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ASTROTEOLOGIA-EVANGELIO EN LAS ESTRELLAS: PRECESION DE LOS EQUINOCCIOS-PUERTA DE DIOS Y PUERTA DEL HOMBRE
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Reply  Message 1 of 164 on the subject 
From: BARILOCHENSE6999  (Original message) Sent: 03/08/2012 03:29


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Reply  Message 150 of 164 on the subject 
From: BARILOCHENSE6999 Sent: 26/10/2015 19:03
From: BARILOCHENSE6999 Sent: 26/10/2015 15:45


The image on the right I recognize the artist, (he appeared briefly on the 2012Forum) but where did you get the other image on the left?


Try to post the sources for your images in case somebody else in the future is following along with the clues.

namaste

_________________
KEY 528=Swastika=ancient Spherical Standing Wave Theory
“A theory is more impressive the greater is the simplicity of its premise, the more different are the kinds of things it relates and the more extended its range of applicability…”
-Albert Einstein


Reply  Message 23 of 23 on the subject 
From: BARILOCHENSE6999 Sent: 26/10/2015 15:49
Raphael wrote:
Optimist777 wrote:


left is from: http://www.2012spiritual.info/the-mystery-of-the-gothic-cathedrals.html
right is from: http://www.secretsinplainsight.com/2011/07/16/never-a-straight-answer/

both solid sites, these pics go with the theme as well.

http://www.scam.com/showthread.php?t=47303

Here's a good site on the geometric designs found in Chaco Canyon, New Mexico which mirror the solstices.
http://www.robertschoch.net/Hexagon%20Solstice%20Kiva.htm

_________________
TRIA SUNT MIRABILIA DEUS ET HOMO MATER ET VIRGO TRINUS ET UNUS

Reply  Message 151 of 164 on the subject 
From: BARILOCHENSE6999 Sent: 02/01/2016 15:57
 
