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Messaggio 1 di 290 di questo argomento |
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EL VATICANO ESTA DISEÑADO EN FUNCION A LA FIESTA DE LOS TABERNACULOS (LEVITICO 23:33)-RELACION CON EL LIBRO DE DAN BROWN (THE LOST SYMBOL/EL SIMBOLO PERDIDO)

En la pelicula "ANGELES Y DEMONIOS", CON REFERENCIA A EL LIBRO HOMONIMO DE DAN BROWN, el mismo escritor del "CODIGO DA VINCI" se hace referencia a los cuatro puntos cardinales, en el contexto al DISEÑO DEL VATICANO. LA PIAZZA DEL POPOLO (MARIA DE POPOLO), la relaciona con LA TIERRA, osea una referencia al SOLSTICIO DE VERANO, PIAZZA DI GIOVANNI con el solsticio de INVIERNO, en el marco al AGUA, LA PIRAMIDE DE LA PLAZA DE SAN PEDRO, en el marco al equinoccio de OTOÑO (HEMISFERIO NORTE) con referencia al AIRE y MARIA DE LA VICTORIA (REFERENCIA ESOTERICA A MARIA MAGDALENA EN EL CONTEXTO A LA RESURRECCION DE NUESTRO SEÑOR=VICTORIA=ISRAEL) con referencia al FUEGO Y AL EQUINOCCIO DE PRIMAVERA (RESURRECCION DE CRISTO). NOTEN QUE IS/ISIS/MARIA MAGDALENA, RA, ELHOHIM/OSIRIS/ORION/JESUCRISTO. LA SOLA REFERENCIA A VICTORIA/VENCEDOR/VENUS/ VENECIA/ SAN MARCOS. Esto explica el nexo con el numero de ORO en el marco a la alquimia de la resurreccion del Señor. VENUS ES SINONIMO DE LA ESTRELLA DE 5 PUNTAS Y EL NUMERO DE ORO PHI. EL MISMO TERMINO ISRAEL=VENCEDOR=VENUS AL ESTAR INTERRELACIONADO CON VENUS EVIDENCIA DE QUE LA RESURRECCION DEL SEÑOR FUE EN LUNA CRECIENTE Y QUE MARIA MAGDALENA ES LA NUEVA ISHTAR. POR ESO LA FUERTE CONNOTACION ALQUIMICA DEL SACRIFICIO Y RESURRECCION DEL SEÑOR. INSISTO PARA QUE QUEDE CLARO, QUE ISRAEL=VENCEDOR =VICTORIA=VENUS.

LA V CORTA QUE CONTIENE LA LETRA M EN EL CENTRO EQUIVALE A LA V CORTA DE VENUS/VIRGEN/VICTORIA.V=SEXO FEMENINO-A=SEXO MASCULINO. MARIA DE LA VICTORIA ES LA MISMA MARIA LA MAGDALENA.

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A gauche, l'emblème maçonnique.
A droite, l'"étoile de David".
Deux barres ou lignes horizontales appliquées sur le compas et l'équerre maçonniques suffisent à faire de l'emblème une étoile de David.
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¿CASUALIDAD QUE LA LETRA M EN EL ABECEDARIO INGLES SEA LA NUMERO 13?
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CICLO PENTAGONAL ENTRE VENUS Y GEA. LAS CURVAS DE VENUS.
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Pentagonal se refiere al Ciclo formado por 5 ciclos sinódicos.
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Venus y la Tierra danzan en sincronía matemática y geométrica en el salón del Espacio, al son de la sutilísima vibración de la música de las esferas, pues esferas son. El milenario mito de la llamada "Música de las Esferas" es mito mientras no se comprende qué es o a qué se refiere. Es como si una persona no reconociera que los instrumentos musicales suenan y por eso concluye que la "música de los instrumentos" es mito. Sólo le basta escuchar, sentir, vibrar y comprender. Nosotros estamos en una de esas esferas: el Planeta Tierra, aunque si pensamos un poco comprenderemos que es normal que sea posible que no conozcamos la maravilla en la que estamos inmersos ni que participemos activamente en ella, como aquel espectador que está de gratis en un maravilloso concierto y él mismo es un instrumento y se queda dormido, pero no porque la música sea aburrida sino porque no sabe que está ahí.
