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General: NUMERO 8 (RELACION CON LA "MAQUINA DEL TIEMPO") / SERPIENTE Q SE MUERDE LA COLA
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Rispondi  Messaggio 1 di 95 di questo argomento 
Da: BARILOCHENSE6999  (Messaggio originale) Inviato: 07/04/2015 00:56

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Primo  Precedente  36 a 50 di 95  Successivo   Ultimo 
Rispondi  Messaggio 36 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 03/06/2015 17:02
aztec-calendar-sun-stone.jpg

 The Aztec Sun Stone - Calendar was excavated in the Zócalo square, Mexico on December 17 1790as the Sun was conjunct the Galactic Centre. The two snake heads meeting at the base of the stone probably represent the Galactic Centre. We are in the central age where the Sun is centrally placed and seen sticking out his tongue.

The spokes on the wheel again count up to eight.
http://www.galactic-centre-2012.com/
 
 
CALENDARIO AZTECA DISEÑADO EN FUNCION AL NUMERO OCHO, EL NUMERO DE LA MAQUINA DEL TIEMPO
 
NOTEN LA REFERENCIA AL NUMERO CUATRO Y AL NUMERO OCHO DE LA MISMA.
 

Rispondi  Messaggio 37 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 07/06/2015 15:12

MARDOQUEO/MARDUK ES TIPO DEL SANTO GRIAL-ESTER/ISTAR-EN BABILONIA ISTAR ERA MADRE DE MARDUK-BABILONIA/BABYLON

 
 
 
 

 
 
Puerta de Ishtar, Pergamonmuseum, Berlín
 
 
 
The Ishtar Gate from Babylon; Puerta de Istar; שער עשתר ; بوابة عشتار;
 
 
Three names that appear more often as a sacred group of three are …

Ninki - (later became Ishtar) the mother

Enki - (later became Namakh) the father

Marduk the son
 
ANK = LIBERTAD = JANUKAH =JUAN 10:23 = PUERTA DE SALOMON
11. Juan 10:22: Celebrábase en Jerusalén la fiesta de la dedicación. Era invierno,
271. Juan 10:23: y Jesús andaba en el templo por el pórtico de Salomón.



Sumerian Trinity 
This Trinity representation evolved a little further. In the ancient ruins in Syria centuries later after the belief had been passed down many generations, long before The Christ, some names were altered for unknown reasons. Perhaps in the same way the name Yeshua, a Hebrew Aramaic name was altered to become Jesus, a more acceptable Roman name after someone of the authority like Emperor Constantine had altered it. The same three Sun gods from Sumer now as follows… from left to right… Marduk the son on a lion, Enki… now as Namakh the father still retaining the bull of Taurus, and Ninki… now as Ishtar on another lion.



Syrian Trinity 
 
Star Gate
 
 
 
254. Ester 2:19: Cuando las vírgenes eran reunidas la segunda vez, Mardoqueo estaba sentado a la PUERTA del rey.
 
255. Ester 2:21: En aquellos días, estando Mardoqueo sentado a la PUERTA del rey, se enojaron Bigtán y Teres, dos eunucos del rey, de la guardia de la PUERTA, y procuraban poner mano en el rey Asuero.
 
256. Ester 3:2: Y todos los siervos del rey que estaban a la PUERTA del rey se arrodillaban y se inclinaban ante Amán, porque así lo había mandado el rey; pero Mardoqueo ni se arrodillaba ni se humillaba.
 
257. Ester 3:3: Y los siervos del rey que estaban a la PUERTA preguntaron a Mardoqueo: ¿Por qué traspasas el mandamiento del rey?
 
 
 
258. Ester 4:2: Y vino hasta delante de la PUERTA del rey; pues no era lícito pasar adentro de la PUERTA del rey con vestido de cilicio.
 
259. Ester 4:6: Salió, pues, Hatac a ver a Mardoqueo, a la plaza de la ciudad, que estaba delante de la PUERTA del rey.
 
260. Ester 5:1: Aconteció que al tercer día se vistió Ester su vestido real, y entró en el patio interior de la casa del rey, enfrente del aposento del rey; y estaba el rey sentado en su trono en el aposento real, enfrente de la PUERTA del aposento.
 
261. Ester 5:9: Y salió Amán aquel día contento y alegre de corazón; pero cuando vio a Mardoqueo a la PUERTA del palacio del rey, que no se levantaba ni se movía de su lugar, se llenó de ira contra Mardoqueo.
 
262. Ester 5:13: Pero todo esto de nada me sirve cada vez que veo al judío Mardoqueo sentado a la PUERTA del rey.
 
263. Ester 6:2: Entonces hallaron escrito que Mardoqueo había denunciado el complot de Bigtán y de Teres, dos eunucos del rey, de la guardia de la PUERTA, que habían procurado poner mano en el rey Asuero.
 
264. Ester 6:10: Entonces el rey dijo a Amán: Date prisa, toma el vestido y el caballo, como tú has dicho, y hazlo así con el judío Mardoqueo, que se sienta a la PUERTA real; no omitas nada de todo lo que has dicho.
 
265. Ester 6:12: Después de esto Mardoqueo volvió a la PUERTA real, y Amán se dio prisa para irse a su casa, apesadumbrado y cubierta su cabeza.
 
 
 
GATE=33
 
G=7
 
A=1
 
T=20
 
E=5
 
7+1+20+5=33
 
 
 
HECHOS 12
486. Hechos 12:10: Habiendo pasado la primera y la segunda guardia, llegaron a la PUERTA de hierro que daba a la ciudad, la cual se les abrió por sí misma; y salidos, pasaron una calle, y luego el ángel se apartó de él.
12:11 Entonces Pedro, volviendo en sí, dijo: Ahora entiendo verdaderamente que el Señor ha enviado su ángel, y me ha librado de la mano de Herodes, y de todo lo que el pueblo de los judíos esperaba.
 
12:12 Y habiendo considerado esto, llegó a casa de María la madre de Juan, el que tenía por sobrenombre Marcos, donde muchos estaban reunidos orando.
 
487. Hechos 12:13: Cuando llamó Pedro a la PUERTA del patio, salió a escuchar una muchacha llamada Rode,
 
488. Hechos 12:14: la cual, cuando reconoció la voz de Pedro, de gozo no abrió la PUERTA, sino que corriendo adentro, dio la nueva de que Pedro estaba a la PUERTA.
 
GATE/PUERTA
 
HECHOS 12:12 (1+2:1+2/3:3)
gate in Simple Gematria Equals: 33 ( g
7
a
1
t
20
e
5
)
 
 
12:12 Y habiendo considerado esto, llegó a casa de María la madre de Juan, el que tenía por sobrenombre Marcos, donde muchos estaban reunidos orando.

Rispondi  Messaggio 38 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 24/06/2015 01:47
88 MILLAS POR HORA, ES LA VELOCIDAD QUE EN LA PELICULA "VOLVER AL FUTURO", EL VEHICULO SE TRASLADA EN EL TIEMPO
 

Rispondi  Messaggio 39 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 29/06/2015 18:50
LA SERPIENTE SE MUERDE LA COLA (CRONO DEVORA A SUS HIJOS Y VICEVERSA)
 
 

 

Cronos devora a sus hijos

 

 
 

 

 

Cronos (Saturno) era el más jóven de los Titanes, hijos de la Madre Tierra y Urano (la tierra y el cielo). Urano, odiaba a sus hijos y los escondió en la Madre Tierra causándole gran dolor. Como venganza fabricó una hoz para Cronos y le convenció de que diese muerte a su padre. Cuando cumplió sus deseos, se desposó con su hermana Rea, pero temeroso de que sus propios hijos se levantasen en su contra, se los tragaba en cuanto nacían: primero Hestia, luego a Deméter, Hera, Hades y Posidón. Sin embargo, cuando Zeus, su sexto hijo, estaba por nacer, Rea lo alumbró en el silencio de la noche y lo confió a los cuidados de su madre, la Madre Tierra. En lugar de entregarle al bebé, le dió a Crono una piedra para que se la comiera. Cuando Zeus creció, pidió ser el copero de Cronos.. le preparó pues a su padre una poderosa sustancia que le hizo vomitar a la piedra y a sus otro cinco hijos mayores. Zeus, luego condujo a sus hermanos a la guerra contra los Titanes, a los que vencen y destierran al Tártro, en el mundo subterraneo. En adelante, Zeuz reinaría como el jefe supremo de los dioses.

