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MARIA MAGDALENA - SANTO GRIAL: GENESIS 49:8,12 LEONARDO DA VINCI-DECODIFICADO
Triar un altre plafó de missatges |
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LEONARDO DAVINCI
LEON (LEON de la tribu de JUDA)
NARDO=UNGIMIENTO DE BETANIA
Busqueda para NARDO
 ¿PORQUE MARIA MAGDALENA UNGE LOS PIES DE JESUS EN
EL NARDO TIENE UN FUERTE NEXO CON MARIA MAGDALENA EN CONTEXTO AL UNGIMIENTO DE BETANIA
Entonces María tomó una libra de perfume de NARDO puro, de mucho precio, y ungió los pies de Jesús, y los enjugó con sus cabellos; y la casa se llenó del olor del perfume.
DAVID
VID/VINO/GRIAL
VIDA
1232. Salmos 128:3: Tu mujer será como VID que lleva fruto a los lados de tu casa;
Tus hijos como plantas de olivo alrededor de tu mesa.
GENESIS 49
49:8 Judá, te alabarán tus hermanos; Tu mano en la cerviz de tus enemigos; Los hijos de tu padre se inclinarán a ti.
49:9 Cachorro de león, Judá; De la presa subiste, hijo mío. Se encorvó, se echó como león, Así como león viejo: ¿quién lo despertará?
49:10 No será quitado el cetro de Judá, Ni el legislador de entre sus pies, Hasta que venga Siloh; Y a él se congregarán los pueblos.
¿PORQUE MARIA MAGDALENA UNGE LOS PIES DE JESUS EN 49:11 Atando a la vid su pollino, Y a la cepa el hijo de su asna, Lavó en el vino su vestido, Y en la sangre de uvas su manto. 49:12 Sus ojos, rojos del vino, Y sus dientes blancos de la leche. (LAODICEA=ILUMINACION=APOCALIPSIS 3:14. LA ILUMINACION en la tora tiene un fuerte contexto con MARIA MAGDALENA Y EL SANTO GRIAL. En la pelicula "EL CODIGO DA VINCI" cuando ROBERT LANGDON Y SOPHIE NEVEU van a la mansion del INGLES SIR LEIGH TEABING es increible que PREVIO A QUE ESTE ULTIMO le revele a SOPHIE el nexo de MARIA MAGDALENA CON LEONARDO DA VINCI le hace cerrar los ojos y le pregunta de cuantas copas habia en la mesa en la SANTA CENA y justamente ella responde que una sola. TEABING, un ingles, cuando SOPHIE abre los ojos (ILUMINACION) le muestra que en dicha pintura no hay ninguna copa y que el GRIAL ES JUSTAMENTE LA MUJER QUE ESTA A LA DERECHA DEL SEÑOR CON PELO ROJIZO. LA ILUMINACION EN LA TORA ESTA 100% INTERRELACIONADA CON LA ESPOSA DE NUESTRO SEÑOR JESUCRISTO)
SABADO=SABIDURIA=SO-PHI-A
SOPHIE NEVEU
SIR TEABING EN YOU TUBE
1. Cantares 1:12: Mientras el rey estaba en su reclinatorio, Mi NARDO dio su olor.
2. Cantares 4:13: Tus renuevos son paraíso de granados, con frutos suaves, De flores de alheña y NARDOs;
3. Cantares 4:14: NARDO y azafrán, caña aromática y canela, Con todos los árboles de incienso; Mirra y áloes, con todas las principales especias aromáticas.
4. Marcos 14:3: Pero estando él en Betania, en casa de Simón el leproso, y sentado a la mesa, vino una mujer con un vaso de alabastro de perfume de NARDO puro de mucho precio; y quebrando el vaso de alabastro, se lo derramó sobre su cabeza.
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flor de lis/scorpion
La fleur de lis, Robert Langdon y Sophie la encuentran en el contexto a una llave detras de un cuadro de Leonardo Da Vinci (Maddona y el niño/Virgen de las Rocas) en la piramide de Louvre. La fleur de lis, tiene una forma similar al escorpion, y en la tora tiene fuerte nexo con Salomon. LA PUERTA DE ORO, tiene nexo con la CONSTELACION DE SCORPION y SAGITARIO.
LA CONSTELACION DE SCORPION ANTIGUAMENTE TENIA RELACION CON EL AGUILA. LA FLEUR DE LIS tiene fuerte relacion esoterica en el CODIGO DA VINCI e incluso cuando SOPHIE Y ROBERT LANGDON, INGRESAN LA CLAVE QUE ES LA SERIE DE PHIBONACCI en un BANCO, LO HACEN CON UNA LLAVE CON LA FORMA DE LA FLEUR DE LIS. ¿CASUALIDAD O CAUSALIDAD QUE LAS CRISIS ECONOMICAS MUNDIALES SON TODAS EN OCTUBRE? HAY UN OBVIO NEXO CON EL ESCORPION. EN LA ERA DE ACUARIO, EL SOLSTICIO DE INVIERNO ES EN LA CONSTELACION DE SCORPION.
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 this is the Universal Symbol of Sufism this is the Book of Love by Good King Rene  the winged heart Crescent moon and Scimitar are symbols of the Mystic Shrine The crescent moon is associated with Luna the Virgin Diana Mother Mary stands on the crescent moon Mother Mary is associated with roses as well as Our Lady Sufis symbols are the rose and the crescent moon it is connected to Women and birth often more babies are delivered on a full moon
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ANK / AN- K / ANU KEY / KEY OF LIFE
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The Anunnaki and the Ark of the Covenant
The following channeling by Earlyne Chaney resonates strongly even though there are some minor differences to what we have been told by the Goddess Inanna and King Solomon about the Anunnaki and the Ark of Covenant that we will explain in future articles. Earlyne claims that she channelled Kuthumi, the Virgin Mary and Zoser an Egyptian Pharaoh.
 “Ages ago, there came to this planet an influx of advanced souls from other planets and stars in distant galaxies. – possibly Sirius. They came under command to advance the evolution of Earth-man through intermarriage with the daughters of Earth Beings. These children became the ‘men of renown’ – the giants of old, the offspring of a ‘God’ father and an Earth mother. Lets refer to those arriving from space as the Anunnaki, and their offspring the Annu. The space travelers brought with them instruments called ‘Arks of the Covenants’. These Arks projected light beams similar to lasers, but much more advanced. With the Ark-Rays, the Anunnaki built the civilizations that flourished in South America, Mexico, Yucatan, Tibet, Egypt and various other sites. They formed the order of Melchizedek, functioning through the mystery schools of antiquity. The Annu, the children of the Anunnaki were initiated into the Greater Mysteries, while the populace, the Earth-men were taught the Lesser Mysteries.
