El 21 de Diciembre coincide con el codigo de Jesus, su muerte y resurreccion 3 dias despues, el dia 24 o Navidad.
Sabemos que los Mayas conocian los codigos y sus calendarios eran muy exactos, si conocía la fecha con exactitud es un misterio.
Lo que he expuesto como mayor prueba de que estamos cerca de este acontecimiento es el componente magnetico del hipercubo a 60 grados, lo cual fue confirmado por el Voyager fuera del sistema solar, en realidad deberia ser inferior a 60, 59,9.. o simil ya que la forma hexagonal del hipercubo es incompatible con el fluido del tiempo, los cubos se fusionan al chocar el 9 y el 6, de 16 puntos de la matriz pasamos a 15, numero impar por lo tanto se pierde polaridad.
Por que 33, el misterioso numero? Simplemente por que 4/3 = 8/6 =1.33, 8 el octogono del orden conformado por 2 cubos sobre el hexagono como el caos.
El punto medio entre ambos simboliza el pasaje entre la muerte y la resurreccion, los 3 dias de noche, el sol negro, etc.

El corte grafico 8/6 desde un extremo la singularidad del octogono en el centro de la galaxia a 33 grados y la componente medio de Virgo/Virgen a medio Piscis/Jesus desde la circunferencia exterior pasando por el centro.

Las calles de Washington reflejan el octogono o la nueva era dorada.

Fractales de tiempo del octogono regenerativo-24 horas del dia
8 octogono/33 = 0.242424
8 octogono/33.333..=0.2400024
800/33.333=24.00024
La lineas amarillas que alternan en 33 grados tienden y por lo tanto median hacia la semilla de la flor octogonal en verde del toro geometrico comprendido en el hipercubo.

 

 

 

 

One secret thing - Satan Says - Cassiopeia - The Queen of the Night

Sharon Olds was born in 1942 in San Francisco. She was raised as a “hellfire Calvinist”, as she describes it.[1][2] She says she was by nature "a pagan and a pantheist" and notes "I was in a church where there was both great literary art and bad literary art, the great art being psalms and the bad art being hymns. The four-beat was something that was just part of my consciousness from before I was born." She adds "I think I was about 15 when I conceived of myself as an atheist, but I think it was only very recently that I can really tell that there's nobody there with a copybook making marks against your name."[3] After graduating from Stanford University she moved east to earn a Ph.D. in English from Columbia University on the prosody of Emerson's poems.[3]

Strike Sparks: Selected Poems 1980-2002 (2004)[4]
Olds has been the recipient of many awards including the National Book Critics Circle Award and the San Francisco Poetry Center Award.[5][6] She currently teaches creative writing at New York University.[7]
In 2005, First Lady Laura Bush invited Olds to the National Book Festival in Washington, D.C. Olds responded, declining the invitation in an open letter published in the October 10th, 2005 issue of The Nation. The letter closes: "So many Americans who had felt pride in our country now feel anguish and shame, for the current regime of blood, wounds and fire. I thought of the clean linens at your table, the shining knives and the flames of the candles, and I could not stomach it".[8]


Poetry

Following her PhD on Emerson's prosody, Olds let go of an attachment to what she thought she 'knew about' poetic convention.[3] Freed up, she began to write about her family, abuse, sex, focusing on the work not the audience. Olds has commented that she is more informed by the work of poets such as Galway Kinnell, Muriel Rukeyser and Gwendolyn Brooks than by confessional poets like Anne Sexton or Sylvia Plath. Plath, she comments "was a great genius, with an IQ of at least double mine" and while these women charted well the way of women in the world she says "their steps were not steps I wanted to put my feet in."[3]
Old's first collection Satan Says sets up the sexual and bodily candour that would run through much of her work. In "The Sisters of Sexual Treasure" she writes,
As soon as my sister and I got out of our
mother's house, all we wanted to
do was fuck, obliterate
her tiny sparrow body and narrow
grasshopper legs.[3]
Olds' book The Wellspring (1996), shares with her previous work the use of raw language and startling images to convey truths about domestic and political violence and family relationships. A reviewer for The New York Times hailed her poetry for its vision: "Like Whitman, Ms. Olds sings the body in celebration of a power stronger than political oppression."[9] Alicia Ostriker noted Olds traces the "erotics of family love and pain." Ostriker continues: "In later collections, [Olds] writes of an abusive childhood, in which miserably married parents bully and punish and silence her. She writes, too, of her mother's apology 'after 37 years', a moment when 'The sky seemed to be splintering, like a window/ someone is bursting into or out of'"[3] Olds’ work is anthologized in over 100 collections, ranging from literary/poetry textbooks to special collections. Her poetry has been translated into seven languages for international publications. She was the New York State Poet Laureate for 1998-2000.[10] In 2013 her poetry collection Stag’s Leap, which details the collapse of her 30-year marriage, won the T. S. Eliot Prize for Poetry. [11] She is the first American to win this award. [12]
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E.T.A.E

 

 

 

 

 

 

 

 

 

 

EN LA LETRA M ESTA CODIFICADA MARIA MAGDALENA