"It can be inferred that the STR/DP2 Communication in this period is conveying the idea that something like World War 3 is about to commence." - from article blow posted in June, '06

[The following is from June 30, originally posted 'underground', summarizing some key points established mostly before the abduction of an Israeli soldier that triggered the current conflict in the Middle East. Inside links are kept in but in grey and and some images have been added for clarity. It may still be somewhat hard to follow but it should be enough to paint for you a rough picture of the hidden scheme underlying this key period...]

Key time code schemes relevant to the discussion:

[The 'US-Golden Transit Line']

Israel's Helen & 'Trojan War'
[Originally titled Helen in Giza: 'Trojan War'?]

By Goro
June 30, 2006

• The termination point (western edge) of US-GTL Timeline B, corresponding to ~June 24, a date supported by the 'twisted' sunset alignment date (Grande Arche) of the Paris Historical Axis, produced the abduction of an Israeli solider and the subsequent Israel military operations against the Palestinian militants & legislators.

    
  Grande Arche

[Graphic need to be updated: 5/13 produced Mt. Merapi 'Red Alert';
6/25 produced Gaza abduction.]

Analysis/Synthesis:

• The same point on Timeline A corresponds to ~May 24 which gave us the Java earthquake disaster.

[Graphic need to be updated: 5/27 produced Java earthquake disaster]

• Both events (by Timelines A & B) came three days after the projected temporal 'epicenters'.
• The Gaza unrest is relatable to both 1) the Vulcan/volcano theme (Vulcan is associated with warfare), and 2) the Moon (strike) theme (Gaza Strip is attached to the northeastern corner of the Sinai Peninsula, 'Sinai' being 'Sin' the Babylonian moon god. At the intersection of these themes stands Mount St. Helens which is both a volcano prominently featured in the STR/DP2 scheme and via the name 'Helen' signifies the 'moon' (as well as 'torch').

• The moon-torch interchangeability suggested by Mt. St. Helens is reinforced by the fact that the Moon along with the Sun was at Orion's 'torch' position around the Galactic anti-center on June 24/25 (= Timeline B termination point, Paris Axis 'twisted' sunset alignment, Gaza abduction).

• The Moon was at the same 'torch' position at the time of the 2004 Sumatra quake/tsunami - generally the same place as Java (both Indonesia) - which correlates with Timeline A's termination point (~5/24) giving us a catastrophic earthquake there.
• Sumatra reversed is Artamus evoking 'Artemis' the moon goddess. Mt. Merapi erupting in Java (another Mt. Merapi exists in Sumatra) is an alter ego of Mt. St. Helens (both bearing the name 'mountain of fire' and in a 'coffee' place, 'Java' and near Seattle).

Context 2: 

• The Gaza unrest overlaps 1) the World Cup, 2) Tour de France, and 3) Discovery STS-121

Analysis/Synthesis:

• The 'Philosopher's Stone' that unites all three is the 'Tower Axis' of Paris (Champs de Mars).

• World Cup: The ultimate cup is the Holy Grail; Paris is a 'Grail city' (the 'Rose Line' analogous to the Grail runs through it, for instance) that The Da Vinci Code treats as the resting place of the holy relic (at the eastern edge of the Historical Axis, under the Inverted Pyramid). France is where according to tradition Mary Magdalene 'with the Grail' went to live after Jesus' crucifixion.

• Tour de France: 'Tour' is etymologically related to 'tower', therefore we'd have 'Tower of France' which is the Eiffel Tower standing in the Champ de Mars, or our 'Tower Axis' just south of the Historical Axis. 'Magdalene' also means 'tower'. She, or the Grail, is indeed the 'Tower of France'. The Tour de France begins July 1st, the same day as the planned launch of Discovery STS-121.
• Discovery STS-121: Its mission patch encodes [link changed] the Masonic 'compass/square' symbol or the Star of David which today signifies Israel. STS-121 the second successive Discovery mission following last summer's STS-114 which landed at Edwards Air Force Base on August 9 (planned dates: 8/7 and 8/8).

