LA PIRAMIDE ES UN CUERPO GEOMETRICO QUE TIENE 5 SUPERFICIES
A regular square pyramid is determined by its medial right triangle, whose edges are the pyramid's apothem (a), semi-base (b), and height (h); the face inclination angle is also marked. Mathematical proportions b:h:a of and and are of particular interest in relation to Egyptian pyramids.
Mat 16:18 And I say also unto thee, That thou art Peter, and upon this rock I will build my church; and the gates of hell shall not prevail against it.
οικοδομεω oikodomeo {oy-kod-om-eh'-o} also oikodomos οικοδομος {oy-kod-om'-os} Ac 4:11 from the same as 3619; TDNT - 5:136,674; v AV - build 24, edify 7, builder 5, build up 1, be in building 1, embolden 1; 39 1) to build a house, erect a building 1a) to build (up from the foundation) 1b) to restore by building, to rebuild, repair 2) metaph. 2a) to found, establish 2b) to promote growth in Christian wisdom, affection, grace, virtue, holiness, blessedness 2c) to grow in wisdom and piety
FI=PHI=NUMERO DE ORO=1.618033
171. Salmos 45:9: Hijas de reyes están entre tus ilustres; Está la REINA a tu diestra con oro de Ofir.
EL MISMO NUMERO 5 ESTA DISEÑADO EN FUNCION A LA CUADRATURA DEL CIRCULO
PARTE SUPERIOR/CUADRADO
PARTE INFERIOR/CIRCULO
¿LA RESURRECCION DE CRISTO AL TERCER DIA ES UN SIMBOLO DEL SANTO GRIAL?. ARBOL DE NAVIDAD Y SU NEXO CON EL TERCER DIA
GENESIS
1:9 Dijo también Dios: Júntense las aguas que están debajo de los cielos en un lugar, y descúbrase lo seco. Y fue así. 1:10 Y llamó Dios a lo seco Tierra, y a la reunión de las aguas llamó Mares. Y vio Dios que era bueno.
1:11 Después dijo Dios: Produzca la tierra hierba verde, hierba que dé semilla; árbol de fruto que dé fruto según su género, que su semilla esté en él, sobre la tierra. Y fue así. 1:12 Produjo, pues, la tierra hierba verde, hierba que da semilla según su naturaleza, y árbol que da fruto, cuya semilla está en él, según su género. Y vio Dios que era bueno. 1:13 Y fue la tarde y la mañana el día tercero. (LA SEMILLA/SEMEN ES MASCULINA y el ARBOL que produce el fruto/hijo es femenino)
194. Lucas 1:42: y exclamó a gran voz, y dijo: Bendita tú entre las mujeres, y bendito el FRUTO de tu vientre.
28. Mateo 16:21: Desde entonces comenzó Jesús a declarar a sus discípulos que le era necesario ir a Jerusalén y padecer mucho de los ancianos, de los principales sacerdotes y de los escribas; y ser muerto, y resucitar al tercer día.
29. Mateo 17:23: y le matarán; mas al tercer día resucitará. Y ellos se entristecieron en gran manera.
30. Mateo 20:19: y le entregarán a los gentiles para que le escarnezcan, le azoten, y le crucifiquen; mas al tercer día resucitará.
31. Mateo 27:64: Manda, pues, que se asegure el sepulcro hasta el tercer día, no sea que vengan sus discípulos de noche, y lo hurten, y digan al pueblo: Resucitó de entre los muertos. Y será el postrer error peor que el primero.
32. Marcos 9:31: Porque enseñaba a sus discípulos, y les decía: El Hijo del Hombre será entregado en manos de hombres, y le matarán; pero después de muerto, resucitará al tercer día.
33. Marcos 10:34: y le escarnecerán, le azotarán, y escupirán en él, y le matarán; mas al tercer día resucitará.
34. Lucas 9:22: y diciendo: Es necesario que el Hijo del Hombre padezca muchas cosas, y sea desechado por los ancianos, por los principales sacerdotes y por los escribas, y que sea muerto, y resucite al tercer día.
35. Lucas 13:32: Y les dijo: Id, y decid a aquella zorra: He aquí, echo fuera demonios y hago curaciones hoy y mañana, y al tercer día termino mi obra.
36. Lucas 18:33: Y después que le hayan azotado, le matarán; mas al tercer día resucitará.
37. Lucas 24:7: diciendo: Es necesario que el Hijo del Hombre sea entregado en manos de hombres pecadores, y que sea crucificado, y resucite al tercer día.
38. Lucas 24:21: Pero nosotros esperábamos que él era el que había de redimir a Israel; y ahora, además de todo esto, hoy es ya el tercer día que esto ha acontecido.
39. Lucas 24:46: y les dijo: Así está escrito, y así fue necesario que el Cristo padeciese, y resucitase de los muertos al tercer día;
40. Juan 2:1: Al tercer día se hicieron unas bodas en Caná de Galilea; y estaba allí la madre de Jesús.
41. Hechos 10:40: A éste levantó Dios al tercer día, e hizo que se manifestase;
42. Hechos 27:19: y al tercer día con nuestras propias manos arrojamos los aparejos de la nave.
43. 1 Corintios 15:4: y que fue sepultado, y que resucitó al tercer día, conforme a las Escrituras;
¿EN EL TERMINO CRISTO/CRISTI ESTA EN CLAVE EL 17 DE TISRI EN CONTEXTO AL ARCA DE NOE Y EL MONTE DE ARARAT? (GENESIS 8:4)
CRISTO/CRISTI
C=LUNA CRECIENTE
RISTI (ANAGRAMA DE TISRI)
HECHOS 2 EN CONTEXTO A PENTECOSTES
59. Hechos 2:30: Pero siendo profeta, y sabiendo que con juramento Dios le había jurado que de su descendencia, en cuanto a la carne, levantaría al CRISTO para que se sentase en su trono,
60. Hechos 2:31: viéndolo antes, habló de la resurrección de CRISTO, que su alma no fue dejada en el Hades, ni su carne vio corrupción.
61. Hechos 2:36: Sepa, pues, ciertísimamente toda la casa de Israel, que a este Jesús a quien vosotros crucificasteis, Dios le ha hecho Señor y CRISTO.
62. Hechos 2:38: Pedro les dijo: Arrepentíos, y bautícese cada uno de vosotros en el nombre de JesuCRISTO para perdón de los pecados; y recibiréis el don del Espíritu Santo.
the floors of the Holy Sepulcher may reflect the solar wheel
Rennes Chateau is illuminated by the stained glass showing the Sun King and the Magdalene Halo shines on the floor
At the Holy Sepulcher there are two circular star patterns on the marble floors one for Christ ....a sun with wavy lines
the Magdalene star is the straight lines similar to a compass
The Crusaders building the Holy Sepulchre had a understanding of the stars and the ending of the Pisces Age and the coming of the Water Bearer....Magdalene with her tears and her vase may reflect the Age of WOMEN
Roscoe The Green Man Rosslyn's architecture is the presence of 'Green Men'. These are carvings of human faces with greenery all around them, often growing out of their mouths. They are commonly thought to be a symbol of renewal and fertility, pre-Christian in origin. In Rosslyn they are found in all areas of the chapel, with one excellent example in the Lady Chapel, between the two middle altars of the east wall. It has been hypothesized that the green men in Rosslyn symbolism the months of the year in progression from East to West in the Chapel.