 

Rispondi  Messaggio 40 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 07/07/2015 00:16

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OBSERVEN QUE VIENDO LAS TORRES GEMELAS EN FORMA OBLICUA, CADA TORRE ES UNA REFERENCIA AL NUMERO TRES YA QUE SE VEN TRES VERTICALES. ES OBVIA LA REFERENCIA EN ESTE CONTEXTO AL NUMERO TREINTA Y TRES, OSEA A LA TRANSFIGURACION DE CRISTO.
 
Reply Hide message Delete message  Message 5 of 5 on the subject 
From: BARILOCHENSE6999 Sent: 06/07/2015 00:01
 
TREINTA Y TRES ES UNA REFERENCIA AL HOMBRE Y LA MUJER (CABEZA, CUERPO Y PIERNA)-ESE ES EL SECRETO ESOTERICO DETRAS DE LA TRANSFIGURACION DE CRISTO- EL LINAJE, EN ESTE MARCO ES EL SECRETO DETRAS DE LA TRASLACION EN EL TIEMPO O TELETRANSPORTACION
 

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los hombres y las mujeres,
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ser hombre o MUJER!!!
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Rispondi  Messaggio 41 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 07/07/2015 00:52
 
Sabemos que la verdadera luna nueva es en luna llena como hemos estudiado en otro panel.
El verdadero reposo sabatico es segun las fases de la luna.
¿El dia comienza a la PUESTA O A LA SALIDA DEL SOL?
 Aparte tambien hemos visto en otro panel que el piso de la luna llena, para determinar el año nuevo hebreo, es el 22 de febrero, para que nos caiga el verdadero PENTECOSTES, el 20 de junio en solsticio. Osea que siempre que tengamos luna llena entre el 22 de febrero, inclusive hasta el 23 de marzo, tambien incluido, es el primer dia del primer mes hebreo.
 
VERDADERO SHAVUOT
SHAVUOT JUSTO EL 20 DE JUNIO (SOLSTICIO) EN EL AÑO 1997. APARENTEMENTE EL 22 DE FEBRERO ES EL PISO PARA EL VERDADERO ROSH HASHANAH (AÑO NUEVO) HEBREO. TAMBIEN SE CUMPLIO DE ESA FORMA EN LOS AÑOS 1978, 1959, 1940 Y SERA ASI EN EL 2016, OSEA EN EL AÑO DEL BICENTENARIO DE LA INDEPENDENCIA ARGENTINA.  
 

Génesis 8

1.
Y se acordó Dios de Noé, y de todos los animales, y de todas las bestias que estaban con él en el arca; e hizo pasar Dios un viento sobre la tierra, y disminuyeron las aguas.
2. Y se cerraron las fuentes del abismo y las cataratas de los cielos; y la lluvia de los cielos fue detenida.
3. Y las aguas decrecían gradualmente de sobre la tierra; y se retiraron las aguas al cabo de ciento cincuenta días.
4. Y reposó el arca en el mes séptimo, a los diecisiete días del mes, sobre los montes de Ararat.
5. Y las aguas fueron decreciendo hasta el mes décimo; en el décimo, al primero del mes, se descubrieron las cimas de los montes. (La luna llena que marca el primero del decimo mes es EL OCTAVO DIA DE LA FESTIVIDAD DE JANUKAH. TENGAMOS EN CUENTA en este contexto que EL SEPTIMO DIA DE JANUKAH ES SHABBAT LUNAR, osea el mismo 30 de KISLEV. El primero de JANUKAH es el 24 de KISLEV SEGUN EL LIBRO DE AGEO EN SU CAPITULO 2. Tengamos en cuenta que el SEPTIMO DIA DE JANUKAH ES EL DIA NUMERO 266=2*133 DEL CALENDARIO HEBREO E INCLUSO EL OCTAVO DIA ES EL DIA NUMERO 267 DEL MISMO.)
6. Sucedió que al cabo de cuarenta días abrió Noé la ventana del arca que había hecho, (11 DE SHEVAT, OSEA 11/11, dia numero 306=2*153 del calendario LUNI-SOLAR HEBREO/GENESIS 30:6)
7. y envió un cuervo, el cual salió, y estuvo yendo y volviendo hasta que las aguas se secaron sobre la tierra.
8. Envió también de sí una paloma, para ver si las aguas se habían retirado de sobre la faz de la tierra.
 
DIA NUMERO 119
 
 
 
 
 
 
 
ROSH HASHANAH   =RH =   1/1  =     1  /NISSAN  (EXODO 12:1,2-EZEQUIEL 45:18)
LEVADURAS            =LEV=15/1  =     15/NISSAN  (LEVITICO 23:6)
DILUVIO UNIVER.   =DIL  =17/2  =     17/ISHAR    (GENESIS 7:11)
OCHO DE SIVAN     =SIV =  8/3  =        8/SIVAN
SHAVUOT                 =SHA=1  /5  =     1  /AV           (APROXIMADO) (ESDRAS 7:8,9)
13 DE ELUL              =ELU=13/6  =     13/ELUL
TROMPETAS           =TRO=1  /7  =     1  /TISHRI    (LEVITICO 23:24)
YOM KIPUR              =YK   =10/7  =  9-10/TISHRI   (COMIENZA EN EL 9 DE TISHRI-LEVITICO 23:32)
TABERNACULOS    =TAB= 15/7  =     15/TISHRI   (LEVITICO 23:33)
SIMCHAT TORAH    =STO=22/7  =     22/TISHRI    (OCTAVO DIA) (LEVITICO 23:39)
JANUKAH                  =JAN =24/9  =     24/KISLEV   (AGEO 2:18,20)
JANUKAH(8VO DIA)=TEV=   1/10=       1/TEVET    (GENESIS 8:5/CALENDARIO DE NOE)
11/11 (DIA N-306)    =SHE=11/11=      11/SHEVAT (GENESIS 8:6/CALENDARIO DE NOE)
PURIM                       =PUR=15/12=14-15/ADAR      (ESTHER 9:15,21)
 