Cada 8 años, que son 8 órbitas de la Tierra y 13 de Venus, ambos planetas se encuentran 5 veces en sus puntos más cercanos, al mismo lado del Sol, 5 puntos que son equidistantes y que forman los 5 vértices de una estrella de 5 puntas. Puedes pulsar sobre la imagen para ver la animación.
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Si continúas observando podrás comprobar cómo Venus y la Tierra continúan trazando la figura pentagonal, aunque ya no desde el mismo punto que la anterior. De hecho, comienzan una nueva 2,33 días antes que la anterior. La actual la comenzaron el 8 de junio de 2004 y termina el 6 de junio de 2012. Esto significa que esa estrella de 5 puntas gira también alrededor del Sol hasta dar una vuelta en 1.252 años: un Ciclo mayor compuesto por 156 subciclos Pentagonales (1.252 órbitas de la Tierra y 2.035 de Venus). Así es como los planetas crean los Ciclos Cósmicos. 1.252 años son 457.457 días, que es prácticamente 676 x 676 ó 26x26x26x26 ó (13+13)x(13+13)x(13+13)x(13+13) días.
Aquí puedes verlo de otra manera comenzando desde el 8 de junio de 2004 (cuando se produjo un tránsito de Venus) hasta el 6 de junio de 2012 en que se produce otro tránsito. Puedes hacer click sobre la escena repetidamente.
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Los números 5, 8 y 13 son números consecutivos de la serie Fibonacci en la que cada número dividido por su anterior tiende al valor del número Phi, el que marca la llamada "proporción divina" de ciertos elementos de la Naturaleza, por no decir muchos o todos, y entre los cuales están las propias piezas que componen el esqueleto de nuestros cuerpos: los huesos. En la vigésima división de la serie Fibonacci, entre los números 6.765 y 4.181, se obtiene un valor de phi afinado hasta el sexto decimal: 1'6180339. También se puede ver que los números de la serie Fibonacci 6.765 y 4.181 como días terrestres convertidos a Tzolkins son 26 y 16 Tzolkin, y mientras el año de la Tierra (365 días) es 1,62 veces más largo que el de Venus (225 días), siendo 1,62 el redondeo de 1,618 que es el valor de Phi, en el ciclo sinódico Venus da 2'6 órbitas y la Tierra da 1'6 (fracciones de 26 y 16). Y por fin, reproduciendo los tres números de la serie Fibonacci 5, 8 y 13 en el ciclo pentagonal resulta que 5 es el número de encuentros entre La Tierra y Venus durante 8 órbitas de la Tierra y 13 de Venus.
8. Mateo 16:18: Y yo también te digo, que tú eres PEDRO, y sobre esta roca edificaré mi iglesia; y las puertas del Hades no prevalecerán contra ella. (JUSTO ADONDE ESTA ALDEBARAN, LA ESTRELLA ROJA DE LA CONSTELACION DE HYADES, ENTRE ORION Y PLEYADES)
19. Y a ti te daré las llaves del reino de los cielos; y todo lo que atares en la tierra será atado en los cielos; y todo lo que desatares en la tierra será desatado en los cielos.
2. Job 38:31: ¿Podrás tú atar los lazos de las Pléyades, O desatarás las ligaduras de Orión?
Si ustedes observan el DISEÑO DEL VATICANO, EL CASTILLO "SAN ANGELO", que es adonde esta ubicada la bomba esta en un contexto a los mismos equinoccios, osea en la misma linea incluso QUE EL DISEÑO DEL MISMO VATICANO QUE ESTA DISEÑADO CON EL MISMO PATRON DEL TEMPLO DE SALOMON Y DEL TABERNACULO, OSEA ORIENTADO ESTE A OESTE. LA BOMBA DE ANTIMATERIA, en el contexto al "CAMINO DE LA ILUMINACION" que se hace en la misma pelicula y el libro, EN EL CONTEXTO A LA ESTRELLA DE 5 PUNTAS (CASTILLO SAN ANGELO) es una obvia referencia a la ESCALERA DE JACOB O ALQUIMIA, OSEA EL GRIAL. TODO ES ESOTERICO CON REFERENCIA AL SANTO GRIAL. Lo que es increible que esta pelicula FUE ESTRENADA EN EL MISMO AÑO 2010, EL AÑO DEL RESCATE DE LOS 33 CHILENOS Y EL AÑO INSISTO, EN QUE EL 4 DE JULIO CAYO EN SABADO/SABIDURIA/SOPHIA/SABA/REINA DE SABA LUNAR. TODOS SON CODIGOS GRIALICOS. YHWH NOS LLENA DE MENSAJES SUBLIMINALES.

