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Pope Francis delivered a speech too progressive for Obama to give
Sep 24, 2015, 4:20 PM GMT-3
Pope Francis waves to the crowd from the Speakers Balcony at the US Capitol, September 24, 2015, in Washington, DC. Pool/Getty Images
If President Barack Obama had delivered the text of Pope Francis’s speech to Congress Thursday as a State of the Union address, he would have risked being denounced by Republicans as a socialist.
While most Republicans chose not to complain, and Democrats tried not to gloat, Francis’s speech to Congress was stunning in the breadth, depth, and conviction of its progressivism. That might not have been fully and immediately appreciated by everyone in the House chamber because the combination of Francis’s sotto voce delivery and his heavily accented English made it difficult, lawmakers said, to grasp everything he was saying.
But there was no mistaking his thrust. He made detailed arguments for openness to immigrants, addressing the human roots of climate change, closing the gap between the rich and the poor, and ending the death penalty — all of which invigorated the Democrats in the room.
“It was pretty progressive. He had a little right-to-life stuff in it,” Rep. James Clyburn, the third-ranking House Democrat, said as he cracked a smile thinking about how Republicans would receive the speech. “That’s enough for them.”
The pope isn’t going to change many hearts and minds in the badly divided Congress, lawmakers said, but the moment provided a brief respite from political warfare. Several presidential candidates, including Sens. Bernie Sanders, Lindsey Graham, Marco Rubio, and Ted Cruz, as well as Ben Carson, attended.
Rubio, a Roman Catholic, said in a brief interview that Francis “struck the right tone.” Sanders, a self-described socialist, seemed to like the content even more.
“Pope Francis is clearly one of the important religious and moral leaders not only in the world today but in modern history,” he said in a statement released after the speech. “He forces us to address some of the major issues facing humanity: war, income and wealth inequality, poverty, unemployment, greed, the death penalty and other issues that too many prefer to ignore.”
Democrats were eager enough to present Congress as united that they joined a Republican-led standing ovation when Francis told lawmakers of “our responsibility to protect and defend human life at every state of its development.” Several of them said it was out of respect for the pope. But there was another good reason: It strengthened the perception that the whole speech — most of which they liked — carried unifying themes.
Unity was good for Democrats because the speech favored their policies
Francis was interrupted a few times by whoops from the Democratic side of the chamber — by Steve Cohen, a Jewish Memphis Democrat who got excited about Francis’s mention of the Golden Rule; by New York’s Nydia Velázquez when he called for an end to the death penalty; and by Philadelphia Rep. Chaka Fattah when he mentioned his upcoming visit to that city. The Republicans in the room were a bit more staid. Cruz often appeared unmoved during moments when Rubio, who was sitting nearby, applauded. That was the case when Francis asked whether the greater opportunities sought by past generations of immigrants are “not what we want for our own children?”
It was a home crowd. Rep. Paul Gosar (R-AZ) had announced he would boycott the event over climate change, and there was a brief murmur when it became obvious that three conservative Catholic Supreme Court justices — Antonin Scalia, Samuel Alito, and Clarence Thomas — had not shown up. But it seemed that everyone in attendance just wanted to catch a glimpse of Francis and hear what he had to say.
Big-name guests filed into the public galleries above the House chamber long before the pope’s arrival: Former House Speaker Newt Gingrich, former Rep. Gabby Giffords, mega-donor Tom Steyer, and Carson. House members filled the seats in their chamber, followed by the Senate and four Supreme Court justices. At about a minute past 10 am, Francis strode down the center aisle of the House chamber, clad in his familiar white robe and skullcap.
Lawmakers, who had been admonished not to touch the pope, refrained from trying to shake his hand or pat his back. There was no rush to crowd him the way members of Congress try to get into pictures with the president during the annual State of the Union address. When he got to the end of the aisle, he quietly shook hands with Secretary of State John Kerry and then made his way to the rostrum.
Samantha Power, the US ambassador to the UN, pulled out a baby blue iPhone and began snapping pictures. Though she later took to Twitter to commemorate the moment, Power hadn’t posted any of her photos by midday.
For his part, Francis warmed up the audience by describing America as “the land of the free and the home of the brave.” He was slow to move into more politically charged territory but unimpeded when he did. There were 10 standing ovations after his initial greeting, and they were bipartisan.