 Años lunares en funcion al calendario gregoriano 
 
 
RH     LEV DIL  SIV  SHA ELU TRO YOM KIP TAB  STO JAN   TEV   11/11  PUR     VEADAR
22/2  8/3     9/4  29/4 20/6   1/8 18/8  26-27/8   1/9    8/9    8/11  15/11 24/12  26-27/1  SI-11/2
23/2  9/3   10/4  30/4 21/6   2/8 19/8  27-28/8   2/9    9/9    9/11  16/11 25/12  27-28/1  SI-12/2
24/2  10/3 11/4  1/5   22/6   3/8 20/8  28-29/8   3/9  10/9  10/11 17/11 26/12  28-29/1  SI-13/2
25/2  11/3 12/4  2/5   23/6   4/8 21/8  29-30/8   4/9  11/9  11/11 18/11 27/12  29-30/1  SI-14/2
26/2  12/3 13/4  3/5   24/6   5/8 22/8  30-31/8   5/9  12/9  12/11 19/11 28/12  30-31/1  SI-15/2
27/2  13/3 14/4  4/5   25/6   6/8 23/8  31-  1/9   6/9  13/9  13/11 20/11 29/12  31/1-1/2 SI-16/2 
28/2  14/3 15/4  5/5   26/6   7/8 24/8      1-2/9   7/9  14/9  14/11 21/11 30/12   1-2/2     SI-17/2
  1/3  15/3 16/4  6/5   27/6   8/8 25/8      2-3/9   8/9  15/9  15/11 22/11  31/12  2-3/2      SI-18/2
  2/3  16/3 17/4  7/5   28/6   9/8 26/8      3-4/9   9/9  16/9  16/11 23/11    1/1     3-4/2     SI-19/2
  3/3  17/3 18/4  8/5   29/6 10/8 27/8      4-5/9 10/9  17/9  17/11 24/11    2/1     4-5/2     SI-20/2
  4/3  18/3 19/4  9/5   30/6 11/8 28/8      5-6/9 11/9  18/9  18/11 25/11    3/1     5-6/2     SI-21/2
  5/3  19/3 20/4 10/5    1/7 12/8 29/8      6-7/9 12/9  19/9  19/11 26/11    4/1     6-7/2         NO
  6/3  20/3 21/4 11/5    2/7 13/8 30/8      7-8/9 13/9  20/9  20/11 27/11    5/1     7-8/2         NO
  7/3  21/3 22/4 12/5    3/7 14/8 31/8      8-9/9 14/9  21/9  21/11 28/11    6/1     8-9/2         NO
  8/3  22/3 23/4 13/5    4/7 15/8   1/9    9-10/9 15/9  22/9  22/11 29/11    7/1     9-10/2       NO
  9/3  23/3 24/4 14/5    5/7 16/8   2/9  10-11/9 16/9  23/9  23/11 30/11    8/1   10-11/2       NO
10/3  24/3 25/4 15/5    6/7 17/8   3/9  11-12/9 17/9  24/9  24/11   1/12    9/1   11-12/2       NO
11/3  25/3 26/4 16/5    7/7 18/8   4/9  12-13/9 18/9  25/9  25/11   2/12  10/1   12-13/2       NO
12/3  26/3 27/4 17/5    8/7 19/8   5/9  13-14/9 19/9  26/9  26/11   3/12  11/1   13-14/2       NO
13/3  27/3 28/4 18/5    9/7 20/8   6/9  14-15/9 20/9  27/9  27/11   4/12  12/1   14-15/2       NO
14/3  28/3 29/4 19/5  10/7 21/8   7/9  15-16/9 21/9  28/9  28/11   5/12  13/1   15-16/2       NO
15/3  29/3 30/4 20/5  11/7 22/8   8/9  16-17/9 22/9  29/9  29/11   6/12  14/1   16-17/2       NO
16/3  30/3   1/5 21/5  12/7 23/8   9/9  17-18/9 23/9  30/9  30/11   7/12  15/1   17-18/2       NO
17/3  31/3   2/5 22/5  13/7 24/8 10/9  18-19/9 24/9    1/10  1/12   8/12  16/1   18-19/2       NO
18/3    1/4   3/5 23/5  14/7 25/8 11/9  19-20/9 25/9    2/10  2/12   9/12  17/1   19-20/2       NO
19/3    2/4   4/5 24/5  15/7 26/8 12/9  20-21/9 26/9    3/10  3/12 10/12  18/1   20-21/2       NO
20/3    3/4   5/5 25/5  16/7 27/8 13/9  21-22/9 27/9    4/10  4/12 11/12  19/1   21-22/2       NO
21/3    4/4   6/5 26/5  17/7 28/8 14/9  22-23/9 28/9    5/10  5/12 12/12  20/1   22-23/2       NO
22/3    5/4   7/5 27/5  18/7 29/8 15/9  23-24/9 29/9    6/10  6/12 13/12  21/1   23-24/2       NO
23/3    6/4   8/5 28/5  19/7 30/8 16/9  24-25/9 30/9    7/10  7/12 14/12  22/1   24-25/2       NO
 
NOTAMOS QUE HAY UNA EQUIVALENCIA GREGORIANA ENTRE YOM KIPUR Y PURIM CON LAS VERDADERAS FECHAS. LAS ANTERIORES ERAN ERRONEAS
ROSH HASHANAH =25/2
LEVADURAS=11/3
DILUVIO UNIVERSAL=12/4 
8 DE SIVAN=2/5
SHAVUOT=23/6 
TROMPETAS=21/8
YOM KIPUR=29-30/8
TABERNACULOS=4/9
SIMCHAT TORAH=11/9 (OCTAVO DIA= LEVITICO 23:33,36)
JANUKAH=11/11
JANUKAH (8VO DIA)=18/11 (GENESIS 8:5)
11/11 (HEBREO)=27/12 (GENESIS 8:6) 
 PURIM=29-30/1 (18 DE ADAR=2/2=LUNA CRECIENTE=DIA 343=7*7*7 )
SECUENCIA LUNAR DE 2013-2014 
 

Rispondi  Messaggio 42 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 07/07/2015 01:56

World Trade Center

The new World Trade Center is loaded with secrets in plain sight. My previous post was on the Freedom Tower which is WTC 1 in the following site plan:

WTC Building Arrangement

Image courtesy MesserWoland under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Here’s a brief accounting of the WTC towers:

WTC Accounting

Yes, the sum of the WTC building heights is 6660 feet. See my post on 666.

Do you notice that there is no WTC6? There used to be a WTC 6 before 9/11 but they aren’t rebuilding its namesake. Don’t you wonder why?

Pleiades Elihu VedderThe Pleiades by Elihu Vedder (1885)

In Greek mythology, the Pleiades were seven sisters: Maia, Electra, Alcyone, Taygete, Asterope, Celaeno and Merope.

However only six stars in the Pleiades constellation are distinctly visible to the naked eye. The Japanese name for the Pleiades is Subaru, which in Japanese translates into “to govern.” World trade and the corporations that centralize it truly govern the world.

The Subaru car maker uses the six visible stars of the Pleiades as its logo:

Subaru

The ancient Greeks explained the sudden disappearance of the seventh star in various narratives. According to one, all the Pleiades were consorts to gods, with the exception of Merope. She deserted her sisters in shame, having taken a mortal husband, Sisyphus, the King of Corinth. Another explanation for the ‘lost’ star related to the myth of the Electra, an ancestress of the royal house of Troy. After the destruction of Troy, the grief stricken Electra abandoned her sisters and was transformed into a comet – everafter to be a sign of impending doom. –Source

The above reminds me of the PATH of Comet Elenin which reaches perihelion on 9/11/11 and whose tail will come closest to the Earth on 11/11/11. I recommend listening to Richard Hoagland on this subject.

Perhaps the 9/11 Memorial entitled Reflecting Absence symbolizes the missing Pleiadian sister?

There is more to the Pleiadian mythos that is worth understanding:

The Pleiades were the virgin companions of Artemis, to the ancient Greeks, the goddess of hunting and the Moon. Whilst stalking a hind [deer], the great hunter Orion crept into a sunlit glade, disturbing the innocent play of the sisters. They fled in alarm.

His immoderate passions enflamed by their beauty and grace, he pursued them relentlessly, as was fitting for the greatest mortal hunter. In frustration, Artemis pleaded with Zeus for his intervention. With characteristic olympian sarcasm, he did.

As the hunter closed in on his prey, Zeus transformed the sisters into a flock of doves. They flew into the heavens, beyond the reach of their pursuer, but also removed from earthly companionship with the goddess! –Source

The word Pleiades comes from the Greek peleiades which means flock of doves. Speaking of, the World Trade Center Transportation Hub is nested between WTC 2 and WTC 3.

On September 6, 2005 Gov. George Pataki, Mayor Michael Bloomberg, Sen. Hillary Clinton, and other city, state, and federal officials gathered for a groundbreaking ceremony for the new World Trade Center Transportation Hub.

“This is a momentous occasion for the World Trade Center site and for the rebirth of Lower Manhattan,” Pataki said before a crowd gathered in the World Trade Center site.

Spanish architect Santiago Calatrava, who also spoke at the ceremony, designed the building in the shape of a bird in flight. In January 2004, when he unveiled his initial design concept, Calatrava said that he drew his inspiration from the image of a child releasing a bird. That image — evoking freedom and rebirth — came to life at the end of the ceremony when Calatrava’s daughter, Sophia, released two white doves into the blue sky above the site where the Twin Towers once stood. –Source

Doves and pigeons constitute the bird family Columbidae, long used in magical rituals, which I explored in my Never A Straight Answer post.

Rock dove

Image courtesy Alan D. Wilson under the under the Creative Commons Attribution-Share Alike 2.5 Generic license

As I said in that post, “This casts a new light on things such as the Space Shuttle Columbia, the District of Columbia, Columbia University, the Goddess Columbia, the country of Columbia, and of course Christopher Columbus himself.”