The Anunnaki and the Annu, with their Ark-Light, built magnificent structures using the rays to hew stone. The rays nullified gravity, allowing them to be transported from great distances and levitated into place. These Arks were like miniature nuclear reactors in that the force emitting from them could “electrocute” any Being touching them, unless the physical form was insulated against its power. Much as live wires destroy life-force, so powerfully charged were the Arks, their power had to be carefully controlled.
The Anunnaki and the Annu who were called the Builders, were the High Initiates of the Mysteries,and wore about their necks a miniature Ark, called the Ankh . These could only be worn by those capable of charging their natural force with physical force, through mind power. The beams from the Ankhs, were capable of being used as a death ray in the hands of unscrupulous operators. Thus they were restricted to High Priests and Priestesses of the Holy Mysteries. These children of Light wore special clothing, like our present orgone suits, to protect them from the rays and radiations of the Ark and Ankh beams.
These Anunnaki and their off- spring the Annu, built the great civilization of Lemuria and later Atlantis. Then the Anunnaki departed, leaving the evolution of Earth in the hands of the Annu. As time went on, Atlantis began to be taken over by the Sons of Belial, the Dark Brotherhood. The Annu, realizing that the destruction of Atlantis was approaching, fled to other lands especially Egypt, where they helped to build the pyramids and monuments with their Arks of the Covenant. However they also used the Arks to bore deep into the Earth, building underground cities and tunnels. When the deluge and pole shift finally struck Atlantis and Lemuria, the Annu entered their inner Earth cities through the Great Pyramid. They sealed the pyramid, preventing the Earth-men from discovering the underground passages and keeping the waters of the flood from entering. The Egyptian Government has found many of these tunnels, and has tried to explore them for some 50 years, or more. The civilizations of the Yucatan, Peru, Brazil, Cambodia and Tibet also went underground.
As the Ages passed, the power invested in the Mystery Schools began to be challenged by the Earthmen, who progressing in their own way demanded increased involvement in their destiny. But being unschooled in the technology of the Arks of Fire, of the power of the elements and the control thereof, failed to measure to the higher soul requirements. Ever quarreling, ever warlike, ever disputing, too busy were they to truly master the craft of the Builders. But their efforts to master the Builders rather than the craft caused planetary destruction. The planet, responding to the overpowering thought energy of darkness, as it usually does, gradually lost its magnetic force-field. The result was the sinking of Atlantis, massive destruction and chaos across the planet as Mother Earth cleansed herself of the negative forces. Man was once more left to start a new beginning, and bring with him those distant memories of a great epoch in his evolution. Those that were taken to the Inner Earth joined an advanced civilization, that will yet surface to once more greet its Brothers and Sisters.”
It should be remembered that it was the Anunnaki who came to Earth and presented themselves as Gods, who have since turned to the Light, and now work for the liberation of the Human Race.
http://esophoria.org/the-anunnaki-and-the-ark-of-the-covenant/
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LLAVE DE DAVID/SALOMON - RELACION CON LA SEÑAL DE JONAS/ETIOPIA, MARIA LA MAGDALENA Y JUAN MARCOS
La clave de la "señal de Jonas", en Mateo 12:40, en el contexto a la REINA DE SABA QUE ERA DE ETIOPIA, justo adonde esta la curva del Nilo a 33 Oeste y 19.47 Norte, es justamente JUAN MARCOS QUE PREDICO EN ETIOPIA Y JUSTAMENTE ES EL PADRE DE LA IGLESIA COPTA. LA NUEVA "ARCA PERDIDA ESPIRITUAL" ES JUAN MARCOS. Recordemos que el antigua ARCA PERDIDA fue escondida por Jeremias. Esto explica de la fuerte relacion del ARCA DEL CONVENIO, con la estrella SIRIO. LA RELACION 911, CON EL AÑO NUEVO COPTO, ESCONDE ESE MENSAJE en el contexto insisto a que en dicho calendario el 11 de Septiembre es el primer dia del año.
MATEO 12
33. O haced el árbol bueno, y su fruto bueno, o haced el árbol malo, y su fruto malo; porque por el fruto se conoce el árbol. (Nuestro Señor hace referencia primero a el mismo, pero esotericamente tambien esta haciendo referencia al GRIAL. EL ARBOL, nexo con el TERCER DIA DE LA CREACION, simboliza a la madre y el fruto al hijo. LA RESURRECCION DE NUESTRO SEÑOR SIMBOLIZA A LA RESURRECCION DEL AVE PHOENIX, OSEA EL GRIAL. ¿PORQUE CREE USTED QUE CRISTO SE LE APARECIO POR PRIMERA VEZ A MAGDALENA LUEGO DE SU RESURRECCION? GLORIA A YHWH TODOPODEROSO QUE SU PALABRA ESTA CODIFICADA EN TODO.)
34. ¡Generación de víboras! ¿Cómo podéis hablar lo bueno, siendo malos? Porque de la abundancia del corazón habla la boca. (Nuestro SEÑOR IRONIZA LLAMANDOLES A LOS FARISEOS "GENERACION DE VIBORAS O GENERACION DE LA SERPIENTE". EN SUS CARAS LE ESTA DANDO EL CODIGO, PERO $$$$ ES LO QUE LOS PONE CIEGOS. LA SERPIENTE ES UN NEXO CON DAN, GENESIS 49, QUE RELACIONA ESOTERICAMENTE CON ADAN. EL CODIGO DEL GRIAL ESTA EN EL MISMO SIMBOLO DEL DOLAR.)
35. El hombre bueno, del buen tesoro del corazón saca buenas cosas; y el hombre malo, del mal tesoro saca malas cosas.
36. Mas yo os digo que de toda palabra ociosa que hablen los hombres, de ella darán cuenta en el día del juicio. (El 911, en el contexto al verdadero calendario LUNI-SOLAR HEBREO FUE EN EL DIA DEL JUICIO, OSEA EN EL DIA DE LA EXPIACION, EL 9/10 DE TISRI O DEL SEPTIMO MES)
37. Porque por tus palabras serás justificado, y por tus palabras serás condenado.
38. Entonces respondieron algunos de los escribas y de los fariseos, diciendo: Maestro, deseamos ver de ti señal.
39. El respondió y les dijo: La generación mala y adúltera demanda señal; pero señal no le será dada, sino la señal del profeta Jonás.
40. Porque como estuvo Jonás en el vientre del gran pez tres días y tres noches, así estará el Hijo del Hombre en el corazón de la tierra tres días y tres noches. (33 ES EL NUMERO DEL GRIAL)
41. Los hombres de Nínive se levantarán en el juicio con esta generación, y la condenarán; porque ellos se arrepintieron a la predicación de Jonás, y he aquí más que Jonás en este lugar.