Si observamos la foto superior EL VATICANO, INSISTO, ESTA DISEÑADO EN FUNCION DE ESTE A OESTE, OSEA QUE LA PLAZA DE SAN PEDRO/LLAVE/ORION/ESTRELLA DE 8 PUNTAS/EAST STAR ESTA UBICADA HACIA EL ESTE. EN EL EQUINOCCIO DE PRIMAVERA (22 DE MARZO), ORION, SE ENCUENTRA EN EL ESTE AL MEDIO DIA U HORA SEXTA BIBLICA, EN EL CENITH A LA PUESTA DEL SOL Y EN EL OESTE A LA MEDIA NOCHE APROXIMADAMENTE Y EN EL EQUINOCCIO DE OTOÑO (22 DE SEPTIEMBRE) EN EL ESTE A LA MEDIA NOCHE, EN EL CENITH A LA SALIDA DEL SOL Y EN EL OESTE EN EL MEDIO DIA.
CONCRETAMENTE EL DISEÑO DEL VATICANO, AL ESTAR LA LLAVE EN EL ESTE ESTA EN FUNCION a la foto superior esta cercano al 22 de septiembre. EL OBELISCO DE WASHINGTON D.C CUMPLE CON ESTE PATRON.
En los equinoccios la luz del sol choca con el ECUADOR. Noten en la foto superior ORION, POR LA MEDIA NOCHE, en WASHINGTON D.C POR EL ESTE. CON ESTO SE CONFIRMA EL MONSTRUOSO DISEÑO DE WASHINGTON D.C Y EL VATICANO, CON UN FUERTE MARCO CON EL SANTO GRIAL.
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Messaggio 231 di 290 di questo argomento |
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Fibonacci 24 Repeating Pattern
May 15, 2012 by Gary Meisner
The Fibonacci sequence has a pattern that repeats every 24 numbers.
Numeric reduction is a technique used in analysis of numbers in which all the digits of a number are added together until only one digit remains. As an example, the numeric reduction of 256 is 4 because 2+5+6=13 and 1+3=4.
Applying numeric reduction to the Fibonacci series produces an infinite series of 24 repeating digits:
1, 1, 2, 3, 5, 8, 4, 3, 7, 1, 8, 9, 8, 8, 7, 6, 4, 1, 5, 6, 2, 8, 1, 9
If you take the first 12 digits and add them to the second twelve digits and apply numeric reduction to the result, you find that they all have a value of 9.
| 1st 12 numbers |
1 |
1 |
2 |
3 |
5 |
8 |
4 |
3 |
7 |
1 |
8 |
9 |
| 2nd 12 numbers |
8 |
8 |
7 |
6 |
4 |
1 |
5 |
6 |
2 |
8 |
1 |
9 |
| Numeric reduction – Add rows 1 and 2 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
18 |
| Final numeric reduction – Add digits of result |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
This pattern was contributed both by Joseph Turbeville and then again by a mathematician by the name of Jain.
We would expect a pattern to exist in the Fibonacci series since each number in the series encodes the sum of the previous two. What’s not quite so obvious is why this pattern should repeat every 24 numbers or why the first and last half of the series should all add to 9.