CYGNUS/SWAN/CISNE/CRUZ DEL NORTE/PARALELO 33/PER-SIGNAR
5
BARILOCHENSE6999 26/12/2015 14:32
¿LA SALOME (PRINCESA) EDOMITA ESTUVO EN LA CRUZ CON CRISTO?
13
BARILOCHENSE6999 26/12/2015 14:31
SANTA CRUZ (LETRA T DE TIEMPO) NOS SEÑALIZA EL "EXPERIMENTO FILADELFIA"
4
BARILOCHENSE6999 26/12/2015 14:31
SWASTIKA=15 DE SEPTIEMBRE=THE LOST SYMBOL=DIA DE LA SANTA CRUZ=RELOJ VATICANO
39
BARILOCHENSE6999 26/12/2015 14:30
LIBRA=JUSTICIA=CONSTELACION DEL CISNE=CRUZ DEL NORTE=TROYA=911=JUAN MARCOS
20
BARILOCHENSE6999 26/12/2015 14:29
LA CRUZ TAMBIEN ES UN SIMBOLO ASTROTEOLOGICO
175
BARILOCHENSE6999 26/12/2015 14:29
CYGNUS/SWAN/CISNE/CRUZ DEL NORTE/PARALELO 33/PER-SIGNAR
61
BARILOCHENSE6999 26/12/2015 14:28
CRUZ DE CRISTO=INTERSECCION=VESICA PISCIS=AGUJERO DE GUSANO=SANTO GRIAL
75
BARILOCHENSE6999 26/12/2015 14:21
LA CLAVE PARA RACIONALIZAR EL "AGUJERO DE GUSANO" ES EL CRUCE DEL MAR ROJO
19
BARILOCHENSE6999 26/12/2015 14:20
1 DE CORINTIOS 11:9 (CLAVE NUMERO OCHO=HOMBRE Y LA MUJER)
12
BARILOCHENSE6999 26/12/2015 14:19
48 (4=TIERRA-8=CIELO)/ALQUIMIA/ESCALERA DE JACOB/CRUZ DE CRISTO/SANTO GRIAL
101
BARILOCHENSE6999 26/12/2015 14:19
TODOS LOS CAMINOS CONDUCEN A ROMA Y TODOS LOS CAMINOS CONDUCEN AL GRIAL
121
BARILOCHENSE6999 26/12/2015 14:18
SHEKINAH ES LA DIVINIDAD EN UN CONTEXTO FEMENINO
17
BARILOCHENSE6999 26/12/2015 14:16
SOL-O-MON=SOL Y LUNA=SABIDURIA=SO-PHI-A=PHI=1.618=ESCALERA DE JACOB=VIA LACTEA
697
BARILOCHENSE6999 26/12/2015 14:16
VERDADERA TRINIDAD PADRE/JESUCRISTO, MADRE/MARIA MAGDALENA HIJO/JUAN MARCOS
32
BARILOCHENSE6999 26/12/2015 14:14
OPHIUCO RESUCITA A ORION MATANDO AL ESCORPION EL 21/22 DE DICIEMBRE=GOLDEN GATE
91
BARILOCHENSE6999 26/12/2015 14:13
ERA DE ACUARIO=2160-SOLSTICIOS=19/6 Y 19/12 (ORION Y CENTRO DE LA VIA LACTEA)
49
BARILOCHENSE6999 26/12/2015 14:06
VATICANO=GOLDEN GATE=ERA DE ACUARIO=PIE DE OPHIUCO=MISTERIO DE LA MISA CATOLICA
92
BARILOCHENSE6999 26/12/2015 14:04
REVISTA TIME=PAPA FRANCISCO=LETRA M="MAQUINA DEL TIEMPO"=GOLDEN AND SILVER GATE
116
BARILOCHENSE6999 26/12/2015 14:02
MOTHER - SILVER GATE AND FATHER - GOLDEN GATE
21
BARILOCHENSE6999 26/12/2015 14:01
JANO=911=SALMO 119=GOLDEN AND SILVER GATE="EXPERIMENTO FILADELFIA"
94
BARILOCHENSE6999 26/12/2015 14:01
PROVERBIOS 25:11=MANZANA DE ORO Y DE PLATA=GOLDEN AND SILVER GATE=VATICANO
68
BARILOCHENSE6999 26/12/2015 14:00
BOCA (AZUL Y ORO=GOLDEN GATE)-RIVER PLATE (SILVER GATE) - FUTBOL=MASONERIA
19
BARILOCHENSE6999 26/12/2015 14:00
ULTRA SECRETO MASONICO DETRAS DEL RELOJ
317
BARILOCHENSE6999 26/12/2015 13:51
CAPITALISMO=MONTE CAPITOLINO=VATICANO=DOMO DEL CAPITOLIO (WASHINGTON)=MAGDALENA
43
BARILOCHENSE6999 26/12/2015 13:47
SWASTIKA NAZI=VERDADERO CALENDARIO LUNI-SOLAR HEBREO (CUATRO FASES)
41
BARILOCHENSE6999 26/12/2015 13:39
Operacion Paperclip, la conexión Nazi.
11
BARILOCHENSE6999 26/12/2015 13:36
VATICANO NOS PUEDE DAR LA CLAVE PARA ENTENDER LA "MAQUINA DEL TIEMPO"
36
BARILOCHENSE6999 26/12/2015 13:28
ERICH VON DANIKEN "RECUERDOS DEL FUTURO" ANTICIPO "EL CODIGO DA VINCI"
9
BARILOCHENSE6999 26/12/2015 13:26
El Vaticano reconoció la vida extraterrestre
4
BARILOCHENSE6999 26/12/2015 13:22
PIRAMIDE DEL VATICANO="EXPERIMENTO FILADELFIA"="MAQUINA DEL TIEMPO"=SANTA CENA
498
BARILOCHENSE6999 26/12/2015 13:19
JESUCRISTO FUE EL ALQUIMISTA Y EL CIENTIFICO MAS GRANDE DE LA HISTORIA
741
BARILOCHENSE6999 26/12/2015 13:16
"EXPERIMENTO FILADELFIA" (MAQUINA DEL TIEMPO=AGUJERO DE GUSANO)=CODIGO DA VINCI
153
BARILOCHENSE6999 26/12/2015 13:15
¿Qué es la Merkaba?
33
BARILOCHENSE6999 26/12/2015 13:09
LA "MAQUINA DEL TIEMPO" DEL VATICANO ESTA CONECTADA CON VENECIA / JUAN MARCOS
106
BARILOCHENSE6999 26/12/2015 13:09
CODIGO DA VINCI=BIBLIA=FRANCO MASONERIA=IGLESIA CATOLICA=ALTO NIVEL CIENTIFICO
184
BARILOCHENSE6999 26/12/2015 13:08
YHWH TAMBIEN ES DIOS DE LOS EXTRATERRESTRES-CONEXION ROSWELL-MONTE HERMON
258
BARILOCHENSE6999 26/12/2015 13:07
APOCALIPSIS 3:7 (MONSTRUOSA LLAVE MASONICO-DIVINA)=INDEPENDENCIA DE EEUU
132
BARILOCHENSE6999 26/12/2015 13:00
BANDERA DE ISRAEL=911=666="RELOJ MASONICO"=SATURNO="MAQUINA DEL TIEMPO"
51
BARILOCHENSE6999 26/12/2015 12:56
GIORGIA-ROMA-ATLANTA (EEUU)="AGUJERO DE GUSANO"=VENECIA-SAN GIORGIO-MARCOS
68
BARILOCHENSE6999 26/12/2015 12:53
SAN JORGE=SAN GIORGIO=INGLATERRA=VATICANO=VENECIA=225 CALENDARIO COPTO (VENUS)
40
BARILOCHENSE6999 26/12/2015 12:45
"SAGRADO CORAZON DE JESUS Y DE MARIA" (MAS JOVEN QUE JESUS=¿MARIA MAGDALENA?)
15
BARILOCHENSE6999 26/12/2015 12:19
NOVIEMBRE 13=PARIS=LUNA CRECIENTE=GRUPO ISIS (TODOS CODIGOS GRIALICOS)