Young faces are seen in the East symbolizing Spring and as we progress towards the setting sun in the west the carvings age as in autumn of man's years. There are in excess of 110 carvings of Green men in and around the Chapel.
Tour Magdala Jean Lhuilier, the mayor of Rennes-le-Chateau, receives a letter from Jean-Louis Génibrel
"At the beginning of the construction of the tower Magdala, Rennes - le-Chteau [...] the grandfather of my uncle, who was the foreman, helped Father Saunière to bury at least one box and" other items under the the tower. " from Ben Hammot's website http://www.benhammott.com/excavation-rennes-le-chateau.html
Eisenman scanned the floor of the Tour When the ultrasound had been completed and the results studied, the scientists discovered an anomaly beneath the tower. It seemed to be a wooden object as no metal was detected, so no gold here then. This object, which was described as a chest or a trunk measuring approx 90cm x 120cm, was buried 4 m deep below the tower. (4m must be a misprint or mistake as the scans clearly show the anomaly little more than half a meter below the surface - maybe the measurement got confused with the church scan.)
from Ben's article or should I call him Bill Serena Tajé, doctor of theology, was also present. Serena Tajé has been reported of saying, "the trunk could contain documents that could shed light on the founding myth of the church." Which seems a strange thing to say.
More controversy was caused by some of the other statements that she was reported as having made. Newspaper reports quoted her as saying, 'It could be a question of a document that will challenge the history of the Catholic Church!… Unless it is a tangible sign of the presence in this place (a presence attested to by the holy texts) of Jesus's judge, of that same Herod Antipas who stopped here, at Rennes-le-Chteau, on the path of exile, in the company of a certain Mary the Madgalenian.'
But one of Dr Tajé's reported comments eclipsed even these statements when she jokingly stated during dinner that, 'The Church has given me the mission of destroying any compromising documents that we might find'. Although it seems only to have been said in jest many people took it as a serious remark, including Leopold Sanchez, who reported these remarks in Le Figaro Magazine on July 7, "Serena Tajé is also the Special Envoy of the Vatican!"
Although Serena does do work for the Vatican she also works for many other organizations. _________________ Everything is Connected and there are no coincidences
Rennes Chateau: Mary Magdalene the one Jesus loved the most
by Carolyn Shield
Mary Magdalene plays a major role this past week in the Easter story of Jesus's Resurrection. She is the first one that Jesus appears to after he rises from the dead. He doesn't appear to Peter, John, James his brother, or even his mother. He appears to the one who he loves the most Mary Magdalene. She followed him through his journeys and supported his cause financially. She is at the Crucifixion, Burial, and Resurrection. Pope John Paul II has called her the "Apostle to the Apostles". She is named fourteen times in the bible more than most of the apostles. Magdalene is mentioned more than Mother Mary in the bible. Jesus cured her of a serious illness and as a result saved her life. Her bravery is outstanding when compared with Saint Peter. It is Saint Augustine who said "it was the Holy Spirit who made Magdalene the Apostle of the Apostles." We are lucky to have the Gospel of Mary Magdalene which she tells the Apostles secret teachings Jesus taught her. Jesus teaches a woman and then this woman teaches his Apostles. It is another terrific part of the story. No more Magdalene carries the false label of the prostitute but not an equal to the Apostles. Many can debate if she is seated next to Jesus in Da Vinci's Last Supper. It is her actions that speak for themselves. She has earned the right to be seated with the Apostles.
At Rennes Chateau in France Mary Magdalene carries a cross and holds a urn. On the cross she bears is a five pointed star. The five pointed star is the symbol of Venus. Titian has a painting called Venus with Mirror. The two cherubs are there holding her mirror.
Hit the link to see the Rennes Chateau image of Mary Magdalene carrying the cross below her feet are two cherubs. In the mirror the eye of the goddess Venus is older and more wrinkled. She will be crowned by roses which have thorns. In the mirror do we see the all seeing eye of the goddess peering back at her. The Egyptian all seeing eye of the goddess Wedjet known as green one and the Greeks called it "risen one".
Titian Pieta is his last painting. In the painting we see Mary Magdalene with two cherubs one above and the other below. A woman carrying the cross crowned with rose crown of thorns. She was a Cumaen Sibyl who predicted the coming of the savior.
It is interesting that the cherubs under Magdalene at Rennes Chateau are pointing down and one wonders if there is a crypt under the church. The cherubs are seen in many paintings dealing with the burial of Christ. Bourdon, Poussin, Titian, and others have placed the cherubs with Magdalene and the other women at Jesus grave. These women who came to Jesus's grave possibly had children. The cherubs in the paintings maybe a symbol representing the children of the Holy Family or children of Jerusalem. Luke 23:28-31 says
"Daughters of Jerusalem, do not weep for me, but weep for yourselves and for your children. For behold, the days are coming when they will say, 'Blessed are the barren, and the wombs that never bore, and the breasts that never gave suck!' Then they will begin to say to the mountains, 'Fall on us'; and to the hills, 'Cover us'. For if they do this when the wood is green, what will happen when it is dry?"
It doesn't surprise me that Venus the goddess of Love whose symbol is the five pointed star would be connected to Mary Magdalene. It could be the reason for the symbol on the tree cross that she carries. Venus symbol has a cross in it for its astrological symbol. It is connected to the Ankh. The key of life to the Egyptians connected to Isis and eternal life.
Venus retrogrades every 584 days (19 months) making five retrograde points around the Sun. After eight years, Venus forms a five-pointed star in the sky. Ishtar and Astarte carry the jar of life and so Mary Magdalene carries her jar . Mark 14:3 talks about the woman with the alabaster jar. The jar the Egyptians used for the funeral rites. It seems the symbolic connections with Magdalene and Venus makes sense. She loved Jesus with such passion and he loved her by showing his resurrected self first to her. It is all about the power of love and that is what Venus and Isis is all about.
At the Cathedral of Notre Dame in Paris is a wooden panel which depicts the life of Christ. A panel depicts the Wedding of Cana. Three people have halos one is Jesus another is a woman who sits next to Jesus. . Is she Mother Mary or possibly Magdalene?One wonders who the fellow next to Jesus who has a halo too? Is he Jesus brother? Is he the bride's father? Is he the bride's groom? The lady next to him does not have a halo and she is darker skinned than the others. She does wear a gold crown and her hair is not covered. I'm interested to hear what other people think of this interpretation of the Wedding of Cana especially the saint next to Jesus. The French had a oral tradition which said Mary Magdalene came to France by boat with other saints. She brought with her the dark servant girl Sara the Egyptian. Napoleon made the Paris coats of arms the five pointed star and the ship who brought Isis to the city called Paris. It is interesting the similar story of Isis and Magdalene coming by boat to France. Napoleon created the Arch de Triumph as a symbol of Isis and her star Sirius. Isis was devoted and loved Osiris very much. I could see how Magdalene and the story of Isis could be similar. What do you think?
