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Pyramid Energy II

Following up the article Pyramid Energy – Part I

Fractal 44 is a fractal of 44 squares. To get more information deciphered, it is interesting to go further in the study of this fractal. Two crop circles combined together present the next geometric step of Fractal 44.

On the left : Crop circle formation, Windmill Hill, Wiltshire, 19th July 1999.

On the right : Crop Circle formation, West Kennet, Wiltshire, 4th August 1999.

Credit : Lucy Pringle

“Geometry is knowledge of the eternally existent.” Pythagoras

The Windmill Hill crop circle represents the feminine aspect or ‘socket’ while the West Kennet crop circle represents the masculine aspect or ‘plug’. The combination of these two crop circles representing the union of masculine and feminine is illustrated below. There are a total of 288 circles representing the ‘socket’. The yellow squares and yellow circles represent the ‘plug’. There are 156 yellow circles (39 x 4) superimposed on the 288 circles. Adding 156 to 288 brings the significant number 444.

combination

The union of Windmill Hill and West Kennet showing a perfect fit.

The harmonic number 444 is 37 times 12. The number 12 has already been seen to hold an important place in the manifested world, also representing the passage from 1 to 2. The number 37 is the twelfth prime number. The numbers 3 and 7 are linked to creation and represent the steps for light to be perceived in many colours by the human eye. Contained within the oneness of white light are the three primary colours and seven colours of the rainbow.

When Fractal 44 is positioned on each of the four corners of the union of these two crop circles an astonishing correlation appears. An area containing 6 x 6 square units highlighted in red is formed encoding the 6 x 6 x 6 cube and a key to the fourth dimension. This Geometric Key brings both a geometric and numerical understanding of how Pyramid Energy works in connection with Fractal 44.

geometrickey

Alton Priors, Windmill Hill and West Kennet crop circles combined.

Fractal 44 repeats itself on each corner of the original bringing a total of 188 single silver squares producing Fractal 188, constituting of five 4 x 4 grids, sixteen 2 x 2 grids and 44 single squares.
In three dimensions there are nine 4 x 4 x 4 hypercubes, sixty-four 2 x 2 x 2 hypercubes and finally four-hundred and forty single cubes bringing a total of 1,528 cubes.

The yellow circles form the masculine aspect of creative force, motion, frequency and voltage as a fractal element in nature.
The purple circles form the feminine aspect of space and capacity ready to receive the masculine creative forces.

The Hebrew word ‘Father’* (אב) has a gematria value of 3. ‘Mother’ (אמ) has a gematria value of 41, adding together to make 44. The gematria value for ‘Child’ (ילד) is also 44. Fractal 44 encodes the Trinity of Father, Mother and Child, well known in Ancient Egypt through the personifications of Osiris, Isis and Horus.

“Behind the wall, the gods play, they play with numbers, of which the universe is made up.” Le Corbusier

Fractal 44 when overlaid on the ground plan of the Temple of Solomon, an interesting geometric correlation appears. The yellow rectangle is the Holy Temple of Solomon. This Temple reflects the structure and motion of the universe. The accumulation point of Zero Energy, a 101 ‘gateway’ is located exactly on the most Holy Place of the Temple which is the sanctuary, shown as a green square inside the yellow rectangle. The sanctuary is a cube of edge length 20 cubits.

templeofSolomon

The Temple of Solomon from the prophetic vision of Ezekiel is five hundred cubits long and five hundred cubits wide. The Altar is shown as a red square in the centre of the 4 x 4 grid. The position of the Holy Temple is slightly different from the position of the Tabernacle suggested by Villalpando.

The illustration below shows the combination of Fractal 44 and the ground plan of the Temple of Solomon rotated 90 degrees three times. The Holy Temple and the Altar are shown with colours. The inside and outside courtyard, the gates and the 30 chambers along the pavement are shown with red borders.

The Fibonacci spiral is constructed from the green square unit representing the sanctuary. Golden Spirals emerge from Zero Energy Points showing the behaviour of the fifth element, the spiralling ether. The Temple of Solomon is a great reminder of a connected universe, a multiple manifestation of spirals coming from Divine Consciousness.

https://universalzeropoint.com/2017/09/30/pyramid-energy-ii/

Math in Architecture and the Golden Section

August 23, 2018/

The Golden Section (aka Golden Mean, and Golden Ratio) phys.org

We use math in architecture on a daily basis to solve problems. We use it to achieve both functional and aesthetic advantages. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance. As you will see from some of the examples below, the application of mathematical principles can result in beautiful and long-lasting architecture which has passed the test of time.

