ORION – The Key To The Kingdom Of Heaven

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The constellation Orion, conjured up by the luciferian thought process, is the inspiration for the FISH GOD symbolism that permeates throughout all the mythical god scenarios in all societies since ancient times. A close look at the constellation reveals the FISH SHAPED TAIL, and when including the head, or eye at the top point, a fish image is visible.

SISARA ES SIMILAR A CESAREA-NEXO CON JAEL CUANDO LE CLAVA EL MARTILLO/MARTE/MARCOS/ROJO-SISARA/C-SAR/LUNA CRECIENTE EN CONTEXTO AL PRINCIPE-¿PORQUE CRISTO VIENE COMO LADRON A MEDIA NOCHE?-EL MARTILLO DE JAEL SIMBOLIZA AL NUEVO MARTILLO/MARTE/ROJO/MARCOS (MARCOS DERIVA DE MARTE) EN CONTEXTO A MARIA MAGDALENA YA QUE OBVIAMENTE HAY UN NUEVO MESIAS DESCENDIENTE DE CRISTO Y DE MARCOS/MARTILLO-ESTO EXPLICA LA CAUSA DEL PORQUE LA REVOLUSION BOLCHEVIQUE FUE EN CONTEXTO A FATIMA E INCLUSO DEL PORQUE LA CAIDA DE LOS MUROS DE BERLIN FUERON UN 9/11.

 

Pero Jael, mujer de Jéber, cogió una clavija de la tienda, tomó el martillo en la mano,

abril 17th, 2012 admin

 Pero Jael, mujer de Jéber, cogió una clavija de la tienda, tomó el martillo en la mano, se le acercó silenciosamente y le hincó la clavija en la sien hasta clavarla en tierra. Y Sísara que, agotado de cansancio, estaba profundamente dormido, murió. Judg.4.21 Fuente: La Biblia

Jueces
4:1 Después de la muerte de Aod, los hijos de Israel volvieron a hacer lo malo ante los ojos de Jehová.
4:2 Y Jehová los vendió en mano de Jabín rey de Canaán, el cual reinó en Hazor; y el capitán de su ejército se llamaba Sísara, el cual habitaba en Haroset-goim.
4:3 Entonces los hijos de Israel clamaron a Jehová, porque aquél tenía novecientos carros herrados, y había oprimido con crueldad a los hijos de Israel por veinte años.
4:4 Gobernaba en aquel tiempo a Israel una mujer, Débora, profetisa, mujer de Lapidot;
4:5 y acostumbraba sentarse bajo la palmera de Débora, entre Ramá y Bet-el, en el monte de Efraín; y los hijos de Israel subían a ella a juicio. (Deborah es descendiente de Jose en contexto a Genesis 49)
4:6 Y ella envió a llamar a Barac hijo de Abinoam, de Cedes de Neftalí, y le dijo: ¿No te ha mandado Jehová Dios de Israel, diciendo: Ve, junta a tu gente en el monte de Tabor, y toma contigo diez mil hombres de la tribu de Neftalí y de la tribu de Zabulón;
4:7 y yo atraeré hacia ti al arroyo de Cisón a Sísara, capitán del ejército de Jabín, con sus carros y su ejército, y lo entregaré en tus manos? (SISARA TIENE UN NEXO CON C-SAR O C-SARA/REINA/PRINCESA. ES OBVIO EL NEXO CON LA LUNA CRECIENTE Y EL MARTILLO) 
4:8 Barac le respondió: Si tú fueres conmigo, yo iré; pero si no fueres conmigo, no iré.
4:9 Ella dijo: Iré contigo; mas no será tuya la gloria de la jornada que emprendes, porque en mano de mujer venderá Jehová a Sísara. Y levantándose Débora, fue con Barac a Cedes.
4:10 Y juntó Barac a Zabulón y a Neftalí en Cedes, y subió con diez mil hombres a su mando; y Débora subió con él.
4:11 Y Heber ceneo, de los hijos de Hobab suegro de Moisés, se había apartado de los ceneos, y había plantado sus tiendas en el valle de Zaanaim, que está junto a Cedes. (Las tiendas es una referencia a la FIESTA DE LOS TABERNACULOS, con un fuerte nexo con la OZ Y EL MARTILLO. LA LUNA CRECIENTE SE LA VE AL OESTE A LA PUESTA DEL SOL, LA MISMA POSICION HACIA ADONDE ESTABA UBICADO EL LUGAR SANTISIMO DEL TABERNACULO. EL VATICANO ESTA DISEÑADO EN FUNCION A LAS PLEYADES/TAURO/LUNA CRECIENTE Y EL ROJO EN CONTEXTO A PETRA/EDOM COMO SE VE EN LA PELICULA DE INDIANA JONES "LA ULTIMA CRUZADA". EN PETRA/EDOM/ROJO ESTA UBICADO EL CAÑON DE LA LUNA CRECIENTE. CRISTO, EN CESAREA, JUSTAMENTE EN MATEO 16:18 EN CONTEXTO A LA PIEDRA OBVIAMENTE HACE REFERENCIA, INSISTO, A PETRA EDOM.)