“Santiago Calatrava’s awe-inspiring design of a child releasing a bird into the air represents the hope and promise of a World Trade Center reborn out of the ashes of September 11. –Source

What bird rises out of the ashes? The phoenix of course. See my post on Phoenixes. Calatrava is the same person who designed the Sundial Bridge which aligns perfectly with the secret architecture of San Francisco. See this post. Everything is interconnected.

Costs of Calatrava’s Bird Keep on Soaring at Ground Zero

What’s the priciest part of the new World Trade Center? Nope, not 1 WTC, which will be America’s tallest building. The answer is a train station that will be used by New Jersey commuters and Red Bulls soccer fans, at a price tag of $3.4 billion—and climbing! That’s according to the Bergen Record, which obtained a federal report that says the final cost of architect Santiago Calatrava’s WTC transportation hub—the PATH train station and underground connections to the Fulton Street Transit Center and World Financial Center—might be $3.8 billion. –Source

Herbert Muschamp, architecture critic of The New York Times, wrote:

“Santiago Calatrava’s design for the World Trade Center PATH station should satisfy those who believe that buildings planned for ground zero must aspire to a spiritual dimension. Over the years, many people have discerned a metaphysical element in Mr. Calatrava’s work. I hope New Yorkers will detect its presence, too.” –Source

Fellow researcher Chad Stuemke dug up the fact that The Discovery Channel had a special called RISING (Rebuilding Ground Zero), the name obviously suggesting the phoenix. Here are some quotes Chad pulled out of RISING:

  • This is Ground Zero’s new gateway.
  • Calatrava’s Transportation Hall is an iconic gateway that links subway, street, and sky.
  • Beneath the new skyscrapers an iconic gateway is filling the void.
  • Project architect Mike Garz said, “I just look forward to a time when that space opens to the heavens and I can see the angels coming to collect the souls.”

OK now this inter-dimensional gateway is really starting to creep me out.

Calatrava’s above ground structure is literally called Oculus, meaning eye. –Source

The Oculus structure measures 330 feet in length and connects 13 PATH trains underground. Calatrava says the design is inspired by the crown on the Statue of Liberty. Architecture critics have compared it to a winged dinosaur. –Source

Calatravas Oculus

Oculus is also the name of the art installation in the underground Chambers Street / WTC subway station. See my post on Ellipses for more on this.

Eye subway

Image from Oculus installation courtesy Grant Chamberlin

Calatrava’s Transportation Hub replaces a temporary PATH station that had to be built after the underground system was destroyed on 9/11. The temporary station put two uptown services into operation: Newark–33rd Street (red) and Hoboken–33rd Street (blue).

The underground part of the new PATH hall will look like this:

Path Hall

The RISING special says, “PATH Hall sits directly below Memorial Plaza and consists of a spine with 25 vertebrae connecting 275 extending ribs.”

Fellow researcher Mark Gray points out that Swans have 25 cervical vertebrae. And 275 / 25 = 11

In the name of security, Santiago Calatrava’s bird has grown a beak. Its ribs have doubled in number and its wings have lost their interstices of glass…. The main transit hall, between Church and Greenwich Streets, will almost certainly lose some of its delicate quality, while gaining structural expressiveness. It may now evoke a slender stegosaurus more than it does a bird. –Source

Most researchers now support the view that birds are a group of theropod dinosaurs. The Transportation Hub looks to me like a monumental reptilian eye. Check out the Reptilian Agenda for another deep dark rabbit hole.

The Wedge of Light

Daniel Liebeskind won the competition to be the master plan architect for the reconstruction of the World Trade Center site. Liebeskind’s buildings include the Jewish Museum in Berlin, the Danish Jewish Museum in Copenhagen, the Contemporary Jewish Museum in San Francisco, the Wohl Centre in Israel, and the Imperial War Museum North in the UK.

Liebeskind’s concept for WTC2, called the “wedge of light,” states that no shadows shall be cast on the memorial park on September 11th. Lord Foster designed the top of the building like a wedge with four rhombi at the top.

Speaking of the Pleiades, shadows, and Lords:

Seek him that maketh the seven stars and Orion, and turneth the shadow of death into the morning, and maketh the day dark with night: that calleth for the waters of the sea, and poureth them out upon the face of the earth: The LORD is his name. -Amos 5:8

New wtc

Rendering copyright Silverstein Properties

The Transportation Hall was also supposedly designed so at the exact time the second tower collapsed, every Sept. 11th at 10:28am, the sun enters the transportation hub illuminating the building with light.

However Eli Attia, an architect who has been a frequent critic of the rebuilding process, published a study showing that 40 percent to 99 percent of the Wedge of Light would be in shadow cast by the Millenium Hilton Hotel during the times when Mr. Libeskind had said it would be free of shadows.

Mr. Libeskind won the enthusiastic support of both Gov. George E. Pataki and Mayor Michael R. Bloomberg with his design, and Mr. Pataki ensured Mr. Libeskind’s selection for the ground zero commission when he overruled a committee of directors of the development corporation, which had recommended the selection of the other finalist, a group of architects known as Think. –Source

This situation reminds me of how I.M. Pei was selected for the Louvre Pyramid design without a competition and then how Mitterand stepped in and selected Johann Otto von Spreckelsen to be the architect of the La Grande Arche even though he wasn’t winning the national design competition for the megaproject. Sometimes competitions are a necessary sham when secret architecture has long been in the pipeline.

“Richard Meier, the eminent architect who participated in the ground zero design competition — and who therefore lost to Mr. Libeskind — disagreed [with the fact that shadows fall on the wedge of light]. ”How could you not take it literally?” he asked. ”He didn’t say that the sun would be reflected off buildings and that illumination would somehow create a wedge of light.’

Terence Riley, the chief curator for the department of architecture and design at the Museum of Modern Art, took a historical view. ”Given the long history of solar orientation in architectural design, I don’t suppose it is unreasonable for people to have assumed that the Wedge of Light would be illuminated by direct sunlight on Sept. 11,” he said. –Source

Light is obviously very important to this mega-ritual in the making. Mark Gray discovered one more timely piece of the puzzle:

On 9-11-11 at sunset, the famous “Tribute in Light” will return to the skies above New York City for the night. The tribute is comprised of “88” 7,000-watt xenon light bulbs, arranged in 48-foot squares inspired by the shape and orientation of the Twin Towers. The illuminated memorial reaches four miles into the sky and is visible from as far as 30 miles away. The two arrays cast the strongest shaft of light ever projected from Earth into the night sky. –Source

Tribute in Light

Image courtesy D L under the Creative Commons Attribution 2.0 Generic license

The Tribute in Light ought to get the light bearer’s attention, don’t you think?

Grant Chamberlin pointed out in a comment on this post that the 88 light bulbs in the Tribute in Light might be significant. This is another dark rabbit hole, but if we are to be whole and healthy we must have the courage to look into our shadows.

The 8s stand for the eighth letter of the alphabet (H), with ‘HH’ standing for “Heil Hitler”. –Source

The phrase “Heil Hitler” was inspired by a statement, 88 words in length, from Volume 1, Chapter 8 of Adolf Hitler’s Mein Kampf:

What we must fight for is to safeguard the existence and reproduction of our race and our people, the sustenance of our children and the purity of our blood, the freedom and independence of the fatherland, so that our people may mature for the fulfillment of the mission allotted it by the creator of the universe. Every thought and every idea, every doctrine and all knowledge, must serve this purpose. And everything must be examined from this point of view and used or rejected according to its utility.

Eighty-eight is used as code among Neo-Nazis to identify each other. –Source

Another such illuminist monument was called the Cathedral of Light:

Cathedral in Light

Image courtesy Bundesarchiv, Bild 183-1982-1130-502 / CC-BY-SA

The cathedral of light was a main aesthetic feature of the Nuremberg Rallies. It was the brainchild of Albert Speer, who was commissioned by Adolf Hitler to design and organise the Nuremberg Parade Grounds for the annual celebrations. It is still considered amongst Speer’s most important works.

The effect was a brilliant one, both from within the design and on the outside. –Source

The primary aspect of the Nuremberg Rallies was to strengthen the personality cult of Adolf Hitler, portraying Hitler as Germany’s saviour, chosen by providence. The gathered masses listened to the Führer’s speeches, swore loyalty and marched before him. Representing the Volksgemeinschaft as a whole, the rallies served to demonstrate the might of the German people.