For those of you from the “Show Me” state, this pattern of 24 digits is demonstrated in the numeric reduction of the first 73 numbers of the Fibonacci series, as shown below:
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Fibonacci Number
|
Numeric reduction by adding digits |
| 1st Level |
2nd Level |
Final Level |
| Example: 2,584 |
2+5+8+4=19 |
1+9=10 |
1+0=1 |
| 0 |
0 |
0 |
0 |
| 1 |
1 |
1 |
1 |
| 1 |
1 |
1 |
1 |
| 2 |
2 |
2 |
2 |
| 3 |
3 |
3 |
3 |
| 5 |
5 |
5 |
5 |
| 8 |
8 |
8 |
8 |
| 13 |
4 |
4 |
4 |
| 21 |
3 |
3 |
3 |
| 34 |
7 |
7 |
7 |
| 55 |
10 |
1 |
1 |
| 89 |
17 |
8 |
8 |
| 144 |
9 |
9 |
9 |
| 233 |
8 |
8 |
8 |
| 377 |
17 |
8 |
8 |
| 610 |
7 |
7 |
7 |
| 987 |
24 |
6 |
6 |
| 1,597 |
22 |
4 |
4 |
| 2,584 |
19 |
10 |
1 |
| 4,181 |
14 |
5 |
5 |
| 6,765 |
24 |
6 |
6 |
| 10,946 |
20 |
2 |
2 |
| 17,711 |
17 |
8 |
8 |
| 28,657 |
28 |
10 |
1 |
| 46,368 |
27 |
9 |
9 |
| 75,025 |
19 |
10 |
1 |
| 121,393 |
19 |
10 |
1 |
| 196,418 |
29 |
11 |
2 |
| 317,811 |
21 |
3 |
3 |
| 514,229 |
23 |
5 |
5 |
| 832,040 |
17 |
8 |
8 |
| 1,346,269 |
31 |
4 |
4 |
| 2,178,309 |
30 |
3 |
3 |
| 3,524,578 |
34 |
7 |
7 |
| 5,702,887 |
37 |
10 |
1 |
| 9,227,465 |
35 |
8 |
8 |
| 14,930,352 |
27 |
9 |
9 |
| 24,157,817 |
35 |
8 |
8 |
| 39,088,169 |
44 |
8 |
8 |
| 63,245,986 |
43 |
7 |
7 |
| 102,334,155 |
24 |
6 |
6 |
| 165,580,141 |
31 |
4 |
4 |
| 267,914,296 |
46 |
10 |
1 |
| 433,494,437 |
41 |
5 |
5 |
| 701,408,733 |
33 |
6 |
6 |
| 1,134,903,170 |
29 |
11 |
2 |
| 1,836,311,903 |
35 |
8 |
8 |
| 2,971,215,073 |
37 |
10 |
1 |
| 4,807,526,976 |
54 |
9 |
9 |
| 7,778,742,049 |
55 |
10 |
1 |
| 12,586,269,025 |
46 |
10 |
1 |
| 20,365,011,074 |
29 |
11 |
2 |
| 32,951,280,099 |
48 |
12 |
3 |
| 53,316,291,173 |
41 |
5 |
5 |
| 86,267,571,272 |
53 |
8 |
8 |
| 139,583,862,445 |
58 |
13 |
4 |
| 225,851,433,717 |
48 |
12 |
3 |
| 365,435,296,162 |
52 |
7 |
7 |
| 591,286,729,879 |
73 |
10 |
1 |
| 956,722,026,041 |
44 |
8 |
8 |
| 1,548,008,755,920 |
54 |
9 |
9 |
| 2,504,730,781,961 |
53 |
8 |
8 |
| 4,052,739,537,881 |
62 |
8 |
8 |
| 6,557,470,319,842 |
61 |
7 |
7 |
| 10,610,209,857,723 |
51 |
6 |
6 |
| 17,167,680,177,565 |
67 |
13 |
4 |
| 27,777,890,035,288 |
73 |
10 |
1 |
| 44,945,570,212,853 |
59 |
14 |
5 |
| 72,723,460,248,141 |
51 |
6 |
6 |
| 117,669,030,460,994 |
65 |
11 |
2 |
| 190,392,490,709,135 |
62 |
8 |
8 |
| 308,061,521,170,129 |
46 |
10 |
1 |
| 498,454,011,879,264 |
72 |
9 |
9 |
Thanks to Joseph Turbeville for sending “A Glimmer of Light from the Eye of a Giant” and to Helga Hertsig for bringing Jain’s discovery of this pattern to my attention.