42. La reina del Sur se levantaráen el juicio con esta generación, y la condenará; porque ella vino de los fines de la tierra para oír la sabiduría de Salomón, y he aquí más que Salomón en este lugar. (Aqui esta la clave. JUAN MARCOS ES EL PADRE, INSISTO, DE LA IGLESIA COPTA, ubicada principalmente en ETIOPIA. MARIA LA MAGDALENA/JUAN MARCOS ES LA NUEVA ARCA PERDIDA. SABIDURIA/SOPHIA/NUMERO DE ORO PHI/ORO REFINADO/SANTO GRIAL.)
ESCALERA DE JACOB
SABIDURIA/SABADO/ SOPHIA/PHI=1.618033
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La Madeleine, Paris
From Wikipedia, the free encyclopedia
L'église de la Madeleine (French pronunciation: [leɡliːz də la madəlɛn], Madeleine Church; more formally, L'église Sainte-Marie-Madeleine; less formally, just La Madeleine) is a Roman Catholic church occupying a commanding position in the 8th arrondissement of Paris.
The Madeleine Church was designed in its present form as a temple to the glory of Napoleon's army. To its south lies the Place de la Concorde, to the east is the Place Vendôme, and to the west L'église Saint-Augustin.
[edit] History
The site of this edifice, centred at the end of rue Royale, a line-of-sight between Gabriel's twin hôtels in the Place de la Concorde, required a suitably monumental end from the time the square was established in 1755, as Place Louis XV. The settlement round the site was called Ville l'Évêque, for it had belonged to the bishop of Paris since the time of Philip II of France, when Bishop Maurice de Sully seized the synagogue that stood on the site from the Jews of Paris in 1182, and consecrated it a church dedicated to Mary Magdalene. The site in the suburban faubourg had been annexed to the city of Paris since 1722.
Two false starts were made on building a church on this site. The reconstruction of the older church consecrated to Mary Magdalene was considered. The first design, commissioned in 1757, with construction begun with the King's ceremonial placing of the cornerstone, April 3, 1763, was halted in 1764; that first design, by Pierre Contant d'Ivry, was based on Jules Hardouin Mansart Late Baroque church of Les Invalides, with a dome surmounting a Latin cross. In 1777, Contant d'Ivry died and was replaced by his pupil Guillaume-Martin Couture, who decided to start anew, razing the incomplete construction, shortening the nave and basing his new, more centralized design on the Roman Pantheon. At the start of the Revolution of 1789, however, only the foundations and the grand portico had been finished; the choir of the former church was demolished in 1797, but work was discontinued while debate simmered as to what purpose the eventual building might serve in Revolutionary France: a library, a public ballroom, and a marketplace were all suggested. In the meantime, the National Assembly was housed in the Palais Bourbon behind a pedimented colonnaded front that was inspired by the completed portico at the far end of the former rue Royale.
After the execution of Louis XVI his body was immediately transported to the old Church of the Madeleine (demolished in 1799), since the legislation in force forbade burial of his remains beside those of his father, the Dauphin Louis de France, at Sens. Two curates who had sworn fealty to the Revolution held a short memorial service at the church. One of them, Damoureau, stated in evidence:
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Arriving at the cemetery, I called for silence. A detachment of Gendarmes showed us the body. It was clothed in a white vest and grey silk breeches with matching stockings. We chanted Vespers and the service for the dead. In pursuance of an executive order, the body lying in its open coffin was thrown on to a bed of quicklime at the bottom of the pit and covered by one of earth, the whole being firmly and thoroughly tamped down. Louis XVI's head was placed at his feet. |
” |
On 21 January 1815 Louis XVI and his wife's remains were re-buried in the Basilica of Saint-Denis where in 1816 his brother, King Louis XVIII, had a funerary monument erected by Edme Gaulle.
In 1806 Napoleon made his decision to erect a memorial, a Temple de la Gloire de la Grande Armée ("Temple to the Glory of the Great Army"); following an elaborate competition with numerous entries and a jury that decided on a design by the architect Claude Étienne de Beaumont (1757–1811), the Emperor trumped all, instead commissioning Pierre-Alexandre Vignon (1763–1828) to build his design on an antique temple (Compare the Maison Carrée, in Nîmes) The then-existing foundations were razed, preserving the standing columns, and work begun anew. With completion of the Arc de Triomphe du Carrousel in 1808, the original commemorative role for the temple was blunted.
After the fall of Napoleon, with the Catholic reaction during the Restoration, King Louis XVIII determined that the structure would be used as a church, dedicated to Mary Magdalene. Vignon died in 1828 before completing the project and was replaced by Jacques-Marie Huvé. A new competition was set up in 1828-29, to determine the design for sculptures for the pediment, a Last Judgment, in which Mary Magdalene knelt to intercede for the Damned; the winner was Philippe Joseph Henri Lemaire. The July Monarchy rededicated the monument of repentance for Revolution as a monument of national reconciliation, and the nave was vaulted in 1831. In 1837 it was briefly suggested that the building might best be utilized as a train station, but the building was finally consecrated as a church in 1842.
The funeral of Chopin at the Church of the Madeleine in Paris was delayed almost two weeks, until October 30, 1849. Chopin had requested that Mozart's Requiem be sung. The Requiem had major parts for female voices, but the Church of the Madeleine had never permitted female singers in its choir. The Church finally relented, on condition that the female singers remain behind a black velvet curtain.
[edit] Architecture
Interior of the Église de la Madeleine, Paris
The Madeleine is built in the Neo-Classical style and was inspired by the Maison Carrée at Nîmes, one of the best-preserved of all Roman temples. Its fifty-two Corinthian columns, each 20 metres high, are carried around the entire building. The pediment sculpture of the Last Judgement is by Lemaire, and the church's bronze doors bear reliefs representing the Ten Commandments. Its size is 354 feet (108 meters) long and 141 feet (43 meters) wide.
Inside, the church has a single nave with three domes over wide arched bays, lavishly gilded in a decor inspired as much by Roman baths as by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being lifted up by angels which evokes the tradition concerning ectasy which she entered in her daily prayer while in seclusion. The half-dome above the altar is frescoed by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with — a sign of its Second Empire date — Napoleon occupying centre stage.
The Madeleine is a parish of the Archdiocese of Paris. Masses and other religious services are celebrated daily. Funerals and the most fashionable weddings in Paris are still celebrated here. In the basement of the Church (entrance on the Flower Market side) is The Foyer de la Madeleine. Typical of various foyers run by religious and civic groups throughout France the Madeleine is the home of a restaurant open from Monday to Friday 11:30 am to 2:00 pm except holidays, school vacations and the month of August. For a yearly subscription fee of 3 Euros one can dine under the vaulted ceilings on a three course French meal served by volunteers for the price of 7.50 Euros. After dining one can take coffee in a lounge at the far end of the foyer for one of the cheapest espressos in Paris, 70 centimes. The walls of the Foyer are often decorated by local artists.