The visitors of the rallies by their own free will were subordinate to the discipline and order in which they should be reborn as a new people. –Source

The Cathedral of Christ the Light also resonates with this post:

Cathedral of Christ the Light

Image courtesy Skier Dude under the Creative Commons Attribution-Share Alike 3.0 Unported license.

The worship space in Christ the Light is a vesica pisces shape, the shape formed by the intersection of two circles [symbol of the female generative organs]. The walls are composed of overlapping panels of wood and glass rising skyward to form the vault, much like the scales of a fish.

The Catholic Cathedral Corporation of the East Bay instituted a design competition for Christ the Light. Various designs were judged and the corporation announced Santiago Calatrava (architect of the PATH Transportation Hall and Sundial Bridge) as the winner. Calatrava’s design for Christ the Light was chosen before a site was appropriated for the project.

However, by the time a site was chosen, Calatrava’s design fell out of favor and instead replaced by a design of competition runner-up Craig W. Hartman, FAIA of Skidmore, Owings and Merrill (SOM). –Source

SOM designed WTC1 (the Freedom Tower) and the new WTC7.

Consider these provocative coincidences:

Joseph Ratzinger joined the Hitler Youth in 1941 when, according to him and his supporters, it became compulsory for all German boys. Millions of Germans were in a position similar to that of Joseph Ratzinger and his family, so why spend so much time focusing on him? Because he is no longer merely Joseph Ratzinger, or even a Catholic Cardinal — he is now Pope Benedict XVI. None of the other Germans who joined the Hitler Youth, were part of the military in Nazi Germany, lived near a concentration camp, and watched Jews being rounded up for death camps has ever become pope. –Source

Pope Benedict prayed for “eternal light and peace” at ground zero on a black square pool on the 111th day of the year (2008 was a leap year).

On September 11th there are 111 days remaining until the end of the year. The original Twin Towers had 111 floors if you count the roof. See my post on 110-111.

Pope Ground Zero

Mark Gray posted this on Facebook:

Theotimos

See my post on the Freedom Tower for more on the black cube and its encoding in the 9/11 Memorial.

Borg cube from bridge

Image from Star Trek The Next Generation

Resistance is anything but futile. Remember the Borg and the overt Nazis were defeated.

William Henry’s research goes into some fascinating areas I haven’t touched on and I’m excited to be interviewed by him tomorrow. I’ll post the link on my Interviews page when it’s online. Here is William’s fascinating take on the mysteries of 9/11/11.

On the flipside Mark Gray has made some great discoveries relating to the positive side of 88.

Mark Gray and William Henry wrote the book Freedom’s Gate together about the lost symbols in the US Capitol. I highly recommend it.

88 keyboard

Image courtesy Mark Gray

The distance from the center of the Alexander Hamilton U.S. Customs House (built over the location of the original Fort Amsterdam) to the center of the Freedom Tower is exactly 1000 meters.

The distance from the corner of Reflecting Absence (former WTC North Tower) to the center of the Customs House is 888 meters.

CustomsHouse FreedomTower

The elliptical glass (see Ellipses) in the rotunda has 88 rays.

88 CustomsHouse

Image courtesy Mark Gray

Mark makes the following brilliant comparison, calling the Customs House Manhattan Gate:

ManhattanGate

Let’s also not forget the Wedge of Light itself (WTC2) has 88 floors and WTC1, WTC4, and WTC7 have numerical resonances with the keyboard.

Are we being played?

WTC Accounting

In addition there are 88 constellations in the sky:

88 constellations

Image courtesy Mark Gray

Eighty-eight (88) symbolizes fortune and good luck since the word 8 sounds similar to the word Fā (发, which implies 发财, or wealth, in Mandarin). The number 8 is considered to be the luckiest number of all in Chinese culture and prices in Chinese supermarkets can often be found containing many 8’s The Chinese government has even been auctioning auto license plates containing many 8s for tens of thousands of dollars. The 2008 Beijing Olympics opened on 8/8/08 at 8 p.m.. –Source

Thank you Mark for the reminder that in duality every symbol has an opposite. Every coin has two sides. The wise look at both of them.

This just in…

Jan Thulstrup uncovered an amazing connection in Psalm 119 which is the longest chapter in the Bible.

119 is the mirror reflection of 911.

Psalm 119 has 176 verses. 176 = 88 + 88. 176 is an octagonal number.

Psalm 119 is divided into twenty-two stanzas, one stanza for each letter of the Hebrew alphabet. Each stanza begins with the corresponding letter of the Hebrew alphabet.

Each stanza has 8 verses, composed as octaves (from the Latin octo meaning “eight”) in music.

Here a Jew reads Psalm 119 at the Wailing Wall in Jerusalem:

Psalm 119 WesternWall

Image courtesy Brian Jeffery Beggerly under the Creative Commons Attribution 2.0 Generic license.

©2012 SIPS Productions Inc. – All Rights Reserved.


Rispondi  Messaggio 43 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 08/07/2015 23:26
 
1. ¿INFINITO O ETERNO?
2. ¿CÍRCULO, OCHO TUMBADO O BANDA?


Resultado de imagen de youtube simbolo infinito serpiente             Serpiente - símbolos del infinito        
 
El símbolo matemático del infinito nació en el sigo XVII. Parece un ocho tumbado pero en realidad corresponde a una figura matemática llamada lemiscata de Bernouilli. Antes, sin embargo la idea del infinito se representaba con un circulo. La serpiente que se muerde la cola data del 1600 AC y representa un ciclo eterno. En latín, de hecho, caelum significa tanto ¿círculo¿ como ¿eternidad¿ y da la idea de un camino que no tiene ni principio ni final, como el infinito.
 
 
 
 
                          
  Banda de Moëbius por M.C. Escher                   http://es.wikipedia.org/wiki/Lemniscata

 
Los orígenes del símbolo de infinito son inciertos. Dado que la forma se asemeja a la curva lemniscata (del latín lemniscus, es decir cinta), se ha sugerido que representa un lazo cerrado. Se ha querido ver también una Banda de Möbius en su forma, aunque el símbolo se usó durante cientos de años antes de que August Möbius descubriera la banda que lleva su nombre.

También se cree posible que la forma provenga de otros símbolos alquímicos o religiosos, como por ejemplo ciertas representaciones de la serpiente Ouroboros.

En la literatura matemática, John Wallis es el primero en usar el símbolo para representar al infinito en su tratado De sectionibus conicus de 1655.

La representación del concepto "infinito", tiene una relación formal con el sentido del orden de las letras en el alfabeto griego. Los griegos, según parece, asignaron el primer lugar en su alfabeto a α (alfa) por ser precisamente el lugar que "Dios" merecía en su cosmogonía. De ahí que - según algún maestro de literatura de buena voluntad - todas las palabras griegas cuya letra inicial era esa tenían, de un modo u otro, relación con lo divino.



      








 
Artículo de Gaussianos (enlace)
Parece ser que fue en el año 1694 cuando Jakob Bernoulli describió dicha curva. La definición de la misma se asemeja en cierto sentido a la de la elipse:
 
  • Elipse: conjunto de puntos que cumplen que la suma de las distancias a dos puntos dados, denominados focos, es constante.

  • Lemniscata: conjuntos de puntos que cumplen que el producto de las distancias a dos puntos dados, denominados focos, es constante.
 
La ecuación implícita de la lemniscata es:
(x^2+y^2)^2=2 a^2 (x^2-y^2)
El parámetro a es el que determina qué lemniscata tenemos, ya que los focos están a distancia 2a y ese producto de distancias constante es exactamente a^2.
 
 
 
 
Artículo de ACATOS (enlace)     ¿Cuál es la diferencia entre infinito y eterno?
infinito-eternidad-simbolo

Según la RAE:
InfinitoQue no tiene ni puede tener fin ni término.
EternoQue no tiene principio ni fin.
Entonces, la diferencia es que el infinito puede tener un principio, al contrario que lo eterno, que no tiene. Digamos que el infinito es un subconjunto de lo eterno.
¿Por qué relacionamos el concepto de infinito con las distancias y el concepto de eterno con el tiempo?

