OVID METAMORPHOSES - NICOLAS POUSSIN KEYS
RETURN OF JESUS/PHAETON FIRE CHARIOT OF REGENERATION/PURIFICATION - FROM 6 TO 9 COSMOS TURNAROUND JIMI HENDRIX KEYS OF OVID - BETWEEN THE BUTTONS CODE - 6 MAN COUNTERCLOCKWISE - 9 WOMAN CLOCKWISE AND HASIDIC RABBIS WHICH ALSO HAV THE SPIRAL KEY IN THEIR ROLLERS.
SPOOKS CODE 9 - BBC SERIES KEYS
BEETLES 9 REVOLUTION - KEYS - FINANCIAL IMBALANCE - THEY ARE STILL STANDING STILL....
WHITNEY HOUSTON QUEEN OF THE NIGHT - CASSIOPEIA THE QUEEN OF ETHIOPIA IN POPE
RATZINGER'S COAT OF ARMS - SACRIFICED ON A 2-11
2 KINGS 2-11 FIRE CHARIOT KEY
Modern European scholars beginning c. 1600[20] have considered Ethiopia name to be derived from the Greek words aitho "I burn" + ops "face".
Revival for the 2012 Olympics
Chariots of Fire is a recurring theme in promotions for the 2012 Summer Olympics in London. The film's theme tune was featured at the opening of the 2012 London New Years fireworks celebrating the Olympics,[45] and the film's iconic beach-running scene and theme tune are utilized in The Sun's "Let's Make It Great, Britain" Olympic ads.[46] The five thousand runners who first tested the new Olympic Park were spurred on by the Chariots of Fire theme tune,[47] and the iconic music will also be used to fanfare the carriers of the Olympic flame on parts of its route through the Stage adaptation
Main article: Chariots of Fire (play)
A stage adaptation of Chariots of Fire has been mounted in honour of the 2012 Olympics. The play, Chariots of Fire, which was adapted by playwright Mike Bartlett and includes the iconic Vangelis score, ran 9 May to 16 June 2012 at London's Hampstead Theatre, and transferred to the Gielgud Theatre in the West End on 23 June, where it runs through 10 November 2012.[50] It stars Jack Lowden as Eric Liddell and James McArdle as Harold Abrahams, and Edward Hall directs. Stage designer Miriam Buether transformed each theatre into an Olympic stadium, and composer Jason Carr composed additional music.[51][52][53] Vangelis also created several new pieces of music for the production.[54][55] The stage version for the London Olympic year was the idea of the film's director, Hugh Hudson, who is co-producing the play; he stated, "Issues of faith, of refusal to compromise, standing up for one's beliefs, achieving something for the sake of it, with passion, and not just for fame or financial gain, are even more vital today."[56]
Another play, Running for Glory, written by Philip Dart, based on the 1924 Olympics, and focusing on Abrahams and Liddell, toured parts of Britain from 25 February through 1 April 2012. It starred Nicholas Jacobs as Harold Abrahams, and Tom Micklem as Eric Liddell.[57][58]
http://en.wikipedia.org/wiki/Pha%C3%ABtonIn Greek mythology, Phaëton or Phaethon ( /ˈfeɪ.ətən/ or /ˈfeɪ.əθən/; Greek: Φαέθων "shining") was the son of Helios and the Oceanid Clymene. Alternate, less common genealogies make him a son of Clymenus by Merope[1], of Helios and Rhode (thus a full brother of the Heliadae)[2] or of Helios and Prote[3].
Perhaps the most famous version of the myth is given us through Ovid in his Metamorphoses (Book II). Phaeton seeks assurance that his mother, Clymenē, is telling the truth that his father is the sun god Helios (as her husband is Merops, a mortal king). When Phaeton obtains his father's promise to drive the sun chariot as proof, he fails to control it and the Earth is in danger of burning up when Phaeton is killed by a thunderbolt from Zeus to prevent further disaster.
The name "Phaëton", which means "shining", is also an epithet of Eosphoros, the Morning Star Venus.[4][clarification needed]
Phaethon is also the name of another minor Greek deity, the god of the wandering star Dios (the planet Jupiter).