Reply  Message 152 of 164 on the subject 
From: BARILOCHENSE6999 Sent: 18/08/2016 15:29
 
 
SABIDURIA=SABADO=LETRA S=$
 
 
 
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BARILOCHENSE6999 17/08/2016 12:32
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BARILOCHENSE6999 17/08/2016 12:31
645
BARILOCHENSE6999 17/08/2016 12:30
49
BARILOCHENSE6999 17/08/2016 12:30
107
BARILOCHENSE6999 17/08/2016 12:27
39
BARILOCHENSE6999 17/08/2016 12:26
151
BARILOCHENSE6999 09/08/2016 14:58
41
BARILOCHENSE6999 09/08/2016 12:47
43
BARILOCHENSE6999 09/08/2016 11:19
48
BARILOCHENSE6999 08/08/2016 22:54
10
BARILOCHENSE6999 02/08/2016 12:20
82
BARILOCHENSE6999 02/08/2016 10:57
1
BARILOCHENSE6999 25/07/2016 21:26
62
BARILOCHENSE6999 25/07/2016 20:32
2
BARILOCHENSE6999 22/07/2016 22:12
15
BARILOCHENSE6999 21/07/2016 22:14
41
BARILOCHENSE6999 19/07/2016 11:34
19
BARILOCHENSE6999 18/07/2016 13:37
19
BARILOCHENSE6999 23/06/2016 20:57
52
BARILOCHENSE6999 23/06/2016 20:56
1
BARILOCHENSE6999 21/05/2016 13:24
8
BARILOCHENSE6999 20/05/2016 11:53
9
BARILOCHENSE6999 20/05/2016 11:07
21
BARILOCHENSE6999 20/05/2016 10:58
4
BARILOCHENSE6999 05/05/2016 18:08
1
BARILOCHENSE6999 04/09/2015 03:48

Reply  Message 153 of 164 on the subject 
From: BARILOCHENSE6999 Sent: 03/09/2016 02:55
Resultado de imagen para pyramid 254 feet

Reply  Message 154 of 164 on the subject 
From: BARILOCHENSE6999 Sent: 30/06/2017 13:00

Ground-plan of the Tabernacle of Israel

Hebrew Tabernacle layout

In Exodus 25:8 God commands Moses to make a sanctuary for Him.