Rispondi  Messaggio 44 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 09/07/2015 00:10
La Botella de Klein y la Banda de Möbius

Rispondi  Messaggio 45 di 95 di questo argomento 
Da: BARILOCHENSE6999 Inviato: 18/07/2015 01:39

7 Mystical Seals – PHOsphenes – Rock Art Symbols – Giordano Bruno – Hans Jenny – Cymatics – Ernest Chladni – Fibonacci

 

“Let no one destitute of geometry enter my doors.”
-Plato 

BROKEN SYMMETRY

Symmetry breaking in physics describes a phenomenon where (infinitesimally) small fluctuations acting on a system which is crossing a critical point decide the system’s fate, by determining which branch of a bifurcation is taken. To an outside observer unaware of the fluctuations (or “noise”), the choice will appear arbitrary. This process is called symmetry “breaking”, because such transitions usually bring the system from a disorderly state into one of two definite states.

Symmetry breaking is supposed to play a major role in pattern formation.

How does this next image merge with the everything mentioned thus far?

Tian Tan Buddha – Wikipedia, the free encyclopedia
List of statues by height ~ most of which are Buddhist statues.
  • The Tian Tan Buddha appears serene and dignified.
  • His right hand is raised, representing the removal of affliction.
  • The Buddha’s left hand rests on his lap in a gesture of giving dhana.
  • The Buddha faces north, which is unique among the great Buddha statues, as all others face south.
  • In addition, there are 3 floors beneath the Buddha statue: The Hall of UniverseThe Hall of Benevolent Merit, and The Hall of Remembrance.
  • There is a huge carved bell inscribed with images of Buddhas in the show room.
  • It was designed to ring every seven minutes, 108 times a day symbolizing the release of 108 kinds of human vexations.

image on the left: The 19th century image of a Sabbatic Goat, created by Eliphas Lévi.
The arms bear the Latin words SOLVE (separate) and COAGULA (join together)
image on the right: Card V of the Rider-Waite Tarot – Hierophant is the high priest

Baphomet 

We are presented with two interesting choices between what is RIGHT and what we have been led to beLIEve is a more sinister LEFT.

SOLVE (separate) and COAGULA (join together)

It was suggested to me that we reverse the word Baphomet to arrive at “Tem OHP Ab” which are abbreviations for “Templi Omnium Hominum Pacis Abbas” meaning;

“The Temple of the Father of Peace Among Men”

or according to Google Translation

“The abbot of the temple of peace of all men”

And the word PHO or OHP maybe even HOP resonates with me.

“Omnium Hominum Pacis” which I believe would translate to something like peace among men.

Peace among men is a great reason to like the letters OHP, but why else do I like PHO, what was it that attracted me to these three letters?

Friend or Foe/Pho?

Words that begin with PHO

Data and inFOrmation or inPHOrmation reflecting the fractal environment.

I noticed a pattern regarding the prefix PHO
Do you see it?

  • PHOenicians helped the Semitic languages go viral
  • PHOnetics
  • PHOnology
  • PHOneme
  • PHOsphenes
  • PHOenix and pyre and fire
  • PHOtons are light messages
  • PHOnons are sound messages
  • PHOsphorus DNA backbone
  • PHObos is the god of FEAR
  • PHObos is a moon of Mars
  • PHOebus is a reference to Apollo
  • PHOroneus
  • tele-PHOnes
  • i-PHOnes
  • PHOnographs
  • PHOtographs
  • and finally due to a communication breakdown the PHOs get distorted and seem to become the FOEs (real or imagined) that slander/libel/gossip, who we do battle with, is this in itself a form of cosmic retribution a.k.a. karma?
Phosphorus a promising semiconductorA point defect appears in a two-dimensional material when atoms don’t line up quite right
as in the puckered pair of a heptagon and a pentagon seen at top.
In many materials, this disruption of regular six-atom rings (as seen at bottom)
would change the material’s electronic properties.
But Rice University theorists have determined that 2-D phosphorus
would not be affected by such defects.
Credit: Evgeni Penev

What other evidence exists for my galactic anagram telegram that arrives thousands of years later on our i-PHOne?

PHOroneus discovers fire

In Argos, Phoroneus was still remembered in historical times, and the Argives brought offerings to his grave as to a hero, keeping also a statue of him, next to which there was an ever burning fire, for according to the Argives, it was Phoroneus who discovered fire, and not Prometheus 1 as others think.

Now the Greek word [[Phoroneus]] is the rigid equivalent of the Sanskrit word bhuranyu (‘the rapid’) an epithet of Agni, considered as the carrier of the divine spark. Phoroneus, son of Melia or of the celestial ash, thus corresponds to a conception far more ancient, probably, than that one which transformed the pramantha (of the old Aryan Hindus) into the Greek Prometheus.

Phoroneus is the (personified) bird, that brings the heavenly lightning to the Earth. Traditions relating to the birth and origin of the race of Bronze, and those which made of Phoroneus the father of the Argians, are an evidence to us that this thunderbolt (or lightning), as in the legends of Hephaestus or Prometheus, was the origin of the human race”

Source of the next image, Coptic Magical Texts SLIDE #13

The names given to the four living creatures, the cherubim, appearing in Revelation and Ezekiel, comprise a formula that is often repeated in early Christian charms and amulets.It has been referred to as the Alpha formula, since the first letter of each name makes a notarichon [acronym] of the first letter in the Greek alphabet.i.e. A L Ph AAlpha is the bull, derived from the Phoenician aleph
Leon is the Greek word for “lion
Phone the eagle‘s name is the Greek word for “voice”
Aner is Greek for “man“-author Kieren Barry p. 151-2.

PHOne the eagle’s name is the Greek word for “voice” … AHA!

It appears that the Eagle/St John, the number 8 in the code 11258, and the number 3 in the code 13769 represents the PHOne!

And both codes can be found on any tarot card that depicts the 4 Evangelists positioned in the four corners assigned their various guises as the man/angel, bull, lion, and eagle, usually illustrated in the Major Arcana on Card X or Card XXI.

THE WORLD CARD XXI and the WHEEL OF FORTUNE CARD X

And by coincidence this early Christian ‘charm/amulet’ referred to as the ALPhA formula contains in ‘code’ the number associated with the fine structure constant coincidentally called alpha, 1/137.

please note: genes and memes, seems to default to efficient data transfer, from electrons emitting/absorbing photons/phonons, using them to navigate energy levels, and of course human ignorance at the same time on another level/dimension use their i-PHOnes to scale the ivory white Towers of Babel and Towers of Power?

Thomas Campbell’s My Big TOE or My Big Theory of Everything
A interesting theory that defaults to LOVE and Entropy

Harmonic Resonance Theory:

An Alternative to the “Neuron Doctrine” Paradigm of Neurocomputation to Address Gestalt Properties of Perception

Faraday (1831) extended Chladni’s phenomenon by observing standing waves on the surface of liquids, which produces geometrical arrays of standing waves on the surface of the fluid in the form of concentric rings, parallel ridges, grid and checkerboard patterns, arrays of cone-like points, and even brick patterns. This work has been extended more recently by Cristiansen et al (1992), Kumar & Bajaj (1995), Kudrolli & Gollub (1996), Kudrolli et al. (1998) and others, who have demonstrated patterns of equilateral triangles, regular hexagons, superlattice, and quasi-crystal array patterns by driving the oscillation of the fluid layer with a controlled waveform. Figure 2 shows some of the patterns produced by Kudrolli et al.It seems that this work is only touching the surface of the full potential of this phenomenon for producing complex geometrical patterns by relatively simple driving oscillations.

In the 1st minute of this video Dr. Michael Persinger mentions the importance of the 4 basic micro-static patterns that have been listed below that are the ‘building blocks of ‘consciousness’.

What these videos are implying is very very profound.

Cymatics: A Study of Wave Phenomena

Cymatics is the study of wave phenomena.

It is typically associated with the physical patterns produced through the interaction of sound waves in a medium.

A simple experiment demonstrating the visualisation of cymatics can be done by sprinkling sand on a metal plate and vibrating the plate, for example by drawing a violin bow along the edge, the sand will then form itself into standing wave patterns such as simple concentric circles.

The higher the frequency, the more complex the shapes produced, with certain shapes having similarities to traditional mandala designs.