[edit] Organ and organists
The church has a celebrated pipe organ, built by Aristide Cavaillé-Coll in 1845. It was restored by Cavaille-Coll's successor Charles Mutin in 1927, who also extended the manuals to 56 notes. Tonal modifications were carried out by Roethinger, Danion-Gonzalez, and Dargassies in 1957, 1971 and 1988 respectively. The position of titular organist has been held by many major organists and composers over the years:
http://en.wikipedia.org/wiki/La_Madeleine,_Paris |
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The "great army" is precisely the name of one of the 12 streets that extend from the famous circular road that surrounds the Arc de Triomphe ("Place Charles de Gaulle"), which is called in French, "Grande Armee". 'Grand Armee' is not only one of the 12 streets but it's the direct extension of the main street, 'Champs Elysees' (Elysian Fields). The "mountains" is likely an allusion to the Arc de Triomphe which stands in between 'Champs Elysees' and 'Grande Armee' Here are pictures showing the relevant region of Paris and the relationship of the Grande Armee avenue, Arc de Triomphe, and the Elysian Fields.
· Red region = Arc de Triomphe & Place Charles de Gaulle
· Purple street = Grande Armee avenue
· Blue street = Elysian Fields
 The "Arc" is obviously a reference to the' Arc de Triomphe'. And the notion is strengthened by the word right after "Arc", "turning" - which implies circular movement/shape and nicely corresponds to the famous circular road going around the Arc de Triomphe (see the picture at right). The phrase "Saturn in the Arc" corroborates the Saturn-ark connection we've made.
The latter half, "turning/corner of the fish Mars" can be interpreted in a quite different and symbolic way, and it is necessary to use a map of the relevant region of Paris again:
As you can see, the Elysian Fields, the Arc de Triomphe etc. are placed right beside the Seine River. Interestingly, on the other side of the river, there is a garden called the "Field of Mars" ('Champ de Mars') in which stands Paris' landmark, the Eiffel Tower. This is reinforcing the relevance of Mars. Now, the word 'Seine' (name the river) means "fishing net". That metaphorically makes (the Field of) Mars the "fish" trapped in the net. This would also make the same region where the river is turning 90 degrees the "corner of the 'fish-Mars'" to fit Line 2.
The "fish" also correlates with Sirius because the Dogon tradition tells us that the "Nommos" that supposedly came from the Sirius system were fish-like (and yes, we're now getting into the issue of extraterrestrial intelligence). So the phrase 'fish Mars' again associates Sirius with Mars.
The very first word, "poison", creates an interesting connection with Line 2 because the French word for "fish" is "poisson" which is nearly identical, both in spelling and pronunciation, to the word 'poison' which is also a French word for poison. Thus, combined with the last word of the line "salmon", the notion of 'fish' seems to be emphasized. Interestingly, the original French word used for 'poison' was actually 'Venins' which resembles Venus. It seems relevant, therefore, that Venus goes retrograde (i.e. reversing its apparent movement in the sky) during the key period of August 1999, corresponding to "salmon" (which is known to swim against the current) of the same line and also to the previous line's expression, "turning of the fish".  This last line of the quatrain strongly reinforces the concepts put forward by the interpretation of the previous lines. The last word of the line "polemars" is not a real word, most likely it's a made-up word / anagram. Decoding is not that difficult - first we'll divide it into two words, 'pole' and 'Mars'. Continued from previous interpretations, it is not hard to see that the "pole" would refer to the 'Eiffel Tower' that stands in the' Field of Mars'.
To decipher the whole line, we need to take a closer look at the map of the region of the 'Field of Mars':
 Notice that the park, the Field of Mars ("Champ de Mars"), seemingly crosses over the river. The Seine River can be viewed as dividing the park and there is a bridge connecting the two parts. Since the park area can be viewed metaphorically as "fish" based on previous interpretations, notice how the park left of the river can be viewed as the "head" of the fish barely 'hanging on' to the body, the Field of Mars, by the bridge or the "thread" from "polemars" / the Field of Mars. Thus it would fit Line 4.
Also, since the French word "fil", which I translated here as "thread", could also mean 'stream', the line could also interpreted like this: "Their head hung by the stream of the Field of Mars". This would still be metaphorically describing how the Seine River is dividing the Field of Mars and its "head".
And that's basically how Quatrain II-48 relates to Paris (and through which to the 'Sirius/ark complex')... but there is one last thing to add to all this. And this is my favorite part :) Well, we've looked at every line of the quatrain, so what's left? Ah, yes we left out the number of the quatrain 2 and 48. Why, of course, those numbers are the coordinates of Paris (Paris: 2.3 deg. E & 48.8 deg. N)!
Now let's shift our focus back to II-41 and do more in-depth study:
Century II - 41
The great star will burn for seven days,
The cloud will make double sun appear:
The large mastiff will howl all night
When the great pontiff changes his abode.
Like earlier pointed out, 'great star', 'burn', and 'seven' relate to Sirius. Now we can associate the "great star" with the Place Charles de Gaulle (Arc de Triomphe + the surrounding circular "square") since it was originally called the Place d'Etoile or 'Square of the Star', further linking the two quatrains II-41 and II-48.
From a slightly different angle, the fragments of Comet SL-9 'burned' Jupiter for about '7 days' in July 1994 and caught the attention of the world. The dates of this 'light show' were July 16~22 which roughly coincides with one of the key 'Sirius dates', July 20, mentioned earlier. Moreover, the dates July 16~22 very closely matches the dates of the historic Apollo 11 mission - first ever manned landing on the Moon - which were July 16~24 (and the landing occurred on the key date, July 20). This is meaningful especially when you consider the fact that Apollo the sun god could be identified with Horus the sun god (the son of Isis, and earlier associated with Sirius and Mars). Recall also that July 20 was associated with the 'flood' (of the Nile) in conjunction with Sirius. In Greco-Roman mythology, the god who causes the Flood to punish mankind is Jupiter - the very planet Comet SL-9 crashed into. And Jupiter was mythologically associated with the 'eagle' - the very name of the spacecraft that landed on the moon on that exact flood/Sirius date, July 20 (1969)!
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Comet ISON's
Countdown To Grail Resurrection
By STRUG writing team (Goro, Marissa, Patrick)
January 17, 2012
Comet ISON (C/2012 S1) is no ordinary comet. Astronomers are expecting it will be the 'Comet of the Century'. If it doesn't fizzle, it will indeed become one of the brightest comets in history. It's going to be spectacular...
There is also a fascinating 'esoteric' side to this comet only few are aware of. The comet comes bearing a 'hidden message' for mankind, a 'riddle' that requires some multi-contextual decoding before we can even begin to understand. Comet ISON cannot be fully understood without first identifying its terrestrial 'dance partner', which happens to be the birth of a royal baby...
'Grail Rebirth'...