NEXO DEL TABERNACULO CON EL SEXO FEMENINO/VESCICA

EL SANTO GRIAL ESTA CODIFICADO EN EL DISEÑO DEL VATICANO

Sukot/Tabernaculos/Cabañas

VIRGEN DE FATIMA (ANALISIS CIENTIFICO Y ESPIRITUAL)

¿Porque Washington D.C, Roma, Jerusalem, etc tienen 7 colinas?-

FENICIOS=ROJO/PHOENIX/VINO/PARALELO 33/SANTO GRIAL

 

4:12 Vinieron, pues, a Sísara las nuevas de que Barac hijo de Abinoam había subido al monte de Tabor.
4:13 Y reunió Sísara todos sus carros, novecientos carros herrados, con todo el pueblo que con él estaba, desde Haroset- goim hasta el arroyo de Cisón.
4:14 Entonces Débora dijo a Barac: Levántate, porque este es el día en que Jehová ha entregado a Sísara en tus manos. ¿No ha salido Jehová delante de ti? Y Barac descendió del monte de Tabor, y diez mil hombres en pos de él.
4:15 Y Jehová quebrantó a Sísara, a todos sus carros y a todo su ejército, a filo de espada delante de Barac; y Sísara descendió del carro, y huyó a pie.
4:16 Mas Barac siguió los carros y el ejército hasta Haroset- goim, y todo el ejército de Sísara cayó a filo de espada, hasta no quedar ni uno.
4:17 Y Sísara huyó a pie a la tienda de Jael mujer de Heber ceneo; porque había paz entre Jabín rey de Hazor y la casa de Heber ceneo.
4:18 Y saliendo Jael a recibir a Sísara, le dijo: Ven, señor mío, ven a mí, no tengas temor. Y él vino a ella a la tienda, y ella le cubrió con una manta.
4:19 Y él le dijo: Te ruego me des de beber un poco de agua, pues tengo sed. Y ella abrió un odre de leche y le dio de beber, y le volvió a cubrir.
4:20 Y él le dijo: Estate a la puerta de la tienda; y si alguien viniere, y te preguntare, diciendo: ¿Hay aquí alguno? tú responderás que no.
4:21 Pero Jael mujer de Heber tomó una estaca de la tienda, y poniendo un mazo en su mano, se le acercó calladamente y le metió la estaca por las sienes, y la enclavó en la tierra, pues él estaba cargado de sueño y cansado; y así murió.
4:22 Y siguiendo Barac a Sísara, Jael salió a recibirlo, y le dijo: Ven, y te mostraré al varón que tú buscas. Y él entró donde ella estaba, y he aquí Sísara yacía muerto con la estaca por la sien.
4:23 Así abatió Dios aquel día a Jabín, rey de Canaán, delante de los hijos de Israel.
4:24 Y la mano de los hijos de Israel fue endureciéndose más y más contra Jabín rey de Canaán, hasta que lo destruyeron.

