SISARA ES SIMILAR A CESAREA-NEXO CON JAEL CUANDO LE CLAVA EL MARTILLO/MARTE/MARCOS/ROJO-SISARA/C-SAR/LUNA CRECIENTE EN CONTEXTO AL PRINCIPE-¿PORQUE CRISTO VIENE COMO LADRON A MEDIA NOCHE?-EL MARTILLO DE JAEL SIMBOLIZA AL NUEVO MARTILLO/MARTE/ROJO/MARCOS (MARCOS DERIVA DE MARTE) EN CONTEXTO A MARIA MAGDALENA YA QUE OBVIAMENTE HAY UN NUEVO MESIAS DESCENDIENTE DE CRISTO Y DE MARCOS/MARTILLO-ESTO EXPLICA LA CAUSA DEL PORQUE LA REVOLUSION BOLCHEVIQUE FUE EN CONTEXTO A FATIMA E INCLUSO DEL PORQUE LA CAIDA DE LOS MUROS DE BERLIN FUERON UN 9/11.

 

Pero Jael, mujer de Jéber, cogió una clavija de la tienda, tomó el martillo en la mano,

abril 17th, 2012 admin

 Pero Jael, mujer de Jéber, cogió una clavija de la tienda, tomó el martillo en la mano, se le acercó silenciosamente y le hincó la clavija en la sien hasta clavarla en tierra. Y Sísara que, agotado de cansancio, estaba profundamente dormido, murió. Judg.4.21 Fuente: La Biblia

Jueces
4:1 Después de la muerte de Aod, los hijos de Israel volvieron a hacer lo malo ante los ojos de Jehová.
4:2 Y Jehová los vendió en mano de Jabín rey de Canaán, el cual reinó en Hazor; y el capitán de su ejército se llamaba Sísara, el cual habitaba en Haroset-goim.
4:3 Entonces los hijos de Israel clamaron a Jehová, porque aquél tenía novecientos carros herrados, y había oprimido con crueldad a los hijos de Israel por veinte años.
4:4 Gobernaba en aquel tiempo a Israel una mujer, Débora, profetisa, mujer de Lapidot;
4:5 y acostumbraba sentarse bajo la palmera de Débora, entre Ramá y Bet-el, en el monte de Efraín; y los hijos de Israel subían a ella a juicio. (Deborah es descendiente de Jose en contexto a Genesis 49)
4:6 Y ella envió a llamar a Barac hijo de Abinoam, de Cedes de Neftalí, y le dijo: ¿No te ha mandado Jehová Dios de Israel, diciendo: Ve, junta a tu gente en el monte de Tabor, y toma contigo diez mil hombres de la tribu de Neftalí y de la tribu de Zabulón;
4:7 y yo atraeré hacia ti al arroyo de Cisón a Sísara, capitán del ejército de Jabín, con sus carros y su ejército, y lo entregaré en tus manos? (SISARA TIENE UN NEXO CON C-SAR O C-SARA/REINA/PRINCESA. ES OBVIO EL NEXO CON LA LUNA CRECIENTE Y EL MARTILLO) 
4:8 Barac le respondió: Si tú fueres conmigo, yo iré; pero si no fueres conmigo, no iré.
4:9 Ella dijo: Iré contigo; mas no será tuya la gloria de la jornada que emprendes, porque en mano de mujer venderá Jehová a Sísara. Y levantándose Débora, fue con Barac a Cedes.
4:10 Y juntó Barac a Zabulón y a Neftalí en Cedes, y subió con diez mil hombres a su mando; y Débora subió con él.
4:11 Y Heber ceneo, de los hijos de Hobab suegro de Moisés, se había apartado de los ceneos, y había plantado sus tiendas en el valle de Zaanaim, que está junto a Cedes. (Las tiendas es una referencia a la FIESTA DE LOS TABERNACULOS, con un fuerte nexo con la OZ Y EL MARTILLO. LA LUNA CRECIENTE SE LA VE AL OESTE A LA PUESTA DEL SOL, LA MISMA POSICION HACIA ADONDE ESTABA UBICADO EL LUGAR SANTISIMO DEL TABERNACULO. EL VATICANO ESTA DISEÑADO EN FUNCION A LAS PLEYADES/TAURO/LUNA CRECIENTE Y EL ROJO EN CONTEXTO A PETRA/EDOM COMO SE VE EN LA PELICULA DE INDIANA JONES "LA ULTIMA CRUZADA". EN PETRA/EDOM/ROJO ESTA UBICADO EL CAÑON DE LA LUNA CRECIENTE. CRISTO, EN CESAREA, JUSTAMENTE EN MATEO 16:18 EN CONTEXTO A LA PIEDRA OBVIAMENTE HACE REFERENCIA, INSISTO, A PETRA EDOM.)