Filed Under: Math
https://www.goldennumber.net/fibonacci-24-pattern/ |
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Primer Anterior 2 a 3 de 3 Siguiente Último |
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Fibonacci 60 Repeating Pattern
October 30, 2016 by Gary Meisner
The last digit of the numbers in the Fibonacci Sequence form a pattern that repeats after every 60th number:
0, 1, 1, 2, 3, 5, 8, 3, 1, 4, 5, 9, 4, 3, 7, 0, 7, 7, 4, 1, 5, 6, 1, 7, 8, 5, 3, 8, 1, 9, 0, 9, 9, 8, 7, 5, 2, 7, 9, 6, 5, 1, 6, 7, 3, 0, 3, 3, 6, 9, 5, 4, 9, 3, 2, 5, 7, 2, 9, 1
This pattern can be seen in the following list of the first 72 Fibonacci numbers:
| 0 |
0 |
| 1 |
1 |
| 2 |
1 |
| 3 |
2 |
| 4 |
3 |
| 5 |
5 |
| 6 |
8 |
| 7 |
13 |
| 8 |
21 |
| 9 |
34 |
| 10 |
55 |
| 11 |
89 |
| 12 |
144 |
| 13 |
233 |
| 14 |
377 |
| 15 |
610 |
| 16 |
987 |
| 17 |
1,597 |
| 18 |
2,584 |
| 19 |
4,181 |
| 20 |
6,765 |
| 21 |
10,946 |
| 22 |
17,711 |
| 23 |
28,657 |
| 24 |
46,368 |
| 25 |
75,025 |
| 26 |
121,393 |
| 27 |
196,418 |
| 28 |
317,811 |
| 29 |
514,229 |
| 30 |
832,040 |
| 31 |
1,346,269 |
| 32 |
2,178,309 |
| 33 |
3,524,578 |
| 34 |
5,702,887 |
| 35 |
9,227,465 |
| 36 |
14,930,352 |
| 37 |
24,157,817 |
| 38 |
39,088,169 |
| 39 |
63,245,986 |
| 40 |
102,334,155 |
| 41 |
165,580,141 |
| 42 |
267,914,296 |
| 43 |
433,494,437 |
| 44 |
701,408,733 |
| 45 |
1,134,903,170 |
| 46 |
1,836,311,903 |
| 47 |
2,971,215,073 |
| 48 |
4,807,526,976 |
| 49 |
7,778,742,049 |
| 50 |
12,586,269,025 |
| 51 |
20,365,011,074 |
| 52 |
32,951,280,099 |
| 53 |
53,316,291,173 |
| 54 |
86,267,571,272 |
| 55 |
139,583,862,445 |
| 56 |
225,851,433,717 |
| 57 |
365,435,296,162 |
| 58 |
591,286,729,879 |
| 59 |
956,722,026,041 |
| 60 |
1,548,008,755,920 |
| 61 |
2,504,730,781,961 |
| 62 |
4,052,739,537,881 |
| 63 |
6,557,470,319,842 |
| 64 |
10,610,209,857,723 |
| 65 |
17,167,680,177,565 |
| 66 |
27,777,890,035,288 |
| 67 |
44,945,570,212,853 |
| 68 |
72,723,460,248,141 |
| 69 |
117,669,030,460,994 |
| 70 |
190,392,490,709,135 |
| 71 |
308,061,521,170,129 |
| 72 |
498,454,011,879,264 |
Lucien Khan arranged these 60 digits of the pattern in a circle, as shown in illustration below:

Here he found other interesting results:
- The zeros align with the 4 cardinal points on a compass.
- The fives align with the 8 other points of the 12 points on a clock.
- Except for the zeros, the number directly opposite each number adds to 10.
Lucien postulates that ancient knowledge of these relationships contributed to the development of our modern use of 60 minutes in an hour, and presentation of numbers on the face of the clock.
I found too that any group of four numbers that are 90 degrees from each other (15 away from each other in the circle) sum to 20, except again for the zeros. As an example, use 1, 7, 9 and 3, which appear one to the right of each of the compass points.
Additionally, every group of five numbers that define the points of the 12 pentagons on the circle also create a pattern. Four of the pentagons have even-numbered last digits of 0, 2, 4, 6, and 8. The remaining eight pentagons have odd-numbered last digits of 1, 3, 5, 7 and 9.

Another interesting pattern yet was observed by Lucien Khan: The 216th number is this sequence is 619220451666590135228675387863297874269396512. The sum of all the digits in that number add up to 216, as well. He notes that it is believed that the secret or hidden name of God contains 216 characters. There are many other fascinating relationships and sacred geometries, which are presented by Lucien Khan in more detail at the links below.
https://www.goldennumber.net/fibonacci-60-repeating-pattern/ |
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Messaggio 232 di 290 di questo argomento |
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Messaggio 233 di 290 di questo argomento |
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Nebulosa Cabeza de Caballo
De Wikipedia, la enciclopedia libre
| Nebulosa Cabeza de Caballo |
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Statue of Liberty
The height of the Statue of Liberty is 111′-1″ from bottom of foot to top of head. The 7 rays on the crown and the 11 points of the base star echo the proportions of the Great Pyramid’s 7:11 height to base proportion. The superb book Talisman by Graham Hancock and Robert Bauval convincingly shows this goddess is actually the Egyptian Isis.