“Then have them make a sanctuary for me, and I will dwell among them. Make this tabernacle and all its furnishings exactly like the pattern I will show you.

It is noteworthy that when we examine the mathematical and geometric pattern God refers to here, it emerges from the sacred measures that Moses got from God by revelation, corresponding to the geometric canon called the Phi ratio or divine proportion. The God-given architectural plan for both the Tabernacle and Temple was designed to embody the framework of the celestial structure of Creation in miniature, on the earthly plane. This view is supported in the following quote from Nigel Pinnock, who details some key elements in the pattern given by God to Moses and David:

 The Tabernacle stood inside a court whose geometry was a double square [1 x 2 rectangle], 100 cubits long by 50 cubits wide. Inside the double square enclosure was a triple square 30 cubits long and 10 cubits wide. Its walls were constructed of wooden planks 1.5 cubits wide and 10 cubits high, held in line by strong horizontal bars of wood. The whole structure was covered with skins sewn together in strips 30 cubits long by 4 cubits wide. The Tabernacle was placed in the court towards the west, but with its entrance oriented east-wards, so that according to Josephus: “when the Sun arose it might send its first rays upon it.” The interior of the Tabernacle was divided into two compartments, a scheme which was copied later in the Temple…..The outer compartment called the Holy Place, was a double square 20 by 10 cubits, whilst the inner compartment, the Holy of Holies, comprised a single square. As the height of the Tabernacle’s ceiling was also 10 cubits, the Holy of Holies enclosure was thus a perfect cube (containing the Ark of the Covenant)….The Altar of Sacrifice was the outer equivalent of the Ark of the Covenant. It stood at the center of the outer of the two squares of the enclosure This altar represented one of the two poles at the center of two squares-each upon its own center of polarity… The dimensions of the Temple, like the Tabernacle before it, were precisely detailed: [I Chron. 28, II Chron. 3]. A triple square double the size of the Tabernacle, and the walls of the Temple were hewn stone lined inside with wood overlaid with gold. The interior comprised a double square rectangular holy place, and a single square Holy of Holies. The interior was 20 cubits high, making the Holy of Holies again, a cubic enclosure. At the very center of the Holy of Holies stood the Ark of the Covenant which formerly had occupied the central point of the  of the Tabernacle… The actual entrance to the Temple was 5 cubits in width, and opened from a porch which comprised two squares of 10 x 10 cubits. It was this porch which supported the two pillars….Jachin and Boaz. 1

An example of the geometry for the 1 x 2 golden rectangle referred to above is seen below.

Plate 1. The Golden Ratio Rectangle

Here is a simple way to draw and understand a rectangle using the Golden Ratio:

Draw a square (of size “1”)
Place a dot half way along one side
Draw a line from that point to an opposite corner (it will be √5/2 in length)
Turn that line so that it runs along the square’s side

Then you can extend the square to be a rectangle with the Golden Ratio. This rectangle above shows us a simple formula for the Golden Ratio.

When one side is 1, the other side is:

The square root of 5 is approximately 2.236068, so the Golden Ratio is approximately (1+2.236068)/2 = 3.236068/2 = 1.618034. This is an easy way to calculate phi and related geometry we find in blueprints of the Temple and Tabernacle.