Francis tackled tough issues at the heart of the US political debate and gently admonished lawmakers to build bridges
At times, Francis seemed to be speaking directly into the headlines and newscasts of the day.
Less than a week after Carson said that America shouldn’t elect a Muslim president, Francis warned that “a delicate balance is required to combat violence perpetrated in the name of a religion, an ideology or an economic system, while also safeguarding religious freedom, intellectual freedom and individual freedoms.”
As Republican presidential frontrunner Donald Trump promises to build a wall between Mexico and the US, and to prevent Syrian refugees from being admitted to America, Francis compared the current refugee crisis to the one that arose in World War II and said that “we the people of this continent are not fearful of foreigners, because most of us were once foreigners.” That drew a standing ovation. Rubio, who has shifted his emphasis on immigration reform over time, leaped to his feet.
And while Democrats continue to bask in this summer’s Supreme Court decision protecting same-sex marriage, the pope said he was concerned that “fundamental relationships are being called into question, as is the very basis of marriage and the family.” The issue that caused the biggest stir before the speech — climate change — factored prominently in Francis’s remarks. He spoke of the human roots of global warming and said, “I am convinced we can make a difference.”
But perhaps the most unexpected run in the speech was an admonishment as gentle as it was clear: Politics is about building bridges, not destroying them. Francis never mentioned the international nuclear nonproliferation deal with Iran by name or the gridlock in American politics, but he seemed to be speak to both matters.
“When countries which have been at odds resume the path of dialogue — a dialogue which may have been interrupted for the most legitimate of reasons — new opportunities open up for all,” he said. “A good political leader is one who, with the interests of all in mind, seizes the moment in a spirit of openness and pragmatism. A good political leader always opts to initiate processes rather than possessing spaces.”
Pennsylvania Republican Rep. Joe Pitts, speaking about the pope’s limited remarks on abortion and same-sex marriage, said he was displeased that Francis had been “unfortunately politically correct.”
For liberals, though, he was simply correct about politics.
https://www.vox.com/2015/9/24/9393731/pope-francis-speech-progressive-obama
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Message 10 de 54 de ce thème |
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uesday 6 A.M.' - the time of the Vice President's resignation. I can't help but sense a coded time reference here. While not so simple, I found a fairly coherent way of decoding this.
Using the earlier decoding method that turned '7:45' into July + 45 days (= Aug. 14), we would get 'June 1' ('6:00') here, which is not very meaningful. But this time we were given two additional clues in the scene - 'Tuesday' and 'A.M.' (previously it was 'P.M.').
First, 'Tuesday' is traditionally 'Mars Day', which gives us a number possible dates. One is Aug. 27, the climax of the historic Earth-Mars close encounter. And adding '6' (i.e. '6:00') months to that yields Feb. 27 or so. (Not very meaningful.)
Another 'Mars Day' is the equinox. This is so because, for instance, the Great Sphinx at Giza, considered a form of Horus by the ancient Egyptians thus also a form of Mars ('Horus the Red'), faces due east so that it aligns with the sunrise (another manifestation of Horus) of the equinox when the sun rises due east. The spring equinox of 2003 was on March 20 which precisely coincided with the start of the Iraq war (Iraqi time).
That the equinox would make a better 'Mars Day' here is revealed when we add '6' months (i.e. '6:00') to the spring equinox because this takes us forward to the very next equinox, the autumn equinox on Sept. 23! And this is right in the 'Mars window' (around September when Mars is brilliant in the night sky).
This interpretation is further corroborated by the episode's opening scene ('preview' of the final scene) indicating the time as 'Tuesday 5:58 A.M.' (instead of '6:00 A.M.').
Taking the change from 'P.M' (as was the case with '7:45') to 'A.M.' as signifying the notion of 'inversion', we are encouraged to read the time code in reverse, i.e. 85:5 instead of 5:58. Following the method used for 7:45, we would have 8 and 55, or August and 55 days. Because August has 31 days, the pinpointed date would be September 24. This is only a day away from the autumn equinox (Sept. 23)! And of course, Sept. 24 in US time is Sept. 23 in many other parts of the world.
Now, did anything significant happen on September 23, '03? Yes - on this very day George W. Bush went to the UN's annual General Assembly, which happened to be the '58th Session' - '58' as in '5:58'.
