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General: MATEMATICAS DEMUESTRAN LA CREACION DIVINA EN OCHO DIAS
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GRAN PIRAMIDE DISEÑADA EN FUNCION A LA MANZANA DORADA (NUMERO DE ORO PHI=1.618033), AL NUMERO 4 (CUATRO FASES DE LA LUNA CADA SIETE DIAS O CUARTO MANDAMIENTO CON REFERENCIA AL SEPTIMO DIA) QUE TAMBIEN ES EL CUADRADO DE LA CUADRATURA, AL CIRCULO (POLIGONO DE INFINITO=NUMERO 8=OCTAVO DIA) QUE ES LA CONVERSION DEL AGUA EN VINO, EN EL MARCO A LAS BODAS DE CANA.
Squaring the Circle - The Great Pyramid
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The square represents the physical. The circle represents the spiritual. All sacred geometers have attempted the impossible: to square the circle (create a square who's perimeter is equal to the circumference of a circle.)
Here is the first of two valiant attempts:
This squaring of the circle works with a right triangle that represents the apothem (ZY) - (a line drawn from the base of the center of one of the sides to top of the pyramid), down to the center of the base (ZE), and out to the point where the apothem touches the Earth (EY).
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The Great Pyramid of Egypt
(Sphinx in foreground)
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Now let's look at this in 2D,
from directly above.
For the purpose of this exercise,
the side (AB) of the base equals 2.
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(ABCD) is the base of the Great Pyramid.
This is lettered similarly to the wire frame version (above).
For the purpose of this exercise,
the side (AB) of the base equals 2.
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Construct square (i JKD),
thus creating double square (JKE f).
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Create diagonal (EK)
which intersects (i D) at (l).
iD = 1,
therefore the diameter
of the circle is also 1.
(EK) = ( 5) = .618 + 1 + .618
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Put the point of your compass at (E) and extend it along the diagonal (EK) to point (m) where the circle intersects (EK), and draw the arc downward to intersect (KD f C) at (n).
If (EK) = (5), and (l m/l D) and l i = .5, the diameter of this circle is 1.
This makes (E m) = .618 + 1, or 1.618.
(E m) is the apothem.
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Draw (E n) which intersects (A i l D ) at (o).
Put compass point at (f) and extend it to (n). Again put your point at (E) and draw the circle which happens to have the radius (E o).
(f n) is the height of the Great Pyramid.
This circle comes remarkably close to having the same circumference as the perimeter of the base (ABCD).
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Let's go back to the original right triangle (EYZ)
(EY) = .5
(YZ) = phi
(EZ) = (phi)
EY = .5, The apothem is phi/1.618. This makes the 51 degree + degree angle.
Using a² + b² = c², this makes the height the square root of phi.
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Squaring the Circle - The Earth & the Moon
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Create a square (ABCD) with (AB) = 11
Create diagonals (AC) and (BD) crossing at center point (E)
Construct a circle which is tangent to square (ABCD) at f
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Construct two 3 . 4 . 5 right triangles, with the 4 . 5 angles at (A) and (D).
Connect the 5 . 3 angles creating square (abcd) with side (ab) = 3
{4 + 3 + 4 = 11, or side (AD) of square (ABCD)}
Create diagonals (ac) and (bd) centering at (e)
Create a circle that is tangent to square (abcd) at four places.
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Draw line (Ee) which intersects side (AD) at (F)
(EF) = the radius of the larger circle and (eF) = the radius of the smaller circle
The larger circle thus created is to the smaller circle as the moon is to the Earth!
With your compass point at (E), create a circle with radius (Ee)
This creates a circle whose circumference is equal to the perimeter of square (ABCD)!
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The Math:
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1
(AB) = 11
(EF) = 1/2 of (AB) = 5.5
(ab) = 3
(eF) = 1.5
Therefore 5.5 + 1.5 = 7
The circumference of a circle is equal to two times the radius (the diameter) times pi (3.1416).
C= 14 x 3.1416
C= 43.9824
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2
In Square (ABCD), (AB) = 11
The perimeter of a square is four times one side. 11 x 4 = 44
According to the Cambridge Encyclopedia, the equator radius of the Earth is 3963 miles. The equator radius of the Moon is 1080.
The claim is that the smaller circle (in square abcd) is to the larger circle (in square ABCD) as the Moon is to the Earth.
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(EF) = 5.5
(F e) = 1.5
5.5 : 1.5 :: 3963 : 1080
5.5 / 1.5 = 3.66666
3963 / 1080 = 3.6694 - (if it had been 3960, it would have been exact!)
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EL NUMERO DE ORO PHI=1.618033 SALE MATEMATICAMENTE DE LA UNION DE DOS CUADRADOS (FORMA DE NUMERO OCHO)
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World Trade Center
The new World Trade Center is loaded with secrets in plain sight. My previous post was on the Freedom Tower which is WTC 1 in the following site plan:
Image courtesy MesserWoland under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Here’s a brief accounting of the WTC towers:
Yes, the sum of the WTC building heights is 6660 feet. See my post on 666.
Do you notice that there is no WTC6? There used to be a WTC 6 before 9/11 but they aren’t rebuilding its namesake. Don’t you wonder why?
 The Pleiades by Elihu Vedder (1885)
In Greek mythology, the Pleiades were seven sisters: Maia, Electra, Alcyone, Taygete, Asterope, Celaeno and Merope.
However only six stars in the Pleiades constellation are distinctly visible to the naked eye. The Japanese name for the Pleiades is Subaru, which in Japanese translates into “to govern.” World trade and the corporations that centralize it truly govern the world.
The Subaru car maker uses the six visible stars of the Pleiades as its logo:
The ancient Greeks explained the sudden disappearance of the seventh star in various narratives. According to one, all the Pleiades were consorts to gods, with the exception of Merope. She deserted her sisters in shame, having taken a mortal husband, Sisyphus, the King of Corinth. Another explanation for the ‘lost’ star related to the myth of the Electra, an ancestress of the royal house of Troy. After the destruction of Troy, the grief stricken Electra abandoned her sisters and was transformed into a comet – everafter to be a sign of impending doom. –Source
The above reminds me of the PATH of Comet Elenin which reaches perihelion on 9/11/11 and whose tail will come closest to the Earth on 11/11/11. I recommend listening to Richard Hoagland on this subject.
Perhaps the 9/11 Memorial entitled Reflecting Absence symbolizes the missing Pleiadian sister?
There is more to the Pleiadian mythos that is worth understanding:
The Pleiades were the virgin companions of Artemis, to the ancient Greeks, the goddess of hunting and the Moon. Whilst stalking a hind [deer], the great hunter Orion crept into a sunlit glade, disturbing the innocent play of the sisters. They fled in alarm.
His immoderate passions enflamed by their beauty and grace, he pursued them relentlessly, as was fitting for the greatest mortal hunter. In frustration, Artemis pleaded with Zeus for his intervention. With characteristic olympian sarcasm, he did.
As the hunter closed in on his prey, Zeus transformed the sisters into a flock of doves. They flew into the heavens, beyond the reach of their pursuer, but also removed from earthly companionship with the goddess! –Source
The word Pleiades comes from the Greek peleiades which means flock of doves. Speaking of, the World Trade Center Transportation Hub is nested between WTC 2 and WTC 3.
On September 6, 2005 Gov. George Pataki, Mayor Michael Bloomberg, Sen. Hillary Clinton, and other city, state, and federal officials gathered for a groundbreaking ceremony for the new World Trade Center Transportation Hub.