• Around August 7 is when the Paris Historical Axis (untwisted) aligns with sunset.

• The other sunset-alignment date is ~May 5, which this year coincided with volcanic events, roughly with Java's Mt. Merapi and more precisely with the mainstream media reporting on the 'fin' or 'Monolith' growing inside the crater of Mt. St. Helens.
• Edwards AFB is precisely aligned with the extension of the Paris 'Tower Axis' [...section cut]

• The 'Tower Axis' is also aligned near Edwards with Area 51 and the Genesis/Stardust landing/crash site or even more precisely with MAAF (Michael Army Airfield) in the same region. [section cut]

[Different graphic used: here you can additionally see the amazing 'Beast Code' ('666') produced by the interaction of Paris and Chicago]

• On US-GTL Timeline A, the Genesis/Stardust/MAAF point corresponds to ~April 23 which was answered by the Dahab bombings in the Sinai Peninsula (=> Moon). 'Dahab' means 'gold' - echoing the Golden Gate (Bridge) point producing the Java quake disaster near Sumatra once known as 'isle of gold' (Timeline A) and the Gaza abduction/attacks at the edge of the Sinai Peninsula (Timeline B).

• When extended in the other direction (southeast), the Tower Axis pinpoints the city of... Turin - where Vulcan signifying volcano, war, and such kick-started the Winter Olympics in February '06.

Implied Storyline: Trojan War

• The insistent connection between Paris, 'moon'/Helen, and volcanoes/'torch' brings up the idea of the Trojan War told in Greek mythology. This was the ancient 'World War' involving men, semi-divine 'heroes', and the gods/goddesses. The immediate cause of the war was the abduction of Helen of Troy by Paris of Troy following a beauty contest in which he participated as the judge. 'Helen' can mean 'torch' in addition to 'moon', and this 'Paris' character who abducted her (at least in one version of the story) was foreseen by his mother while he was still in her womb as a 'torch' that would burn down Troy. So we have Helen/moon/torch, Paris/torch, and abduction (being expressed by the Gaza situation) as the key ingredients of the cause for the ancient world war.
• The story of the Trojan War even involves the color gold: The beauty contest judged by Paris ('Judgment of Paris') was for the prize of the Golden Apple inscribed on which was the phrase 'for the fairest one'. It's notable that the US-GTL runs from NYC or 'Big Apple' to the Golden Gate in the Golden State. Together, they spell 'Golden Apple'. The end of the 'transit' coinciding (Timeline B) with a major abduction event (Gaza) therefore reiterates the point that there is a scenario underway that follows the mythological storyline immediately preceding the start of the Trojan War.
• Update: Apparently, 'In several non-English languages, the word for "orange" is derived from the phrase "golden apple"'! As you know, the US-GTL has much to do with orange which signifies 'gold angel/messenger' (French: or-ange) or symbolically 'Venus/Sun Mercury'. Thus we've been using alignments of Venus, Mercury, and the Sun as key time-markers in the Super Torch Ritual Communication, calling them 'Orange Alignments'. Orange Alignments with the Sun in the middle have been considered more 'powerful' than the other variation. And it was this form that pinpointed ~Feb. 1 and ~June 6 this year. This directly relates to the anchor point of the US-GTL at Chicago: 1) Chicago in both Timeline A & B marks February 1st; and 2) Chicago as revealed above is a '666' city which is numerically expressed by this year's June 6th or 6-6-06.

• It can be inferred that the STR/DP2 Communication in this period is conveying the idea that something like World War 3 is about to commence.

   · Red region = Arc de Triomphe & Place Charles de Gaulle
  · Purple street = Grande Armee avenue
  · Blue street = Elysian Fields
 
 
 
 

 
The "Arc" is obviously a reference to the' Arc de Triomphe'.  And the notion is strengthened by the word right after "Arc", "turning" - which implies circular movement/shape and nicely corresponds to the famous circular road going around the Arc de Triomphe (see the picture at right).  The phrase "Saturn in the Arc" corroborates the Saturn-ark connection we've made.