CICLO PENTAGONAL ENTRE VENUS Y GEA. LAS CURVAS DE VENUS.
Pentagonal se refiere al Ciclo formado por 5 ciclos sinódicos.
Venus y la Tierra danzan en sincronía matemática y geométrica en el salón del Espacio, al son de la sutilísima vibración de la música de las esferas, pues esferas son. El milenario mito de la llamada "Música de las Esferas" es mito mientras no se comprende qué es o a qué se refiere. Es como si una persona no reconociera que los instrumentos musicales suenan y por eso concluye que la "música de los instrumentos" es mito. Sólo le basta escuchar, sentir, vibrar y comprender. Nosotros estamos en una de esas esferas: el Planeta Tierra, aunque si pensamos un poco comprenderemos que es normal que sea posible que no conozcamos la maravilla en la que estamos inmersos ni que participemos activamente en ella, como aquel espectador que está de gratis en un maravilloso concierto y él mismo es un instrumento y se queda dormido, pero no porque la música sea aburrida sino porque no sabe que está ahí.
Cada 8 años, que son 8 órbitas de la Tierra y 13 de Venus, ambos planetas se encuentran 5 veces en sus puntos más cercanos, al mismo lado del Sol, 5 puntos que son equidistantes y que forman los 5 vértices de una estrella de 5 puntas. Puedes pulsar sobre la imagen para ver la animación.
Si continúas observando podrás comprobar cómo Venus y la Tierra continúan trazando la figura pentagonal, aunque ya no desde el mismo punto que la anterior. De hecho, comienzan una nueva 2,33 días antes que la anterior. La actual la comenzaron el 8 de junio de 2004 y termina el 6 de junio de 2012. Esto significa que esa estrella de 5 puntas gira también alrededor del Sol hasta dar una vuelta en 1.252 años: un Ciclo mayor compuesto por 156 subciclos Pentagonales (1.252 órbitas de la Tierra y 2.035 de Venus). Así es como los planetas crean los Ciclos Cósmicos. 1.252 años son 457.457 días, que es prácticamente 676 x 676 ó 26x26x26x26 ó (13+13)x(13+13)x(13+13)x(13+13) días.
Aquí puedes verlo de otra manera comenzando desde el 8 de junio de 2004 (cuando se produjo un tránsito de Venus) hasta el 6 de junio de 2012 en que se produce otro tránsito. Puedes hacer click sobre la escena repetidamente.
Los números 5, 8 y 13 son números consecutivos de la serie Fibonacci en la que cada número dividido por su anterior tiende al valor del número Phi, el que marca la llamada "proporción divina" de ciertos elementos de la Naturaleza, por no decir muchos o todos, y entre los cuales están las propias piezas que componen el esqueleto de nuestros cuerpos: los huesos. En la vigésima división de la serie Fibonacci, entre los números 6.765 y 4.181, se obtiene un valor de phi afinado hasta el sexto decimal: 1'6180339. También se puede ver que los números de la serie Fibonacci 6.765 y 4.181 como días terrestres convertidos a Tzolkins son 26 y 16 Tzolkin, y mientras el año de la Tierra (365 días) es 1,62 veces más largo que el de Venus (225 días), siendo 1,62 el redondeo de 1,618 que es el valor de Phi, en el ciclo sinódico Venus da 2'6 órbitas y la Tierra da 1'6 (fracciones de 26 y 16). Y por fin, reproduciendo los tres números de la serie Fibonacci 5, 8 y 13 en el ciclo pentagonal resulta que 5 es el número de encuentros entre La Tierra y Venus durante 8 órbitas de la Tierra y 13 de Venus.
Viendo desde el planeta Tierra, desde el meridiano del mediodía, sin que gire el planeta (pero sí trasladándose) y acelerando mucho el movimiento de los astros hasta que en 20 segundos transcurrieran 8 años, podríamos ver a Venus realizar 5 movimientos retrógrados cada 8 años, 2 en forma de lazo, 1 en zig zag (cruzando la eclíptica) y otros 2 de nuevo en forma de lazo (casi simétricos a los dos primeros). Los trazos en forma de lazo los realiza por encima o debajo de la eclíptica según ande circulando por el nodo superior o inferior de su órbita (inclinada respecto a la de la Tierra). Empleando una expresión metafórica, son las Curvas de Venus.
También podemos verlas como las letras gráficas del lenguaje venusiano. Tales trazos derivan gradualmente en el cielo terrestre cada 8 años en sentido contrario al del Sol ante el fondo fijo de las estrellas y las constelaciones, de modo que desde hace unos 100 años, el movimiento en zig zag de Venus ha venido ocurriendo sobre la constelación de Orión.
El 13 es número basico en el Ciclo Pentagonal, pues es el número de órbitas de Venus, de modo que en 13 Ciclos Pentagonales Venus da 169 órbitas (13x13). Este ciclo de 13 ciclos Pentagonales es 37.960 días durante los que Venus realiza 65 ciclos sinódicos (o alineamientos con la Tierra) y en los que también intervienen 146 ciclos del Tzolkin 146 e incluso 104 del Haab (103,96 años de 365,2422 años). Vemos que el el 65 y el 104 son múltiplos del 13.
13 Pentagonales = 13 x 2920 días = 37.960 días
65 ciclos sinódicos = 65 x 584 días = 37.960 días
104 Haabs = 104 x 365 días = 37.960 días
146 Tzolkines = 146 x 260 días = 37.960 días
A su vez este ciclo de 37.960 días ó 13 Ciclos Pentagonales es una unidad de otros ciclos mayores.
Pentagonal se refiere al Ciclo formado por 5 ciclos sinódicos. ... Cada 8 años, que son 8 órbitas de la Tierra y 13 de Venus, ambos planetas se encuentran 5 ...
19 May 2011 – En un ciclo de 243 años del Tránsito de Venus , hay dos pares espaciados de 121,5 ± 8 años de diferencia. El último tránsito de Venus (par) ...
www.youtube.com/watch?v=vdff50p45ks24 Feb. 2012 - 4 min. - Subido por navelegante Recreación de la dinámica y geometría entre los planetas Tierra/Gea/Gaia y Venus durante 8 años en los que ...
8 Abr 1996 – Venus es, aparte del Sol y la Luna, el objeto mas brillante y notorio del ... sinódicos de este planeta corresponden casi exactamente a 8 años...
Este periodo se conocía como el ciclo Sothis en el Antiguo Egipto. ... Una aproximación casi tan cercana será en el año 2101, cuando Venus alcanzará ..... una precesión de unos 2 días cada 8 años, la coincidencia de ambos en el punto de ...
Este período corresponde a los 152 períodos orbitales de Venus. El patrón de 105,5; 8; 121,5 y 8 años no es el único posible para un ciclo de 243 años, debido ...
La estrella de cinco puntas de Venus fue conocida por los antiguos asirios. ... de cinco ciclos de observación, han transcurrido ocho años (5 x 1.6 año = 8 años), ...