Sacred stars found in the icons of our holy works

In the star photograph animation above, Orion's belt shows the way in alignment to find the place of a special star that many ancient civilisations, especially the Egyptians and the Sumerians worshiped as the place of their great and powerful star visitors. The ancients no doubt insisted that since these 'angelic' beings also had great technology and could do a lot more than just fly... they became their 'gods'. (Hence the listing of the important star here as the star of the 'gods' of ancient civilisations that Wayne covers in his book The Hidden Records). This way of thinking occured with virtually all ancient civilisations. It appears the prime star here was the star system (with worlds depicted with a crescent) of the heavenly visitors of flesh and blood (most often revered as Angels since the time of The Christ) who not only looked like us... They were us! We appear to be linked to the very same evolutional beginnings as they are... somewhere else... and not Earthly at all.

In fact the only real difference between 'them' and 'us' is technology. We had simply lost ours after surviving what appears to be a terrible Northern Hemisphere cataclysm. A great time had passed before they visited again. The star visitors worked with two great messengers of the two most followed holy books today. Both great messengers were without doubt fully aware of the sacred ties that we once had with those that came from above. Two powerful nations living right next to the other would then follow their teachings for many generations - two separate teachings, each sourced from two great messengers who appear to have left behind encoded knowledge of the place of our physical origins, The Creation and the secrets of the soul.

Two prominent nations still arguing today over different ways - each driven by their collection of records that became two of the most followed religions of this world. Some of their teachings were either encoded in their great icons because the people at the time were just not ready for that knowledge, or it was encoded by their scholars because it was only deemed important for its elite. Each appears to hold one half of a profound star genesis secret, that up until now, has been completely forgotten. How sad it is that they both carry so much anger and pain over differences that they would prefer a holy war rather than compromise belief.

What is a holy war some may ask? It is war that will be fought over differences in ways, where each is absolutely certain God is only on their side and would help them kill the other. Any true believer in God as a creator of ALL humanity will know in their heart that something has gone terribly wrong and we need to take a moment and look back at all our earliest ancient records before it is too late.

Union of the two most powerful symbols

... Our ancestor’s cosmic address

Both nations seem to be completely unaware that the enigmatic icons of their religions in both instances individually form two parts that if put together reveal the same hidden secret. It is a star secret and it mirrors the same star secret held by the beginnings of all the ancient pyramid civilisations around the world.

These two nations’ earliest leaders and hierarchy probably kept this secret to themselves, because the hidden records stood a chance at uniting humanity. The choice made by both civilisations was no doubt inspired by a very old ugly habit... one that is not interested in peace and oneness. Humanity as a whole has always been far more interested in spreading their own power, their own ways... conquering more lands, more wealth and more slaves to build bigger empires. The elite of all nations continued in their old ways creating bigger and better armies that demanded soldiers who cannot possibly be thinking of peace or goodwill. They would probably make sure their common people were struggling in their lives for human comforts. They needed people that would be happy to achieve human comforts in life if they joined the army. To take their mind off their troubles and peaceful ways they held barbaric games or graphic public executions spilling blood for entertainment. Both nations seemed to believe that WAR was God’s way because each nation believed they were the chosen ones! Each believed it was 'God willing' and therefore good to overpower foreign people, their lands and their wealth - all this in hope of better lives! In most cases many perished and those front line soldiers of the winning side that survived had very little extra in their lives.

These terrible old ways appear to be secretly working their way back into society again. The youth of today are already being fed video games and movies promoted as entertainment creating interest in bloodshed and violence. Drugs are easily available now to ease the pain for the general public in our out of balance profiteering society where the rich are getting richer and the poor getting poorer. What used to be reliable news on TV is now full of altered truths and biased propaganda. Our children are being prepared as soldiers fighting for the interests of the Elite... the super rich, and most have absolutely no idea it is happening at all.

Here is the combined 'icon' secret of both the Cross and the Crescent that stands a chance of uniting humanity. There is obviously a lot more to this sensitive story and it is all on line at the links at the bottom of the page. The graphic below shows the actual star positions of the two sacred star constellations. As confirmed by our star charts today, it also shows the exact position of a star that is catalogued as Sun-like and what the author Wayne Herschel believes we will soon discover is another Earth-like world. This template matches a collection of ancient star maps found in almost every ancient civilisation’s beginnings. Here they are... The Cross of Orion showing the way to the Crescent and its Star, by the group of the sacred seven.

See www.thehiddenrecords.com

The secret given to humanity repeatedly over the ages has now been revived again and easily available on the internet,and the author presenting with references, our physical and spiritual celestial origins answering “who we are and where we come from”.