The latter half, "turning/corner of the fish Mars" can be interpreted in a quite different and symbolic way, and it is necessary to use a map of the relevant region of Paris again:
 
 

The "fish" also correlates with Sirius because the Dogon tradition tells us that the "Nommos" that supposedly came from the Sirius system were fish-like (and yes, we're now getting into the issue of extraterrestrial intelligence).  So the phrase 'fish Mars' again associates Sirius with Mars.

The very first word, "poison", creates an interesting connection with Line 2 because the French word for "fish" is "poisson" which is nearly identical, both in spelling and pronunciation, to the word 'poison' which is also a French word for poison. Thus, combined with the last word of the line "salmon", the notion of 'fish' seems to be emphasized.  Interestingly, the original French word used for 'poison' was actually 'Venins' which resembles Venus.  It seems relevant, therefore, that Venus goes retrograde (i.e. reversing its apparent movement in the sky) during the key period of August 1999, corresponding to "salmon" (which is known to swim against the current) of the same line and also to the previous line's expression, "turning of the fish". This last line of the quatrain strongly reinforces the concepts put forward by the interpretation of the previous lines. The last word of the line "polemars" is not a real word, most likely it's a made-up word / anagram.  Decoding is not that difficult - first we'll divide it into two words, 'pole' and 'Mars'.  Continued from previous interpretations, it is not hard to see that the "pole" would refer to the 'Eiffel Tower' that stands in the' Field of Mars'.

To decipher the whole line, we need to take a closer look at the map of the region of the 'Field of Mars':

Notice that the park, the Field of Mars ("Champ de Mars"), seemingly crosses over the river. The Seine River can be viewed as dividing the park and there is a bridge connecting the two parts. Since the park area can be viewed metaphorically as "fish" based on previous interpretations, notice how the park left of the river can be viewed as the "head" of the fish barely 'hanging on' to the body, the Field of Mars, by the bridge or the "thread" from "polemars" / the Field of Mars.  Thus it would fit Line 4.

Also, since the French word "fil", which I translated here as "thread", could also mean 'stream', the line could also interpreted like this: "Their head hung by the stream of the Field of Mars". This would still be metaphorically describing how the Seine River is dividing the Field of Mars and its "head".

And that's basically how Quatrain II-48 relates to Paris (and through which to the 'Sirius/ark complex')... but there is one last thing to add to all this.  And this is my favorite part :)  Well, we've looked at every line of the quatrain, so what's left?  Ah, yes we left out the number of the quatrain 2 and 48.  Why, of course, those numbers are the coordinates of Paris (Paris: 2.3 deg. E & 48.8 deg. N)!

Now let's shift our focus back to II-41 and do more in-depth study:

Century II - 41
The great star will burn for seven days,
The cloud will make double sun appear:
The large mastiff will howl all night
When the great pontiff changes his abode.
    

Like earlier pointed out, 'great star', 'burn', and 'seven' relate to Sirius.  Now we can associate the "great star" with  the Place Charles de Gaulle (Arc de Triomphe + the surrounding circular "square") since it was originally called the Place d'Etoile or 'Square of the Star', further linking the two quatrains II-41 and II-48.

From a slightly different angle, the fragments of Comet SL-9 'burned' Jupiter for about '7 days' in July 1994 and caught the attention of the world.  The dates of this 'light show' were July 16~22 which roughly coincides with one of the key 'Sirius dates', July 20, mentioned earlier.  Moreover, the dates July 16~22 very closely matches the dates of the historic Apollo 11 mission - first ever manned landing on the Moon - which were July 16~24 (and the landing occurred on the key date, July 20).  This is meaningful especially when you consider the fact that Apollo the sun god could be identified with Horus the sun god (the son of Isis, and earlier associated with Sirius and Mars).  Recall also that July 20 was associated with the 'flood' (of the Nile) in conjunction with Sirius.  In Greco-Roman mythology, the god who causes the Flood to punish mankind is Jupiter - the very planet Comet SL-9 crashed into.  And Jupiter was mythologically associated with the 'eagle' - the very name of the spacecraft that landed on the moon on that exact flood/Sirius date, July 20 (1969)!