25 Ago 2011 – Es el Ciclo Octogonal de Venus. Eso significa que desde la Tierra, en los últimos 112 años cada 8 años (14 ciclos octogonales), habríamos ...
6 Oct 2011 – el ciclo pleyadiano de venus. Hace unos 100 años, desde la Tierra, cada 8 años (cada octenio) a comienzos de abril, se podía ver al planeta ...
Anuncio relacionado con venus CICLO DE 8 AÑOS¿Por qué este anuncio?Se mostró este anuncio debido a tus términos de búsqueda actuales.
I am delighted, that this vehicle offers me the opportunity to give voice to my message of love, on this auspicious day of the return of Venus and resurrection of the Goddess on planet earth. This is Mary Magdalene, also known as ascended mastress Lady Nada.
Today, I speak as the daughter of Venus that I am.
I and my beloved twinflame, beloved Jeshua came to planet earth in times of great darkness to assist our beloved brother, Sanat Kumara to guide our younger sister Lady Gaia through her birth into a radiant star of oneness. This has been a long journey and many of you beloved hearts came along with us as venusian starseeds to anchor the paradisean codes of unconditional love on this planet, as well as many other starseeds from other ascended star systems such as the Pleiades, Arcturus and Sirius, which are all 5 dimensional.
We agreed a long time ago to bring this planet back on its orbit, as she had gotten out of tune and lost sight of her destination after the fall of awareness, that took place in Atlantis.
Every single being on this planet carries the seed of paradise, the seed of unconditional love in their heart. And through this long awaited Venus transit, this seed will be brought into full bloom now like a beautiful rose.
It is the return and resurrection of the goddess within your heart.
This venus transit is also a trigger to remembering the androgynous being that you are and it will indeed catapult you into great change now. Not only in your relationship with yourself, but also in your relationship with others. You will transcend the limitations of gender, you will transcend the limitation of separation from your godself and remember your androgynous nature. And with these changes you will start to remember not only who you are, but why you came here and naturally act upon it as your monadic godself. You will be propelled and initiated into your divine purpose and planetary mission. And trust, beloved one, if you are supposed to be here on this planet according to your soul’s plan, there is no way that you will miss any hint given to you by your soul, as to how, when and what to do.
This will simply happen without you having to give any thought to it. You will no longer consider IF you should change your job, IF you should leave your relationship, IF you should move to the destination of your heart… you will simply find yourself there, even before you have decided to make the necessary change. Because the universe will cater for these things to take place by connecting you with the divine blueprint of that exact reality of your soul plan. And everything will manifest with ease and grace… that is… if you allow it by trusting, that whatever is happening in your life, whatever changes that seems to be forced upon you, are according to your soul’s plan and in coherence with your deepest heart desire and mission on this planet. By being fully present and available to this present moment, these changes will happen within a very short window of time and you will hardly be able to resist or doubt, as the dominos of your soul plan pick up momentum and propels you into your new life, destination and mission.
You have come a very long way. Many of you feel worn out and tired, which is due to the pivotal changes taking place within your body and within the planetary body itself, which in truth is ONE. In this last phase of the mayan cycle, you are literally transmuting thousands of years of distorted energies within a very short timeframe increasing exponentially month by month as time is non-linear and the avancement of the light quotient within these last months and the next to come, is catalysing this immense changes on all levels of your being.
And soon you will no longer see yourself as human beings, but as multimensional eternal beings beyond any limitation… something that some of you can barely dream of now. However there are those who still live in denial and resist with all their being these great changes coming upon them. Do not worry for those, because everyone has their own individual timing for their awakening and through the enhanced light quotient, those who are destined to be here, will awaken, when the mass quotient needed for mass awakening and ascension is reached. So there will be no one left behind, no one who will miss out on anything. Because everything will happen according to divine plan.
So please be patient with those who still resist, do not put any pressure on those still in resistance, as this will only increase their fear and resistance to change. Encourage them through your example of living through your heart and going with the change and flowing with what is presenting itself in the now.
Let silence speak through your heart to those who resist to hear.
The coming weeks up to the solstice will present you with enough opportunities to make the needed changes and release all that, which you deeply know does not belong in your life anymore, all that which is no longer in alignment with who you are becoming. So you may use these weeks to honor that which needs to be released with ease and grace… not to say that this is the last opportunity, there are always more opportunities, however in this period of time you are offered smooth waters and calm balancing energies to clearly see where you need to make the changes. And when the great portal of the solstice opens whatever has still not been released, will simply be flushed away… likened to a tsunami that takes everything with it, that no longer belongs in your life.
So it is indeed your choice beloved one, whether you want it in the soft way or whether you prefer the swift rough tsunami to capsize your life, because that is what it will do. But as already mentioned, it will only remove that from your life, which you on soul level already has decided to let go off to move into your souls mission here on earth and only that which is according to your divine plan will happen. So please take this opportunity beloved ones and let the waves of change come into your shores and remove all that is no longer in alignment with who you are becoming and which is not belonging in your new life.
You are brave ones indeed and you are all great explorers of the unknown and every single one of you have the needed strength and courage to move through these unsettled waters of transition to find the calming waters of the new heaven on earth within your hearts.
No matter what happens in your life, beloved ones, encounter it with love, encounter it without judgement, encounter it with faith and you need not fear anything that happens to you or to your loved ones. There are no mistakes being made. Everything, every single event is happening according to divine plan and is orchestrated by your soul and monadic family of light. Just love with all your heart every single moment of this wonderful journey into oneness, into your christed self. You have already arrived, beloved ones, though some of you may feel far away from the state of peace that you are so longing for…. harmony and unconditional love and oneness which is who you truly are. In truth you are already there.
You have long past the point of no return. Allow yourself to be there now…. in your vibration…. allow yourself to be nourished by your fully awakened christed self standing beside you within just a hand’s reach, waiting for you to merge with it.
On this day I ask you, beloved ones, to consciously connect with the goddess within, the divine feminine, welcome her return and offer her back her throne, offer her trust, offer her respect, offer her your worship and she will resurrect and in doing so the scale of ying and yang will come into balance. The divine masculine will step back and offer her space beside him and return her scepter and they will embrace in a sacred union, in an alchemical marriage and merge into one. And your kundalini will awaken fully and activate and trigger the opening of the thousandfold lotus in your crown and you will merge with you monad and return home to who you are, to unconditional love and oneness.
I am Mary Magdalene and I thank you with my heart for listening to my message and for taking the opportunity to love, with all your being, all that you are and all that is happening in your reality and accepting it all as divine.
You are all jewels of the same diamond in the heart of God. Be blessed beloved hearts.
The Great Pyramid acts as a sundial for the Solstices, and is a perfect marker for the two Equinoxes, because at these times of the year it does not cast a shadow . . . as if everything is reduced to zero. After discovering an ancient code that appears to be associated with the obliquity of the earth’s axis, I am ‘inclined’ (pardon the pun) to ask, did the earth tilt from its upright position long ago? (See article 23.5 degrees) It’s a question that we cannot yet answer and a question that many would refrain from asking, but nevertheless there are many that believed this and still believe it today.
