Columba (constelación)

 

Columba
Nombre Latino	Columba
Abreviatura	Col
Genitivo	Columbae
Simbología	Palomo
Ascensión recta	6 h
Declinación	−35°
Superficie	270 grados cuadrados Rango 54th
Número de estrellas (magnitud < 3)	1
Estrella más brillante	α Col (Phact) (magnitud ap. 2,6)
Lluvia de meteoros	None
Constelaciones colindantes	Lepus Caelum Pictor Puppis Canis Major
Visibilidad	En latitudes entre +45° y −90°
Mejor visibilidad (21:00 hrs.)	Febrero

Columba, Latín para palomo, es una pequeña constelación justo al sur de Canis Major y Lepus. Fue sacada de la constelación Canis Major por Augustin Royer, en 1679.

[editar] Mitología

Dado que fue creada en el siglo XVII, por la separación de una constelación ya existente, no tiene mitología relacionada, de manera independiente.

Puede referirse a la paloma que los Argonautas envían para determinar si pueden pasar por el estrecho del mar negro. También, es la paloma que Nóe utilizó en su arca.

Columba, la Paloma, junto al Can Mayor.

 

2. Y el aspecto del que estaba sentado era semejante a piedra de jaspe y de cornalina; y había alrededor del trono un ARCO IRIS, semejante en aspecto a la esmeralda.

3. Apocalipsis 10:1: Vi descender del cielo a otro ángel fuerte, envuelto en una nube, con el ARCO IRIS sobre su cabeza; y su rostro era como el sol, y sus pies como columnas de fuego.

 

Winter Solstice Galactic Alignment of the Sun with the Galactic Equator

On Earth, the River Nile was the reflection of this great river in the sky, in accordance with the Hermetic principle "as above, so below." Herschel's earliest ingenious research has demonstrated that all of the pyramids along the river Nile represent constellations along the Milky Way, not just Orion! There are more than 50 pyramids in total, and their true meaning can only be deciphered when one considers the whole of Egypt.

During a Great Celestial Conjunction, the Sun crosses that great river in the sky, the Milky Way. Egyptologists explain that the solar God Ra (and Horus) required a boat because they sailed the Heavens from sunrise in the East to sunset in the West. At night, Ra travelled the Netherworld to be reborn in the morning at sunrise. Egyptologists reject the idea that the Egyptians understood the Precession of the Equinoxes and that the Sun also sojourns along the zodiac in a 26,000 year journey corresponding with the Precession Cycle.

In the Book of the Gates, the travel of the Sun at night along with the deceased pharaoh into the Netherworld is described. The Sun enters the Netherworld in the first hour just after sunset to be reborn in the morning at sunrise after a twelve hour nocturnal journey. There are many parallels, however, with the precessional journey of the Sun along the twelve signs of the zodiac to be discovered in the Book of the Gates. The 12 hours in the Book of Gates are structured into four groups of three hours, denoting a cross in the face of the clock. In the 12th hour Nun raises the solar barque with the scarab beetle of the Sun God from the primeval waters (Milky Way?), this is the hour of the rebirth of the Sun.

Left: Nun raises the solar barque from the primeval waters at ‘sunrise’, the time of the rebirth of the Sun.

Left: Grave statue of Tjel mayor of Memphis under Amenhotep III Dutch national museum of antiquities, Leiden. Right: Sarcophagus with crossed arms and X cross on chest, Dutch National Museum of antiquities, Leiden.

Since the Greek inherited much of their wisdom from the Egyptians, it's more than reasonable to suspect that the gate or portal mentioned in the Book of the Gates through which the pharaoh enters the Netherworld is, in fact, the Gate of God that the Greek writer Macrobius writes about. The Gate of God was also called the Golden Gate, while the Gate of Men was called the Silver Gate. The very same Egyptian cross symbolism used by the pharaohs associated with the Golden and Silver gates of the soul (and the Sun) can still be recognized in the coat of arms of the Vatican, consisting of two crossed keys; one Golden, one Silver.

Silver and Golden cross in the Coat of Arms of the Vatican

The Golden Gate is the ecliptic Milky Way crossing at the Scorpio-Sagittarius nexus on the zodiac while the Silver Gate is the Milky Way ecliptic crossing at the Gemini-Taurus nexus. The Silver Gate was represented by the horns of Isis and the associated bull Taurus.

The Silver Gate is also clearly depicted in the Narmer Palette (3100 BC) named after the Egyptian pharaoh. The Narmer Palette shows the celestial goddess bull Bat (Taurus) with her horns bent over pointing exactly to the place of the rebirth of the Sun, the Silver Gate. The two cow's heads on top of the palette also represent Bat. In-between the two cow goddesses a hieroglyph is depicted representing the rising of the Sun in between two mountains on the horizon. It's a hieroglyph that is very similar to the Akhet hieroglyph with the same significance.