Officially designated C/2012 S1, Comet ISON was recently discovered on September 21, 2012 by Russian astronomers Vitaly Nevsky and Artyom Novichonok through the International Scientific Optical Network which is where the comet got its name (ISON). Just as we saw with Comet Lovejoy back in December 2011, ISON is a Sun-grazing comet, making a remarkable approach towards the Sun as it reaches 100 times closer than the Earth late November 2013. That's when ISON is going to burn across our skies, a Promethean beacon of hidden knowledge, a light display so intense it may become visible to the naked eye during daytime.
After its death-defying dance with the Sun, ISON will make its closest approach to Earth on December 26, 2013, or Boxing Day, exactly 9 years after the monstrous Sumatra 'Birthquake' (mega-quake & tsunami). An intriguing coincidence as there were exactly 8 years minus a few days between that modern 'Great Flood' event and the Mayan 'end of time' December 21, 2012, matching, almost to the day, the duration of the Venus-Earth orbital pentagram cycle.
[Venus-Earth orbital pentagram synchronization]
[Same duration between Sumatra & Mayan "end" date]
[Perfectly timed Sumatra echo via film 'The Impossible']
The Impossible(film based on true story about Sumatra tsunami)Released on December 21, 2012 in North America
It was also right around December 2012 that mankind began opening the door to the Antarctic Underworld, perfectly timed to coincide with Kate Middleton's pregnancy (announced in Dec 2012), reminding us that this unfolding "rebirth" is one rising out of the Underworld.
Sep 07, 2012 Quest to reach buried Antarctic lake in December
Dec 12 British Scientists search for life under Antarctic ice
Dec 17 British Antarctic Drilling effort runs into trouble
Dec 18 Part of Antarctica to be named "Queen Elizabeth Land"
Dec 27 Lake Ellsworth Antarctic drilling project called off
Jan 10, 2013 Russians take new samples from Antarctica's
sub-glacial Lake Vostok
As ISON reaches perihelion and attains peak brightness late November 2013, we will also see Venus reaching its greatest brilliancy as the Evening Star around early December. Behind the scenes this has been a major piece of the puzzle with some 'prophetic' implications. Even months before the royal pregnancy announcement, Goro was highlighting the 2013 Evening Star period as a probable royal baby birth window, an insight based on our unique pattern observations regarding the Trojan War/Golden Apple theme discussed in our previous writings.
In Greek mythology, Hesperus is the Evening Star, the planet Venus in the evening. He is the son of the dawn goddess Eos (Roman Aurora) and is the brother of Eosphorus (also called Phosphorus, and Lucifer), the son of the morning.
It was imperative that we understood Hesperus as the origin of the name 'Hesperides' who are mythological nymphs tending the garden of immortality-giving golden apples guarded by a never-sleeping dragon...
- The Trojan War/Golden Apple was a predominant theme in 2012
- Golden Apples are inseparable from the Hesperides
- The Hesperides are inseparable from the Evening Star (= Hesperus)
- Venus turns into the Evening Star in 2013 (from April)
At any rate, it was at the 2012 London Olympics and especially the Paralympics that we were given big clues...
  [Phoenix scene from closing ceremony of London Olympics]
- August 29, 2012 = Paralympics opening ceremony
- August 29 = birthday of Hathor, goddess of flood & childbirth
- August 29, 2012 = Hurricane Isaac landfall/flood
- "Isaac" as in Isaac Newton
- Hurricane Isaac widely viewed as "Katrina #2"
- August 29 = Katrina landfall/great flood anniversary
- Katrina = Catherine = Kate (Middleton)
- Great flood = water breaking = birth
These were also collectively an omen for some serious darkness that was in store for us at the end of 2012...
The name 'Newton' derives from 'New town'... or 'Newtown'.
The Newtown massacre happened less than 2 weeks after Kate's pregnancy announcement...
We all tried to come to grips with that unspeakable tragedy in Newtown (Newton). And it was only months before this when Hurricane Sandy - as in 'Sandy Hook' - ravaged the US east coast, especially in NJ and NYC which is the Big Apple. It was a double whammy that shook the nation to its core.
Super/Trojan storm Sandy was preceded by Hurricane Isaac making landfall in the US Gulf coast just like Katrina (Kate) on the latter's anniversary, which was also the day of the Paralympics opening ceremony. 'Isaac' as in Isaac Newton...
Evidently there is an extraordinary amount of emphasis placed on all things 'Newton' in the trans-contextual flow of things. But why? Because of the Newton massacre? (It's been described as the saddest day in the US since 9/11.) That must surely be part of it. But was it the cause, or the effect? (Or both?) Could it be that there is a larger picture here that bears the name 'Newton'? Could it be that it has something to do with the upcoming great light show in the sky (unless it fizzles, which remains a possibility), i.e. the incoming comet ISON?
Turns out, yes, ISON is considered something of a... 'Newton's Comet'!
A comet found recently beyond the orbit of Jupiter could well become spectacular late next year and may be a sibling of one of the most celebrated comets of all time. [...]
[Comet ISON's] orbit resembles that of Kirch's Comet, the Great Comet of 1680... After becoming the first comet to be discovered telescopically, this brightened enough to be glimpsed in broad daylight. Sir Isaac Newton was also to demonstrate that the comet's parabolic orbit was perfect harmony with his law of universal gravitation, promulgated only seven year later in his famous work, the Principia. As a consequence, the comet is also known as Newton's Comet.
This is not to say that the comet of 1680 and Comet ISON are the same object since both probably take thousands of years to orbit the Sun. However, it is possible that both are fragments, albeit substantial ones, of a comet that broke apart many thousands of years ago when the heat stress at perihelion became too much. [...]
Basically, astronomers think ISON probably comes from the same 'parent' comet as Newton's. Wow.
That's not all...
It was during King Charles II's reign that Newton's Comet was last seen. Prince William is the first (male) heir to the UK throne directly descended from Charles II, a key fact underlying the whole idea of resurrecting (or unifying) the Jacobite Stuart 'Grail' bloodline discussed in our earlier article 'Lucifer's Destiny'.
In this way we are witnessing the symbolic or literal fulfillment of the 'Once and Future King' rising out of Avalon. And Comet ISON is here to mark the special occasion... reflecting the rise of an Atlantean New World from the Dark Rift.
The idea of the 'Grail bloodline' was recently popularized through The Da Vinci Code, all about apples/the Grail/Priory of Sion/ and the messianic bloodline.
Regardless of historical accuracy, the Priory of Sion are now popularly thought of as protectors of the Grail, and we discover it has a large part to play in decoding the message of ISON.
It's a simple anagram, ISON is Sion, as in Priory of Sion. Not only that, Isaac Newton is listed in the 'Priory Documents' at the heart of the whole Rennes-le-Chateau mystery as one of the grand masters of this very organization!
The Grail is returning...