If the earth did tilt from an upright position, then it’s easy to see ‘how’ and ‘why’ man conceptualised these ideas, stories, myths and all the symbolism associated with the ‘alpha-omega’ and these two crucial points in the cycle, and why they were deemed important. The alpha-omega, as represented by both these two points in the cycle, also represents the ‘Golden Age’ of the upright axis – an age when everything was aligned with the Creator – the source-center of creation, or so it was believed.
With the tilt it was believed that man fell into these cycles and therefore he tasted “death” – in that death was a necessary part of the cycle – it being the negative half or phase of the cycle. Time began and man then had to toil the earth to sustain himself in a world that periodically died during the winter season. Man then began to note the correspondences this “death phase" made in regard to the opposites that he recognised in all phenomena – which he believed was the result of his own ‘dual perception’ of the world – again, the result of “the fall”. It was believed that this duality in consciousness is the cause of all conflict; that this ‘divide’ limits man’s intelligence whereby, in general he cannot always see beyond and above his present condition. We can also see that this division in consciousness results in an “us” and “them” mentality that can easily be taken advantage of and exploited, and that in general the populace can easily be manipulated by ‘an elite’ that understands these processes and strives to always remain above this duality. Such a group would use Machiavellian techniques based on the same esoteric principles as outlined and would implement them in terms of creating a problem which leads to a ‘thesis’ and ‘antithesis’ situation and then providing a solution that really suits their own agendas – synthesis. However this knowledge and wisdom, which is symbolised by the Grail, are for everyone to discover for themselves and comprise the teachings attributed to the ‘resurrection god’ who appears at the right time to deliver this knowledge – hence the connection the Grail has with the Passion of Jesus Christ – one of many in the long line of Christed Ones or Anointed Ones - one of these being the ancient Egyptian god Osiris. [3]
We also discover that the spinal column of this “god” actually symbolised the earth’s axis and vice-versa, and that the purpose of his appearance and his teachings was that with his own rebirth and resurrection, the earth too would also be resurrected to its natural upright position. I would emphasise that we are dealing with ancient beliefs here. Here's an apt quote:
‘When Osiris was enclosed in the trunk of a tamarisk tree, which was later cut down and used as a pillar in the palace of the King of Byblos, he metaphorically became as one with the Tree of Life. Osiris became the Axis Munde around which the heavens appear to revolve; he became the World Pillar, the link between the terrestrial and celestial worlds. He held the heavens in his outstretched arms, and he soaked up the word of God from the waters of the Netherworld’. [4]
The tilt of the earth as symbolised by the cross being carried by Jesus, reflects the same imbalance in consciousness and vice-versa. The upright cross of crucifixion by which Jesus ascends to heaven, is itself a metaphor for uprightness, stability and spiritual communion with the Creator and one’s own ascension. It was believed that man cannot heal the duality and division in consciousness as a result of “the fall” and that he cannot escape these cycles unless he becomes fully conscious OF and AT that crucial point in the cycle (the point in the cycle where he is usually unconscious) by first asking questions about it . . .
We would note that Perceval ("pierce-the-veil" . . . the veil that lies between opposites and also "perceive-all") was supposed to have asked questions about the Grail and in doing so the Fisher King would be healed and the kingdom restored.
The Grail, the Great Pyramid and Orion
Lastly, and in relation with the precessional cycle, the Grail as the cup or chalice, also signifies the star constellation of Orion, which is associated with the archetypal shamanic 'resurrection god' - the ONE who has experienced enlightenment. In ancient Egypt this shaman-adept-god-hero, was Osiris and Horus - whom the life and death of the Christian Jesus was based on.
Figure 7: The constellation of Orion (the torso of the archetypal resurrection god) superimposed over thefamous Tassilo chalice - said by some to be the Holy Grail. As we can see, Orion (Osiris) is missing his head and legs. The head is signified by the 'communion disk' of wafer brought by the dove (phoenix, bennu bird) and the 'communion host' or 'disk' really represents the thalamus at the center of the head/brain, and this is also represented by the benben stone or pyramidion which caps the Great Pyramid - now missing. See the engraved image of the crossed communion disk in figure 9 below which is above the head and also capping the pyramid.
The Grail appearing twice in the story, points to the special times in the year when Orion crosses the Giza Meridian during the two days of the Spring and Autumn Equinoxes (this is one of the meanings of the Crucifixion Cross) and also its position on the Giza Meridian during the Alpha-Omega point and Halfway point in the Precessional Cycle. Giza was planned and built as a precessional clock, to chart the precessional cycle and other cycles, and the constellation of Orion, and especially the star Al-Nitak - in Orion's right side - was used as a marker for precession. The clue to this is given in the Gospel of John, where Jesus (who represents the resurrection god) is pierced in the right side by Longinus as he hangs from the cross. This detail in John's Gospel is also an allusion to the southern shaft that exits the south wall of the King's Chamber within the Great Pyramid and which once aligned with the star Al-Nitak - again in the right side of Orion - and in the year 2368 BC. The significance of the number 2368 is also an encoded clue to this alignment, as the name Jesus Christ (IhsouV CristoV) in Gematria, is 2368. Jesus = 888. Christ = 1480. 888 + 1480 = 2368.
A B
Figure 8: A:The Crucifixion of Jesus – the spear of the Roman soldier, Longinus piercing his right side.
B: Constellation of Orion (Orionis) crossing the south sky. We are shown how the southern shaft of the King’s chamber in the Great Pyramid was once aligned with the Star Al-Nitak, according to Robert Bauval’s theory. As we can see, the spear that pierces Christ’s right side, as described in the Gospel of John, may be an encoded reference to this shaft or alignment – therefore indicating the importance of the Great Pyramid and what it may contain. Robert Bauvals theory is that the layout pattern of all three pyramids mirror the three belt stars of Orion and will only align properly with these three stars as they would have been over 12,500 years ago. (The star Sirius is in front of Orion’s extended right foot.)
See figure 9 below. Note the traditional image of the Grail cup above the head-shaped cut-out in the wall which contains the familiar 'crossed disc'. This disk symbolises the 'bread wafer' or 'communion host' which is dipped in a vessel containing red wine (symbolising Christ's blood) and given to the Catholic congregation in the traditional Mass or Eucharist. In esoteric and religious art, this disk is often depicted being carried by the dove (based on the Phoenix) to the Grail Castle (Great Pyramid) every Easter associated with the Spring Equinox.
Figure 9: Mysterious carvings around the head and torso-shaped piscina in the Knight's Templar' church at Garway, Herefordshire, England. Note the pyramid inside the vessel or cup above the head and capped by a crossed 'communion wafer' representing the thalamus and also the body/soul of the 'resurrected one's' predecessor now reborn again. It was believed that the thalamus at the center of the brain is the "egg" - or 'divine spark' (soul) that is passed over from one life to the next and contains the memories of one's former lives. Knowledge of this process and the crucial point in the 'cycle of life and death', which one captures via Kundalini enlightenment, also constitute as the Holy Grail.