Hundreds of years after The Christ, the sacred cross of the sky (as seen above on the top left) was once again presented to humanity by celestial visitors… angels, tied into The Christ story. And the recipient of this revived crucial information was Roman Emperor Constantine who claimed a similar angelic intervention. The sacred cross would explain the secret teachings of The Christ story and the Bethlehem star. It would appear that Constantine kept most of what he had seen hidden, subsequently introducing an altered version of The Christ story. What he did was hide the truth in symbolism, adjusting it to suit old Greco Roman fundamentals.

It became what we know as Christianity of today.

The ‘double’ cross in the heavens that Constantine saw is no doubt the sacred cross of the stars of Orion showing the way, as one follows the alignment of the three star in a row cosmic sign post, to the place of our celestial ancestors, the Bethlehem ‘genesis star’.

See www.keyofsolomon.net

The other icon on the right holds the same phenomenal star secret: It is most likely the same Sun-like star and its world, in crescent near the Pleiades. This matches the ancient knowledge of the Sumerian and Arcadian ‘star’ visitors found in ancient Iraq and Iran.

If the two nations who are the key proponents of these religions were to put down their weapons and look back at their joint beginnings and also the forbidden hidden records of The Tree of Life, they would see greatness and purity and would most likely have less motivation to be at war. Especially if both work towards the higher human rights that are targeted with Oneism here.

Both were once given the same enlightening secrets fitting the heavenly teachings of who we really are and where we come from, both physically and spiritually.

It was a star map
and the secrets of The Tree of Life.
The Sumerian star is the star of Bethlehem
We are all the children of those
that came down from the heavens!

With the greatest of respect to both of these individual religions today, it is time to put both halves of an ancient star secret back together again and reveal that which was cryptically hidden from both previously.

The one chose the Orion sacred cross of the sky to be its icon and spoke of the star of Bethlehem… the other chose the Crescent of a world bathed in the light of its sacred star perhaps inspired by the Sumerian records, that included the Pleiades near it. Pride in this separateness of their heritage rather than spiritual unanimity and equality, would leave them at loggerheads for centuries.

It is apparently a fact that Islam chose the star and crescent and added it to the religion shortly after their holy book was written. This is a mystery on its own.

The unique shape of the crescent strongly suggests that it is far more important than a representation of our barren lifeless moon.

How can one reason that the crescent is not the moon?

Here is the proof that no doubt will have a considerable impact on those willing to consider this scientific point of reasoning, because if anything it will elevate the importance of our great ancestors!

Verifiable astronomically, the moon's crescent never ever has an extended curve crescent with pointing edges like the ancient depictions creating a 'sickle' pattern. In the image above the moon passes near the Pleiades at its most extended pointed edges of the crescent stage. Note that the crescent shape is absolutely nothing like those of the Sumerian depictions or the Pawnee Indian ancient depictions.

In astronomy the passing of one heavenly body

in front of the other,

with one larger than the other,

produces the sickle shaped pattern.

But since one is obviously larger than the other already it is clear that the sickle image cant represent the moon in any possible way.

It is probably the case of a larger Sun as we see in the crescent icon at the top of the page created by two distinct orbs in front of each other…

a small world passing in front of its larger Sun-like star

matching the image of the ancient stele below!

The Sumerians of the earliest epoch without doubt were very advanced astronomers. Many of their images go to show that they knew of this important material and that the phenomenon they saw was near the Pleiades.

The crescent therefore cannot possibly be our moon, because for millennia the Sumerians continued to represent the strange pointed edge crescent many times in scroll seals over the ages, as seen below:

They simplified their rendition perhaps suggesting the world of their ancestors as the crescent and showed its accompanying star, near the Pleiades.

The Sumerian and Arcadian scroll seals above always depict four repeating themes that explain the meaning of their ancient star secret:

• Crescent of another world bathed in its star light
• Star of the ancestors
• Disc that flies with occupants who come from above
• Seven heavenly bodies of the Pleiades

Both significant nations, that of the Cross and that of the Crescent, have allowed themselves to venture very far off the path of peace. Both seem more interested in protecting the interests of a select few at the expense of the attainment of greater ease and peace of mind for everyone that would allow all to experience the wonders of life here on Earth and to live life to its fullest potential.