The term cymatics was coined by the Swiss scientist, Hans Jenny.

It is derived from the Greek kyma meaning “wave,” and ta kymatika  meaning “matters pertaining to waves.”

GREAT Cymatics website!

Note in above image that there is a direct correlation between cymatics patterns and the vowels.

A E I O U

SONS of the SUN

SONS OF THE SUN  

According to Prof. Marcel F. Homet this petroglyph is named by the native Brazilian people the ‘SONS OF THE SUN’.
These symbols are engraved in brazilian megalithic stone in Pedra Pintada, northern Amazon River basin of Brazil, discovered in 1963 by the french archaeologist Prof. Marcel F. Homet.
The petr0glyphs are estimated to be at least 10,000-years-old.

Source:  ‘THE SONS OF THE SUN’, 1963 by Marcel F. Homet, Ph.D.

George Adamski’s aliens in Brazil, eons ago?

… alien scribblings and provided addenda about the controversial findings of noted archeologist Marcel Homet, who some have claimed, discovered, in the cavern known as Pedra Pintada  in the Amazon River basin near the town of Monte Alegre in northern Brazil, images that duplicated, exactly, those provided by George Adamski’s flying saucer visitors in the 1950s.

controversy involving UFOs, aLIEns, and swastika petroglyphs:

go to page 155

Illustration © Kellogg, R, Knoll, M., Kugler, J. (1965).
Form-similarity between phosphenes of adults and pre-school children’s scribblings.
Later Acheulian Marking Motifs II

Table 1: Occurrence of 15 Typical Phosphene Form Groups in 328 Scribblings of One Single Child.”

more inPHO on phosphenes:

(you must cut and paste url to make link work)

Knoll and Kugler (1959) used temporal stimulation to elicit a ‘spectrum of subjective abstract light patterns’ for 24 test individuals (50 depictions). Reviewing this and subsequent studies, including ‘phosphenes’ produced by hallucinogenic drugs, Kellogg, Knoll and Kugler (1965) group 520 phosphene drawings by 313 subjects into fifteen ‘phosphene form groups’ and also argue that these correlate to typical children’s scribbles (’20 basic scribbles and 6 diagrams’) and may also correlate to images in rock art. They provide a table showing frequencies of these fifteen ‘form constants’ among 806 scribbles of one subject on multiple occasions. Watson has now extended these findings, providing a new data set for adult’doodles’ based on a ‘sample of 50 doodles’ and suggests there are similarities between these and the Kellogg et al. list of fifteen phosphene motifs as well as similarities to Palaeolithic marking motifs.”A phosphene is an entoptic phenomenon characterized by the experience of seeing light without light actually entering the eye. The word phosphene comes from the Greek words phos (light) and phainein (to show). Phosphenes can be directly induced by mechanical, electrical, or magnetic stimulation of the retina or visual cortex as well as by random firing of cells in the visual system. Phosphenes have also been reported by meditators, people who go for long periods without visual stimulation (also known as the prisoner’s cinema) or who are under the influence of drugs, especially a hallucinogen.”

The artist Aaron Ross has a great definition of phosphenes: “phantom images seen only in the mind’s eye.”

Phosphenes (literally “light that shines forth”) are luminous, ephemeral signposts marking the landscape of inner space. Several scientists have found that phosphenes have common features across cultural boundaries.
Such findings point to a universal library of symbols.A phosphene is a multicolored shape or pattern seen in the darkness, without external visual stimulation.
Phosphenes can be seen with closed eyes or in a completely dark room with open eyes.
Phosphenes may appear as: * spirals * exploding stars * wispy clouds * wheels * tunnels * parallel lines * wavy lines * dotted lines * zigzags * checkerboards * honeycombs * spider webs * dot patterns * circles within circles * crosses * thin meandering lines, like lightning * geometric shapes, like triangles, squares, pentagons * and so on.
Phosphenes may swirl, pulse, superimpose, fragment, or morph into other images. If you have ever bumped your head and seen stars, those were phosphenes.You can, however, stimulate the appearance of phosphenes without hurting your head in the process. Hold your fingers over your closed eyelids and make very slow and gentle circular motions or apply very gentle pressure. When images begin appearing, remove your fingers, keep your eyes closed, and watch the visions. Having a tape recorder handy will allow you to describe out loud the colors, shapes, and other phenomena you witness. This information will be helpful later as you study the symbolic meaning of your visions.

Why does pressure on the eyeballs create phosphenes?

Mathematician G. Bard Ermentrout explains that the pressure inhibits signals from the retina, thereby encouraging the brain’s cortex to fill the void. The brain begins firing spontaneously and creates hallucinatory patterns.

Phosphenes can also be seen under such conditions as: * hypnosis * reverie * fever delirium * fatigue * sensory deprivation * sweat lodges * profound concentration * hyperventilation * medicinal herbs * psychoactive drugs (such as LSD) * food and water deprivation * electrical and magnetic stimulation of the visual cortex * strobe lights * rhythmic movement * migraine headaches * meditation * trance states * intense emotion * stress * crystal gazing

The behaviour of phosphenes seems to be uncontrollable by scientists.

In 1994, vision researcher William H. Dobelle discovered that the phosphene lights flicker at a rate which seems unrelated to the cardiac pulse, breathing rate, or other physiologic functions.
Phosphene researcher and artist Lorena Babcock Moore says that under the influence of drugs and other intense forms of stimulation, phosphenes become “more pronounced and the patterns (called entoptics) increase in complexity and may include flashes, spirals, circles, or zigzags that move in concentric circling, horizontal streaking, vertical falling, or scattering fragments.
Motifs may overlap and transform into one another.” However, Moore does not use intense methods for her own phosphene work. She prefers outdoor solitary drumming. Distinct shapes are commonly seen in phosphenes.

Phosphenes are said to be generated by the nervous system’s intrinsic geometry.

Vivid, morphing colors are typical.
Phosphenes typically change color in phases:

1. Yellow
2. Bright green with a red halo expanding toward the center
3. Red with a blue halo expanding toward the center
4. Blue
5. Grey, faint afterimage

These inner visions have inspired artistic works throughout human history.

In 1989, researcher Richard Bradley applied the concept of phosphenes to European megalithic art.
He attributed many mysterious cave drawings with the phosphene visions of the ancient artists.

Art historian A. E. Iribas has traced the influence of phosphenes on such art as:

* the “childlike” art of Miro
* the psychedelic art of Michaux
* the surrealist art of Dali
* the mandalas of Tibetan Buddhism
* the architecture of temples
* alchemical imagery
* Hildegard von Bingen’s illuminations
* the work of contemporary painters such as Onslow-Ford, Kupka, Kandinsky, av Klint, and others

In 1983, Qabala expert Philo Stone suggested that phosphenes are actually “sparks of pure energy, light perceived at the moment of its conversion into nervous-system information between the cornea and the brain.
Thus, phosphenes may be the behavior of atomic particles as observed by the naked eye: the interface of two worlds, the normal and the nuclear — the fourth dimension.”

The French physician Francis Lefebure (1916-1988) experimented with a technique of combining a thought with a phosphene in order to transform the energy of light into mental energy.

He believed that conscious phosphene work would stimulate memory, attention, intelligence, imagination, intuition, creativity, decision making, patience, perseverance, self confidence, dreaming, and the discovery of new dimensions.

His technique involved stimulating phosphenes with a light source:

  1. Sit in a darkened room.
  2. Look at the bulb of a small pocket flashlight (non-halogen) for thirty seconds.
  3. Turn off the light and, with open eyes, see the phosphene.
  4. Place a thought inside the phosphene: “A thought of love, goodness, peace, wisdom, a thought dedicated to unhappy and unlucky people of the planet.”
  5. Keep both the phosphene and the thought for at least one minute, smiling throughout.

image: ‘The Seven Mysteries of Life’ – Guy Murchie

Several important dates of the history of Phosphenism

This morning I was reading the book called Amulets and Superstitions by E.A.Walls Budge, and after seeing an amulet depicting the SEVEN SEALS (on page 40)

 I realized I was onto something extraordinary!

image: ‘The Seven Mysteries of Life’ – Guy Murchie

Figure 1:

“As Knoll varied the frequency of the pulses the patterns changed, and by altering the frequency Knoll’s group identified 15 classes of figures and a number of variations within each class. For each person tested the spectrum of phosphenes (the kind of pattern at each frequency) was repeatable, even after six months” (Oster 1970:85).