At the UN, Bush asked for international help on Iraq, and so doing he made official the administration's decision to move away from the neo-con/Pax Americana war strategy. (The neo-cons hate the UN.) This was an important event because it signaled the beginning of the end for the neo-conservatives and their Pax Americana dream. Just as foreshadowed by the disaster of the space shuttle Columbia (= 'American peace') earlier in the year, the Pax Americana plan is falling apart. And certainly this can easily lead to some head rolling - especially the chief architects of the war, like Cheney, Rumsfeld, and Wolfowitz.
Are Cheney and Co. about to get 'fired'? Within a month, or perhaps around the time of the next 'Mars Day', the spring equinox of 2004? It will be interesting to watch...
https://www.goroadachi.com/etemenanki/westwing.htm |
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Message 11 de 54 de ce thème |
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Usando el método de decodificación anterior, que convertía las 7:45 en julio + 45 días (= 14 de agosto), obtendríamos el 1 de junio (6:00), lo cual no es muy significativo. Pero esta vez, la escena nos dio dos pistas adicionales: martes y a. m. (antes era p. m.).
Primero, el martes es tradicionalmente el Día de Marte, lo que nos da varias fechas posibles. Una es el 27 de agosto, el clímax del histórico encuentro cercano entre la Tierra y Marte. Y si le sumamos seis meses (es decir, las 6:00), obtenemos aproximadamente el 27 de febrero. (No muy significativo).
Otro "Día de Marte" es el equinoccio. Esto se debe, por ejemplo, a que la Gran Esfinge de Giza, considerada una forma de Horus por los antiguos egipcios y, por lo tanto, también una forma de Marte ("Horus el Rojo"), está orientada hacia el este, de modo que se alinea con la salida del sol (otra manifestación de Horus) del equinoccio, cuando el sol sale por el este. El equinoccio de primavera de 2003 fue el 20 de marzo, coincidiendo precisamente con el inicio de la guerra de Irak (hora iraquí).
Que el equinoccio sería un mejor «Día de Marte» se revela al añadir seis meses (es decir, las 6:00) al equinoccio de primavera, ya que esto nos adelanta al siguiente equinoccio: ¡el equinoccio de otoño , el 23 de septiembre! Y esto ocurre justo en la «ventana de Marte» (alrededor de septiembre, cuando Marte brilla en el cielo nocturno).
Esta interpretación se ve corroborada además por la escena de apertura del episodio ('vista previa' de la escena final) que indica la hora como 'martes 5:58 AM' (en lugar de '6:00 AM').
Considerando que el cambio de «PM» (como en el caso de «7:45») a «AM» implica la noción de «inversión», se recomienda leer el código de tiempo al revés, es decir, 85:5 en lugar de 5:58. Siguiendo el método utilizado para las 7:45, tendríamos 8 y 55, o agosto y 55 días. Dado que agosto tiene 31 días, la fecha exacta sería el 24 de septiembre. ¡Solo falta un día para el equinoccio de otoño (23 de septiembre)! Y, por supuesto, el 24 de septiembre en la hora de EE. UU. es el 23 de septiembre en muchas otras partes del mundo.
Ahora bien, ¿ocurrió algo significativo el 23 de septiembre de 2003? Sí, ese mismo día, George W. Bush asistió a la Asamblea General anual de la ONU, que coincidió con el 58.º período de sesiones (58, como en 5:58).
En la ONU, Bush solicitó ayuda internacional para Irak, y al hacerlo, oficializó la decisión de la administración de alejarse de la estrategia bélica neoconservadora/Pax Americana. (Los neoconservadores odian a la ONU). Este fue un evento importante porque marcó el principio del fin para los neoconservadores y su sueño de Pax Americana. Tal como lo presagió el desastre del transbordador espacial Columbia (= "paz estadounidense") a principios de año, el plan de Pax Americana se está desmoronando. Y, sin duda, esto puede fácilmente llevar a que algunos caigan en desgracia, especialmente los principales artífices de la guerra, como Cheney, Rumsfeld y Wolfowitz.