The dove is based on the myth of the Phoenix, and in the Phoenix story the Phoenix brings an egg containing the body of its dead predecessor which it places on top of the altar - an obelisk or pillar in the ancient Egyptian city of Heliopolis - the 'City of the Sun'. This is interesting because the bread or wafer brought by the Dove every Easter to the Grail Castle, symbolises the body of Christ. This "egg" brought by the Phoenix also doubles as the Benben pyramidion capstone which caps the obelisks and pyramids and is associated with the Bennu bird - the original bird on which the Phoenix is based. We would do well to note that the capstone of the Great Pyramid, which is missing, is believed to be the 'Head Stone of the Corner' mentioned in the Bible, and is believed to represent the body of Jesus Christ. In cross-referencing all these elements we find that everything points to Egypt as being the original source of the Jesus and Grail stories - and rather the location of Giza which is said to be at the centre of the earth's landmasses, between east and west, and represents the alpha-omega as the earth rotates on its axis.
The Bennu itself is based on the 'Ba' bird - being the human soul - a gift of the creator god Atum, and so each of us has this divine spark within us, 'symbolised by the Benben capstone', which reincarnates - hence the 'resurrection' or 'rebirth' aspect presented in these myths and stories of the Bennu, the Phoenix, Osiris, Christ and the Grail. Again, the "egg", the benben, and the communion host, are brought at the crucial point in the annual cycle, (Dove, communion host) and the precessional cycle (Phoenix, "egg"). All this would mean that the altar, column or obelisk and later the pyramid, has been replaced by the 'Grail Castle' in the stories of the Grail, first written in the 12th century AD.
Again, in the photo above, the cup appears to be resting on a serpent or perhaps an ancient Egyptian Barque or Ark - boat. We also see a fish and a serpent on either side of the head. But we are also given a clue as to what the Grail is really associated with in the image of the pyramid inside the Grail-cup - the crossed-disk positioned at the apex or capstone. Furthermore these are above the head and in the same position as the bindu point in Hindu and Tantric illustrations of the chakra system.
This is further evidence that the Grail is originally associated with the pyramid of Giza - the archetype for the 'Grail Castle' - and that the pyramids themselves are associated with the 'Kundalini enlightenment experience' - being the real Grail - as experienced by the 'resurrection god' who exemplifies this experience and is represented by the constellation of Orion - the marker for precession, with the cycle of precession itself being a consequence of the earth's tilted axis.
References:
1. Gardiner Philip, Osborn Gary, The Serpent Grail, (Watkins, 2005).
I recently received an email asking if I thought the recent conjunction between Venus and Jupiter, together with the crescent Moon and the Pleiades (perhaps better known as the "seven sisters") on the feast of the Annunciation on 25th March held any significance. I remember reading an interesting blog article on this subject which Spirit Daily linked to around the time of this event, but hadn't really given it much thought until I was asked about it (hence the lateness of this post in relation to event in question). The full article can be found on Daniel O'Connor's blog here, and I'll quote some of the relevant content below:
On March 25, 2012, millions of Christians (Catholic and Orthodox) will celebrate the “Annunciation” – which commemorates the conception of Jesus. This March 25, there will be a neat astronomical arrangement in the sky, that seems to mesh nicely. See the description below:
The sky will be spectacular in the west after sunset on March 25, 2012, with the waxing crescent moon and the planet Jupiter very close to each other in the evening twilight sky. Plus Venus is nearby – the sky’s brightest planet. You’ll see Jupiter and the moon below Venus in the west after sunset. The famous Pleiades star cluster is above Venus.
For centuries Mary has been referred to as the “Morning Star”, the popular name of the Planet Venus. In this configuration, the Morning Star appears with the moon at her feet. The Pleiades (from “peleiades” the Greek word for doves) overshadows the Morning Star. Jupiter, the “King Planet” approaches the configuration. The symbolism is striking. This is a interesting arrangement for the mystery of the Annunciation which heralds Christ’s coming through Mary.
We should first note that while the practise of astrology (attempting to discern future events through an elaborate system of occult interpretation) is condemned by the Church, the Bible clearly teaches that important events are often heralded by symbolic astronomical and geophysical phenomena. For example the birth of Christ was accompanied by the appearance of the Star of Bethlehem. And during his eschatological discourse on Mount Olivet, Jesus explicitly states that great signs would appear in the heavens before His Second Coming:
There will be great earthquakes, and in various places famines and pestilences. And there will be terrors and great signs from heaven.(Luke 21:11)
“And there will be signs in sun and moon and stars, and on the earth distress of nations in perplexity because of the roaring of the sea and the waves, people fainting with fear and with foreboding of what is coming on the world. For the powers of the heavens will be shaken. And then they will see the Son of Man coming in a cloud with power and great glory. Now when these things begin to take place, straighten up and raise your heads, because your redemption is drawing near.”(Luke 21:25-28)
This is followed by Peter's eschatological sermon during the descent of the Holy Spirit at Pentecost:
And I will show wonders in the heavens above and signs on the earth below, blood, and fire, and vapor of smoke; the sun shall be turned to darkness and the moon to blood, before the day of the Lord comes, the great and magnificent day.(Acts 2:19-20)
The Book of Revelation also foretold that the unbinding of Satan's chains "for a little while" (which I argue corresponds to the "100" years given to Satan in the Prophecy of Pope Leo XIII) would be signified by a star fallen to earth:
Then I saw an angel coming down from heaven, holding in his hand the key to the bottomless pit and a great chain. And he seized the dragon, that ancient serpent, who is the devil and Satan, and bound him for a thousand years, and threw him into the pit, and shut it and sealed it over him, so that he might not deceive the nations any longer, until the thousand years were ended. After that he must be released for a little while. (Rev 20:1-3)
And the fifth angel blew his trumpet, and I saw a star fallen from heaven to earth, and he was given the key to the shaft of the bottomless pit. He opened the shaft of the bottomless pit, and from the shaft rose smoke like the smoke of a great furnace, and the sun and the air were darkened with the smoke from the shaft. Then from the smoke came locusts on the earth... (Rev 9:1-3)
And the sounding of the third trumpet in Rev 8 was predicted to be accompanied by the sign of a great star falling from heaven "blazing like a torch" (which I equate with the last appearance of Halley's Comet and its timing in relation to the Chernobyl disaster in the post Chernobyl, Wormwood, and the Hrushiv Apparitions).