Image courtesy Elcobbola under the Creative Commons Attribution-Share Alike 3.0 Unported license.
http://www.viewzone.com/onstott66.html


hace 3 días - Manipularon la historia a través de las fuentes de los textos en su lenguaje inventado llamado Latín, peeeeero no pudieron cambiar el ... Jose Alfonso Hernando ... la famosa batalla de Troya, y HASTA AHÍ NOS VAMOS PARA VER QUE ... “Las matemáticas nos hacen más libres y menos manipulables”.
hace 3 días - Principal / Valdeande Magico / ¡¡¡ Visitamos TROYES, donde fue la Guerra de Troya !!! ¡¡¡ Visitamos TROYES, donde fue la Guerra de Troya !!!


Troyes is the former capital of Champagne and is a perfect short trip visit from Paris. At just an hour and a half by train it can be a day trip but a couple of days and an overnight stay would be better because there’s so much to see and do in this lovely, vibrant city.
A town that is shaped like a Champagne cork in Champagne?
Troyes is an ancient city, once a Roman town with a direct road from Milan and onwards to Boulogne-sur-Mer on the Opal Coast in the north of France – the route for the invasion of Britain. Later the rich and powerful Counts of Champagne built a palace in Troyes and it was a prosperous place that attracted merchants from all over Europe. The counts fortified their town and though at that time Champagne didn’t even exist, the walls took the form of a Champagne cork.
Following a huge fire in 1524 that destroyed many of the ancient buildings that were constructed from wood, new brick buildings were erected and many of them remain to this day. Indeed the inhabitants of Troyes lived in these buildings pretty much as they had been for hundreds of years right up until the 1950s. It was a decade when the town council went on a bit of a renovation rampage to improve conditions since many of the old buildings had no bathrooms and poor hygiene conditions.
Fortunately they didn’t destroy too much and visiting Troyes is like stepping back in time. Every street seems to have its quota of half-timbered houses and there are cobbled streets and tiny alleyways that create a mesmerising maze in the centre of the old town of Troyes. In the little ruelle des Chats (Cats Alley) you’ll see it is so narrow that the houses lean in and touch via a central gutter at the top and cats could cross from houses on both sides of the roads. At the side of the office of the Mutuelle Societe at 111 rue Emile Zola you can enter a gate and at the back you’ll discover a stunning renaissance house looking exactly as it did when it was built. At the Cour du Mortier d’or, the ancient timber frames still bear the workman’s trademarks.
Everywhere you go here you’ll discover traces of history from hundreds of years ago, quaint, quirky and irresistibly charming…
Read the rest of this story in our free magazine – click here to go straight to it!
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Messaggio 234 di 290 di questo argomento |
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Messaggio 235 di 290 di questo argomento |
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Saint Mary Magdalene in Venice
 A closer look 
 the Apple
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Messaggio 236 di 290 di questo argomento |
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Messaggio 237 di 290 di questo argomento |
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GRAN DRAGÓN ESCARLATA O BESTIA DE 7 CABEZAS:
ISLA SAN GIORGIO (VENECIA)=GEORGE LEMAITRE
Sapientia Aedificavit Sibi Domum. Es decir, "la sabiduría ha edificado aquí su casa". Resulta curioso que la misma frase aparece en el Evangelio de María Magdalena, un texto apócrifo. Se dice que en el interior de esta iglesia y de otras muchas de Venecia está escondido el tesoro de los templarios. Pero no hay ninguna prueba de ello. Para terminar ya con esta entrada me gustaría que nos acercásemos un momento a uno de los edificios más emblemáticos de Venecia: el Palacio Ducal.
La Maddalena
Tomb of Tommaso Temanza
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Messaggio 238 di 290 di questo argomento |
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Messaggio 239 di 290 di questo argomento |
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Mysteries & Legends
Freemasons in Venice and the Church of Saint Mary...
Venice, an ever magic and mysterious city, was already in the 18th century the centre of an influential Freemasonry fraternity, whose members also included the famous adventurer Giacomo Casanova.