The Munich group also found that electrically induced phosphenes were considerably more elaborate for subjects who had been given a very small dose of a hallucinogenic drug, say 10 micrograms of LSD (Oster 1970:85).

The SEVEN SEALS resemble many of those 15 documented NASA phosphenes.
And the images of the SEVEN SEALS are said to be depicting the “great Names or Symbols of God”.

AHA!

7 SEALS – the Great Names or Symbols of God

Arrow   image of the SEVEN SEALS found on page 40:

Is there a connection between the EvIL Eye emitting PHOtons and geometric PHOsphenes which later became the symbols/names for god?

Old Testament Hebrew God = YHVH = Tetragrammaton 

Tetragrammaton was derived from a Greek term attributed to a particular Hebrew deity called YHVH i.e the four letter name. And as we know the New Testament was first authored in Greek. And everybody studying esoteric/occult/hidden meanings knows that the YHVH = tetragrammaton = swastika.

Right?

MEDITATION and KABBALAH

Turn to page 138 for an image of more shapes generated by phosphenes. i.e. the 7 mystical seals.

On page 142 you will find an image of the ‘unique name’ that you should be constantly focused on. You could start meditating using the TETRAGRAMMATON now.

A model for the origin and properties of flicker-induced geometric phosphene
We use symmetric bifurcation theory to show why low frequency flicker should produce hexagonal patterns whilehigh frequency produces pinwheels, targets, and spirals.

Illustrations of basic phosphene patterns and their transformation to “cortical coordinates.”

bruno

Was the heretic Giordano Bruno onto something?

Three diagrams representing the Hermetic trinity, as devised by Giordano Bruno in his 1588 Articuli centum et sexaginta adversus huius tempestatis mathematicos atque philosophos, and as appearing in Frances A. Yates’s 1964 Giordano Bruno and the Hermetic Tradition.

Figura Mentis, p307. C.f. Cusanus’s paradigmatic diagram and the mouth of Ra.

Figura Intellectus, p307.

Figura Amoris, p307

“These three figures are said to be most ‘fecund’, not only for geometry but for all sciences and for contemplating and operating” (p314).


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GIOR-DAN-O BRUNO= TRIBU DE DAN= LINAJE DE A-DAN=TRANSFIGURACION DE CRISTO
 

bruno

Was the heretic Giordano Bruno onto something?

Three diagrams representing the Hermetic trinity, as devised by Giordano Bruno in his 1588 Articuli centum et sexaginta adversus huius tempestatis mathematicos atque philosophos, and as appearing in Frances A. Yates’s 1964 Giordano Bruno and the Hermetic Tradition.

Figura Mentis, p307. C.f. Cusanus’s paradigmatic diagram and the mouth of Ra.

Figura Intellectus, p307.

Figura Amoris, p307

“These three figures are said to be most ‘fecund’, not only for geometry but for all sciences and for contemplating and operating” (p314).

 

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all-seaing-eye-on

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magic-of-four

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The number eight is the first Cubic number

Eight is the first cubic number, the cube of two, 2 x 2 x 2. We have seen that three is the symbol of the first plane figure, and that four is the first square. So here, in the first cube, we see something of transcendent perfection indicated, something, the length and breadth and height of which are equal. This significance of the cube is seen in the fact that the "Holy of Holies," both in the Tabernacle and in the Temple, were cubes. In the Tabernacle it was a cube of 10 cubits. In the Temple it was a cube of 20 cubits. In Revelation 20 the New Jerusalem is to be a cube of 12,000 furlongs.

http://www.biblestudy.org/bibleref/mean ... ble/8.html

Holy of Holies is a term in the Hebrew Bible which refers to the inner sanctuary of the Tabernacle and later the Temple in Jerusalem where the Ark of the Covenant was kept during the First Temple, which could be entered only by the High Priest on Yom Kippur. The Ark of the Covenant is said to have contained the Ten Commandments, which were believed to have been given by God to Moses and the Israelites at Mount Sinai.

Jesus = Ἰησοῦς = Ἰ = 10 + η = 8 + σ = 200 + ο = 70 + ῦ = 400 + ς = 200 = 888

http://www.articlesbase.com/christianit ... 21027.html

_________________
Everything is Connected and there are no
coincidences
 
http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&sid=e54de4b8b1e7221ed8cf966314a8cc5c&start=950
 
 
ISHTAR GATE=MACHINE TIME=SIRIUS
 
 
1776=222*8=888*2
 
 
Reply  Message 69 of 69 on the subject 
From: BARILOCHENSE6999 Sent: 21/07/2015 00:04
cuba-the-islamic-cube

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Da: BARILOCHENSE6999 Inviato: 27/07/2015 01:08
This is Amazing News out of the Guardian today

the Metraton Cube ... 1500 paintings thought Lost have been found

http://www.theguardian.com/world/2013/n ... any-police

Modernist art haul, 'looted by Nazis', recovered by German police

About 1500 works, includining pieces by Chagall, Klee, Matisse and Picasso, had been considered lost until raid in Schwabing

Cubism
The artworks, which could be worth as much as €1bn (£860m), are said to include pieces by Pablo Picasso, Henri Matisse, Marc Chagall, Paul Klee, Max Beckmann and Emil Nolde. They had been considered lost until now, according to a report in the German news weekly Focus.


The term is broadly used in association with a wide variety of art produced in Paris (Montmartre, Montparnasse and Puteaux) during the 1910s and extending through the 1920s

By 1911 Picasso was recognized as the inventor of Cubism, while Braque’s importance and precedence was argued later, with respect to his treatment of space, volume and mass in the

L’Estaque landscapes

The assertion that the Cubist depiction of space, mass, time, and volume supports (rather than contradicts) the flatness of the canvas was made by Daniel-Henry Kahnweiler as early as 1920


Dimensions SPACE MASS TIME and VOLUME......we don't live in a two dimensional world called Flatland


“ It is almost impossible to exaggerate the importance of Cubism. It was a revolution in the visual arts as great as that which took place in the early Renaissance. Its effects on later art, on film, and on architecture are already so numerous that we hardly notice them. ”

— John Berger, English art critic, painter and novelist

Sauniere had a view toward Cubism....as seen on the design of the Magdalene Chapel where the cubes can be seen and the Meandros design



New possibilities opened up by the concept of four-dimensional space (and difficulties involved in trying to visualize it) helped inspire many modern artists in the first half of the twentieth century. Early Cubists, Surrealists, Futurists, and abstract artists took ideas from higher-dimensional mathematics and used them to radically advance their work


French mathematician Maurice Princet was known as "le mathématicien du cubisme" ("the mathematician of cubism").[2] An associate of the School of Paris, a group of avant-gardists including Pablo Picasso, Guillaume Apollinaire, Max Jacob, Jean Metzinger, and Marcel Duchamp, Princet is credited with introducing the work of Henri Poincaré and the concept of the "fourth dimension" to the cubists at the Bateau-Lavoir in the late 1900s.[3]

http://en.wikipedia.org/wiki/Fourth_dimension_in_art

Image

http://en.wikipedia.org/wiki/Octacube_%28sculpture%29

The Octacube is a large, steel sculpture of a mathematical object: the 24-cell or "octacube". Because a real 24-cell is four-dimensional, the artwork is actually a projection into the three-dimensional world. Octacube has very high intrinsic symmetry, which matches features in chemistry (molecular symmetry) and physics (quantum field theory).


In 1908, Hermann Minkowski presented a paper[7] consolidating the role of time as the fourth dimension of spacetime, the basis for Einstein's theories of special and general relativity

http://en.wikipedia.org/wiki/Four-dimensional_space

Spacetime is usually interpreted with space as existing in three dimensions and time playing the role of a fourth dimension that is of a different sort from the spatial dimensions.

Image


http://en.wikipedia.org/wiki/Spacetime

_________________
Everything is Connected and there are no
coincidences
http://forum.andrewgough.co.uk/viewtopic.php?f=1&t=3596&start=1300


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