Perhaps most importantly, the opening of the sixth seal in the Book of Revelation was foretold to be accompanied by a combination of an earthquake, a total solar eclipse, a total lunar eclipse and a major meteor shower (which in the post Signs in the Sky, I point out all occurred at the turn of the millennium centred on modern Turkey - the location of Pergamum in Asia Minor, which the Apocalypse identifies as "the throne of Satan" in Rev 2:13). As I argue in Unveiling the Apocalypse, the eschatological astronomical phenomena described at the opening of the sixth seal in Rev 6, is once again recapitulated in Rev 12. The Woman Adorned with the Sun with the Moon at her feet represents a total solar eclipse - which corresponds to the Sun turning "black as sackcloth" in Rev 6:12. The Moon at the Woman's feet represents the Dragon intent on devouring her Child, and the red colour of the Dragon represents the reddish hue typical of a total lunar eclipse, which in turn corresponds to the Moon becoming blood-red at the opening of the sixth seal. And the Dragon sweeping a third of the stars from the sky in Rev 12:4, directly refers to the stars falling from the sky in Rev 6:13 (which is also recapitulated again at the sounding of the fourth trumpet in Rev 8:12, when a third of the Sun, Moon and stars are struck). The twelve stars around the Woman's head are traditionally associated with the Twelve Apostles; but they also represent the twelve tribes of Israel, as is shown by the allusion of this verse to Joseph's dream in Gen 37:
Then he dreamed another dream and told it to his brothers and said, “Behold, I have dreamed another dream. Behold, the sun, the moon, and eleven stars were bowing down to me.”(Gen 37:9)
The eleven stars symbolise the sons of Jacob who make up the tribes of Israel, with the tribe of Joseph being divided between his two sons - Mannaseh and Ephraim, bringing the number up to twelve. So the twelve stars around the Woman's head in Rev 12 is a further allusion to the opening of the sixth seal, which includes the sealing of the 144,000 from the twelve tribes of Israel in Rev 7.
The manifold similarities between the opening of the sixth seal in Rev 6 and the sealing of the saints in Rev 7, held in juxtaposition with the unfolding of the Divine Drama of Rev 12 and marking of the inhabitants of the earth with the mark of the Beast in Rev 13, further confirms that the bestowing of the saints with the Seal of God is an antithetical parallelism to those who are marked with the number of the Beast. Chapters 6 and 7 of the Apocalypse are therefore directly connected with chapters 12-13, and forms a theological diptych which deliberately contrasts these portions of the Book of Revelation.
Since they both describe the same events, the astronomical signs at the opening of the sixth seal thus herald the eschatological casting of Satan to earth described in Rev 12 (which must be distinguished from his primordial fall from grace), and the subsequent rise of the Beast from the sea to mark the inhabitants of the earth in Rev 13 should be considered to be a direct inversion of the sealing of the saints in Rev 7 - events which logically would coincide at the same moment in real-time.
Now that we have determined that astrology should be clearly distinguished from the Bible's admonition to regard certain astronomical signs as portentous of contemporary and future world events, we can safely discuss whether the particular planetary conjunction on the 25th March may be imbued with any religious significance. Since it took place on the feast of the Annunciation, it would follow that any particular event this may signify would only be revealed nine months later - the gestation period of an unborn child. So we could safely assert that we would know exactly if it does indeed herald any future event during the Christmas period - close to the rather ominous date of 21st December 2012. We will only know that it was truly a sign if anything of historical or religious importance occurs around this time period. As exactly to what event it could herald can only be guessed at. We can be almost certain that it is not the Second Coming of Christ, since the Catechism of the Catholic Church states that this pivotal moment in salvation history is delayed until the future conversion of the Jews - an event which is synonymous with the Second Pentecost and the preaching of the Gospel to the ends of the earth:
"The glorious Messiah's coming is suspended at every moment of history until his recognition by "all Israel", for "a hardening has come upon part of Israel" in their "unbelief" toward Jesus. St. Peter says to the Jews of Jerusalem after Pentecost: "Repent therefore, and turn again, that your sins may be blotted out, that times of refreshing may come from the presence of the Lord, and that he may send the Christ appointed for you, Jesus, whom heaven must receive until the time for establishing all that God spoke by the mouth of his holy prophets from of old." St. Paul echoes him: "For if their rejection means the reconciliation of the world, what will their acceptance mean but life from the dead?" The "full inclusion" of the Jews in the Messiah's salvation, in the wake of "the full number of the Gentiles", will enable the People of God to achieve "the measure of the stature of the fullness of Christ", in which "God may be all in all". (CCC 674 See full text here)
We have clearly not reached the stage of the conversion of the Jews at the Second Pentecost just yet, but there are other prophesied events that it may concern. The promised religious revival to take place at the Second Pentecost is almost certainly the next major prophesied event that is to take place - at least according to any provisional schedule which may be determined from analysing the eschatological events foretold in Scripture. So could it herald the coming of the Second Pentecost itself? This event seems to be intimately related to the prophecies of the ministry of the Two Witnesses and the martyrdom of a future pontiff. And in turn these events also appear to be connected to the "great sign" promised in various prophecies, including those of St. Fautina and Our Lady of Akita. Therefore any of these events are the most likely prophetic occurrences yet to unfold at the highly significant schedule relating to the date of 21st December 2012. Yet foremostly it has to be admitted that the most likely explanation is that this particular date bears no significance at all to the date of the end-time (especially not to Christianity), and that like every other prophesied date purporting to pinpoint the end of the world, it will come to nought. We can only be left guessing until nearer the time. Either way, it is extremely unwise to tie ourselves to an exact date - especially when we know that the coming of the Lord will be as a "thief in the night" (Rev 16:15), and that we should always be prepared for the arrival of the Groom. Attempting to to preempt this crescendo of salvation history through the process of logic is all but impossible. We can only conclude with the same prayer as the apostle himself and subject ourselves to the immanent glory of Christ - Maranatha! "Come, Lord Jesus!" (Rev 22:20).
Entonces María tomó una libra de perfume de NARDO puro, de mucho precio, y ungió los pies de Jesús, y los enjugó con sus cabellos; y la casa se llenó del olor del perfume.
1232. Salmos 128:3:Tu mujer será como VID que lleva fruto a los lados de tu casa; Tus hijos como plantas de olivo alrededor de tu mesa.
GENESIS 49
49:8 Judá, te alabarán tus hermanos; Tu mano en la cerviz de tus enemigos; Los hijos de tu padre se inclinarán a ti. 49:9Cachorro de león, Judá; De la presa subiste, hijo mío. Se encorvó, se echó como león, Así como león viejo: ¿quién lo despertará? 49:10 No será quitado el cetro de Judá, Ni el legislador de entre sus pies, Hasta que venga Siloh; Y a él se congregarán los pueblos.
¿PORQUE MARIA MAGDALENA UNGE LOS PIES DE JESUS EN 49:11 Atando a la vid su pollino, Y a la cepa el hijo de su asna, Lavó en el vino su vestido, Y en la sangre de uvas su manto. 49:12Sus ojos, rojos del vino, Y sus dientes blancos de la leche. (LAODICEA=ILUMINACION=APOCALIPSIS 3:14. LA ILUMINACION en la tora tiene un fuerte contexto con MARIA MAGDALENA Y EL SANTO GRIAL. En la pelicula "EL CODIGO DA VINCI" cuando ROBERT LANGDON Y SOPHIE NEVEU van a la mansion del INGLES SIR LEIGH TEABING es increible que PREVIO A QUE ESTE ULTIMO le revele a SOPHIE el nexo de MARIA MAGDALENA CON LEONARDO DA VINCI le hace cerrar los ojos y le pregunta de cuantas copas habia en la mesa en la SANTA CENA y justamente ella responde que una sola. TEABING, un ingles, cuando SOPHIE abre los ojos (ILUMINACION) le muestra que en dicha pintura no hay ninguna copa y que el GRIAL ES JUSTAMENTE LA MUJER QUE ESTA A LA DERECHA DEL SEÑOR CON PELO ROJIZO. LA ILUMINACION EN LA TORA ESTA 100% INTERRELACIONADA CON LA ESPOSA DE NUESTRO SEÑOR JESUCRISTO)
1. Cantares 1:12: Mientras el rey estaba en su reclinatorio, Mi NARDO dio su olor.
2. Cantares 4:13: Tus renuevos son paraíso de granados, con frutos suaves, De flores de alheña y NARDOs;
3. Cantares 4:14:NARDO y azafrán, caña aromática y canela, Con todos los árboles de incienso; Mirra y áloes, con todas las principales especias aromáticas.