Bat on the left and right with the 'Akhet' glyph in between. Dutch national museum of antiquities, Leiden

Bat was the goddess of the Milky Way considered to be a pool of Bat's cow milk. Bat was also the goddess of the human soul, the "Ba" that incarnated into human life form. Since the soul incarnated into human life passing through the Silver Gate (crossing of Milky Way and ecliptic), it's not surprising that Bat was both the goddess of the Milky Way and the human soul. Ba is a derivative of Bat, whereas "Ka" represents the human light-body. "Mer" represents the light of the Egyptian light-body-soul complex, the "Mer-Ka-Ba." Bat was also called the "Ba of Two Faces." Egyptologists are in the dark about her name and don't seem to understand that she was called this way, because there are actually two portals both to and from the Netherworld for the Ba to descend into the physical plane (Silver Gate) and ascend from the physical plane (Golden Gate). Both Hathor, Isis and Bat are all cow goddesses and Egyptologists have often pointed out the similarities between these goddesses depicted with cow-horns suspecting that they may have the same origins...they all represent the Silver Gate.

At the bottom of the Narmar palette in-between the horns of the bull, the very same hieroglyph is depicted as the one shown between two Bat bulls on top of the palette. This Akhet-like hieroglyph symbolises the rising Sun on the horizon.

The Narmar Palette, bull in close up on the right. The bull is leaning towards the Silver Gate near the Gemini-Taurus nexus depicted in between the horns. The hieroglyph in between the horns resembles an Akhet glyph and represents the Silver Gate. Dutch national museum of antiquities, Leiden

On the other side of the Narmer palette two identical men, hence suggesting twins are depicted. They are both looking over their shoulders to a particular square over the left man’s shoulder. We surmise that the twins represent Gemini which would make sense since the actual ecliptic Milky Way crossing of the Silver Gate occurs in 5° Gemini (sidereal zodiac) and the square could therefore be suggesting the Silver Gate.

The author Audrey of the website "Ancient Egypt" writes while referring to the Narmar Palette: "They present an overview of the astronomical event which occurred on September 21st in 4468BCE, when the Autumn (Fall) Equinox of the Sun was in conjunction with the Milky Way."

At the Autumnal Equinox, the Sun was indeed at the Milky Way, however at the Golden Gate. At the Vernal Equinox of 4468 BC, the Sun resided at the Silver Gate. The author (Audrey) does not seem to realise that this moment represented a Great Celestial Conjunction when the equinox axis (Vernal and Fall) aligned with the Galactic Equator and the Sun resided at the Gates of the Gods.

Instead, while interpreting the hieroglyphs of the 10 decapitated figures near the Solar Barque, he writes quote, "The full meaning of the hieroglyph can therefore be interpreted as 'the Sun at a sacred gateway, opening or portal'..."

While Hathor, Isis and Bat are all cow goddesses, Egyptologists have often pointed out the similarities between these goddesses depicted with cow-horns suspecting that they may have the same origins. . . .   
We suggest that they all represent the Silver Gate.

There is an even older Egyptian goddess that later was associated with Isis and Hathor. Her name is Serket and she was the deification of the scorpion goddess who healed stings and bites. Eventually, Serket was associated with Isis and she was said to be just an aspect of Isis. Serket and Isis can therefore be regarded as the ‘Ba of Two Faces’. While Isis represents the Silver Gate at the Gemini-Taurus nexus, Serket is her counterpart and she represents the Golden Gate at the Scorpio-Sagittarius nexus. This is why she’s wearing the scorpion on her head while she joined Ra in his barque on his journey around the zodiac in a Great Year.

The sacred Egyptian scarab beetle is a metaphor for the Sun in the precession cycle whereas the dung ball represents the Sun. The scarab beetle rolls its dung ball with his hind legs backwards, symbolizing the backward motion of the Sun through the zodiac in the precession cycle. Since the scarab beetle has many similarities with a scorpion, we surmise that Serket and the scarab beetle both represent the Golden Gate in Egyptian mythology.

On the left, the scarab beetle in a barque. On the right, the bull with the horns in a barque. They represent the places where Ra requires a barque to cross the Milky Way river in the precession cycle and thus represents the galactic equator.

 

http://www.gabitogrupos.com/DESENMASCARANDO_LAS_FALSAS_DOCTRINAS/template.php?nm=1337013729

 

 

The Master's Square - compares the Tabernacle, the Temple, and the New Jerusalem to the Masonic Temple, and investigates the universal, astronomically based, geometric method for Temple design and construction. This relates the patterns in the Masonic Floor to all the sacred objects in the Bible, as well as temples around the world.

http://www.gabitogrupos.com/DESENMASCARANDO_LAS_FALSAS_DOCTRINAS/template.php?nm=1319509113

 

. La inclinación actual del eje de la Tierra es de 23,5 grados.