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FRANCOMASONERIA-TEMPLARIOS-CONSPIRACION-: PIERRE "PETER" CHARLES L ENFANT WASHINGTON D. C BORN IN THE GOBELINS PARIS FRANC
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From: BARILOCHENSE6999  (Original message) Sent: 15/02/2025 03:11

Pierre Charles L'Enfant

 
 
 
Pierre "Peter" Charles L'Enfant
An undated woodcut depiction of L'Enfant
Born August 2, 1754
Paris, France
Died June 14, 1825 (aged 70)
Resting place Arlington National Cemetery in Arlington County, Virginia
38°52′52″N 77°04′20″W
Monuments L'Enfant Plaza and Freedom Plaza in Washington, D.C.
Nationality French and American
Other names
  • Peter Charles L'Enfant
Education Royal Academy of Painting and Sculpture
Occupation(s) Military engineer, architect
Known for L'Enfant Plan
Parents
 
Military career
Allegiance  United States
Service / branch  Continental Army
Years of service 1777–1783
Rank Brevet major
Unit Corps of Engineers
Battles / wars

Pierre "PeterCharles L'Enfant (French: [pjɛʁ ʃɑʁl lɑ̃fɑ̃]; August 2, 1754 – June 14, 1825) was a French-American artist, professor, and military engineer. In 1791, L'Enfant designed the baroque-styled plan for the development of Washington, D.C., after it was designated to become the capital of the United States following its relocation from Philadelphia. His work, known as the L'Enfant Plan,[1] inspired plans for other major world capitals, including BrasíliaNew Delhi, and Canberra. In the U.S., plans for the development of three major cities, DetroitIndianapolis, and Sacramento, were inspired from from L'Enfant's plan for Washington, D.C.[A] [3]

Early life and education

[edit]

L'Enfant was born on August 2, 1754, in the Gobelins section of Paris, France, in the 13th arrondissement on the city's left bank.[4] He was the third child and second son of Pierre L'Enfant (1704–1787), a painter and professor at Royal Academy of Painting and Sculpture known for his panoramas of battles,[5] and Marie Charlotte Leullier, the daughter of a French military officer. In 1758, his brother Pierre Joseph died at six, and Pierre Charles became the eldest son.[6] He studied with an intense curriculum at the Royal Academy from 1771 until 1776 with his father being one of his instructors. Academy classes were held at the Louvre, benefiting from the close proximity to some of Paris' greatest landmarks, such as the Tuileries Garden and Champs-Élysées, both designed by André Le Nôtre, and Place de la Concorde. L'Enfant would have also learned about city and urban planning during his time at the academy, likely examining baroque plans for Rome by Domenico Fontana and London by Sir Christopher Wren.

He was described by William Wilson Corcoran as "a tall, erect man, fully six feet in height, finely proportioned, nose prominent, of military bearing, courtly air and polite manners, his figure usually enveloped in a long overcoat and surmounted by a bell-crowned hat -- a man who would attract attention in any assembly."[7] Sarah De Hart, daughter of New Jersey statesman John De Hart, drew a silhouette of L'Enfant in 1785, which now hangs in the Diplomatic Reception Rooms at the United States Department of State.

Career

[edit]

Military service

[edit]
Boulevard Saint Marcel in Paris, where L'Enfant grew up

After his education L'Enfant was recruited by Pierre Augustin Caron de Beaumarchais to serve in the American Revolutionary War in the United States. He arrived in 1777 at the age of 23, and served as a military engineer in the Continental Army with Major General Lafayette.[8] He was commissioned as a captain in the Corps of Engineers on April 3, 1779, to rank from February 18, 1778.[9]

Despite his aristocratic origins, L'Enfant closely identified with the United States, changing his first name from Pierre to Peter when he first came to the rebelling colonies in 1777.[10][11][12] L'Enfant served on General George Washington's staff at Valley Forge. While there, the Marquis de Lafayette commissioned L'Enfant to paint a portrait of Washington.[13]

During the war, L'Enfant made a number of pencil portraits of George Washington and other Continental Army officers.[14] He also made at least two paintings of Continental Army encampments in 1782.[15] They depict panoramas of West Point and Washington's tent at Verplanck's Point. The latter details what is believed to be "the only known wartime depiction of Washington’s tent by an eyewitness."[16] The seven-and-a-half-foot-long painting was purchased by the Museum of American Revolution in Philadelphia.