“This is a momentous occasion for the World Trade Center site and for the rebirth of Lower Manhattan,” Pataki said before a crowd gathered in the World Trade Center site.
Spanish architect Santiago Calatrava, who also spoke at the ceremony, designed the building in the shape of a bird in flight. In January 2004, when he unveiled his initial design concept, Calatrava said that he drew his inspiration from the image of a child releasing a bird. That image — evoking freedom and rebirth — came to life at the end of the ceremony when Calatrava’s daughter, Sophia, released two white doves into the blue sky above the site where the Twin Towers once stood. –Source
Doves and pigeons constitute the bird family Columbidae, long used in magical rituals, which I explored in my Never A Straight Answer post.
Image courtesy Alan D. Wilson under the under the Creative Commons Attribution-Share Alike 2.5 Generic license
As I said in that post, “This casts a new light on things such as the Space Shuttle Columbia, the District of Columbia, Columbia University, the Goddess Columbia, the country of Columbia, and of course Christopher Columbus himself.”
“Santiago Calatrava’s awe-inspiring design of a child releasing a bird into the air represents the hope and promise of a World Trade Center reborn out of the ashes of September 11. –Source
What bird rises out of the ashes? The phoenix of course. See my post on Phoenixes. Calatrava is the same person who designed the Sundial Bridge which aligns perfectly with the secret architecture of San Francisco. See this post. Everything is interconnected.
Costs of Calatrava’s Bird Keep on Soaring at Ground Zero
What’s the priciest part of the new World Trade Center? Nope, not 1 WTC, which will be America’s tallest building. The answer is a train station that will be used by New Jersey commuters and Red Bulls soccer fans, at a price tag of $3.4 billion—and climbing! That’s according to the Bergen Record, which obtained a federal report that says the final cost of architect Santiago Calatrava’s WTC transportation hub—the PATH train station and underground connections to the Fulton Street Transit Center and World Financial Center—might be $3.8 billion. –Source
Herbert Muschamp, architecture critic of The New York Times, wrote:
“Santiago Calatrava’s design for the World Trade Center PATH station should satisfy those who believe that buildings planned for ground zero must aspire to a spiritual dimension. Over the years, many people have discerned a metaphysical element in Mr. Calatrava’s work. I hope New Yorkers will detect its presence, too.” –Source
Fellow researcher Chad Stuemke dug up the fact that The Discovery Channel had a special called RISING (Rebuilding Ground Zero), the name obviously suggesting the phoenix. Here are some quotes Chad pulled out of RISING:
- This is Ground Zero’s new gateway.
- Calatrava’s Transportation Hall is an iconic gateway that links subway, street, and sky.
- Beneath the new skyscrapers an iconic gateway is filling the void.
- Project architect Mike Garz said, “I just look forward to a time when that space opens to the heavens and I can see the angels coming to collect the souls.”
OK now this inter-dimensional gateway is really starting to creep me out.
Calatrava’s above ground structure is literally called Oculus, meaning eye. –Source
The Oculus structure measures 330 feet in length and connects 13 PATH trains underground. Calatrava says the design is inspired by the crown on the Statue of Liberty. Architecture critics have compared it to a winged dinosaur. –Source
Oculus is also the name of the art installation in the underground Chambers Street / WTC subway station. See my post on Ellipses for more on this.
Image from Oculus installation courtesy Grant Chamberlin
Calatrava’s Transportation Hub replaces a temporary PATH station that had to be built after the underground system was destroyed on 9/11. The temporary station put two uptown services into operation: Newark–33rd Street (red) and Hoboken–33rd Street (blue).
The underground part of the new PATH hall will look like this:
The RISING special says, “PATH Hall sits directly below Memorial Plaza and consists of a spine with 25 vertebrae connecting 275 extending ribs.”
Fellow researcher Mark Gray points out that Swans have 25 cervical vertebrae. And 275 / 25 = 11
In the name of security, Santiago Calatrava’s bird has grown a beak. Its ribs have doubled in number and its wings have lost their interstices of glass…. The main transit hall, between Church and Greenwich Streets, will almost certainly lose some of its delicate quality, while gaining structural expressiveness. It may now evoke a slender stegosaurus more than it does a bird. –Source
Most researchers now support the view that birds are a group of theropod dinosaurs. The Transportation Hub looks to me like a monumental reptilian eye. Check out the Reptilian Agenda for another deep dark rabbit hole.
The Wedge of Light
Daniel Liebeskind won the competition to be the master plan architect for the reconstruction of the World Trade Center site. Liebeskind’s buildings include the Jewish Museum in Berlin, the Danish Jewish Museum in Copenhagen, the Contemporary Jewish Museum in San Francisco, the Wohl Centre in Israel, and the Imperial War Museum North in the UK.
Liebeskind’s concept for WTC2, called the “wedge of light,” states that no shadows shall be cast on the memorial park on September 11th. Lord Foster designed the top of the building like a wedge with four rhombi at the top.
Speaking of the Pleiades, shadows, and Lords:
Seek him that maketh the seven stars and Orion, and turneth the shadow of death into the morning, and maketh the day dark with night: that calleth for the waters of the sea, and poureth them out upon the face of the earth: The LORD is his name. -Amos 5:8
Rendering copyright Silverstein Properties
The Transportation Hall was also supposedly designed so at the exact time the second tower collapsed, every Sept. 11th at 10:28am, the sun enters the transportation hub illuminating the building with light.
However Eli Attia, an architect who has been a frequent critic of the rebuilding process, published a study showing that 40 percent to 99 percent of the Wedge of Light would be in shadow cast by the Millenium Hilton Hotel during the times when Mr. Libeskind had said it would be free of shadows.
Mr. Libeskind won the enthusiastic support of both Gov. George E. Pataki and Mayor Michael R. Bloomberg with his design, and Mr. Pataki ensured Mr. Libeskind’s selection for the ground zero commission when he overruled a committee of directors of the development corporation, which had recommended the selection of the other finalist, a group of architects known as Think. –Source
This situation reminds me of how I.M. Pei was selected for the Louvre Pyramid design without a competition and then how Mitterand stepped in and selected Johann Otto von Spreckelsen to be the architect of the La Grande Arche even though he wasn’t winning the national design competition for the megaproject. Sometimes competitions are a necessary sham when secret architecture has long been in the pipeline.
“Richard Meier, the eminent architect who participated in the ground zero design competition — and who therefore lost to Mr. Libeskind — disagreed [with the fact that shadows fall on the wedge of light]. ”How could you not take it literally?” he asked. ”He didn’t say that the sun would be reflected off buildings and that illumination would somehow create a wedge of light.’
Terence Riley, the chief curator for the department of architecture and design at the Museum of Modern Art, took a historical view. ”Given the long history of solar orientation in architectural design, I don’t suppose it is unreasonable for people to have assumed that the Wedge of Light would be illuminated by direct sunlight on Sept. 11,” he said. –Source
Light is obviously very important to this mega-ritual in the making. Mark Gray discovered one more timely piece of the puzzle:
On 9-11-11 at sunset, the famous “Tribute in Light” will return to the skies above New York City for the night. The tribute is comprised of “88” 7,000-watt xenon light bulbs, arranged in 48-foot squares inspired by the shape and orientation of the Twin Towers. The illuminated memorial reaches four miles into the sky and is visible from as far as 30 miles away. The two arrays cast the strongest shaft of light ever projected from Earth into the night sky. –Source
Image courtesy D L under the Creative Commons Attribution 2.0 Generic license
The Tribute in Light ought to get the light bearer’s attention, don’t you think?