This is a key topic in our study of Biblical Astronomy principles evident in other studies on our [www.try-god.com] website, like The Calendar of the Biblical Patriarchs. This study points out among many other things that the cycles of the Sun and Moon are correlated via the phi ratio [1.618] in the 50-year Jubilee cycle, because there are 618 full moons every 50 solar years. This not only exhibits another phi relation in our solar system, but also links this divine knowledge to the Hebrew calendar as commanded in Levitcus 25. So, God has designed the phi ratio in our solar system, even as He has all the other phi/Fibonacci/ Lucas relations, throughout the Natural World, exhibiting the Creator’s symmetrical Intelligent Design across multi-levels of His Creation. The preponderance of the phi ratio through the Four Kingdoms of Life, is an awesome testimony to the Creator’s Temporal Order. This phi ratio, is arrived at by a scale invariant comparison. The relationship that becomes evident in this comparison is divine, because it is found throughout all levels of the Natural World, including the micro to the macro. In this comparison of the divine proportion, the whole is to the larger as the larger is to the smaller. This relationship is seen in Plate 1 above as the linear Phi ratio divided into the square root of 5/2 and 1/2. As we observe the appearance of the Phi ratio in the Temple and Tabernacle, we also find the examples of the two altars within the courts of the Temple/ Tabernacle pattern as a whole.

These ground plans of the Tabernacle and Temple of Israel depict the heavenly image of eastern access to God’s presence, via the High Priest’s annual ministry behind the veil, in the holiest of all. The pattern of access from the east mentioned above, holds true not only for Solomon’s Temple of the Old Testament, but also remained for the later Temple referred to in Ezekiel 43:1-5. The two celestial poles of the ecliptic / Equator are mirrored terrestrially in the physical counterparts of their altars, in both the holy of holies and the holy place. As Pinnock states, regarding the brazen altar of burnt offering:” This altar represented one of the two poles at the center of two squares -each upon its own center of polarity….”2

Image result for phi ratio temple/tabernacle of israel

This terrestrial arrangement mirrors the Venn Diagram at the North Astronomical pole, [Figure A.]. These two altars illustrate the bipolar structure of the heavens, seen not only in the galactic poles of the two great celestial circles of the ecliptic and the Equator in northern skies, but also in their reflection in the Earth’s magnetic and geographic bipolar system. The interplay between these galactic poles exhibits a precession of the poles, where the pole star receded from Thuban of Draco, to Polaris of Ursa Minor, over the last five thousand years, [as seen above in the banner for this study]. This embodies the shift of spiritual power from the dragon at the North pole to Cepheus the enthroned human king, [Christ at God’s right Hand] with the North Star Polaris under his feet [Eph. 1:19-22] in this precession of spiritual power. Within the common space shared between the poles of these two circles moving in opposite directions, lies the astronomical vesica or Venn Diagram of the North Pole. [Fig. A]

This quote above from Pennick gives us an indication of how the original principles of “sacred geometry” are preserved in the dimensions and measures of the Tabernacle and Temple and the corresponding elements of their walls, furniture, columns, curtains, altars, orientation, and architecture. This divine celestial plan modeled in the Hebrew Temple and Tabernacle, is the foundation of the “sacred geometry” adopted by Freemasons and others before them, who have tainted these truths in the defiled context of mysticism, divorced from their authentic roots in Judaism and the Astronomy of the Biblical Patriarchs. This study endeavors to return the roots of Astronomy to its genuine origins, dispensing with the corrupt astrological influence and heathen mythology of various ancient cultures and secret societies. Figure A illustrates the double square rectangle, based on the phi ratio, that provides key aspects of both the “pattern of the Tabernacle” and  Temple of Israel. [Heb. 8:5, Exod. 25:9, 40]

Figure A. The Northern Astronomical Vesica

celestial design of the heavens

This view powerfully depicts how the Temple and Tabernacle symbolized God’s celestial design of the heavens, seen in their two altars, mirroring the two poles of the ecliptic and the Celestial Equator. This also agrees with many of the principles seen in the pattern of God’s Intelligent Design inherent in His Creation. Since this God given “pattern of the Tabernacle” is constructed upon the phi ratio also known as the “divine proportion” or the golden section we find definitive Biblical evidence that this universally recognized standard of measure is truly divine in origin, since the dimensions of these sacred architectural structures were given by revelation from God to Moses and King David. By prioritizing a godly view of this evidence, it allows us to catch new glimpses of glories long hidden from the astrologers and empiricists, whose practices for too long have clouded the inherent grandeur of the Creator’s sacred architecture.