In the fall of 1779, L’Enfant contributed to the Regulations for the Order and Discipline of the Troops of the United States, authored by General Friedrich Wilhelm von Steuben. He was tasked to draft the eight "plates" or illustrations detailing camp and troop formations, as he was the only artistically trained individual involved. The "Blue Book" was completed by April 1779, receiving approval from General Washington and Congress. For his efforts, Congress awarded L’Enfant $500 and officially promoted him to captain of engineers, retroactive to February 1778.

L'Enfant was wounded at the Siege of Savannah on October 9, 1779. He recovered and became a prisoner of war at the surrender of Charleston, South Carolina, on May 12, 1780. He was exchanged in November 1780 and served on General Washington's staff for the remainder of the American Revolution. While the historical consensus generally attributes the creation of the Badge of Military Merit, later known as the Purple Heart, to George Washington in 1782, there is an implied claim by Pamela Scott, Washington D.C. historian and former editor of The L'Enfant Papers at the Library of Congress, that L'Enfant may have conceived the medal's design. L'Enfant was promoted by brevet to Major in the Corps of Engineers on May 2, 1783, in recognition of his service to the cause of American liberty. He was discharged when the Continental Army was disbanded in December 1783.[17] In acknowledgment of his Revolutionary War contributions, L'Enfant received 300 acres of land in present-day Ohio from the United States. However, he never set foot on or resided in the granted land. A map outlining the territory was sketched on the reverse side of a segment of L'Enfant's land deed, signed by President Thomas Jefferson on January 13, 1803.[18]

 Post–Revolutionary War

[edit]
Alexander Hamilton, who supported L'Enfant and helped him secure work in Paterson, New Jersey after he was dismissed from the federal city project

Following the American Revolutionary War, L'Enfant settled in New York City and achieved fame as an architect by redesigning the City Hall in New York for the First Congress of the United States (See: Federal Hall).[19]

L'Enfant also designed furniture and houses for the wealthy, as well as coins and medals. Among the medals was the eagle-shaped badge of the Society of the Cincinnati, an organization of former officers of the Continental Army of which he was a founder. At the request of George Washington, the first President of the Society, L'Enfant had the insignias made in France during a 1783–84 visit to his father and helped to organize a chapter of the Society there.[20]

In 1787, L'Enfant received an inheritance upon his father's death that included a farm in Normandy[citation needed]. His military pension and success as a designer provided financial stability enabling him to pursue his career and contribute to various projects for a period of time. While L'Enfant was in New York City, he was initiated into Freemasonry. His initiation took place on April 17, 1789, at Holland Lodge No. 8, F & A M, which the Grand Lodge of New York F & A M had chartered in 1787. L'Enfant took only the first of three degrees offered by the Lodge and did not progress further in Freemasonry.[21]

L'Enfant designed the "Glory" ornamentation above the altar in St. Paul's Church. The chapel, built in 1766, is the oldest continuously used building in New York City. George Washington worshipped there on his inauguration day. The intricate design vividly depicts Mt. Sinai amidst clouds and lightning, capturing the dramatic moment of divine revelation. At the center of the piece is the Hebrew word for "God" enclosed within a triangle, symbolizing the Holy Trinity. Below, the two tablets of the Law are inscribed with the Ten Commandments, highlighting the enduring significance of these foundational moral laws.

L'Enfant was also a close friend of Alexander Hamilton. Some of their correspondences from 1793 to 1801 now reside in the Library of Congress.[22] Hamilton is credited with helping L'Enfant with the federal city commission.