Grant Chamberlin pointed out in a comment on this post that the 88 light bulbs in the Tribute in Light might be significant. This is another dark rabbit hole, but if we are to be whole and healthy we must have the courage to look into our shadows.
The 8s stand for the eighth letter of the alphabet (H), with ‘HH’ standing for “Heil Hitler”. –Source
The phrase “Heil Hitler” was inspired by a statement, 88 words in length, from Volume 1, Chapter 8 of Adolf Hitler’s Mein Kampf:
What we must fight for is to safeguard the existence and reproduction of our race and our people, the sustenance of our children and the purity of our blood, the freedom and independence of the fatherland, so that our people may mature for the fulfillment of the mission allotted it by the creator of the universe. Every thought and every idea, every doctrine and all knowledge, must serve this purpose. And everything must be examined from this point of view and used or rejected according to its utility.
Eighty-eight is used as code among Neo-Nazis to identify each other. –Source
Another such illuminist monument was called the Cathedral of Light:
Image courtesy Bundesarchiv, Bild 183-1982-1130-502 / CC-BY-SA
The cathedral of light was a main aesthetic feature of the Nuremberg Rallies. It was the brainchild of Albert Speer, who was commissioned by Adolf Hitler to design and organise the Nuremberg Parade Grounds for the annual celebrations. It is still considered amongst Speer’s most important works.
The effect was a brilliant one, both from within the design and on the outside. –Source
The primary aspect of the Nuremberg Rallies was to strengthen the personality cult of Adolf Hitler, portraying Hitler as Germany’s saviour, chosen by providence. The gathered masses listened to the Führer’s speeches, swore loyalty and marched before him. Representing the Volksgemeinschaft as a whole, the rallies served to demonstrate the might of the German people.
The visitors of the rallies by their own free will were subordinate to the discipline and order in which they should be reborn as a new people. –Source
The Cathedral of Christ the Light also resonates with this post:
Image courtesy Skier Dude under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The worship space in Christ the Light is a vesica pisces shape, the shape formed by the intersection of two circles [symbol of the female generative organs]. The walls are composed of overlapping panels of wood and glass rising skyward to form the vault, much like the scales of a fish.
The Catholic Cathedral Corporation of the East Bay instituted a design competition for Christ the Light. Various designs were judged and the corporation announced Santiago Calatrava (architect of the PATH Transportation Hall and Sundial Bridge) as the winner. Calatrava’s design for Christ the Light was chosen before a site was appropriated for the project.
However, by the time a site was chosen, Calatrava’s design fell out of favor and instead replaced by a design of competition runner-up Craig W. Hartman, FAIA of Skidmore, Owings and Merrill (SOM). –Source
SOM designed WTC1 (the Freedom Tower) and the new WTC7.
Consider these provocative coincidences:
Joseph Ratzinger joined the Hitler Youth in 1941 when, according to him and his supporters, it became compulsory for all German boys. Millions of Germans were in a position similar to that of Joseph Ratzinger and his family, so why spend so much time focusing on him? Because he is no longer merely Joseph Ratzinger, or even a Catholic Cardinal — he is now Pope Benedict XVI. None of the other Germans who joined the Hitler Youth, were part of the military in Nazi Germany, lived near a concentration camp, and watched Jews being rounded up for death camps has ever become pope. –Source
Pope Benedict prayed for “eternal light and peace” at ground zero on a black square pool on the 111th day of the year (2008 was a leap year).
On September 11th there are 111 days remaining until the end of the year. The original Twin Towers had 111 floors if you count the roof. See my post on 110-111.
Mark Gray posted this on Facebook:
See my post on the Freedom Tower for more on the black cube and its encoding in the 9/11 Memorial.
Image from Star Trek The Next Generation
Resistance is anything but futile. Remember the Borg and the overt Nazis were defeated.
William Henry’s research goes into some fascinating areas I haven’t touched on and I’m excited to be interviewed by him tomorrow. I’ll post the link on my Interviews page when it’s online. Here is William’s fascinating take on the mysteries of 9/11/11.
On the flipside Mark Gray has made some great discoveries relating to the positive side of 88.
Mark Gray and William Henry wrote the book Freedom’s Gate together about the lost symbols in the US Capitol. I highly recommend it.
Image courtesy Mark Gray
The distance from the center of the Alexander Hamilton U.S. Customs House (built over the location of the original Fort Amsterdam) to the center of the Freedom Tower is exactly 1000 meters.
The distance from the corner of Reflecting Absence (former WTC North Tower) to the center of the Customs House is 888 meters.
The elliptical glass (see Ellipses) in the rotunda has 88 rays.
Image courtesy Mark Gray
Mark makes the following brilliant comparison, calling the Customs House Manhattan Gate:
Let’s also not forget the Wedge of Light itself (WTC2) has 88 floors and WTC1, WTC4, and WTC7 have numerical resonances with the keyboard.
Are we being played?
In addition there are 88 constellations in the sky:
Image courtesy Mark Gray
Eighty-eight (88) symbolizes fortune and good luck since the word 8 sounds similar to the word Fā (发, which implies 发财, or wealth, in Mandarin). The number 8 is considered to be the luckiest number of all in Chinese culture and prices in Chinese supermarkets can often be found containing many 8’s The Chinese government has even been auctioning auto license plates containing many 8s for tens of thousands of dollars. The 2008 Beijing Olympics opened on 8/8/08 at 8 p.m.. –Source
Thank you Mark for the reminder that in duality every symbol has an opposite. Every coin has two sides. The wise look at both of them.
This just in…
Jan Thulstrup uncovered an amazing connection in Psalm 119 which is the longest chapter in the Bible.
119 is the mirror reflection of 911.
Psalm 119 has 176 verses. 176 = 88 + 88. 176 is an octagonal number.
Psalm 119 is divided into twenty-two stanzas, one stanza for each letter of the Hebrew alphabet. Each stanza begins with the corresponding letter of the Hebrew alphabet.
Each stanza has 8 verses, composed as octaves (from the Latin octo meaning “eight”) in music.
Here a Jew reads Psalm 119 at the Wailing Wall in Jerusalem:
Image courtesy Brian Jeffery Beggerly under the Creative Commons Attribution 2.0 Generic license.
©2012 SIPS Productions Inc. – All Rights Reserved.
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And here we are 101 years later and I feel we are again knocking on the door attempting to cross over that line.
AS ABOVE SO BELOW
 With triangular arms that do not fill the square (sometimes not called pattée but a variant of the Maltese cross; see also variation of the St George’s cross)
 
With the ends of the arms convex and curved; sometimes called “Alisee”.
(French croix pattée alésée arrondie)
“IN HOC SIGNO VINCES”
“IN THIS SIGN CONQUER”
A cross and crown laid upon a cross pattée inscribed with “In Hoc Signo Vinces” resting upon downward pointing swords in saltire is often used to represent the Knights Templar.
(The various symbols used allude to the orders of the body, though the cross and crown is often used alone as well.)
The earliest documented link between Freemasonry and the Crusades is the 1737 oration of the Chevalier Ramsay.
This claimed that European Freemasonry came about from an interaction between crusader masons and the Knights Hospitaller.
So is the 137 in the year 1737 a coincidence or do we have more evidence of a ‘numerical’ narrative that seems to keep pace with the bIbLE narrative comprised of letters and words resulting in a state of IsraEL being formed?
Sator Square ~ Parish Church of San Giovanni (St. John) Campiglia Marittima, province of Livorno.
+MCSIII GRAtia Dei HOC OPus ComPOSUIT PE (CATOR MATHEUS) O FRatreS DEuM ORATE UT EI DIMITTAT ComMISSA PECCATA.