NEXO DEL TABERNACULO CON EL SEXO FEMENINO/VESCICA

EL SANTO GRIAL ESTA CODIFICADO EN EL DISEÑO DEL VATICANO

Sukot/Tabernaculos/Cabañas

VIRGEN DE FATIMA (ANALISIS CIENTIFICO Y ESPIRITUAL)

¿Porque Washington D.C, Roma, Jerusalem, etc tienen 7 colinas?-

FENICIOS=ROJO/PHOENIX/VINO/PARALELO 33/SANTO GRIAL

 

4:12 Vinieron, pues, a Sísara las nuevas de que Barac hijo de Abinoam había subido al monte de Tabor.
4:13 Y reunió Sísara todos sus carros, novecientos carros herrados, con todo el pueblo que con él estaba, desde Haroset- goim hasta el arroyo de Cisón.
4:14 Entonces Débora dijo a Barac: Levántate, porque este es el día en que Jehová ha entregado a Sísara en tus manos. ¿No ha salido Jehová delante de ti? Y Barac descendió del monte de Tabor, y diez mil hombres en pos de él.
4:15 Y Jehová quebrantó a Sísara, a todos sus carros y a todo su ejército, a filo de espada delante de Barac; y Sísara descendió del carro, y huyó a pie.
4:16 Mas Barac siguió los carros y el ejército hasta Haroset- goim, y todo el ejército de Sísara cayó a filo de espada, hasta no quedar ni uno.
4:17 Y Sísara huyó a pie a la tienda de Jael mujer de Heber ceneo; porque había paz entre Jabín rey de Hazor y la casa de Heber ceneo.
4:18 Y saliendo Jael a recibir a Sísara, le dijo: Ven, señor mío, ven a mí, no tengas temor. Y él vino a ella a la tienda, y ella le cubrió con una manta.
4:19 Y él le dijo: Te ruego me des de beber un poco de agua, pues tengo sed. Y ella abrió un odre de leche y le dio de beber, y le volvió a cubrir.
4:20 Y él le dijo: Estate a la puerta de la tienda; y si alguien viniere, y te preguntare, diciendo: ¿Hay aquí alguno? tú responderás que no.
4:21 Pero Jael mujer de Heber tomó una estaca de la tienda, y poniendo un mazo en su mano, se le acercó calladamente y le metió la estaca por las sienes, y la enclavó en la tierra, pues él estaba cargado de sueño y cansado; y así murió.
4:22 Y siguiendo Barac a Sísara, Jael salió a recibirlo, y le dijo: Ven, y te mostraré al varón que tú buscas. Y él entró donde ella estaba, y he aquí Sísara yacía muerto con la estaca por la sien.
4:23 Así abatió Dios aquel día a Jabín, rey de Canaán, delante de los hijos de Israel.
4:24 Y la mano de los hijos de Israel fue endureciéndose más y más contra Jabín rey de Canaán, hasta que lo destruyeron.

The Babylonians worshipped the god 'Bel'. The Syrians called this god 'Baal' and, like the Egyptian goddesses Hathor Isis and Bat, was associated with bull worshipping. The sacred meaning of Baal has been lost in the mist of history, hence the Babylonian confusion (Tower of Babel). The Greek rendition of the word Babel translates not only into 'Confusion but also into the 'Gate of Bel', the gate of the god Bel. In Hebrew, 'Ba-el' means "Gate of God." All of these gods and goddesses were associated with a bull myth and represented Taurus around the time the Vernal Equinox Sun was in the Silver Gate in 4468 BC.