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Reply  Message 11 of 40 on the subject 
From: BARILOCHENSE6999 Sent: 09/03/2025 06:48

Why is the Washington Monument Not On-Center?

wamo-cross-axis-highsmith-w-redMy wife and I were fortunate to pass through Washington D.C. during last summer. That being my first visit, as an architect naturally I could not help but admire the Beaux Arts vistas, symbolism, and majesty of the Washington Mall. But something bothered me – the centerline of the White House doesn’t line up with the Washington Monument.

In a city so based on order and symmetry and strong axes, why is the Washington Monument not on axis?! It took me a bit of online sleuthing to find out why.

1791 L'Enfant Plan for the City of Washington. The Washington Mall (green) was the symbolic heart of the L'Enfant plan for the capital, connection Capitol Building, Washington Monument, and President's House.

1791 L’Enfant Plan for the City of Washington. The Washington Mall (green) was the symbolic heart of the L’Enfant plan for the capital, connection Capitol Building, Washington Monument, and President’s House.

Beginnings: The Visionary 1791 L’Enfant Plan
The idea and design for the Mall and the Washington Monument’s location in the Mall originated in the 1791 L’Enfant Plan for the nation’s capital. That Plan, together with the 1902 McMillan Plan that updated and enlarged L’Enfant’s vision, remains today the historical blueprint for the capital and its centerpiece, the National Mall.
In L’Enfant’s vision, the Mall was intended to be a lively democratic public space in the heart of the capital and the nation. It would comprise a 400-foot wide “Grand Avenue” on an east-west axis extending from the Capitol westward to the Washington Monument near the banks of the Potomac River where it intersected the north-south White House axis.

Visualization: The 1836 Washington National Monument Society Competition
Plans to construct any palpable monument memorializing George Washington’s leadership languished for want of funding until 1833 when John Marshall, James Madison, and others formed the Washington National Monument Society to remedy this languor. By 1836 the society advertised for competitive architectural designs. The winning architect was Robert Mills, whose design called for a neoclassical plan with a nearly-flat-topped obelisk surrounded by a circular colonnade on which would stand a statue of Washington in a chariot.

Implementation
In an elaborate Fourth of July ceremony in 1848, the cornerstone was laid. Lack of funds, political discord, and ultimately the outbreak of Civil War in 1861 exacerbated the society’s difficulties with fund-raising efforts. When Lt. Col. Thomas L. Casey, Mills’ successor, resumed work on the project in 1876, he heavily altered the original design for the monument so that it resembled an unadorned Egyptian obelisk with a pointed pyramidion. The U.S. Army Corps of Engineers was charged with completing construction, and the monument was dedicated on February 21, 1885 and officially opened to the public on October 9, 1888.

Result: The Washington Monument as (non-) Focal Point
L’Enfant originally envisioned that the exact spot where the great north-south and east-west axes crossed was to be signified by a relatively modest equestrian statue of George Washington.

The Mill’s Proposal of 1836, however, re-envisioned this element, instead proposing the progenitor of the massive obelisk we see today. Thereafter in the actual implementation of the Monument’s construction the engineers responsible for it’s construction apparently observed that the formal nexus originally intended was too marshy and the soil there presumably not competent to support the weight of the massive structure proposed. And the resulting structure is indeed a massive structure, estimated to be in excess of 81,000 tons.

And so, with the conservatism of prudent engineers everywhere, the Monument was conveniently situated on higher ground some 300-feet east of the spot originally intended.

It should be noted that beyond a doubt, with today’s technological advances, locating the Monument at the spot originally intended would not have posed any intractable difficulties from a technical perspective. That said, given the era and the risks involved, one can hardly blame the 1848 engineering team for their conservatism.


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From: BARILOCHENSE6999 Sent: 19/03/2025 15:17
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From: BARILOCHENSE6999 Sent: 20/03/2025 19:52
Naipóri marandu ta'nga rehegua.

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