Both symbolise the star of our ancestors who came from above. Put the two together and it proves we are all one and equal.

But what about the Hebrew iconology of the secret of Solomon, the Star of David and the sacred seven lights of the Menorah? Do they hold the same secret?

The answer … Click here

The time has arrived for all to see the hidden secrets about our past, our ancestors from the stars and our lost spirituality that the decisions of our war-loving forefathers have so selfishly deprived us of.

Who are we and where do we come from... physically ?

 

Our physical origins:

Option 1 - The Hidden Records
Option 2 - The Key of Solomon

In Rome, there are a total of 8 Egyptian and 5 Roman obelisks.  In the context of this article, we will focus on four obelisks that were re-erected by Pope Sixtus V.  Around 1587, all of Rome’s obelisks were toppled down and it was Pope Sixtus V who started re-erecting four of the fallen obelisks in Rome. Pope Sixtus V also redesigned the Piazza in front of the Saint Peter Basilica that was itself under construction at the time. The current oval shaped piazza with the obelisk at the Vatican was designed and built at the orders of Pope Sixtus V. It was part of an overall urban redesign of the city of Rome in which four of the obelisks were given new locations. These four new locations were centered around the obelisk at St. Peter’s Square which became the focal point.  

The first Egyptian obelisk was originally shipped by Emperor Augustus in 10 BC from Heliopolis, Egypt (dedicated to Seti I/ Ramesses II) to the Circus Maximus in Rome. Circus Maximus was a Roman hippodrome used for chariot racing. The obelisk was moved by Sixtus V from Circus Maximus to Piazza del Popolo where it still resides today.

The second Egyptian obelisk was originally shipped from Thebes (temple of Amun, Tuthmosis IV) to Circus Maximus in Rome by Constantine II the son of Constantine the Great. The initial plans to ship the obelisk to Circus Maximus (Latin for the greatest circus) in Rome however were made by Contantine the Great who didn’t have the facilities to actually ship the largest of the Egyptian obelisks (32.18 m tall) to Rome. Eventually, his son succeeded in carrying out his father plans. Both obelisks were placed on the Spina of Circus Maximus. The Spina (backbone) is a 217 meter long wall in the centre of the hippodrome. This obelisk was moved by Pope Sixtus V from Circus Maximus to Piazza di San Giovanni (Laterno) next to the Basilica of San Giovanni.

It’s important to realize that both obelisks of Circus Maximus aligned with the Winter Solstice Sun at sunrise, since the Spina on which they were placed also aligned with the Winter Solstice Sun at sunrise! (see Vatican Alignment calculations)

The third Egyptian obelisk was originally moved to Rome in 37 AD by Emperor Caligula and situated at the Vatican Circus. The origin of this obelisk is unclear. It’s the only obelisk without hieroglyphs. This obelisk was again relocated by Sixtus V to St. Peter’s Square where it is seen today.

The fourth and last obelisk is a Roman obelisk that originally stood in Mausoleum of Augustus and was moved by Sixtus V to the piazza in front of the Basilica of Santa Maria Maggiore at the Piazza del Esquillino.

What is interesting in the context of this article are the before and after locations of these obelisks in the overall urban redesign plan of Pope Sixtus V.

Circus Maximus, for instance, was built in a bend on the bank of the River Tiber, and on a Winter Solstice day the Sun would be seen rising over the Tiber River in line with both obelisks at the Spina when viewed from the Vatican. Pope Sixtus V could have restored Circus Maximus and placed the obelisks at their original locations. It’s interesting to notice that viewed from the St. Peter’s Square these obelisks would be aligned with the Winter Solstice Sun! This is because St. Peter’s Square lies exactly in line with Circus Maximus and the Winter Solstice Sun. Instead, Sixtus had chosen to relocate one of the obelisks of Circus Maximus to the Piazza del Popolo.

The obelisk at the Piazza del Popolo, however, aligns with the obelisk at St. Peter’s Square and the summer solstice Sun at sunrise!  (See Vatican Alignment calculations)

Like the Equinox Sun, the summer solstice Sun is seen rising over the River Tiber from St. Peter’s Square since the obelisk at the Piazza del Popolo is situated only two blocks away from the river.