Abbreviations normally used at the time conventionaly replaced some letters with circumflex accents: we have substituted small letters for those missing. The words Cator Matheus, put in parenthesis, are carved on a stone on the other side of the architrave but are a part of the same inscription.
The translation of the words is as follows:
“The sinner Matthew achieved this work through the Grace of God: O Brothers, pray God, so that He will forgive the sins committed.”
The date, at the beginning of the inscription, has been interpreted in different ways, according to how the letter “S” is deciphered.
The theory supported by Prof. P. Bacci in 1910 upheld that it stood for the number 6, making the date of construction 1109. More recent studies, which consider the “S” an abbreviation of seventy, argue that the date is 1173.
I would argue based on the fact the Knights Templar were arrested in 1307, that 1173 is the ‘idea’ being passed forward not 1109.
Though 1109 hinting at a 911 could be a possibility too.
Dr. George Merkl (1920-2004), Ph.D, PhD, was a Nuclear Physicist and Molecular Biologist.
Dr. Merkl is listed in “Who’s Who Among Pioneers in Science Today” and holds several awards in Physics and Biology. His final and most momentus discovery involved “particle biochemistry” and the Secret of Life.
He is the author of “Inner Space (Unified Theory)”, and has discovered new treatments which can cure HIV-AIDS, cancer, and many other degenerative diseases naturally.
Life Crystals, made of adenosine triphosphate (ATP) and guanosine tri-phosphate (GTP) and their precursors, are optically active and are capable of polarizing, absorbing and storing light.
One result of being able to provide concentrated, specially charged and readily available ATP and GTP, is that it is possible to ensure the optimum energy levels necessary for cellular and genetic repair, growth and function.
The Chondriana are human in origin.
They are our precursors.
They are micro-organisms which have been synthesized from human DNA. The Chondriana existed three and a half billion years ago. We had life forms back then that were capable of reproducing or mass producing all our organs. There is a micro-organism which has been found fossilized in western Australia dated three and a half billion years old. It is identical to the Chondriana. The Chondriana (ancient female micro-organisms) give birth to the Chondrions (ancient male micro organisms). Every organelle in our cells was at one time produced by similar female Chondriana.
In other words, we had life forms, back three and a half billion years ago that were capable of reproducing all our organs. We had factories in our cells, which we do not have today, which produced the organelles inside our cells. In so many ways we have de-evolved.
With this discovery we can correct the atrophy that has taken hold of us at a deep cellular level and activate dormant DNA codes to regenerate ourselves.
 (I just happen to be the 137th viewer!)
PART 1
more info found here:
In part 1 introduction George tells us he came to the west from the east in the year I was born, 1957.
(I do not believe in coincidences so my attention ‘span’ has been heightened and lengthened … btw)
George and ME both arrived alive in the year of IGY – 1957, the most intense solar flare/sunspot activity we have on record….was in 1957-58 
As mentioned I also happened to be the 137th viewer of this video.
Coincidence or evidence that I should watch this video?
@6:35 George says a few things.
He mentions phrases like FREE ENERGY, the ENERGY of CREATION, and the BREATH of GOD followed immediately by the words 918 pairs of ‘scrolls’ of this FREE ENERGY …
well that was enough for me 
for now
918 pairs of SCROLLS?
holy moly torah batman 
I have a problem ya see, I look at clues from all angLEs using my angEL POV. 
I read from right to left and  from left to right.
So how do we connect 918 to 819?
Will it allow us to merge east with west?
13 x 7 x 9 = 819
Note this formula was used by the Mayans to help tell TIME and by FREEMASONS like George Washington when to lay a cornerstone for the temple you plan on building…. what a Capital IDEA!
George M. gives us insights to George W. 
But as a searcher of the TRUTH, I knew that IF my work was TRUE BLUE it must connect with other inspired TRUTH seekers.
In this video lecture by George Merkl he suggests that Sumerian technology is poised to making a 21st century comeback….this next image is taken from GM’s Sumerian lecture.
In this image do you see:
1/ the hexagon/star of david?
2/ the maltese/templar cross?
3/ the left facing swastika inside the maltese cross?
 
What is the connection between the Maltese Cross, the Swastika, and THEY who are in the know?
 Why is the swastika used as a SEAL for the Buddha’s HEART?
Can we ignore this vital clue? 
For how much longer?
KNIGHTS TEMPLAR CROSS
 
George Merkl Sumerian Technology meshes with KNIGHTS TEMPLAR SATOR A-E-O-N CROSS
And that is fantastic because we now have another confirmation.
It helps to explain why we can associate the Knight’s Templar Rotas/Sator Magic Square to Roger Penrose/Ed Witten Twistor String Theory!
 
IN THIS SIGN CONQUER
MORE more more of the same;
selah V
to be continued
The mathematical ratio of the height of the vesica piscis to the width across its center is the square root of 3, or 1.7320508… (since if straight lines are drawn connecting the centers of the two circles with each other and with the two points where the circles intersect, two equilateral triangles join along an edge). The ratios 265:153 = 1.7320261… and 1351:780 = 1.7320513… are two of a series ofapproximations to this value, each with the property that no better approximation can be obtained with smaller whole numbers. Archimedes of Syracuse, in his On the Measurement of the Circle, uses these ratios as upper and lower bounds:
In Buddhism, the swastika signifies auspiciousness and good fortune as well as the Buddha’s footprints and the Buddha’s heart. The swastika is said to contain the whole mind of the Buddha and can often be found imprinted on the chest, feet or palms of Buddha images.
It is also the first of the 65 auspicious symbols on the footprint of the Buddha.
6 5
The swastika has also often been used to mark the beginning of Buddhist texts. In China and Japan, the Buddhist swastika was seen as a symbol of plurality, eternity, abundance, prosperity and long life.
The swastika is used as an auspicious mark on Buddhist temples and is especially common in Korea. It can often be seen on the decorative borders around paintings, altar cloths and banners. In Tibetan Buddhism, it is also used as a clothing decoration.
The most striking change Dalí makes from nearly every other crucifixion painting concerns the cross. Instead of painting Christ on a wooden cross, Dalí depicts him upon the net of a hypercube, also known as a tesseract. The unfolding of a tesseract into eight cubes is analogous to unfolding the sides of a cube into six squares. The use of a hypercube for the cross has been interpreted as a geometric symbol for the transcendental nature of God
Just as God exists in a space that is incomprehensible to humans, the hypercube exists in four spatial dimensions, which is equally inaccessible to the mind.
The net of the hypercube is a three-dimensional representation of it, similar to how Christ is a human form of God that is more relatable to people. The word “corpus” in the title can refer both to the body of Christ and to geometric figures, reinforcing the link Dalí makes between religion and mathematics and science.
Christ’s levitation above the Earth could symbolize His rise above Earthly desire and suffering. The motif of the cube is present elsewhere: Gala is standing on one and the chessboard is made up of squares.
However what I found interesting was this description that accompanies the image, specifically the part about the knees.
In viewing the original one is immediately struck by the simplicity of the landscape, background, and Christ’s body contrasted with the classic realism of Gala/Madonna and the relatively grotesque detail amplification of Christ’s knees and hands. In the original painting you can see at least 5 images of Gala in Christ’s right knee and 5 images of Salvador in Christ’s left knee. It would be interesting to view this under ultraviolet and infrared light to explore what else Dali may have hidden in this painting.
Oddly the only other art I’ve seen to take direct inspiration of ‘hidden images in knees’ is male erotic Tom of Finland ‘biker boy’ 1982 where a lower woman’s torso is hidden in right knee; a man’s upper torso and phalic image are hidden in the left.