Here, the Freemasonry fraternity was so powerful and rich that they had a church built following the Freemasonry doctrines – the church of Saint Mary Magdalene in Cannaregio.
A few components of the Baffo family, affiliated to the Freemasonry in Venice, contracted the architect Tommaso Temanza, also a member of the fraternity, to build the ‘Freemasonry' church. Temenza designed a perfectly round building with a neo classic style and a symbol of the Freemasonry etched on the architrave of the main door – an eye inscribed within a circle and a pyramid with the writing ‘SAPIENTIA EDIFICAVIT SIBI DOMUM', a reference to the cult of the divine knowledge, which is at the base of the Freemason ideologies.
Temanza himself is buried inside the church and his headstone is decorated with a line and compasses, the most important symbol of the Freemasonry, as its members would define themselves as ‘builders'.
It is no surprise that this ‘Freemasonry' church is dedicated to Mary Magdalene, a mysterious figure, sometimes rejected by the church, beloved instead by the Freemasonry and its members who considered her a symbol of wisdom and the struggle against the obscurantism of the church.
Unfortunately, this church is not open to visitors but if the unusual places of Venice are the ones that interest you the most, contact us! We will create an unforgettable personalized tour in Venice just for you in collaboration with Francesca, the editor of this popular section.
https://www.venetoinside.com/hidden-treasures/post/freemasons-in-venice-church-saint-mary-magdalene/ |
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Large round bas-relief with symbols and inscription
Lote 18597809
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Jain's Realisation on Bruce Cathie - Giseh Pyramid Angle - the Speed Of Light and the Number 72
In the case of Cathie’s discoveries, we find that the lines of magnetic force that made up the Global Grid are always 30 arc-minutes apart, which being half of 60 means half a degree of arc-minutes. So, from Cathie’s discoveries, I know that every half-degree of arc on the Earth’s surface was a potential UFO trackline, for a total of 720 latitude lines and 720 longitude lines.
Bruce Cathie found that by using units of 30 minutes of arc latitude north-south, and 30 minutes of arc longitude east-west, on his Mercator’s map, a grid pattern was formed into which a great number of UFO reports could be fitted.
So I looked at the same Mercato map and visualized the 720 x 720 little squares. Recognizing that 72 is an anointed Number, being the base angle of the Golden Isosceles Triangle as seen in the Pentagram and having many other references.
Let's calculate what 72x72 is, it is 5,184
which as you know is the Giseh Pyramid Angle of 51.84 in Harmonic Maths. The very interesting connection to this 51.84 degree pyramid angle is seen when it is converted to minutes and seconds of arc: 51.84 x 60 x 60 = 186,624 seconds = Speed Of Light in miles per seconds (mps), an astounding result: the Giseh Pyramid Angle, the base of Kepler's Triangle, has a direct and precise correspondence to the Speed Of Light. Surely this is a form of God Mathematics!
Jain
ps: To convert miles/second to kilometres/second, just think of the Fibonacci Sequence eg: 55mph = 89 km/hr, where 55 and 89 are successive Fib Nos. Their Ratio is approximately 1:1.618, so to convert 186,624 mph into km/hr multiply that number by 1.618… and you get an approximation to 299,792 km/hr for the Speed Of Light. This makes the important connection to the Imperial (Base 12) and Modern Metric (Base 10) systems of measurement to be related by the ubiquitous Golden Ratio.
https://ne-np.facebook.com/jain108academy/videos/jains-realisation-giseh-pyramid-angle-the-speed-of-light-bruce-cathie/974004909692334/
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The diameter of the moon is 2159 miles (2160)
The diameter of the sun is 864,575.9 miles (2160 x 400 = 864,000)
Numbers of seconds in one day is 86400 (2160 X 40)
The speed of light is 186282 miles per second (216 x 864 = 186624)
Space 360 x Time 60 = 2160
Bear in mind that we do not know the exact speed of light in a vacuum and the sun is a burning ball of gas, so you can allow for a slight discrepancy in measurements.
Effectively, the diameter of the moon multiplied by the diameter of the sun equals the speed of light in miles.
How daft and stubborn would you have to be to think that those figures are all simply a coincidence?
https://www.facebook.com/FibonacciSequence60/photos/the-diameter-of-the-moon-is-2159-miles-2160the-diameter-of-the-sun-is-8645759-mi/705123093030790/ | | |
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