Ovid
In the version of the myth told by Ovid in the Metamorphoses, Phaeton ascends into heaven, the home of his suspected father. His mother Clymene had boasted that his father was the sun-god Helios. Helios was especially worshipped in Rhodes, but by the 5th Century BC the Greeks had primarily replaced him with Apollo Phoebus. However, in Roman mythology the sun-god Helios is adopted again only by his Latin name Sol."[5] Phaeton went to his father who swore by the river Styx to give Phaeton anything he should ask for in order to prove his divine paternity. Phaeton wanted to drive his chariot of the sun for a day. Helios tried to talk him out of it by telling him that not even Zeus (the king of gods) would dare to drive it, as the chariot was fiery hot and the horses breathed out flames. Phaeton was adamant. When the day came, Helios anointed Phaeton's head with magic oil to keep the chariot from burning him. Phaeton was unable to control the fierce horses that drew the chariot as they sensed a weaker hand.
"...consider what impetuous force Turns stars and planets in a diff'rent course. I steer against their motions; nor am I Born back by all the current of the skye. But how cou'd you resist the orbs that roul In adverse whirls, and stem the rapid pole?"[6]
First it veered too high, so that the earth grew chill. Then it dipped too close, and the vegetation dried and burned. He accidentally turned most of Africa into desert; bringing the blood of the Ethiopians to the surface of their skin, turning it black.
"The running conflagration spreads below. But these are trivial ills: whole cities burn, And peopled kingdoms into ashes turn."[6]
Rivers and lakes began to dry up, Poseidon rose out of the sea and waved his trident in anger at the sun, but soon the heat became even too great for him and he dove to the bottom of the sea.
Eventually, Zeus was forced to intervene by striking the runaway chariot with a lightning bolt to stop it, and Phaëthon plunged into the river Eridanos. Helios, stricken with grief, refused to drive his chariot for days. Finally the other Greek gods persuaded him not to leave the world in darkness. Helios blamed Zeus for killing his son, but Zeus told him there was no other way.
The epitaph on his tomb was quite to the point:
"Here Phaëthon lies who in the sun-gods chariot fared. And though greatly he failed, more greatly he dared."[7]
This story has given rise to two latter-day meanings of "phaeton": one who drives a chariot or coach, especially at a reckless or dangerous speed, and one that would or may set the world on fire.[citation needed]
MOSCOW BOLSHOI APOLLO FIRE CHARIOT KEYS - JESUS RETURN -TWO DOUBLE HEADED EAGLE MEETING AT DELPHI ORACLE AND LEAVING THE COSMIC OMPHALOS OF RECREATION - HUMTPY DUMPTY - ORDO AB CHAO 33/ORDER FROM CHAOS 33 KEYS
LONDON 2012 OLYMPIC GAMES ZION CHARIOT KEYS - CODE 9 - 9 REVOLUTION - COSMIC TURNAROUND FROM 6 TO 9 - 3 CHAOS BLACK SUN DAYS ON WINTER SOLSTICE - JESUS/SUN RESURRECTION ON CHRISTMAS - SUN RISES ON THE WEST - BACK TO 9
Alamo/Poplar 911 Truth - 60 degrees equilateral triangle keys 60,60,60 = 666 The beast -David scarab Rockefeller prince of darkness.
60 degrees magnetic string component of the hypercube confirmed by Voyager outside the solar system.
60 degrees Uranus axis seventh planet galactic center singularity image - Urania's mirror.
Ur - Anus - Ur the first city - Anus - God Anu
9 -galactic center Ursa minor gummi red sulphur viscous bear towards the alchemical Opus Magnum in the green sulphur blue flame regeneration stage.
11 Gemini /Taurus - T- aurus Latin gold and last alchemical stage
S-even / El-even symmetry of the middle celestial arch Arch-i-medes.
12/6 = 2 Twins, Juno two faced God of the gates and month June.
Twin Gods founders of Rome - Castor and Pollux in Gemini constellation, the Dioscuri or obscure Gods.
Rhombic dodecahedron hypercube cube tomb and the Tree of life key.