Well I do want to offer another ‘hidden image’.
Here is a image dated from the same era as the SHROUD of TURIN.
I have cropped out a portion of the Girona Tapestry circa 11th-12th century.
It shows Adam ‘naming’ the animals in Eden. Take a look at Adam’s knees!
Swastikas on both.To the right of Adam are the stag and unicorn both associated with Jesus Christ. To the left we see a serpent and a strange creature that has bat wings for ears.
https://at37.wordpress.com/category/55-64-dna/
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Basic Alchemy symbols; notice that FIRE is a TRIANGLE, i.e. “TRINITY”. As the Triangle is well known to symbolize the Female Vulva, the notion of “VAGINA ON FIRE” is the over encompassing pun, expressing alchemically the “REBIRTH BY FIRE” |
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LHC Large Hadron Collider project in Geneve (“New Genesis”) as the “Snowpiercer” film’s Sacred Engine |
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CESAREA DE FILIPO (CLAVE CESAR / SATURNO / CRONO EN EL CONTEXTO A LA TRANSFIGURACION)
SHABBAT = CESAR DEL TRABAJO
BODAS DE CANA= SEPTIMO / OCTAVO DIA
CESAR = CLAVE SABATICA
1. Génesis 8:22: Mientras la tierra permanezca, no CESARán la sementera y la siega, el frío y el calor, el verano y el invierno, y el día y la noche.
2. Éxodo 5:4: Entonces el rey de Egipto les dijo: Moisés y Aarón, ¿por qué hacéis CESAR al pueblo de su trabajo? Volved a vuestras tareas.
3. Éxodo 5:5: Dijo también Faraón: He aquí el pueblo de la tierra es ahora mucho, y vosotros les hacéis CESAR de sus tareas.
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eideteker Wrote: (12-21-2013 08:04 AM)
The higher self Wrote: (12-21-2013 05:42 AM)
511 and zero axis point is a cube of 8x8x8 minus one so it can rotate and move.
37 inside 36 outside form one star there are 7 of them aka 7x73=511 that is used for controlling a digital multiplex universe for intelligent lighting that runs on binary 512 channels each one of those channels has hex it is computer language.
I am stars but started a new account been at lop pretty much from the start, there are 0-255 steps of code per bit that information can be stored in. There are 5 Platonic solids so 255/5=51 aka Area 51, when multiplied to the full universe you get 26061. The code is a 9 bit binary address with 111111111 being 511 and the zero axis point 000000000 allows for bridging like a one a zero or a minus one aka 3, the code ended at 61 from the platonic cycle so it subtracted one so you increase two places for zero and plus one leaving 63 after 26063, 63 in binary is 111111 add the zero aka 000000 so you get six positions five Platonic solids with lines (cubing) in a sphere and a blank space for the seed of life/genesis pattern with the 512 cube forming the fruit of life pattern with a height of 15 (8 being center) but that one does not count because it is nothing, yet nothing can be everything when it is all you have to work with,
The second post is a design I am working on for the tenth dimension with the center being where the action unfolds, it is very precise and represents the 74 and the 704 bridging together as 11
Thank you for the concise and informative answer!
Hi Stars, long time no see. Didn't realise that was you.
If I may add to this my own interpretations, slightly from a different perspective, but explaining the same principles...maybe it could help others understand better what you are referring to, when applying these sacred geometrical "templates". Some ppl may not resonate with the specific interpretation from a pure mathematical perspective, so I would like to add some down to earth, mondaine meaning to the numbers. So in a way, take this as an addition to your own explanations, a way to "widen" the spectrum a bit so that more ppl can possibly receive the meaning of the "transmission".
Quote:511 and zero axis point is a cube of 8x8x8 minus one so it can rotate and move.
The 8x8x8 cube = 512
The minus "one" imo is a slightly lacking explanation, and could be interpreted wrongly as if that "one" is taken out of the equasion...that "1" is not subtracted or anything and is still there as an intricate part of that cube, in fact the MOST intricate part of it, so just saying it isn't really "minus" 1, rather that "1" is there as a central point of "convergence"....which is nothing but the singularity at the very center of that cube.
That center point is the omnipresent singularity around which the entire cube can "rotate" and move, and is where the "seed" of life is initially planted !
Quote:37 inside 36 outside form one star
To elaborate on that:The 37 inside forms the hexagon. The hexagon, from your numerical data, actually = 36 + 1 -> again the singularity at the center, around which the hexagon of (6 x 6) rotates. ![[Image: 6w1NRgF.png]](http://i.imgur.com/6w1NRgF.png) It is actually 6 triangles of 6 intersecting points each, all pointed inward towards the center point of convergence...from this particular representation with the dots the 6 intersections aren't really apparent, but according to the templates given by sacred geometry, those dots actually are compressed and intersect each other (flower of life pattern!), and you need to actually follow the "intersections" between the dots, and then we would have visually represented this 6x6+1=36+1 division correctly... But to stay true to OP's work, and keep this tidy within his thread, I'll respect his images and stay true to them none the less, for they are still a very good visual representation of what is there. If you notice, the hexagon from a "3D" perspective, is a cube.And also, from the flat 2D perspective, if you count the number of points on each horizontal line, you notice that they are layered like this : ![[Image: u8RjT5I.png]](http://i.imgur.com/u8RjT5I.png) 456 7654 ...And "God" does love the number "7"... http://answers.yahoo.com/question/index?...815AAJX5bYhttp://www.fillthevoid.org/Apologetics/n...ggard.htmlSo you have 6 times 6 (intersecting) points = 36 points with ONE single point at the center where all those 6 triangles CONVERGE. That is the extra point at the center, representing the "singularity" or "zero-point"-convergence. Then added the 36 outside forms the STAR-tetrahedron. It is the hexagon (37) + another 36 = 73 = 72 + 1 (same omnipresent singularity still). ![[Image: lJ0DONJ.png]](http://i.imgur.com/lJ0DONJ.png) It is in other words the hexagon + 6 more triangles which now are pointed outward, away from the center, instead of inward towards the center. Mind that the hexagon on the inside of the star-tetrahedron is of "female" polarity, and the outer shell (the 6 spikes around it) are of "male" polarity. Noticing these polarities around the singularity has been my personal mission, and establishing them from various phylosophical, geometrical and mathematical perspectives has been one of my personal goals to "see" for myself. So it is worth pointing out these same polarities here, hence they would not be overlooked for they are an integral part of all of this. Thus the star-tetrahedron, according to your numbers, equals : 36 + 36 + 1 = 72 + 1 = 73 73 = (6+6) x 6 -> 6 6 and 6Both polarities fit perfectly one within the other, with the same point of convergence...converging at the center : ![[Image: eUv6WVx.png]](http://i.imgur.com/eUv6WVx.png) ![[Image: jDuy5qa.png]](http://i.imgur.com/jDuy5qa.png) The star-tetrahedron is the same as 8 tetrahedrons combined and polarized one opposed to the other, and the hexagon (female) part within is actually perfectly "fills" the empty spaces between those 8 tetrahedrons. Nassim Haramein explains these mechanics very well.
But as will become clear now, those numbers you present don't match when going up the scale...the pattern goes in steps of 8; and after each 8th step, one level of complexity is added to the fractal (meaning the pattern repeats one level higher), so then the 72+1 can no longer "apply" and the equasion is off. As shown next, the actual progression when depicted "mathematically" is not following the value of 72...
Quote:there are 7 of them aka 7x73=511 that is used for controlling a digital multiplex universe for intelligent lighting that runs on binary 512 channels each one of those channels has hex it is computer language.