The Celtic druid Beltaine festival probably has its origins in the celebration of the rebirth of the Babylonian God Bel (as in "Beltain") at the Vernal Equinox in 4468 BC. Beltaine was a cross quarter day celebrated on the first of May when huge bonfires were lit on holy hills to celebrate the start of the summer season. By the time druids celebrated Beltaine, the original celebration date and its Babylonian sacred origins and significance (Great Celestial Conjunction) was lost in the Babylonian confusion. At the first of November, the start of the winter season was celebrated by the druids and this festival was called "Samhain." Neo-pagans, known as "Wiccan," later adopted the Beltaine festival. They celebrated the death and rebirth of their horned God, mentioned by many occultists such as Eliphas Levi, by the name "Baphomet." The horned God echoes the original veneration of the horns of the bull by the Sumerians, Babylonians and Egyptians, but the exact significance of the horns (as in the Isis mythology) and their symbolic reference to the birthplace of the Sun, was lost.

It's therefore striking to notice that the sacredness of the eight-pointed cross was "re-discovered" by the Wiccans since they celebrate eight solar holidays forming an eight pointed cross in a solar year associated with the equinoxes, solstices and cross-quarter days (halfway in between the equinox and the solstice)

Wicca wheel of the year

The origins of the eight-pointed cross and its solar significance, however, must be dated back to the Sumerians and Babylonians, who worshipped the Sun God 'Utu' (Sumerian) or 'Shamash' (Babylonian). The symbol of Utu/Shamash was an eight-pointed cross . This eight-pointed cross was composed of two superimposed four-pointed crossed of what the authors believe to be a symbol of the Great Celestial Conjunction.

Utu/Shamash, the ancient Sun God of Mesopotamia

Taurus rises just before the Sun at the summer solstice of the Great Celestial Conjunction era-2012

Aquila rises just before the Sun at the winter solstice of the Great Celestial Conjunction era-2012

While the Sun resides in 5° Gemini (sidereal zodiac) at the summer solstice of 2012, Taurus is the last constellation visible before the Sun rises and blurs Gemini which is next to rise along with the Sun. This is why the ancients were more interested in the heliacal rising of constellations than the constellations of the actual conjunction with the Sun. It is even interesting to learn that Ezekiel could be referring exactly to the Milky Way ecliptic crossing in 5° Gemini (sidereal zodiac) and/or 5° Sagittarius when he writes:

Ezekiel 1:1 (KJ Version) 1Now it came to pass in the thirtieth year, in the fourth [month], in the fifth [day] of the month, as I [was] among the captives by the river of Chebar, [that] the heavens were opened, and I saw visions of God.

Each zodiac sign spans 30° (thirtieth year) of the 360° of the zodiac. The Leo-Taurus-Aquarius-Scorpio cross in the zodiac divides the 12 signs in four groups of three (4th month) while the ecliptic Milky Way crossing itself occurs in 5° of the appropriate signs (fifth [day] of the month= +/- 30 days). Notice that he mentions the river (Milky Way) in the same sentence!

Ezekiel further writes about a wheel within a wheel:

Ezekiel 1:16 (KJ Version) 16The appearance of the wheels and their work [was] like unto the colour of a beryl: and they four had one likeness: and their appearance and their work [was] as it were a wheel in the middle of a wheel.

Suppose the wheel had four spokes (corresponding with the four faces of the creatures), than the wheel within a wheel could be referring to the superposition of two four-pointed crosses! More importantly, these are two separate four-pointed crosses since he’s referring to two wheels! One of these wheels was linked to the Earth!

Ezekiel 1:15 (KJ Version) 15Now as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces.

This wheel must be the equinox- solstice cross. In the article ‘Crucifying the Earth on the Galactic Cross’ (Smelyakov-Wicherink 2006) this cross is actually called the Earth Cross. The other wheel however was linked to the creatures with the four faces (representing the Galactic Cross):

Ezekiel 1:19 (KJ Version) 19And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up.

Earth Cross + Galactic Cross = eight-pointed cross (a wheel within a wheel)

Christ inside the Vesica Pisces with an eight-pointed cross on the cover of the book. The twelve apostles esoterically refer to the twelve signs of the zodiac. There are eight pedaled ‘flowers’ all over the painting.

Christ surrounded by the four beasts of the Apocalypse, The eight-pointed crosses occur in abundance on the rim of and inside the Vesica Pisces.