The other obelisk of Circus Maximus was Rome’s tallest obelisk and was moved to the Piazza di San Giovanni in Laterno (in southeast direction from the Vatican) which resides at an azimuth of 114° 0’ which is 9 degrees off the Winter Solstice sunrise azimuth of 123° for Rome. While both obelisks in Circus Maximus originally aligned to the Winter Solstice, Pope Sixtus V deliberately altered these alignments and made sure that one of the obelisks now aligned with the Summer Solstice Sun.  The other obelisk that previously aligned to the Winter Solstice Sun was now deliberately misaligned.

It’s obvious that the alignment of both the obelisk at St. Peter’s Square and the obelisk at Piazza del Popolo must have been intentional since both obelisks were put there by Sixtus V. While he could have chosen for a Winter Solstice alignment of St. Peter’s Square obelisk by erecting the other obelisk at Cricus Maximus itself, he chose otherwise.

It’s beyond any doubt that Sixtus V was well aware of these alignments since he designed St. Peter’s Square to be a giant sun dial. In 1817, circular stones were set marking the tip of the obelisk’s shadow at noon. Since the Sun moves in between the tropics during a solar year, it enters all of the signs of the zodiac in one solar year, and the marks set out in stone therefore make a gnomon of the obelisk at St. Peter’s Square. But there’s more …

We surmise that Pope Sixtus V was also well aware of the significance of the Great Celestial Conjunction around 2012 and its association with the biblical End Times.

To enhance this argument, it’s interesting to realize that the coat of arms of Pope Sixtus V contained an eight-pointed cross above four stacked mountains (or hills). The coat of arms of Sixtus was sometimes also depicted with three instead of four hills.

As explained before, in ancient Egypt and freemasonry mountains, pillars and clouds all represent the Milky Way. The four mountains in Pope Sixtus coat of arms could therefore represent the four Great Celestial Conjunctions or the four Milky Way Equinox/Solstice alignments that occur in a Great Year!

Santa Maria Piazza del Popolo (coat of arms of Pope Sixtus V), eight-pointed cross over the four mountains.

Pope Sixtus V used the eight-pointed cross in abundance in architectures and; in many cases he even placed the four-pointed Christian cross on top of an eight-pointed cross! The obelisk at Piazza di Giovanni, for instance, was adorned with both a four and eight-pointed cross by Pope Sixtus V. It was also a reference to this coat of arms! 

The four Great Celestial Conjunctions in a Great Year are the four mergers of the two superimposed four-pointed crosses (Earth Cross and Galactic Cross) to form a single four-pointed cross!

Obelisk at Piazza di Giovanni, four-pointed cross on top of the eight-pointed cross! Although a symbol of the Great Celestial Conjunction, this obelisk no longer aligns with the Winter Solstice Sun as viewed from the Vatican.

We therefore suggest that the eight-pointed cross at St. Peter’s Square symbolically represents a Great Celestial Conjunction.

St Peter’s Square

It’s the alignment of the Earth Cross with the Galactic Cross that is being symbolized at St. Peter’s Square. Notice that there is a small four-pointed cross in the center around the obelisk (the Sun) that is aligned with the outer eight-pointed cross.  The eight-pointed cross is the superposition of the Galactic Cross and the Earth Cross. This is why Pope Sixtus V placed a four-pointed cross on top of the eight pointed cross! The crosses are recognized as follows:

• The cardinal direction of this Galactic Equator axis corresponds with the Milky Way that straddles the East horizon from North to South.
• The Earth Cross aligns closely (but not perfectly) with the two solstice axis

The esoteric significance of the Summer Solstice alignment of St. Peter’s Square obelisk with the obelisk at the Piazza del Popolo is that it symbolizes a Summer Solstice Galactic Alignment. Since the sky chart over St. Peter’s Square with the Pleiades residing over the Seven Hills symbolizes the Silver Gate, we postulate that the Vatican alignments represent a Summer Solstice Galactic Alignment at the Silver Gate. This alignment occurs right now in era 2012!

Summer and Winter Solstice alignments as viewed from St. Peter’s Square. The white arrows show the displacements of the obelisks from Circus Maximus by Pope Sixtus V.