Using Math in Architecture for Function and Form

We use math in architecture every day at our office. For example, we use math to calculate the area of a building site or office space. Math helps us to determine the volume of gravel or soil that is needed to fill a hole. We rely on math when designing safe building structures and bridges by calculating loads and spans. Math also helps us to determine the best material to use for a structure, such as wood, concrete, or steel.

“Without mathematics there is no art.” – Luca Pacioli, De divina proportione, 1509

Architects also use math when making aesthetic decisions. For instance, we use numbers to achieve attractive proportion and harmony. This may seem counter-intuitive, but architects routinely apply a combination of math, science, and art to create attractive and functional structures. One example of this is when we use math to achieve harmony and proportion by applying a well-known principle called the Golden Section

Math and Proportion – The Golden Section

Perfect proportions of the human body – The Vitruvian Man – by Leonardo da Vinci.

We tend to think of beauty as purely subjective, but that is not necessarily the case. There is a relationship between math and beauty. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance.

The Golden Section is one example of a mathematical principle that is believed to result in pleasing proportions. It was mentioned in the works of the Greek mathematician Euclid, the father of geometry. Since the 4^th century, artists and architects have applied the Golden Section to their work.

The Golden Section is a rectangular form that, when cut in half or doubled, results in the same proportion as the original form. The proportions are 1: the square root of 2 (1.414) It is one of many mathematical principles that architects use to bring beautiful proportion to their designs.

Examples of the Golden Section are found extensively in nature, including the human body. The influential author Vitruvius asserted that the best designs are based on the perfect proportions of the human body.

Over the years many well-known artists and architects, such as Leonardo da Vinci and Michelangelo, used the Golden Section to define the dimensions and proportions in their works. For example, you can see the Golden Section demonstrated in DaVinci’s painting Mona Lisa and his drawing Vitruvian Man.

Famous Buildings Influenced by Mathematical Principles

Here are some examples of famous buildings universally recognized for their beauty. We believe their architects used math and the principals of the Golden Section in their design:

Parthenon

The classical Doric columned Parthenon was built on the Acropolis between 447 and 432 BC. It was designed by the architects Iktinos and Kallikrates. The temple had two rooms to shelter a gold and ivory statue of the goddess Athena and her treasure. Visitors to the Parthenon viewed the statue and temple from the outside. The refined exterior is recognized for its proportional harmony which has influenced generations of designers. The pediment and frieze were decorated with sculpted scenes of Athena, the Gods, and heroes.

Parthenon Golden Section

Notre Dame Cathedral in Paris

Built on the Ile de la Cite, Notre Dame was built on the site of two earlier churches. The foundation stone was laid by Pope Alexander III in 1163. The stone building demonstrates various styles of architecture, due to the fact that construction occurred for over 300 years. It is predominantly French Gothic, but also has elements of Renaissance and Naturalism. The cathedral interior is 427 feet x 157 feet in plan. The two Gothic towers on the west façade are 223 feet high. They were intended to be crowned by spires, but the spires were never built. The cathedral is especially loved for its three stained glass rose windows and daring flying buttresses. During the Revolution, the building was extensively damaged and was saved from demolition by the emperor Napoleon.

Notre Dame Cathedral in Paris

Taj Mahal

Built in Agra between 1631 and 1648, the Taj Mahal is a white marble mausoleum designed by Ustad-Ahmad Lahori. This jewel of Indian architecture was built by Emperor Shah Jahan in memory of his favorite wife. Additional buildings and elements were completed in 1653. The square tomb is raised and is dramatically located at the end of a formal garden. On the interior, the tomb chamber is octagonal and is surrounded by hallways and four corner rooms. Building materials are brick and lime veneered with marble and sandstone.

Math in Architecture and the Golden Section

Taj Mahal designed by Ustad-Ahmad Lahori

As you can see from the above examples, the application of mathematical principles can result in some pretty amazing architecture. The architects’ work reflects eye-catching harmony and balance. Although these buildings are all quite old, their designs have pleasing proportions which have truly passed the test of time.

https://bleckarchitects.com/math-in-architecture/