¿Están a punto de despedir a Cheney y compañía? ¿Dentro de un mes, o quizás cerca del próximo Día de Marte, el equinoccio de primavera de 2004? Será interesante observar...
https://www.goroadachi.com/etemenanki/westwing.htm |
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Message 12 de 54 de ce thème |
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It is said that Paris esoterically derives its name from 'Par Isis' ('near Isis'). There is a lot of evidence to support this. As Robert Bauval writes in Secret Chamber (p.341):
 Napoleon had acquired two nicknames, one being 'L'Aigle' (the Eagle) and the other being 'L'Etoile' (the Star). That 'his star' was Sirius, the star of Isis, is not only made obvious by the coat-of-arms which he chose for Paris but, in a more arcane manner, it seems to have been linked to Napoleon's most famous monument, the Arc de Triomphe, also known as the the Place de L'Etoile (the Place of the Star),  located on the western side of the so-called Historical Axis of Paris, better known as the Champs-Elysees, [which is oriented twenty-six degrees north of west]... The star Sirius, as seen from the latitude of Paris, rises twenty-six degrees south of east.
And sure enough the 'Axis of Paris' (the Champs Elysees) was designed to align with the sunset on ~August 6.
This first of all confirms that the date is to be seen as a special day of Sirius' rising, and makes it clear that August 6 is a 'magical date' that is considered very important by past and modern 'esotericists' whose knowledge stems from ancient Egypt. Judging from the 'rise of Schwarzenegger' masterfully brought about on this date in 2003, we can infer that there is something big underway at this time. The encoded symbolism of the Osirian resurrection - or the birth of Horus - should therefore be treated seriously. Indeed, we just may be talking about something akin to the 'rise of Antichrist' here, if that gets your attention... Think Napoleon; think Hitler.
Napoleon is often thought to have been an 'antichristic' figure especially in the context of Nostradamus' prophecies. We often hear that he was 'Antichrist 1', Hitler was 'Antichrist 2', and the third has yet to come... Well, Terminator 3 was in theaters last year just before Schwarzenegger's rise in politics. So we wonder: Was 'Terminator 3' an allusion to 'Antichrist 3'? The answer we find here is amusing and ominous.
The following passage is from the Book of Revelation, apparently talking about an antichristic figure:
And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
The two names given here, 'Abaddon' and 'Apollyon', both mean the same thing - 'Destroyer'... or even 'Terminator'! And Arnold is not only the Hollywood 'Terminator', he's also been Conan the Destroyer (1984)! The name 'Napoleon' has also been interpreted to mean none other than 'destroyer'... The parallel goes even further as we find that just as Napoleon had the nickname 'the Eagle', the name 'Arnold' means 'eagle rules'.
So, yes - the title 'Terminator 3' does scream 'Antichrist 3'... at least on a symbolic level.
What's more ominous, the chapter/verse number of the Revelation passage above from the New Testament happens to be... 9:11. We are about to see just how fitting this 'coincidental' reference is.
https://www.goroadachi.com/etemenanki/lucifer-timecode.htm
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Message 13 de 54 de ce thème |
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Message 14 de 54 de ce thème |
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Message 15 de 54 de ce thème |
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Message 16 de 54 de ce thème |
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Pennsylvania Avenue is roughly aligned with the angle of the Sirius rising as well. So from the direction of the White House Sirius would appear rising behind the Capitol. But the angle is off by about 2 degrees. Not a lot, but not insignificant either. This leads to the next revelation…
Sirius rises 21.2 degrees south of east in DC with atmospheric refraction taken into account (which makes stars visible when slightly below the horizon). This precisely matches the angle of the line going from the “front porch” of the White House (which is the north side facing away from the National Mall) to the center of the “front porch” of the Capitol on the west side (which is actually the back side). A remarkable alignment and one that I don’t think anyone in the general public has noticed before.
Without atmospheric refraction, the rising angle of Sirius in DC would be 21.7 degrees south of east. This one precisely matches the angle of the line connecting the starting point and the destination of the inaugural parade!