Really hate to say it, cause you are so close, but this is a misinterpretation. However fascinating the information, it has to stay true where it can, so I simply have to correct here: there are 8 of them, not 7. You are comparing these mechanics with computer language, and while the computer language does correlate and reflect (in low resolution) the actual organic mechanics to some recognizable extent, they aren't quite on "par", and these programming languages only reflect these principles to a certain degree. You could say they "mimic" the way life is truly built, but far from perfect and in a very artificial manner. ![[Image: 83cr8OX.png]](http://i.imgur.com/83cr8OX.png) Just like in the 8 tetrahedrons forming the star-tetrahedron, it is the 2D depiction of a 3D structure, and there is one star-tetrahedron in front and one in the back (which from this flat 2D perspective coincide in the center). This formation of star-tetrahedrons is basically the SAME pattern being repeated one level up, holo-fractally speaking. After the 8th step, it would go up another level... 8 x 72 = 576, then add the single point of convergence = 577 So this don't add up to the 512 we are supposed to have according to these 8 stepped increments...and there are most def. 8 steps to each cyclic pattern, so that is what needs to be honored as such. The correlation is still there, but you have to think "repeating" holo-fractal patterns, so the actual "numbers" to reflect this progression would be somewhat different, especially when considering the point of convergence, the singularity, being the same throughout each step : When truly considering the singularity within each of those steps, there really is only one way of fractally representing them with numbers... I'm representing the "singularity" as the 0-point within each and every step of the structure here, as is supposed to...notice the 7 again btw. Quote:Mind this is actually one single structure, building itself fractally from scratch into infinity, which is how the platinoc solids should be looked upon aswel...we see different "structures" with our eyes, but they are in fact the same structure seen in different levels of complexity and manifestation, nothing more. The fact that our eyes and scientific "approaches" seperate them into differently manifested things don't make it necessarily so...
0 = 0 -> singularity before the very first manifestation
1 = 0 + 1
2 = 1 + 1
3 = 2 + 1
4 = 3 + 1
5 = 4 + 1
6 = 5 + 1
7 = 6 + 1
8 = 7 + 1
At this point, after 8 steps, a tetrahedron is formed. This pattern now repeats again, but on one higher level of the fractal :
8 = (7+1)
16 = (7+1) + (7+1)
24 = (7+1) + (7+1) + (7+1)
32 = (7+1) + (7+1) + (7+1) + (7+1)
40 = (7+1) + (7+1) + (7+1) + (7+1) + (7+1)
48 = (7+1) + (7+1) + (7+1) + (7+1) + (7+1) + (7+1)
56 = (7+1) + (7+1) + (7+1) + (7+1) + (7+1) + (7+1) + (7+1)
64 = (7+1) + (7+1) + (7+1) + (7+1) + (7+1) + (7+1) + (7+1) + (7+1)
At this point, the star-tetrahedron has been fully formed after 8 more steps, each time duplicating the pattern (tetrahedron) that had been completed in the previous cycle, untill 8 tetrahedrae are combined.
After this, the fractal adds another level of complexity, repeating itself once more on a larger scale :
64 = 63 + 1
128 = (63+1) + (63+1)
192 = (63+1) + (63+1) + (63+1)
256 = (63+1) + (63+1) + (63+1) + (63+1)
320 = (63+1) + (63+1) + (63+1) + (63+1) + (63+1)
384 = (63+1) + (63+1) + (63+1) + (63+1) + (63+1) + (63+1)
448 = (63+1) + (63+1) + (63+1) + (63+1) + (63+1) + (63+1) + (63+1)
512 = (63+1) + (63+1) + (63+1) + (63+1) + (63+1) + (63+1) + (63+1) + (63+1)
Right here that "512" structure of 8 combined star-tetrahedae is formed after another 8 steps, again each step duplicating the star-tetrahedron that was completed in the previous cycle...
Notice that within EVERY step, so within every geometrical manifestation of that structure, the singularity is EVERpresent at the center of each one of those, but STILL it represents only ONE SINGLE point that converges all of those geometrical manifestations onto one single point in space and time.
So for instance:
The tetrahedron, here represented as "8"
= 7 + the center singularity = 7+1
The star-tetrahedron, here represented as "64"
= 63 + the center singularity = 63+1
512 (the 8 star-tetrahedae) = 511 + the center singularity = 511+1
No matter which step you compare, they all have the same SINGLE point in space and time where they converge and coincide...
Like in binary code, the pattern actually repeats every 8th step...each completed patterns contains multiples (or fractions) of the value "64", which is the 63 + the point of convergence at the center...
You have a pattern which builds untill value 63, and at 64, the same patterns repeats/re-itterates but one level "up"...the 8th step, at value (multiple) 64, is going back into that center point where last becomes first again (the convergence).
From you numbers, you can still define the progression correctly, but the geometrical patterns wouldn't actually correlate with the calculations when considering that their centers all coincide...
So from those conclusions :
64 = (8 x 8) +1 -1
512 = (8 x 8 x 8) +1 -1
Next level up would be :
4096 = (8 x 8 x 8 x 8) +1 -1
Note:
Quote:Notice what I did there with the "1"...as much as this singularity is everpresent and omnipresent, from the mathematical perspective it can also be considered "non" existing when labeling it with a certain "value" !
This way of mathematically depicting that singularity is exactly the same as the above method.
Very important to actually visually "see" what that singularity is, so I had to show that...
Another word about "binary"...considering the "levels" of iteration, the level at value "63" is actually NOT the 6th level or "step" as OP mentions, but the 7th...
The 1st level is actually "0"...the singularity...which is "mathematically" non-existing ! The place where it all "starts" out from...
When value "1" is reached, you are actually allready going up one step, so the value "1" binary, is allready the 2nd level !
Also, these all represent the "completion" of those levels as they cross the point of convergence each time, as opposed to the above mentioned "steps" where those are each time the start of those levels...
completion of 1st level = 0 or "nothing" if you will...blank space. Singularity.
completion of 2nd level = 1
completion of 3rd level = 11 (=3)
completion of 4th level = 111 (=7)
completion of 5th level = 1111 (=15)
completion of 6th level = 11111 (=31)
completion of 7th level = 111111 (=63)
After this point, the 8th level manifests, which coincides with the above mentioned "64" value (63+1)...where the value crosses the point of convergence or singularity
Note:
Quote:Notice aswel the actual "values" at each level completion :
1
3
7
15
31
63
All are being represented without the singularity added to them seperately !
In reality those values, when having their "center" added to them are :
2 (=1+1)
4 (=3+1)
8 (=7+1)
16 (=15+1)
32 (=31+1)
64 (=63+1)
I cannot but personally and generally disagree though with the general interpretation from OP that the universe is a digital multiplex and life is but the reflection of what we find in binary code and other "artificial" intellegence we have created for ourselves.
It gives the wrong impression that life itself is artificial, which imo simply isn't the case. It is very much organic and natural, although illusionary from the holo-fractal perspective.
Because life is not the reflection of something artificial, but the other way around...
Binary code, aswel as digital imaging, computer language, and other artificialities...are reflections of the actual organic mechanics of life, which imo, go even beyond the math and the geometry, into meta-physical levels our mind cannot even perceive at all...
Still, the math and geometry are just about the best fit we have to describe it all from a mentally "constricted" perspective, and so it serves us well in defining a general "outlining" of the progressions that life seems to follow.