It was New Year's Day of 2012, when the transmission began... maybe it didn't register for most, but for us, it was loud and clear as it screamed GRAIL, quite literally, as NASA's GRAIL twin probes 'Ebb' and 'Flow' had finally reached their orbit around the Moon (Diana)... to measure its gravitational field. (Gravity => Newton.) Initially launched back on Sep. 9, 2011, the GRAIL was very blatantly telling us to watch the Diana/Grail bloodline, hinting to us 'Grail pregnancy' via Kate Middleton.
Almost a year later on December 17, 2012, these probes were purposely crashed into the Moon (womb). This was just days after the Newtown massacre as well as the news of Kate Middleton's pregnancy which was hastily announced after she was hospitalized for severe morning sickness, or 'Hyperemesis Gravidarum', which is more common during pregnancies of more than one child. Perhaps the GRAIL twin probes were alluding to more than just Grail rebirth, maybe it was hinting 'twins'. Not twin babies literally, but something else... Something in the sky.
Indeed, right around the time of the birth of the Grail baby, which is expected around mid July, we are going to 'see' (imperceptible to the naked eye) an amazing conjunction between the Sun and ISON... in Gemini, the Twins!
So it will be a 'twin' birth, even with just one baby. 'As above, so below'.
Signs are everywhere for this momentous Rebirth, not just for the Grail, the royal baby, or the bloodline, but for the entire human kind. Remember that we are now becoming a truly space-faring species, coming out of the tomb/womb of the planet Earth (see previous articles). It's unfolding on all levels of reality, micro and macro. It's fractal. What we see out there is a reflection of what we can't see happening inside. Everything is connected. Atlantis rising...
2013 is going to be one hell of a year.http://www.goroadachi.com/etemenanki/comet_ison.html
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Father Silence wrote:
roscoe wrote:
Be this as it may, who gives a sh_t. It gets tolerated on this thread because FMH999 isn't saying anything and the Delacroix painting is in a cathedral that is firmly planted on the Roseline meridian.
The Paris Meridian passes about 100 metres from St. Sulpice. The meridian in your diagram refers only to the gnomon in the floor of the church. Father Silence
Yes and it's called the Rose Line. Please keep up.  St Germain des Pres Saint Sulpice.
Quote:
"turn around passing the site of the rose of the P to that of the S, then from the S to the P ... and the spiral in my mind becoming like a monstrous octopus expelling its ink,"
Le Serpent Rouge. The Rose Line passes through both St Germain des Pres and Saint Sulpice. The Paris meridian passes through the Observatory.   P to the S and the summer solstice. The summer solstice occurs during Cancer. The sign for Cancer in ancient Greek astrology is an Octopus. Incidently the street between St Germain des Pres and Saint Sulpice is called Rue Lobineau. The Abbey of Saint Germain des Pres outside ancient Paris was the former burial place of the Merovingian kings. From 1275 to 1636, the pillory of the Abbey was located in the current Place d'Acadie,
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 The spot on this specially orientated tile at Chartres comes from the stained glass window of St Apollonaire at the Summer Solstice.So what does A MIDI POMMES BLEUES mean? Refers to Saint Sulpice. Both the equinoxes spots appear in front of La Poulpe - The Octopus. The Ancient Greek symbol for the constellation of Cancer is an Octopus. (the Summer Solstice occurs during Cancer) St Germain des PresSaint Sulpice.
Quote:
"turn around passing the site of the rose of the P to that of the S, then from the S to the P ... and the spiral in my mind becoming like a monstrous octopus expelling its ink,"
Le Serpent Rouge. The Rose Line passes through both St Germain des Pres and Saint Sulpice. Not important? Will someone then explain to me why the French (as we speak) are marking out the Paris Meridian with Lime trees?  The PARIS Meridienne marker at Saint Martin du Tertre. Next to the Carnelle Forest - The Forest of Stones, jampacked full of megaliths and this long barrow. 
Quote:
Stone Turquaise 49 ° 6'22 "N 2 ° 18'48" E This megalith monument is known to be the most important prehistoric monument in the Ile-de-France. It was strangely a victim of an unsuccessful attack with explosives on the night of 14 to 15 December 1985. It is the only known "anti-Neolithic" attack in history.
How interesting! The French really are odd aren't they? Remember they tried to blow up the Greenwich Observatory during Sauniere's lifetime. And they mark out a redundant meridian in the 21st century with lime trees. So after this little soiree away from the subject (Heliodorus and bloody Maccabees et al)it's back to REAL RENNES LE CHATEAU STONES and LA VRAIE LANGUE CELTIQUE ET LE CROMLECK DE RENNES-LES-BAINS. A subject it seems (along with the Cathars) that nobody wishes to talk about.
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Aunque parezca mentira el 911 es un RITO MASONICO CON FUERTE CONNOTASION CON YOM KIPUR. Considerando LA LUNA LLENA EL 2 DE SEPTIEMBRE el 11 del mismo mes CAE EXACTAMENTE EN EL DIA DE LA EXPIACION O YOM KIPUR, fiesta hebrea con FUERTE RELACION CON EL LUGAR SANTISIMO Y LA SHEKINAH.
LEVITICO 23
f) El día de la expiación (YOM KIPUR)
23:26 Habló Yahveh a Moisés, diciendo:
23:27 Además el día décimo de este séptimo mes será el día de la Expiación,  en el cual tendréis reunión sagrada; ayunaréis y ofreceréis manjares abrasados a Yahveh.
23:28 No haréis en ese mismo día ningún trabajo, pues es el día de Expiación, en el que se ha de hacer la expiación por vosotros delante de Yahveh, vuestro Dios.
23:29 El que no ayune ese día será exterminado de entre su pueblo.
23:30 Al que haga en tal día un trabajo cualquiera, yo lo haré perecer de en medio de su pueblo.
23:31 No haréis, pues, trabajo alguno. Es decreto perpetuo, de generación en generación, dondequiera que habitéis.
23:32 Será para vosotros día de descanso completo y ayunaréis; el día nueve del mes, por la tarde, de tarde a tarde, guardaréis descanso.
23:33 Habló Yahveh a Moisés, diciendo:
Fases Lunares para el mes de Septiembre del año 2001
Full Moon Listings
All times GMT (UST), adjust accordingly
2001 January 9 20:26 Tuesday
2001 February 8 07:13 Thursday
2001 March 9 17:24 Friday
2001 April 8 03:24 Sunday
2001 May 7 13:55 Monday
2001 June 6 01:41 Wednesday
2001 July 5 15:06 Thursday
2001 August 4 05:57 Saturday
2001 September 2 21:44 Sunday
2001 November 1 05:42 Thursday
2001 November 30 20:50 Friday
2001 December 30 10:42 Sunday
http://magickgarden.freehostia.com/FullMoon.html
MAS ENLACES 911
MARTES 11 DE SEPTIEMBRE
JUAN MARCOS/
MARTE/MARTILLO/GRIAL
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NO HAY DUDAS QUE EL 666 ES UN NUMERO QUE IMPERA EN EL NUEVO ORDEN MUNDIAL, UN NUMERO muy demonizado por la CRISTIANDAD y por el mundo seglar. Pero el numero 666 esta muy interrelacionado con el LUGAR SANTISIMO DEL TABERNACULO e incluso estaba interrelacionado con el REY SALOMON.