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Message 17 de 54 de ce thème |
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Aerial view of the U.S. Capitol in the foreground toward National Mall and Pennsylvania Ave. in the distance, Washington, D.C.
https://www.loc.gov/item/2011634186/ |
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Message 18 de 54 de ce thème |
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WASHINGTON D. C. ASTRONOMY
Washington D.C. and many of it's buildings and monuments are laid out according to the cardinal directions with the streets running due NS and EW. In the map of Washington D.C. below, due east is up and the star chart shows the constellation of Orion rising due east over Washington D.C., as it has done every day for the past two hundred years. Orion's belt points towards Sirius, the brightest star in the sky, and while Orion is rising and low on the eastern horizon, Orion's belt is vertical, pointing to Sirius below. In the diagram, Sirius is the bright star below Orion near the upper edge of the map of Washington D.C. The bright star above Orion is Aldebran, the alpha star in the constellation of Taurus.
The axis of the ancient Egyptian temple of Isis at Dendera was oriented to the rising point of Sirius on the eastern horizon. The angle of Pennsylvania Avenue from the White House to the Capitol building has pointed to the rising point of Sirius at the latitude of Washington D.C. since the avenue was laid out over 200 years ago. Looking southeast down Pennsylvania Avenue, Sirius rises directly over the Capitol building. Higher in the sky, Orion is also above Sirius and above the Capitol building from the viewpoint of Pennsylvania Avenue as Sirius rises over the horizon.
The diagram above also shows the sun below the horizon on the left side of the diagram. In relation to the fixed stars, the sun rises later each day due to the rotation of the earth around the sun. The sun rises just after Sirius at the latitude of Washington D.C. on August 15. This is known as the heliacal rising of Sirius. Prior to this time of year, the sun is above or too close to the horizon for the rising of the star to be visible. Ancient Egyptians based their calendar on the heliacal rising of Sirius, which signaled the onset of the annual flooding of the Nile. Christians celebrate the Assumption of the Virgin Mary on August 15, linking the Assumption to the first appearance of Sirius/Isis in the sky just before dawn.
The star spangled headdress on the statue on top of the Capitol dome suggests a stellar symbolism consistent with the alignment of Pennsylvania Avenue targeting the rising point of Sirius above the Capitol building. The picture below is a close up of the statue while it was down for restorations in 1993.
www.teafoe.com
Orion has also set due west at the latitude of Washington D.C. for the past two hundred years. From the viewpoint of the Capitol building, Orion sets right behind the Washington Monument. Setting in the west, Orion's belt is horizontal, pointing to Sirius setting south of due west. From the viewpoint of the Capitol building, Sirius sets over the Potomac River, on the alignment of Maryland Avenue. From the viewpoint of the Capitol building, Aldebran sets over the White House, on the alignment of Pennsylvania Avenue.
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Message 19 de 54 de ce thème |
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SW, NE |
Along with Delaware, Pennsylvania, and New Jersey Avenues, Maryland Avenue is one of four avenues centered on the U.S. Capitol. It exists in several intermittent sections, including one running from 12th Street SW one block in a cul-de-sac in a development built over railroad tracks, from 7th to 1st Streets SW, in front of the Capitol, and as a major street running from 1st Street NE through Capitol Hill and the Starburst Intersection to Carver Langston. The portion from Constitution Avenue NE to Bladensburg Road NE once carried U.S. 1. There are plans to make the section along the railroad tracks continuous within the Federal Center Southwest neighborhood. Until 1992, an entrance to the National Arboretum existed at the easternmost terminus of Maryland Avenue.[26] |
2.8 miles (4.5 km) |
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Message 20 de 54 de ce thème |
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Message 21 de 54 de ce thème |
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Message 22 de 54 de ce thème |
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Message 23 de 54 de ce thème |
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Message 24 de 54 de ce thème |
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LA HISTORIA DE LAS BOISERIES DEL PALACIO ERRÁZURIZ EN BUENOS AIRES
Si tienen la oportunidad de visitar el Museo Nacional de Arte Decorativo de Buenos Aires, antiguo Palacio Errázuriz, les sorprenderá saber que las boiseries de uno de sus salones (los paneles de madera tallada que recubren la pared) no son reproducciones del siglo XX como sucede en la mayor parte de los edificios de estilo francés en Buenos Aires, sino que son autenticas reliquias del siglo XVIII procedentes de una importante residencia parisina.
Esta residencia conocida como el Hôtel Letellier se sitúa en el Nº11 de la Rue Royale, en pleno centro de París.