Figure B. The Plans of the Hebrew Temple and Tabernacle


Figure A
 above shows another view of the precession of the poles from the perspective of the interlocking wheels of the ecliptic and Equator, with the fish shaped lozenge of the vesica between them. This “vessel of the fish” is formed from the lozenge of these two inter-locking circles, the center of each located on the perimeter of the other. Archimedes called the formula associated with this, the “Measure of the fish,” and it is also linked to John’s Gospel record in [Jn. 21:11], where the disciples caught 153 fish following Jesus’ directions. Its import to math and geometry was found in the ratio of its height to its length [153:265], and that it represented the nearest whole number approximation of the square root of three, along with controlling ratios of equilateral triangles.3   



Reply  Message 22 of 23 on the subject 
From: BARILOCHENSE6999 Sent: 29/06/2017 20:15
Resultado de imagen para VESICA PISCIS PYRAMID
Image result for phi ratio temple/tabernacle of israel

Reply  Message 155 of 164 on the subject 
From: BARILOCHENSE6999 Sent: 02/01/2018 15:02
Resultado de imagen para PENTAGONO PHI
Resultado de imagen para PENTAGONO PHI
Resultado de imagen para PENTAGONO PHI
Resultado de imagen para PYRAMID PHI
Resultado de imagen para BELLAS QUE SON LAS MATEMATICAS


Reply Delete message  Message 7 of 7 on the subject 
From: BARILOCHENSE6999 Sent: 02/01/2018 11:05
32. Génesis 30:6 Dijo entonces Raquel: Me juzgó Dios, y también oyó mi voz, y me dio un hijo. Por tanto llamó su nombre DAN.

  • Mateo 6:33: Mas buscad primeramente el reino de Dios y su JUSTICIA, y todas estas cosas os serán añadidas.


Reply  Message 10 of 10 on the subject 
From: BARILOCHENSE6999 Sent: 02/01/2018 09:52

MARTES, 30 DE ABRIL DE 2013

Olcoz-Eunate y la Astrología II: Apocalipsis y Escatología

 
Que sea la constelación de Virgo el referente astrológico constructivo de San Miguel de Olcoz y Santa María de Eunate tiene igualmente unos componentes simbólicos derivados del Apocalipsis de Juan. Ello se debe a que María fue asimilada a la  "mujer vestida del sol, con la luna bajo sus pies, y sobre la cabeza una corona de doce estrellas" (Ap 12,1) que está a punto de dar a luz a un niño. La Gran Serpiente (dragón) quiere aniquilar a ambos pero el arcángel san Miguel y su ejército celestial le derrota. Esta escena visionaria fue representada de múltiples formas a lo largo del Medievo y posteriormente. 

Visualización astrológica de los paneles de Torre Olcoz (Jesús Zulet)
"Hubo un gran combate en los cielos. Miguel y sus ángeles lucharon contra el Dragón. También el Dragón y sus ángeles combatieron, pero no prevalecieron y no hubo ya lugar en el Cielo para ellos. Y fue arrojado el Dragón, la Serpiente antigua, el llamado Diablo y Satanás, el seductor del mundo entero; fue arrojado a la tierra y sus ángeles con él." (Ap. 12,7-9)  

Escena apocalíptica, frescos de la iglesia de San Pietro al Monte (Civitate-Italia). Siglo XII.
 