8. 1 Reyes 10:14: El peso del oro que Salomón tenía de renta cada año, era seiscientos sesenta y seis TALENTOS de oro;
EL NUEVO ORDEN MUNDIAL NO HAY DUDAS QUE ESTA MANEJADO POR YHWH YA QUE EL MISMO ES EL QUE CONTROLA EL MUNDO. Observen el NEXO LUGAR SANTISIMO CON EL ORO (sabemos que el ARCA DEL PACTO E INCLUSO EL ARCA DE NOE ESTABAN DISEÑADOS EN FUNCION AL NUMERO DE ORO PHI). LAS TEORIAS DE CONSPIRACION DESGRACIADAMENTE NO VEN EL NEXO DAN/SERPIENTE CON ADAN. EL DINERO/DIANA/DENARIO/DINA/DAN/JUICIO NO VEN EL NEXO ESOTERICO Y ESPIRITUAL CON LA SERPIENTE (SIGNO PESO) EN EL CONTEXTO AL LINAJE DE ADAN E INCLUSO AL "CODIGO DA VINCI"/DAN BROWN. Desgraciadamente en las TEORIAS DE CONSPIRACION, obviamente creadas con un interes politico, NO VEN EL NEXO DE LA TRIBU DE DAN CON ADAN. AUNQUE, obviamente, NO DESCARTO QUE LAS PROFECIAS Y QUE LOS SIMBOLOS DEL TABERNACULO SEAN DUALES, osea que tambien se cumplan (FUTURO ANTICRISTO O SISTEMA) o que se esten cumpliendo. NEGAR LA INDEPENDENCIA DE EEUU, en su NEXO CON MARIA MAGDALENA Y EL GRIAL ES CAER EN EL CINISMO. TODAS LAS MATEMATICAS LO DEMUESTRAN E INCLUSO EN SU NEXO CON EL 666 (NUMERO DEL SOL) Y 1080 (NUMERO DE LA LUNA). 666+1080=1746. INDEPENDENCIA DE EEUU FUE 1746 AÑOS DESPUES DE LA RESURRECCION DE NUESTRO SEÑOR.
HOY el mundo muy materialista, incluido a la religion misma, no ve y no quiere ver el NEXO ADAN CON LA SERPIENTE (GENESIS 3:15,22) CON EL SIMBOLO DEL DOLAR (MISMA SERPIENTE EN EL CONTEXTO A LAS DOS columnas de HERCULES o dos columnas de JACHIN Y BOAZ que estaban en el TABERNACULO e incluso tambien en el TEMPLO DE SALOMON). COMO UNA JERINGA SIRVE para introducirse una vacuna tambien sirve para DROGARSE. LA ENERGIA NUCLEAR SIRVE para fines pacificos pero tambien sirve PARA BOMBAS NUCLEARES. TODO ES RELATIVO Y LO MISMO SUCEDE CON EL DINERO, QUE LO MUY PROBABLE INSISTO, ES QUE SU SIMBOLOGIA SEA DUAL (FUTURO MESIAS Y FUTURO ANTICRISTO).
| Rev 13:17 And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name. |
| Rev 13:18 Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is Six hundred threescore and six. |
Observemos que en el idioma ingles aparece como MARCA EL MISMO NOMBRE DE MARCOS TAMBIEN EN EL MISMO IDIOMA. ¿CASUALIDAD O CAUSALIDAD? DETRAS DE MARCOS esta todo el 911.
EL 666, incluso tiene un fuerte nexo SABATICO/SA-BA-DO/SA-BI-DURIA/SO-PHI-A/PHI/NUMERO DE ORO=1.618033. ESTA TODO CODIFICADO PARA GLORIA DE YHWH TODOPODEROSO. La secuencia misma de APOCALIPSIS 13 LO EVIDENCIA en el contexto a la referencia a los mandamientos.
Apocalipsis 13
1. Me paré sobre la arena del mar, y vi subir del mar una bestia que tenía siete cabezas y diez cuernos; y en sus cuernos diez diademas; y sobre sus cabezas, un nombre blasfemo.
2. Y la bestia que vi era semejante a un leopardo, y sus pies como de oso, y su boca como boca de león. Y el dragón le dio su poder y su trono, y grande autoridad. (Hay un obvio nexo con DRACO y con la OSA mayor y obviamente EL LEON)
3. Vi una de sus cabezas como herida de muerte, pero su herida mortal fue sanada; y se maravilló toda la tierra en pos de la bestia,
4. y adoraron al dragón que había dado autoridad a la bestia, y adoraron a la bestia, diciendo: ¿Quién como la bestia, y quién podrá luchar contra ella? (Referencia obvia hacia el PRIMER MANDAMIENTO. "NO ADORAREIS A OTROS DIOSES")
5. También se le dio boca que hablaba grandes cosas y blasfemias; y se le dio autoridad para actuar cuarenta y dos meses.
6. Y abrió su boca en blasfemias contra Dios, para blasfemar de su nombre, de su tabernáculo, y de los que moran en el cielo. (TABERNACULO/TABERNA/VINO/PARALELO 33/LINAJE DE CRISTO)
7. Y se le permitió hacer guerra contra los santos, y vencerlos. También se le dio autoridad sobre toda tribu, pueblo, lengua y nación. (MARTE/MARTILLO/GUERRA/WAR/MARCOS)
8. Y la adoraron todos los moradores de la tierra cuyos nombres no estaban escritos en el libro de la vida del Cordero que fue inmolado desde el principio del mundo.
9. Si alguno tiene oído, oiga.
10. Si alguno lleva en cautividad, va en cautividad; si alguno mata a espada, a espada debe ser muerto. Aquí está la paciencia y la fe de los santos.
11. Después vi otra bestia que subía de la tierra; y tenía dos cuernos semejantes a los de un cordero, pero hablaba como dragón.
12. Y ejerce toda la autoridad de la primera bestia en presencia de ella, y hace que la tierra y los moradores de ella adoren a la primera bestia, cuya herida mortal fue sanada.
13. También hace grandes señales, de tal manera que aun hace descender fuego del cielo a la tierra delante de los hombres.
14. Y engaña a los moradores de la tierra con las señales que se le ha permitido hacer en presencia de la bestia, mandando a los moradores de la tierra que le hagan imagen a la bestia que tiene la herida de espada, y vivió. (Segundo mandamiento "No tendreis imagen...")
15. Y se le permitió infundir aliento a la imagen de la bestia, para que la imagen hablase e hiciese matar a todo el que no la adorase.