4. Marcos 14:3: Pero estando él en Betania, en casa de Simón el leproso, y sentado a la mesa, vino una mujer con un vaso de alabastro de perfume de NARDO puro de mucho precio; y quebrando el vaso de alabastro, se lo derramó sobre su cabeza.
It's noteworthy that the name 'Solomon' evokes King David's son, Solomon, both of whom are an integral part of the messianic/Sangreal line. Solomon is also the figure behind Solomon's Temple, the modern version of which is the Dome of the Rock, which is a perfect octagon.
The octagon is closely associated with cross-quarter days (= halfway point between solstice and equinox). As often discussed on this site, cross-quarter days together with solstice/equinox days produce an octagonal configuration when viewed from 'above' the solar system.
Considerando que ROMA tiene 7 colinas mas EL MONTE CAPITOLINO DEL VATICANO, tenemos exactamente 8 colinas. Osea el mismo numero de la RESURRECCION. ESTA TODO CONECTADO.
EL MITO DE LA ATLANTIDA TIENE ORIGEN EN EL CUARTO DIA DE GENESIS, EN EL CONTEXTO A LA CREACION DE LAS DOS LUMBRERAS OSEA JACHIN Y BOAZ, Y LAS ESTRELLAS
El Rockefeller Center es uno de los lugares simbólicos más densos del planeta, aunque muy pocos entre sus millones de visitantes se paren a reflexionar sobre lo que significan estas imágenes. Se trata de una simbología relacionada con la historia reciente del capitalismo global, cuyas consecuencias estamos ahora sufriendo. El mito de la Atlántida, resurgida del océano para volver a desafiar a los dioses mediante la ilusión del conocimiento humano sin límites, el poder de la técnica y el dinero, y el individualismo como motor del mundo.
Es una simbología relacionada en parte con España. Según la mitología griega, Hércules en su viaje a la Península Ibérica se atrevió a robar la fruta sagrada que cuidaban las Hespérides, hijas de Atlas, fundador de la Atlántida, cumpliendo así la profecía sobre el fin de ese reino de titanes, como estaba anunciado. Este relieve del Museo de Olimpia muestra maravillosamente este episodio. Hércules sujeta el cosmos ayudado por la diosa Atenea, que le pone un almohadón en la espalda, mientras el mismo Átlas le trae las frutas de las Hespérides. Es una versión muy peculiar del mito, pues Átlas coopera en su propia destrucción, y sitúa en España, Hesperia, ese jardín prohibido.
Durante cincuenta años de su vida, el profesor Schulten efectuó investigaciones históricas y arqueológicas en la Península Ibérica en búsqueda de la Atlántida, y los últimos hallazgos parecen apoyar su hipótesis de que el reino andaluz de Tartessos, desaparecido en el siglo VI antes de Cristo, coincidía con la descripción que nos dejó Platón en el Timeo:
“(…) Sabios reyes habían formado en esta Atlántida una vasta y maravillosa potencia que dominaba toda aquella tierra además de otras muchas islas, y algunas comarcas del continente, apoderándose de todas, desde Libia al Egipto, y de Europa hasta Tirrenia (…) Empero sobrevinieron diluvios y terremotos, y en un solo día y en una sola noche fatal, todos aquellos guerreros fueron tragados por la tierra abierta. Desapareció la Atlántida y he aquí por qué aun hoy no se puede recorrer y explorar aquel mar, encontrando la navegación un escollo en el fangoso lodo que dejó la tierra al abismarse”.
El nombre del océano Atlántico viene de este supuesto reino hundido, que los cartógrafos del Renacimiento situaban entre América y Europa. Jacint Verdaguer en su famoso poemario La Atlántida, defiende que la búsqueda de ese mítico continente originó la aventura de Colón hacia el Atlántico e, indirectamente, el descubrimiento del Nuevo Mundo. Desde entonces, la Atlántida se asocia con América, y así lo describe el catalán José María Sert en los frescos de Titanes que pintó para decorar el vestíbulo principal del Rockefeller Center de Nueva York. Este mismo artista fue encargado por Manuel de Falla, para pintar los decorados de la cantata escenificada Atlántida, que aunque nunca llegó a estrenarse por culpa de la Guerra Civil, es la gran ópera española, escrita sobre todo en catalán, pues está inspirada en los poemas épicos de Verdaguer.
La Atlántida narra la lucha entre los dioses y los titanes hijos de Atlas, una lucha que recuerda bastante a la narración de la lucha entre los ángeles y los demonios, que fueron finalmente vencidos y arrojados al infierno. También la Atlántida fue destruida y hundida en el océano según los viejos mitos griegos. Por eso, el relato de la Atlántida, como el del Génesis sobre el Árbol del Conocimiento del Bien y del Mal en el Paraíso terrenal, simboliza la ambición sin límites del ser humano, y también del origen mismo de la civilización tal como hoy la conocemos, basada en el saber por experiencia, en la ciencia.
Todos los símbolos del Rockefeller Center siguen una estética griega que ha quedado un tanto adulterada para adaptarse al gusto popular del momento: El Art Decó, símbolo por excelencia del capitalismo americano. De hecho, este complejo de rascacielos y plazas fue construido entre 1930 y 1939 por John D. Rockefeller, Jr., al que debe su nombre, uno de los grandes magnates y pioneros de la economía de mercado actual. Se trata del primer conjunto urbanístico diseñado ex profeso en Manhattan, con diecinueve edificios que ocupan una superficie de 89,000 m2, entre las Avenidas Sexta y Quinta, y las calles 48 y 51, justo en frente de la catedral católica de Nueva York, la famosa San Patricio.El Atlas es la escultura más grande y, quizás, la más característica del complejo Rockefeller Center junto con la figura dorada de Prometeo y el Zodiaco, que está situada en la plaza interior, en frente del vestíbulo principal que decorara Sert.
Atlas, según la mitología griega, fue condenado por Zeus a soportar sobre sus hombros los pilares que mantenían la tierra separada de los cielos. La escultura del Rockefeller Center en Nueva York fue realizada en 1936 por Lee Lawrie y Rene Chambellan. En ella, el eje norte-sur del gran orbe de bronce apunta a la Estrella Polar, y en uno de sus anillos se encuentran representadas las 12 constelaciones por las que pasa el Sol a lo largo de un año (visto desde la Tierra). Sobre los hombros de Atlas también puede observarse una especie de viga curvada con los símbolos tradicionales de Mercurio, Venus, Tierra, Marte, Júpiter, Saturno, y Neptuno.
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