Location : Hope Cemetery - Vermont - Canada
http://www.vermonter.com/hopecemetery.asp
Here we have another rhombic dodecahedron stage of the hypercube cube tomb with the three borromean fire rings of the Lord.
Member of the Odd fellows - odd numbers keys
http://en.wikipedia.org/wiki/Independen ... dd_FellowsNote the all seeing eye and the rhombic dodecahedron beehive construction Masonic key within its members
http://upload.wikimedia.org/wikipedia/c ... ellows.jpgNow check this
http://www.cfa.harvard.edu/news/2012/pr201216.htmlPress Release
Release No.: 2012-16
For Release: Tuesday, May 29, 2012 09:00:00 AM EDT
Ghostly Gamma-ray Beams Blast from Milky Way's Center
Cambridge, MA - As galaxies go, our Milky Way is pretty quiet. Active galaxies have cores that glow brightly, powered by supermassive black holes swallowing material, and often spit twin jets in opposite directions. In contrast, the Milky Way's center shows little activity. But it wasn't always so peaceful. New evidence of ghostly gamma-ray beams suggests that the Milky Way's central black hole was much more active in the past.
"These faint jets are a ghost or after-image of what existed a million years ago," said Meng Su, an astronomer at the Harvard-Smithsonian Center for Astrophysics (CfA), and lead author of a new paper in the Astrophysical Journal.
"They strengthen the case for an active galactic nucleus in the Milky Way's relatively recent past," he added.
The two beams, or jets, were revealed by NASA's Fermi space telescope. They extend from the galactic center to a distance of 27,000 light-years above and below the galactic plane. They are the first such gamma-ray jets ever found, and the only ones close enough to resolve with Fermi.
The newfound jets may be related to mysterious gamma-ray bubbles that Fermi detected in 2010. Those bubbles also stretch 27,000 light-years from the center of the Milky Way. However, where the bubbles are perpendicular to the galactic plane, the gamma-ray jets are tilted at an angle of 15 degrees. This may reflect a tilt of the accretion disk surrounding the supermassive black hole.
"The central accretion disk can warp as it spirals in toward the black hole, under the influence of the black hole's spin," explained co-author Douglas Finkbeiner of the CfA. "The magnetic field embedded in the disk therefore accelerates the jet material along the spin axis of the black hole, which may not be aligned with the Milky Way."
The two structures also formed differently. The jets were produced when plasma squirted out from the galactic center, following a corkscrew-like magnetic field that kept it tightly focused. The gamma-ray bubbles likely were created by a "wind" of hot matter blowing outward from the black hole's accretion disk. As a result, they are much broader than the narrow jets.
Both the jets and bubbles are powered by inverse Compton scattering. In that process, electrons moving near the speed of light collide with low-energy light, such as radio or infrared photons. The collision increases the energy of the photons into the gamma-ray part of the electromagnetic spectrum.
The discovery leaves open the question of when the Milky Way was last active. A minimum age can be calculated by dividing the jet's 27,000-light-year length by its approximate speed. However, it may have persisted for much longer.
"These jets probably flickered on and off as the supermassive black hole alternately gulped and sipped material," said Finkbeiner.
It would take a tremendous influx of matter for the galactic core to fire up again. Finkbeiner estimates that a molecular cloud weighing about 10,000 times as much as the Sun would be required.
"Shoving 10,000 suns into the black hole at once would do the trick. Black holes are messy eaters, so some of that material would spew out and power the jets," he said.
Headquartered in Cambridge, Mass., the Harvard-Smithsonian Center for Astrophysics (CfA) is a joint collaboration between the Smithsonian Astrophysical Observatory and the Harvard College Observatory. CfA scientists, organized into six research divisions, study the origin, evolution and ultimate fate of the universe.
For more information, contact:
For more information, contact:
David A. Aguilar
Director of Public Affairs
Harvard-Smithsonian Center for Astrophysics
617-495-7462
daguilar@cfa.harvard.eduChristine Pulliam
Public Affairs Specialist
Harvard-Smithsonian Center for Astrophysics
617-495-7463
cpulliam@cfa.harvard.edu
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