Sacred geometry thus is only an artificial template that we can place on top of this "reality" to show us the progressions from a geometrically "outlined" perspective, and by design still only shows an "artificial" and incomplete representation of what is really there. In other words it is an artificial "description" of the true physical and metaphysical mechanics surrounding us. It is a template which works VERY well, make no mistake, but it is still only a "template", and should be treated as such.
The correlations found in binary and hex codes are truly there, but it is because everything that is created artificially ALWAYS mirrors life on some level and to some extent...but not the other way around.
This universe is only one of many, and the specific "expression" of this universe is "light". In order for light to be maintained infinitely within a constriced "boundary" (the boundary being space-time), it needs to be holo-fractal
(holo-fractal meaning light needs a divergence from a single point of convergence to go and divide within itself), and all the math and geometry we derive from the universe is ultimately derived from that holo-fractal nature.
Quote:there are 0-255 steps of code per bit that information can be stored in. There are 5 Platonic solids so 255/5=51 aka Area 51, when multiplied to the full universe you get 26061. The code is a 9 bit binary address with 111111111 being 511 and the zero axis point 000000000 allows for bridging like a one a zero or a minus one aka 3, the code ended at 61 from the platonic cycle so it subtracted one so you increase two places for zero and plus one leaving 63 after 26063, 63 in binary is 111111 add the zero aka 000000 so you get six positions five Platonic solids with lines (cubing) in a sphere and a blank space for the seed of life/genesis pattern with the 512 cube forming the fruit of life pattern with a height of 15 (8 being center) but that one does not count because it is nothing, yet nothing can be everything when it is all you have to work with,
Unless some additional visual aids are presented, this is actually very hard to interpret in all those correlations...
But as I see this, in general, you are comparing the way light diffracts from within the structures. Don't know to what extent you are realising you are actually discussing the way light expands and divides through these geometrical shapes...the platonic solids are but the "expression" of light through geometrically defined patterns...
But you are comparing the way light diffracts to a VERY low resolution image here...about 8bits per channel if we have to get technical...
(256 = 255+1 levels/channel), which is far away from the actual representation of real true lighting :
 So allthough fitting very snug, it cannot be the actual representation of how the light manifests in all those different geometrical "shapes"...again, it is a very artificial way of "templating" the true mechanics. Works well, but you could say there is much more "resolution" in the image than we are revealing through these geometrical and mathematical templates. A more close representation would be the 32bit "floating point" position, which is about as "infinite" as light can get ! Infinite levels of "diffraction". And the name they gave it btw, "floating point", is also very interesting is it not, considering the "omnipresent" nature of the singularity, which enables the manifestations or "diffractions" of light to rotate and move around throughout the geometrical shapes ??? The point where all those "diffractions" converge ? That "floating" point litterally opens the "door" to these "infinite" levels of diffraction...and it is right there in the science, as Higher Self is trying to also show, and is actually based upon the singularity-principle and what I'm trying to tell you about this "singularity", which is found at the center of litterally everything scattered in the universe on every level, but still is litterally only one single point, from which the entire universe has diverged, and where all of space-time can be converged back into one.
“In the secret of the Sun Sirius are hidden the facts of our cosmic evolution, and incidentally, therefore, of our solar system. The Sirius System is always beaming helpful rays to the poor people of Earth who wallow in appalling ignorance, violence, and oppression.”
~Alice Bailey~
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 Paolo Uccello antes del descubrimiento de America ya nos indicaba la forma de Toro
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 Arte
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Torta del Rey o roscon de Reyes
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 El templo de Salomon o Sol-o-mon que esta inspirado en esto-
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 La molecula de azufre octogonal utilizada en alquimia y las tantas Iglesias Romanicas y Templarias que hemos visto.
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 Como se arreglan las moleculas de S8 rombico ? 
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 Jardines del Taj Mahal
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 Aljibe octogonal en el Taj Mahal- agua - Acuario  Tumba Taj Majal En fin los indicios estan alli para el que los busque, solo restaba atar los cabos. Por ejemplo con la granada del Cristo de Da Vinci, vamos a buscar la forma de la granada y resulta que sus semillas forman un rombododecaedro, se llama granada por analogia del cristal de granate que tambien tiene esa forma, continuando con las analogias tenemos la granada explosiva por que es en esta forma que la galaxia explota. Buscando formas del hipercubo encontramos el rombododecaedro, por lo cual tenemos el indicio de que esta forma es especial. Descomponemos esta figura en dos cubos, y asignamos las coordenadas binarias y tenemos el diagrama, vemos que el 6 y el 9 que son espirales geometricos coinciden en un punto medio lo cual indica un claro choque o rebote ya que hay contacto. Nos falta entonces interpretar el eje w sobre el cual se mueven los cubos, que es el espiral que se come la cola, me llevo unos meses descifrarlo, pero el codigo esta por todos lados como hemos visto. Superponemos la figura al Zodiaco y tenemos un mapeo, ademas en base a su construccion podemos descifrar el siginificado de la gran Piramide, el obelisco, que surgen de los ciclos pentagonales y heptagonales. Atando cabos, vamos armando el puzzle, sin mas misterios. The Six Cornered SnowflakeEn el copo de nieve de seis ángulos Ensayo de Kepler, "En el copo de nieve de seis ángulos", es considerado como el primer trabajo que analiza y describe la estructura de los cristales.
Última edición por IndigoMerovingio; 14-abr-2012 a las 04:31
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| Tanto el Tabernáculo y el Templo consistían de tres partes: |
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El Atrio |
El Lugar Santo |
El Lugar Santísimo |
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Con relación al Tabernáculo
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El Lugar Santísimo era un cubo (10 pies x 10 pies x 10 pies) |
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Con relación al Templo:
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El Lugar Santísimo era un cubo (20 pies x 20 pies x 20 pies) |
El tabernáculo propiamente dicho era una tienda cuadrangular, de 30 codos* de
largo, 10 de ancho y 10 de alto. Las dimensiones del conjunto de la estructura
no figuran con exactitud en los registros del Exodo, pero se las puede calcular
sobre la base de los detalles que se dan de las cortinas y las tablas que se
usaron en las paredes del tabernáculo, y de las medidas proporcionales, pero
mayores, del templo de Salomón (1 R. 6:2). La tienda estaba dividida en 2
compartimentos: el 1º conocido como "lugar santo" (Ex. 28:29), y el 2º como
"lugar santísimo", literalmente "el Santo de los Santos" (26:33, BJ). Este
constituía un cubo de 10 codos por lado, mientras el lugar santo era de 10
codos por 20. El tabernáculo estaba rodeado por un atrio o patio de 50 codos
de ancho por 100 de largo, limitado por cortinas de lino de 5 codos de alto
(27:18). Esta pared de cortinas estaba suspendida por 60 columnas, quizá de
maderas de acacia* (por ser esta la madera usada para los muebles y otras
columnas; cf 26:37) revestidas de plata y sostenidas por pedestales de bronce.
En la parte central del extremo oriental del patio se hallaba la entrada, que
estaba constituida por una cortina especial de 20 codos de largo (27:9-17). En
la mitad oriental del patio, cerca de la entrada, estaba el altar de los
holocaustos (vs 1-8) y el lavacro o lavatorio (30:17-21).