In all of these art expressions Christ always raises two fingers. What could be the meaning of these two fingers? Is he referring to the two twins Gemini which is his birth place in the precession cycle?

References

• http://www.keyofsolomon.net
• http://en.wikipedia.org/wiki/Sol_Invictus
• http://en.wikipedia.org/wiki/Solomon
• http://www.esotericarchives.com/solomon/ksol.htm
• http://en.wikipedia.org/wiki/Orion_(constellation)
• http://en.wikipedia.org/wiki/Horned_God
• http://ancientegypt.hypermart.net
• http://en.wikipedia.org/wiki/Baal

In Rome, there are a total of 8 Egyptian and 5 Roman obelisks.  In the context of this article, we will focus on four obelisks that were re-erected by Pope Sixtus V.  Around 1587, all of Rome’s obelisks were toppled down and it was Pope Sixtus V who started re-erecting four of the fallen obelisks in Rome. Pope Sixtus V also redesigned the Piazza in front of the Saint Peter Basilica that was itself under construction at the time. The current oval shaped piazza with the obelisk at the Vatican was designed and built at the orders of Pope Sixtus V. It was part of an overall urban redesign of the city of Rome in which four of the obelisks were given new locations. These four new locations were centered around the obelisk at St. Peter’s Square which became the focal point.  

The first Egyptian obelisk was originally shipped by Emperor Augustus in 10 BC from Heliopolis, Egypt (dedicated to Seti I/ Ramesses II) to the Circus Maximus in Rome. Circus Maximus was a Roman hippodrome used for chariot racing. The obelisk was moved by Sixtus V from Circus Maximus to Piazza del Popolo where it still resides today.

The second Egyptian obelisk was originally shipped from Thebes (temple of Amun, Tuthmosis IV) to Circus Maximus in Rome by Constantine II the son of Constantine the Great. The initial plans to ship the obelisk to Circus Maximus (Latin for the greatest circus) in Rome however were made by Contantine the Great who didn’t have the facilities to actually ship the largest of the Egyptian obelisks (32.18 m tall) to Rome. Eventually, his son succeeded in carrying out his father plans. Both obelisks were placed on the Spina of Circus Maximus. The Spina (backbone) is a 217 meter long wall in the centre of the hippodrome. This obelisk was moved by Pope Sixtus V from Circus Maximus to Piazza di San Giovanni (Laterno) next to the Basilica of San Giovanni.

It’s important to realize that both obelisks of Circus Maximus aligned with the Winter Solstice Sun at sunrise, since the Spina on which they were placed also aligned with the Winter Solstice Sun at sunrise! (see Vatican Alignment calculations)

The third Egyptian obelisk was originally moved to Rome in 37 AD by Emperor Caligula and situated at the Vatican Circus. The origin of this obelisk is unclear. It’s the only obelisk without hieroglyphs. This obelisk was again relocated by Sixtus V to St. Peter’s Square where it is seen today.

The fourth and last obelisk is a Roman obelisk that originally stood in Mausoleum of Augustus and was moved by Sixtus V to the piazza in front of the Basilica of Santa Maria Maggiore at the Piazza del Esquillino.

What is interesting in the context of this article are the before and after locations of these obelisks in the overall urban redesign plan of Pope Sixtus V.

Circus Maximus, for instance, was built in a bend on the bank of the River Tiber, and on a Winter Solstice day the Sun would be seen rising over the Tiber River in line with both obelisks at the Spina when viewed from the Vatican. Pope Sixtus V could have restored Circus Maximus and placed the obelisks at their original locations. It’s interesting to notice that viewed from the St. Peter’s Square these obelisks would be aligned with the Winter Solstice Sun! This is because St. Peter’s Square lies exactly in line with Circus Maximus and the Winter Solstice Sun. Instead, Sixtus had chosen to relocate one of the obelisks of Circus Maximus to the Piazza del Popolo.

The obelisk at the Piazza del Popolo, however, aligns with the obelisk at St. Peter’s Square and the summer solstice Sun at sunrise!  (See Vatican Alignment calculations)

Like the Equinox Sun, the summer solstice Sun is seen rising over the River Tiber from St. Peter’s Square since the obelisk at the Piazza del Popolo is situated only two blocks away from the river.