Louvre Pyramid

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The Pyramid surrounded by the adjacent wings of the Louvre

The Louvre Pyramid (Pyramide du Louvre) is a large glass and metal pyramid, surrounded by three smaller pyramids, in the main courtyard (Cour Napoléon) of the Louvre Palace (Palais du Louvre) in Paris. The large pyramid serves as the main entrance to the Louvre Museum. Completed in 1989,^[1] it has become a landmark of the city of Paris.

Contents  [hide]  1 Design and construction 2 Controversy 3 Urban legend of 666 panes 4 La Pyramide Inversée 5 References 6 External links

[edit] Design and construction

Inside the Pyramid:the view of the Louvre Museum in Paris from the underground lobby of the Pyramid.

Commissioned by the President of France François Mitterrand in 1984, it was designed by the architect I. M. Pei, who is responsible for the design of the Miho Museum in Japan, and Place Ville-Marie in Montreal, and the National Gallery of Art (East Building) in Washington, D.C. among others. The structure, which was constructed entirely with glass segments, reaches a height of 20.6 metres (about 70 feet); its square base has sides of 35 metres (115 ft). It consists of 603 rhombus-shaped and 70 triangular glass segments.^[2]

The pyramid structure was engineered by Nicolet Chartrand Knoll Ltd. of Montreal (Pyramid structure / Design Consultant) and Rice Francis Ritchie (also known as RFR) of Paris (Pyramid Structure / Construction Phase).^[3]

The pyramid and the underground lobby beneath it were created because of a series of problems with the Louvre's original main entrance, which could no longer handle the enormous number of visitors on an everyday basis. Visitors entering through the pyramid descend into the spacious lobby then re-ascend into the main Louvre buildings.

For design historian Mark Pimlott, "I.M. Pei’s plan distributes people effectively from the central concourse to myriad destinations within its vast subterranean network... the architectonic framework evokes, at gigantic scale, an ancient atrium of a Pompeiian villa; the treatment of the opening above, with its tracery of engineered castings and cables, evokes the atria of corporate office buildings; the busy movement of people from all directions suggests the concourses of rail termini or international airports."^[4]

Several other museums have duplicated this concept, most notably the Museum of Science and Industry in Chicago. The Dolphin Centre, featuring a similar pyramid, was opened in April 1982, by Prince Richard, Duke of Gloucester.^[5] The construction work on the pyramid base and underground lobby was carried out by the Vinci construction company.^[6]

The large glass pyramids seen at night

The large glass pyramids seen by day

[edit] Controversy

Maintenance of the Louvre Pyramid

The entry lobby of the Louvre museum beneath the pyramid (taken with a Fisheye lens Nikkor 8mm)

The construction of the pyramid triggered considerable controversy because many people felt that the futuristic edifice looked quite out of place in front of the Louvre Museum with its classical architecture. Certain detractors ascribed a "Pharaonic complex" to Mitterrand. Others lauded the juxtaposition of contrasting architectural styles as a successful merger of the old and the new, the classical and the ultra-modern.

The main pyramid is actually the largest of several glass pyramids that were constructed near the museum, including the downward-pointing La Pyramide Inversée that functions as a skylight in an underground mall in front of the museum. During the design phase, there was a proposal that the design include a spire on the pyramid to simplify window washing. This proposal was eliminated because of objections from I. M. Pei.^{[citation needed]}

[edit] Urban legend of 666 panes

It has been claimed by some that the glass panes in the Louvre Pyramid number exactly 666, "the number of the beast", often associated with Satan. Dominique Stezepfandt's book François Mitterrand, Grand Architecte de l'Univers declares that "the pyramid is dedicated to a power described as the Beast in the Book of Revelation (...) The entire structure is based on the number 6."