Foto satelital de París con el Hôtel Letellier señalado en rojo, la Plaza de la Concorde en verde, la iglesia de la Madeleine en rosa y el Museo del Louvre en azul:
Fuente: Google Earth.
Fotografía del Hôtel Letellier:
La residencia fue construida en 1781 por Luís Letellier, arquitecto del Rey Luís XV que estuvo a cargo del diseño y la edificación de la Rue Royale, nombrada así en honor a Su Majestad. Curiosamente ocho años después de haber sido terminado el hôtel, a 300 metros del mismo se levantó la famosa guillotina que acabó con la vida de los reyes Luís XVI y Maria Antonieta.
Grabado de la ejecución de Luís XVI el 21 de enero de 1793 en la Plaza de la Concorde. La Rue Royale está marcada en rojo, y a pocos metros de allí se encuentra el Hôtel Letellier:
Fuente: www.executedtoday.com
Posteriormente, a principios del siglo XX el hôtel fue habitado por Natalie Keshko, Reina de Serbia, quien falleció en 1941. Una placa conmemorativa colocada en el edificio recuerda su paso por la residencia.
Retrato de la Reina de Serbia:
Fuente: forum.alexanderpalace.org
Fotografía de la placa colocada en la fachada del Hotel Letellier:
Aproximadamente en 1910 las boiseries del Salón de Compagnie y de la habitación principal fueron desmontadas y vendidas, al igual que los paneles de madera del Gran Salón de la residencia Nº13, vecina del 11, también construida y habitada por Luís Letellier.
Luego de haber sido despojado de sus paneles de madera se colocaron copias en yeso de los originales y se declaró al Hôtel Letellier Monumento Histórico de Francia.
Pero lo más curioso es lo que sucedió con las boiseries. El primer grupo de paneles correspondientes al Gran Salón del hôtel Nº13 fueron comprados por Alexander Hamilton Rice y llevados a su residencia de la Quinta Avenida en New York. Años mas tarde, cuando la residencia fue vendida, la señora Rice donó las boiseries al Philadelphia Museum of Art donde se encuentran actualmente.
Frente del Philadelphia Museum:
Fuente: wikipedia.org
Las boiseries del Gran Salón del hôtel Nº13 exhibidas en el museo:
Fuente: www.philamuseum.org
El segundo grupo de paneles correspondientes al Salón de Compagnie del Hôtel Letellier fueron adquiridos por el Conde Moïse de Camondo y colocados en el Gran Salón de su nueva residencia parisina en la Rue Monceau Nº 63. En 1935 el conde donó al estado francés la residencia con toda su colección para transformarla en el Museo Nissim de Camondo, llamado así en honor a su hijo muerto en la Primer Guerra Mundial.
El Museo Nissim de Camondo:
Fuente: www.lesartsdecoratifs.fr
El Gran Salón del museo con las boiseries del Salón de Compagnie del Hôtel Letellier:
Fuente: www.flickr.com, usuario Graustark.
Otra vista del salón:
Fuente: www.flickr.com, usuario Jason Whittaker.
Si comparamos las boiseries del Nissim de Camondo con las del Philadelphia Museum, podemos observar que a pesar de encontrarse originalmente las primeras en el Nº11 y las segundas en el Nº13 de la Rue Royale, son prácticamente idénticas:
Comparación Nº1:
Comparación Nº2:
El tercer grupo de boiseries, las que correspondían a la habitación principal del Hôtel Letellier, fueron adquiridas por Matías Errázuriz y su esposa Josefina de Alvear para su nueva residencia en Buenos Aires, que casualmente había sido diseñada por René Sergent, el mismo arquitecto que construyó la mansión de Moïse de Camondo, y al igual que este, en 1937 los Errázuriz donaron el palacio con la mayor parte de la colección al estado argentino, quien lo transformó en el Museo Nacional de Arte Decorativo.
Frente del Palacio Errázuriz:
Fuente: sobreargentina.com
Los cuatro paneles de madera tallada de la habitación principal del Hôtel Letellier fueron colocados en el salón Luís XVI del Palacio Errázuriz, llamado el Salón de Madame.
Ubicación del Salón de Madame en la planta baja del museo:
https://miradaatenta.wordpress.com/2010/09/23/la-intrigante-historia-de-las-boiseries-del-palacio-errazuriz-en-buenos-aires/ |
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