En  esta ascripción alegórica de la "mujer vestida de sol" con la Virgen María podemos encontrar, en la red de las "imágenes arquetípicas", a la Virgen que cantara Virgilio en su IV Égloga y que iba a dar  a luz a un Mesías que traería consigo una nueva Edad de Oro. La Virgen virgiliana era Astrea, la diosa de la Equidad-Justicia-Orden que ascendió a los cielos desilusionada de la humanidad durante la Edad del Bronce, y que durante la Edad de Oro enseñaba en las ciudades y en la Edad de Plata a los aldeanos de las montañas. Mas la Astrea virgiliana fue equiparada con la Virgen María y su Puer Avatar con Jesús.  Asimismo, en el Apocalipsis, la derrota de la Serpiente Antigua es el preludio de los acontecimientos que concluirán con el descenso de la Jerusalén Celeste (y de la Edad de Oro del Paraíso Celestial, por tanto).
Pasajes escatológicos con el arcángel Miguel, en la iglesia navarra de San Miguel en Estella (Camino de Santiago como Eunate y Olcoz, y no muy lejos de ellas).
 Estas concatenaciones simbólicas se difundieron durante la Edad Media así que no es extraño que fuesen conocidas por los promotores-patrones de las iglesias de Olcoz y Eunate, y es fácil así comprender el trasfondo apocalíptico de la advocación de ambos templos a  Miguel Arcángel y a María, como los ha sabido igualmente mostrar Jesús Zulet (véase panel siguiente suyo)



Asimismo existe un trasfondo escatológico puesto que San Miguel es el psicopompo en el Más Allá y quien pesa las obras buenas y malas en la balanza (tema ya presente en Egipto), y María es la Gran Mediadora en el Más Allá (además su antecesora astrológica, Astrea, era la diosa de la Justicia).

Y abundando en lo escatológico, se sabe documentalmente que Santa María de Eunate era ya en 1219 sede de una cofradía de ánimas de los pueblos de Valdizarbe y entorno inmediato, como lo descubriera José María Jimeno Jurío. Además, como he dejado claro en otro lugar, buena parte de la iconología de Eunate puede adscribirse a los escenarios del inframundo escatológico, a la par que su vinculación arquitectónica a la Ascensión de Jerusalén y el capitel de la Ascensión de Cristo son igualmente escatológicos y de gran importancia para la esperanza en al resureccción y bienaventuranza en la Jerusalén Celeste.

Si Virgo representa astrológicamente a la Virgen María en la cristianización del Zodíaco, San Miguel puede verse representado a su vez por Perseo, el vencedor de la Gorgona Medusa (a la cual se la representaba con la boca abierta y generalmente con la lengua fuera), que Jesús Zulet identifica con el personaje con capa que pisa la cabeza grotesca.

 Pero es que -añado yo por mi parte-, San Miguel igualmente puede quedar alegorizado mediante las balanzas, emblema del signo zodiacal Libra (Astrea -no lo olvidemos- quedó desglosada realmente como Virgo y Libra en el zodíaco).


Detalle del panel realizado por Jesús Zulet de los cilos de Perseo y Virgo en Olcoz y Eunate


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Olcoz-Eunate y la Astrología II: Apocalipsis y Escatología

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30 abr. 2013 - Que sea la constelación de Virgo el referente astrológico constructivo de San Miguel de Olcoz y Santa María de Eunate tiene igualmente unos componentes simbólicos derivados del Apocalipsis de Juan. Ello se debe a que María fue asimilada a la "mujer vestida del sol, con la luna bajo sus pies, y sobre ...

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Astronomical alignment[edit]

Looking east through nave on 23 June 1976, two days after the summer solstice Mary Magdalene's relics in the crypt

In 1976, Hugues Delautre, one of the Franciscan fathers charged with stewardship of the Vézelay sanctuary, discovered that beyond the customary east-west orientation of the structure, the architecture of La Madeleine incorporates the relative positions of the Earth and the Sun into its design. Every June, just before the feast day of Saint John the Baptist, the astronomical dimensions of the church are revealed as the sun reaches its highest point of the year, at local noon on the summer solstice, when the sunlight coming through the southern clerestory windows casts a series of illuminated spots precisely along the longitudinal center of the nave floor.[13][14][15][16][17]

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