The story of the 666 panes originated in the 1980s, when the official brochure published during construction did indeed cite this number (even twice, though a few pages earlier the total number of panes was given as 672 instead). The number 666 was also mentioned in various newspapers. The Louvre museum however states that the finished pyramid contains 673 glass panes (603 rhombi and 70 triangles).^[7] A higher figure was obtained by David A. Shugarts, who reports that the pyramid contains 689 pieces of glass.^[8] Shugarts obtained the figure from the offices of I. M. Pei.

Elementary math allows for easy counting of the panes: each of the three sides of the pyramid without an entrance has 18 triangular panes and 17 rows of rhombic ones arranged in a triangle, thus giving rhombic panes (171 panes total). The side with the entrance, however, has 11 panes fewer (9 rhombic, 2 triangular), so the whole pyramid consists of rhombi and triangles, 673 panes total.

The myth resurfaced in 2003, when Dan Brown incorporated it in his best-selling novel The Da Vinci Code, in which the protagonist reflects that "this pyramid, at President Mitterrand's explicit demand, had been constructed of exactly 666 panes of glass - a bizarre request that had always been a hot topic among conspiracy buffs who claimed 666 was the number of Satan".^[9] However, David A. Shugarts reports that according to a spokeswoman of the offices of I. M. Pei, the French President never specified the number of panes to be used in the pyramid. Noting how the 666 rumor circulated in some French newspapers in the mid-1980s, she commented: "If you only found those old articles and didn't do any deeper fact checking, and were extremely credulous, you might believe the 666 story".^[10]

Comparison of approximate profiles of Louvre Pyramid with some notable pyramidal or near-pyramidal buildings. Dotted lines indicate original heights, where data is available.

[edit] La Pyramide Inversée

Main article: La Pyramide Inversée

La Pyramide Inversée (The Inverted Pyramid) is a skylight in the Carrousel du Louvre shopping mall in front of the Louvre Museum. It looks like an upside-down and smaller version of the Louvre Pyramid.

http://en.wikipedia.org/wiki/Louvre_Pyramid

NUMERO 666

ESTADOS UNIDOS SE INDEPENDIZO EN EL VERDADERO PENTECOSTES

ULTRA SECRETO DEL 911 (GLORIA A YHWH)

Eye of the Pheonix: Secrets of the One Dollar Bill

1776/666

INTERNET (FUERTE NEXO ESOTERICO CON EL SANTO GRIAL)

SALOMON Y LA REINA DE SABA (SEÑAL DE JONAS)

ANTICRISTOS (THE EAGLE AND THE STAR)/PUERTA DE ISTAR

GENESIS 49:8,12 LEONARDO DA VINCI-DECODIFICADO

EL SHABBAT ES LA NOVIA (EDAD MESIANICA-ATID LAVO)

SHABBAT ES SINONIMO DE LA ESCALERA DE JACOB/JUAN MARCOS

ULTRASECRETO 911 DECODIFICADO (GLORIA A YHWH)

GRANO DE MOSTAZA (FUSION DE ENERGIA MASCULINA Y FEMENINA)-NUMERO 1746

APOCALIPSIS 13:18 (MARCA/MARK/MARCOS) ¿666 ES NRO DEL HOMBRE O NRO DE SATAN?)

INTERNET (FUERTE NEXO ESOTERICO CON EL SANTO GRIAL)

BILL GATES (IMPRESIONANTE SECRETO)

WWW=666

The Number 1776: creation of light

El Secreto Ancestral del Número 666- 3.142857

JERUSALEM Y EL NUMERO 666

EN LA LETRA W ESTA CODIFICADA LA NUEVA JERUSALEM

Phi in the Bible

Although perhaps not immediately obvious, phi and the golden section also appear in the Bible.  Also see the Theology page.

