on both sides of the roads. At the side of the office of the Mutuelle Societe at 111 rue Emile Zola you can enter a gate and at the back you’ll discover a stunning renaissance house looking exactly as it did when it was built. At the Cour du Mortier d’or, the ancient timber frames still bear the workman’s trademarks.

Everywhere you go here you’ll discover traces of history from hundreds of years ago, quaint, quirky and irresistibly charming…

Read the rest of this story in our free magazine – click here to go straight to it!

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