The other obelisk of Circus Maximus was Rome’s tallest obelisk and was moved to the Piazza di San Giovanni in Laterno (in southeast direction from the Vatican) which resides at an azimuth of 114° 0’ which is 9 degrees off the Winter Solstice sunrise azimuth of 123° for Rome. While both obelisks in Circus Maximus originally aligned to the Winter Solstice, Pope Sixtus V deliberately altered these alignments and made sure that one of the obelisks now aligned with the Summer Solstice Sun.  The other obelisk that previously aligned to the Winter Solstice Sun was now deliberately misaligned.

It’s obvious that the alignment of both the obelisk at St. Peter’s Square and the obelisk at Piazza del Popolo must have been intentional since both obelisks were put there by Sixtus V. While he could have chosen for a Winter Solstice alignment of St. Peter’s Square obelisk by erecting the other obelisk at Cricus Maximus itself, he chose otherwise.

It’s beyond any doubt that Sixtus V was well aware of these alignments since he designed St. Peter’s Square to be a giant sun dial. In 1817, circular stones were set marking the tip of the obelisk’s shadow at noon. Since the Sun moves in between the tropics during a solar year, it enters all of the signs of the zodiac in one solar year, and the marks set out in stone therefore make a gnomon of the obelisk at St. Peter’s Square. But there’s more …

We surmise that Pope Sixtus V was also well aware of the significance of the Great Celestial Conjunction around 2012 and its association with the biblical End Times.

To enhance this argument, it’s interesting to realize that the coat of arms of Pope Sixtus V contained an eight-pointed cross above four stacked mountains (or hills). The coat of arms of Sixtus was sometimes also depicted with three instead of four hills.

As explained before, in ancient Egypt and freemasonry mountains, pillars and clouds all represent the Milky Way. The four mountains in Pope Sixtus coat of arms could therefore represent the four Great Celestial Conjunctions or the four Milky Way Equinox/Solstice alignments that occur in a Great Year!

Santa Maria Piazza del Popolo (coat of arms of Pope Sixtus V), eight-pointed cross over the four mountains.

Pope Sixtus V used the eight-pointed cross in abundance in architectures and; in many cases he even placed the four-pointed Christian cross on top of an eight-pointed cross! The obelisk at Piazza di Giovanni, for instance, was adorned with both a four and eight-pointed cross by Pope Sixtus V. It was also a reference to this coat of arms! 

The four Great Celestial Conjunctions in a Great Year are the four mergers of the two superimposed four-pointed crosses (Earth Cross and Galactic Cross) to form a single four-pointed cross!

Obelisk at Piazza di Giovanni, four-pointed cross on top of the eight-pointed cross! Although a symbol of the Great Celestial Conjunction, this obelisk no longer aligns with the Winter Solstice Sun as viewed from the Vatican.

We therefore suggest that the eight-pointed cross at St. Peter’s Square symbolically represents a Great Celestial Conjunction.

St Peter’s Square

It’s the alignment of the Earth Cross with the Galactic Cross that is being symbolized at St. Peter’s Square. Notice that there is a small four-pointed cross in the center around the obelisk (the Sun) that is aligned with the outer eight-pointed cross.  The eight-pointed cross is the superposition of the Galactic Cross and the Earth Cross. This is why Pope Sixtus V placed a four-pointed cross on top of the eight pointed cross! The crosses are recognized as follows:

• The cardinal direction of this Galactic Equator axis corresponds with the Milky Way that straddles the East horizon from North to South.
• The Earth Cross aligns closely (but not perfectly) with the two solstice axis

The esoteric significance of the Summer Solstice alignment of St. Peter’s Square obelisk with the obelisk at the Piazza del Popolo is that it symbolizes a Summer Solstice Galactic Alignment. Since the sky chart over St. Peter’s Square with the Pleiades residing over the Seven Hills symbolizes the Silver Gate, we postulate that the Vatican alignments represent a Summer Solstice Galactic Alignment at the Silver Gate. This alignment occurs right now in era 2012!

Summer and Winter Solstice alignments as viewed from St. Peter’s Square. The white arrows show the displacements of the obelisks from Circus Maximus by Pope Sixtus V.