The Ark of the Covenant is a Golden Rectangle

In Exodus 25:10, God commands Moses to build the Ark of the Covenant, in which to hold His Covenant with the Israelites, the Ten Commandments, saying,

“Have them make a chest of acacia wood-
two and a half cubits long,
a cubit and a half wide,
and a cubit and a half high.”

The ratio of 2.5 to 1.5 is 1.666…, which is as close to phi (1.618 …) as you can come with such simple numbers and is certainly not visibly different to the eye. The Ark of the Covenant is thus constructed using the Golden Section, or Divine Proportion. This ratio is also the same as 5 to 3, numbers from the Fibonacci series.

In Exodus 27:1-2, we find that the altar God commands Moses to build is based on a variation of the same 5 by 3 theme:

“Build an altar of acacia wood, three cubits high; it is to be square, five cubits long and five cubits wide.”

Note: A cubit is the measure of the forearm below the elbow.

Noah’s Ark uses a Golden Rectangle

In Genesis 6:15, God commands Noah to build an ark saying,

“And this is the fashion which thou shalt make it of: The length of the ark shall be three hundred cubits, the breadth of it fifty cubits, and the height of it thirty cubits.”

Thus the end of the ark, at 50 by 30 cubits, is also in the ratio of 5 to 3, or 1.666…, again a close approximation of phi not visibly different to the naked eye. Noah’s ark was built in the same proportion as ten arks of the covenant placed side by side.

The Number 666 is related to Phi

Revelation 13:18 says the following:

“This calls for wisdom. If anyone has insight, let him calculate the number of the beast, for it is a man’s number. His number is 666.”

This beast, regarded by some as the Anti-Christ described by John, is thus related to the number 666, one of the greatest mysteries of the Bible.Curiously enough, if you take the sine of 666º, you get -0.80901699, which is one-half of negative phi, or perhaps what one might call the “anti-phi.”  You can also get -0.80901699 by taking the cosine of 216º, and 216 is 6 x 6 x 6.

The trigonometric relationship of sine 666º to phi is based on an isosceles triangle with a base of phi and sides of 1.  When this triangle is enclosed in a circle with a radius of 1, we see that the lower line, which has an angle of 306º on the first rotation and 666º on the second rotation, has a sine equal to one-half negative phi.

In this we see the unity of phi divided into positive and negative, analogous perhaps to light and darkness or good and evil.  Could this “sine” be a “sign” as well?

In addition, 666 degrees is 54 degrees short of the complete second circle and when dividing the 360 degrees of a circle by 54 degrees you get 6.66… The other side of a 54 degree angle in a right angle is 36 degrees and 36 divided by 54 is .666.

Phi appears throughout creation, and in every physical proportion of the human body.  In that sense it is the number of mankind, as the mysterious passage of Revelationperhaps reveals.

Also see the Theology page.

The colors of the Tabernacle are based on a phi relationship

The PhiBar program produces the colors that the Bible says God gave to Moses for the construction of the Tabernacle.

As it says in Exodus 26:1, “Make the tabernacle with ten curtains of finely twisted linen and blue, purple and scarlet yarn, with cherubim worked into them by a skilled craftsman.”

Set the primary color of the PhiBar program to blue, the secondary color of the PhiBar to purple and it reveals the Phi color to be scarlet.

This reference to the combination blue, purple and scarlet in the construction of the tabernacle appears 24 times in Exodus 25 through 39, describing the colors to be used in the curtains, waistbands, breastpieces, sashes and garments.

See the Color page for additional information.

Insights on the Ark of the Covenant and 666 contributed by Robert Bartlett.
Insights on the Altar in Exodus 27 contributed by Sir Hemlock.
Insights on the Tabernacle colors contributed by J.D. Ahmanson.