Leer más: Diccionario Biblico Cristiano Online y Gratis en Español - Significado o definicion de Tabernaculo
EL LUGAR SANTISIMO DEL TEMPLO DE SALOMON Y DEL TABERNACULO DE MOISES TENIA FORMA DE CUBO Y ESTABA ORIENTADO DE ESTE A OESTE. CONCRETAMENTE DICHO COMPARTIMENTO ESTABA HACIA ADONDE SALE LA LUNA CRECIENTE. ESTO EXPLICA SU FUERTE NEXO CIENTIFICO CON DICHA LUNA, INTERRELACIONADA CON EL NACIMIENTO DE UN NIÑO. LA LUNA CRECIENTE TIENE LA CUALIDAD DE QUE SALE Y SE PONE A LA PUESTA DEL SOL SIEMPRE EN EL OESTE. CONCRETAMENTE EL MENSAJE ESPIRITUAL DEL LUGAR SANTISIMO DEL TABERNACULO DE MOISES Y DEL TEMPLO DE SALOMON TIENE UN FUERTE NEXO, INSISTO CON EL NACIMIENTO DE UN NIÑO, Y MAXIME QUE EN EL CONTEXTO A LOS MESES DEL AÑO EL OESTE NOS CAE EN SEPTIEMBRE U OCTUBRE, OSEA EN LA FIESTA DE LOS TABERNACULOS. TABERNA/VINO/GRIAL
Si usted mira objetivamente el cubo vera que esta relacionado con el NUMERO 6 (6 SUPERFICIES), 12 (LINEAS PERIMETRALES/12 MESES LUNARES), NUMERO 8 (PUNTOS PERIMETRALES/RESURRECCION) E INCLUSO CON EL NUMERO 28 CONSIDERANDO LAS LINEAS DIAGONALES INCLUIDAS LAS INTERIORES. CONCRETAMENTE EL CUBO ESTA DISEÑADO EN FUNCION EL MES LUNAR CON LOS SABADOS LUNARES.
INCLUSO TAMBIEN LE VEMOS AL CUBO UN NEXO ZODIACAL Y GALACTICO EN EL CONTEXTO A LOS EXTREMOS DEL ZODIACO SEGUN APOCALIPSIS 4:7
HIPERCUBO
SI CONTAMOS LA CANTIDAD DE PARTES DEL CUBO MAGICO TENEMOS EL ASOMBROSO NUMERO 26 RELACIONADO CON LA GEMATRIA EN EL HEBREO DE YHWH E INCLUSO EN EL INGLES DE GOD/DIOS.
| god in Simple Gematria Equals: 26 |
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15 |
d
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APOCALIPSIS 21
15. El que hablaba conmigo tenía una caña de medir, de oro, para medir la ciudad, sus puertas y su muro.
16. La ciudad se halla establecida en cuadro, y su longitud es igual a su anchura; y él midió la ciudad con la caña, doce mil estadios; la longitud, la altura y la anchura de ella son iguales.
17. Y midió su muro, ciento cuarenta y cuatro codos, de medida de hombre, la cual es de ángel.
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 joselorlop.blogspot.comOcho entre infinito es cero291 × 210 - 4k - png |
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 dream-prophecy.blogspo...But, as stated before, ∞ = 0. 200 × 241 - 9k - png
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Área del círculo:
Observando que puede pensárselo como un polígono regular de infinitos lados.
En el apartado área de polígonos regulares llegamos a la fórmula:
Llegar a esta expresión tuvo su fundamento en lo que ahora vamos a "deducir", de lo contrario no habría habido razón para llegar a ella (hubiese bastado con sumar las áreas de cada triángulo).
Recomendamos no saltear etapas en este apartado pues está narrado secuencialmente.
CONTINUAR CON ÁREA DEL CÍRCULO (2)
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La enigmática Cámara del Rey en la Gran Pirámide de Giza.
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NOTA:
Le recomendamos que lea este Blog en el orden de publicación, es decir desde el primer Post (Julio 16 de 2013) hasta este último post, publicado hoy Diciembre 13 de 2013 (mueva el scroll hasta abajo e ingrese a "Entradas Antiguas". También se puede guiar por el menú de la derecha, donde aparecen los post publicados). Esto facilitará la comprensión integral del Blog. Gracias.
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La cámara del rey se suma a los misterios de la Gran Pirámide y enfatiza la importancia que le daban los antiguos constructores a las constantes matemáticas y geométricas de PI y PHI. Construida enteramente con granito de Asuán, sus dimensiones son: 10,481 metros de largo; 5,235 metros de ancho y 5,858 metros de alto. La longitud de la pared norte de la Cámara es de 10,4797 metros, y la del costado sur es de 10,4782 metros. Un error de medida del orden de una décima de milímetro por metro, que coincide con lo permitido en los prismas ópticos modernos. Los muros están formados por 5 hileras de piedra y el techo por 9 enormes losas de granito que pesan aproximadamente unas 50 toneladas cada una.
En la parte oeste de la cámara se encuentra el sarcófago de granito rojo sin tapa. El cual de entrada, debería considerarse una obra maestra del serruchado, ya que los desniveles de las superficies cerradas, son del orden de 1 mm y además la meticulosidad en el pulido de la piedra, deja boquiabiertos a los expertos en la materia.
En la cara norte de la “Cámara del Rey” se halla un pequeño respiradero angosto que penetra a través de la masa de piedra hacia el exterior de la pirámide, y se dirige como un telescopio hacia las estrellas circumpolares, que los antiguos egipcios llamaron “las indestructibles”. Cada bloque de la cámara del rey pesa tanto como 14 autos y están encajados con una precisión impresionante. No cabe una cuchilla de afeitar entre ellos. Además cada bloque es perfecto horizontal y verticalmente, como si hubieran sido empalmados gracias a instrumentos de alta precisión. (Discovery. Construyendo La Gran Pirámide.http://www.tudiscovery.com/construyendo/camara/index.shtml)
Hoy sabemos que estos bloques de granito fueron traídos desde una cantera ubicada a 800 kilómetros de distancia. Pero ¿por qué traer desde tan lejos, bloques tan enormes y pesados para la construcción de la cámara del Rey?. El granito tiene una propiedad única; no cambia con el tiempo, sus dimensiones se mantienen igual a pesar del paso de los siglos, permitiendo que el secreto de la Gran Pirámide pueda ser transmitido amen de las eras.
Consistentemente con la presencia del número áureo (PHI) en las medidas de la Gran Pirámide, este también aparece en las medidas de la cámara del Rey y en el sarcófago, mal llamado de Keops, único habitante de la cámara. Tomando las medidas de largo y alto con la diagonal que divide el piso, se forman dos triángulos áureos con un ángulo de 26,5 grados. Además, la longitud en metros de la base de la cámara del rey es 10 veces el número PI.
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| Modelo de la Cámara del Rey y su relación con PHI |
Conociendo hoy como conocemos, la reiterada presencia de estos números, PI y PHI, en la construcción misma de la Gran Pirámide, no debería sorprendernos que estos también estén presentes en la Cámara del Rey, pero ¿por qué era tan importante inmortalizar en piedra, estas constantes matemáticas?, ¿se quería acaso resaltar el carácter sagrado del recinto?, y ¿qué relación tiene este espacio con medidas perfectas, con los llamados “respiradores” que apuntan hacia las estrellas circumpolares?, ¿cómo hicieron los antiguos egipcios, para empalmar con milimétrica perfección losas de piedra tan pesadas en paredes y techo? Y ¿por qué ese afán por la precisión?. ¿Cómo se hicieron los “respiradores” laterales de la cámara del rey y de la reina, que apuntan a estas estrellas sagradas?. La realidad es que todas estas preguntas no tienen una respuesta fácil. Una posible respuesta que además se respalda en tantos otros elementos ya mencionados en este blog, es que los egipcios como otras culturas de la antigüedad, tuvieron contacto con seres más avanzados tecnológicamente que les traspasaron este conocimiento y les dejaron un legado cultural y religioso, que incluso se ha mantenido hasta el día de hoy.
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