16. Y hacía que a todos, pequeños y grandes, ricos y pobres, libres y esclavos, se les pusiese una marca en la mano derecha, o en la frente; (MARCA/MARCOS/MARKETING/MERCADO/$$$$$$$$$)
17. y que ninguno pudiese comprar ni vender, sino el que tuviese la marca o el nombre de la bestia, o el número de su nombre. (NOMBRE DE LA BESTIA ES UNA REFERENCIA ESPIRITUAL A LA VIOLACION DEL TERCER MANDAMIENTO)
18. Aquí hay sabiduría. El que tiene entendimiento, cuente el número de la bestia, pues es número de hombre. Y su número es seiscientos sesenta y seis. (SA-BI-DURIA/SA-BA-DO/SO-PHI-A/NUMERO DE ORO PHI=1.618033. EN SABIDURIA ESTA CODIFICADO TODO EL SECRETO DEL 911, CON UN FUERTE CONTEXTO SABATICO, OSEA EL SANTO GRIAL. Numero de hombre es una OBVIA REFERENCIA A ADAN/HOMBRE. RECORDEMOS QUE ADAN, PRIMER HOMBRE Y EVA PRIMERA MUJER, AMBOS FUERON LLAMADOS ADAN POR YHWH)
JUAN MARCOS/
MARTE/MARTILLO/GRIAL
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Louvre Pyramid
From Wikipedia, the free encyclopedia
The Pyramid surrounded by the adjacent wings of the Louvre
The Louvre Pyramid (Pyramide du Louvre) is a large glass and metal pyramid, surrounded by three smaller pyramids, in the main courtyard (Cour Napoléon) of the Louvre Palace (Palais du Louvre) in Paris. The large pyramid serves as the main entrance to the Louvre Museum. Completed in 1989,[1] it has become a landmark of the city of Paris.
[edit] Design and construction
Inside the Pyramid:the view of the Louvre Museum in Paris from the underground lobby of the Pyramid.
Commissioned by the President of France François Mitterrand in 1984, it was designed by the architect I. M. Pei, who is responsible for the design of the Miho Museum in Japan, and Place Ville-Marie in Montreal, and the National Gallery of Art (East Building) in Washington, D.C. among others. The structure, which was constructed entirely with glass segments, reaches a height of 20.6 metres (about 70 feet); its square base has sides of 35 metres (115 ft). It consists of 603 rhombus-shaped and 70 triangular glass segments.[2]
The pyramid structure was engineered by Nicolet Chartrand Knoll Ltd. of Montreal (Pyramid structure / Design Consultant) and Rice Francis Ritchie (also known as RFR) of Paris (Pyramid Structure / Construction Phase).[3]
The pyramid and the underground lobby beneath it were created because of a series of problems with the Louvre's original main entrance, which could no longer handle the enormous number of visitors on an everyday basis. Visitors entering through the pyramid descend into the spacious lobby then re-ascend into the main Louvre buildings.
For design historian Mark Pimlott, "I.M. Pei’s plan distributes people effectively from the central concourse to myriad destinations within its vast subterranean network... the architectonic framework evokes, at gigantic scale, an ancient atrium of a Pompeiian villa; the treatment of the opening above, with its tracery of engineered castings and cables, evokes the atria of corporate office buildings; the busy movement of people from all directions suggests the concourses of rail termini or international airports."[4]
Several other museums have duplicated this concept, most notably the Museum of Science and Industry in Chicago. The Dolphin Centre, featuring a similar pyramid, was opened in April 1982, by Prince Richard, Duke of Gloucester.[5] The construction work on the pyramid base and underground lobby was carried out by the Vinci construction company.[6]
The large glass pyramids seen at night
The large glass pyramids seen by day
[edit] Controversy
Maintenance of the Louvre Pyramid
The entry lobby of the Louvre museum beneath the pyramid (taken with a Fisheye lens Nikkor 8mm)
The construction of the pyramid triggered considerable controversy because many people felt that the futuristic edifice looked quite out of place in front of the Louvre Museum with its classical architecture. Certain detractors ascribed a "Pharaonic complex" to Mitterrand. Others lauded the juxtaposition of contrasting architectural styles as a successful merger of the old and the new, the classical and the ultra-modern.
The main pyramid is actually the largest of several glass pyramids that were constructed near the museum, including the downward-pointing La Pyramide Inversée that functions as a skylight in an underground mall in front of the museum. During the design phase, there was a proposal that the design include a spire on the pyramid to simplify window washing. This proposal was eliminated because of objections from I. M. Pei.[citation needed]
[edit] Urban legend of 666 panes
It has been claimed by some that the glass panes in the Louvre Pyramid number exactly 666, "the number of the beast", often associated with Satan. Dominique Stezepfandt's book François Mitterrand, Grand Architecte de l'Univers declares that "the pyramid is dedicated to a power described as the Beast in the Book of Revelation (...) The entire structure is based on the number 6."
The story of the 666 panes originated in the 1980s, when the official brochure published during construction did indeed cite this number (even twice, though a few pages earlier the total number of panes was given as 672 instead). The number 666 was also mentioned in various newspapers. The Louvre museum however states that the finished pyramid contains 673 glass panes (603 rhombi and 70 triangles).[7] A higher figure was obtained by David A. Shugarts, who reports that the pyramid contains 689 pieces of glass.[8] Shugarts obtained the figure from the offices of I. M. Pei.
Elementary math allows for easy counting of the panes: each of the three sides of the pyramid without an entrance has 18 triangular panes and 17 rows of rhombic ones arranged in a triangle, thus giving  rhombic panes (171 panes total). The side with the entrance, however, has 11 panes fewer (9 rhombic, 2 triangular), so the whole pyramid consists of  rhombi and  triangles, 673 panes total.
The myth resurfaced in 2003, when Dan Brown incorporated it in his best-selling novel The Da Vinci Code, in which the protagonist reflects that "this pyramid, at President Mitterrand's explicit demand, had been constructed of exactly 666 panes of glass - a bizarre request that had always been a hot topic among conspiracy buffs who claimed 666 was the number of Satan".[9] However, David A. Shugarts reports that according to a spokeswoman of the offices of I. M. Pei, the French President never specified the number of panes to be used in the pyramid. Noting how the 666 rumor circulated in some French newspapers in the mid-1980s, she commented: "If you only found those old articles and didn't do any deeper fact checking, and were extremely credulous, you might believe the 666 story".[10]
Comparison of approximate profiles of Louvre Pyramid with some notable pyramidal or near-pyramidal buildings. Dotted lines indicate original heights, where data is available.
[edit] La Pyramide Inversée
La Pyramide Inversée (The Inverted Pyramid) is a skylight in the Carrousel du Louvre shopping mall in front of the Louvre Museum. It looks like an upside-down and smaller version of the Louvre Pyramid.
http://en.wikipedia.org/wiki/Louvre_Pyramid
NUMERO 666
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 Primer
Anterior
256 a 270 de 1335
Següent
Darrer
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