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Respuesta  Mensaje 1 de 10 en el tema 
De: RabinoCatali  (Mensaje original) Enviado: 15/10/2012 23:24
Amador Iluminado Saturnino a que le conoces bien juan pedro


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De: BARILOCHENSE6999 Enviado: 15/08/2015 01:12
BARILOCHENSE6999  (Original message) Sent: 09/09/2013 13:55
Image
Regards
Nic


I noticed a crop circle with a similar pattern
its the Metatron Cube
and the Hebrew Star of David
Image


The Metatron's Cube part of this crop circle design has 18 cubes or 19 were the central one shown. the ratio 18:19 is that between the synodic periods of Saturn and Jupiter measured in units of three weeks or 21 days. This was not noted in Sacred Number because, by chapter 10, Metatron was one of the last elements tying up the root-three geometrical theme and the book was concluding with the City of New Jerusalem cube measuring 12,000 (feet) on each side.

An alternative view is the New Jerusalem pattern of John Michel, based upon canonical measures that divide by twelve around the perimeter, a perimeter that is then "squared" rather than a cube. Thus this crop circle strangely portrays two views of New Jerusalem, the canonical and the Metatronic. Were this the case then the precedent is that of a duality, a light and dark side, an outer and inner face of the same phenomenon. Rene Guenon especially remarks upon this in this book Lord of the World chapter 3 called Shekinah and Metatron in which he says

Although Mikaël is identified with Metatron, he represents only one aspect. Beside the luminous face, there is a dark face represented by Samaël, also known as Sarhaolam— in fact, it is this latter aspect, and it only, which symbolizes in a lower sense the 'spirit of the world', or the Princeps hujus mundi referred to in the Gospels. Samaël's relationship with Metatron, as the latter's shadow, so to say, justifies the use of the same title in a twofold sense as well as making it clear why the 'number of the beast', the apocalytic 666, is also a solar number.' To quote Saint Hippolytus in conclusion: 'The Messiah and the Anti-Christ both have the lion for their emblem', another solar symbol. The same remarks may be applied to the serpent and to many other symbols. From a Kabbalistic viewpoint, we have here the two opposite faces of Metatron; we need not go into the theories we might formulate on this double meaning of symbols, only noting that the confusion between the luminous and the dark aspects is what properly constitutes 'Satanism'. It is precisely this confusion that allows some, unintentionally and through simple ignorance (an excuse, not a justification), to believe that an infernal significance is to be found in the title 'Lord of the World'.
[Let us further point out that the `Globe of the World', insignia of imperial power of universal monarchy, is frequently placed in the hand of Christ, which shows that he is the emblem of spiritual authority as well as of temporal power.]

Coombe Springs Press edition, 1983

Interestingly, the number 666 is also of astronomical significance. many years ago I looked at the motion of the Moon's orbit (apogee) viz the nodes of that orbit. I will make another entry on this but the two meet every six
years and hence in 6 + 6 + 6 years = 18 years, the conditions are the same regarding the distance of the Moon and its nodes that generate eclipses. It so happens that this almost exactly matches the Saros period of 18.03 years which is why that period is the most reliable rule: "if there was an eclipse at such a moment, then 18 years hence, a similar one will almost certainly occur". The Saros is 19 eclipse years long (18:19 again) and there are 223 lunar months also in the same period.

In this way the design of the planetary environment seen from Earth contains key numbers that are quite small and are very significantly "chosen" to operate together. As I point out in Matrix of Creation, these numbers are a unique configuration within the field of number itself and form a "master class" in the behaviour of number itself, a theme that continues in Sacred Number. This led to the tradition of the Demiurge or craftsman god, called Smith.

AuthorRichard Heath | Comments Off | Share ArticleShare Article
in Categorygeometry & geomancy

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Copyright © 2006-10, Richard Heath All rights reserved. including translations from

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another cube cropcircle
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Math in Architecture and the Golden Section

 
math in architecture

The Golden Section (aka Golden Mean, and Golden Ratio) phys.org

We use math in architecture on a daily basis to solve problems. We use it to achieve both functional and aesthetic advantages. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance. As you will see from some of the examples below, the application of mathematical principles can result in beautiful and long-lasting architecture which has passed the test of time.

Using Math in Architecture for Function and Form

We use math in architecture every day at our office. For example, we use math to calculate the area of a building site or office space. Math helps us to determine the volume of gravel or soil that is needed to fill a hole. We rely on math when designing safe building structures and bridges by calculating loads and spans. Math also helps us to determine the best material to use for a structure, such as wood, concrete, or steel.

“Without mathematics there is no art.” – Luca Pacioli, De divina proportione, 1509

Architects also use math when making aesthetic decisions. For instance, we use numbers to achieve attractive proportion and harmony. This may seem counter-intuitive, but architects routinely apply a combination of math, science, and art to create attractive and functional structures. One example of this is when we use math to achieve harmony and proportion by applying a well-known principle called the Golden Section

Math and Proportion – The Golden Section

Math in Architecture

Perfect proportions of the human body – The Vitruvian Man – by Leonardo da Vinci.

We tend to think of beauty as purely subjective, but that is not necessarily the case. There is a relationship between math and beauty. By applying math to our architectural designs through the use of the Golden Section and other mathematical principles, we can achieve harmony and balance.

The Golden Section is one example of a mathematical principle that is believed to result in pleasing proportions. It was mentioned in the works of the Greek mathematician Euclid, the father of geometry. Since the 4th century, artists and architects have applied the Golden Section to their work.

The Golden Section is a rectangular form that, when cut in half or doubled, results in the same proportion as the original form. The proportions are 1: the square root of 2 (1.414) It is one of many mathematical principles that architects use to bring beautiful proportion to their designs.

Examples of the Golden Section are found extensively in nature, including the human body. The influential author Vitruvius asserted that the best designs are based on the perfect proportions of the human body.

Over the years many well-known artists and architects, such as Leonardo da Vinci and Michelangelo, used the Golden Section to define the dimensions and proportions in their works. For example, you can see the Golden Section demonstrated in DaVinci’s painting Mona Lisa and his drawing Vitruvian Man.

Famous Buildings Influenced by Mathematical Principles

Here are some examples of famous buildings universally recognized for their beauty. We believe their architects used math and the principals of the Golden Section in their design:

Parthenon

The classical Doric columned Parthenon was built on the Acropolis between 447 and 432 BC. It was designed by the architects Iktinos and Kallikrates. The temple had two rooms to shelter a gold and ivory statue of the goddess Athena and her treasure. Visitors to the Parthenon viewed the statue and temple from the outside. The refined exterior is recognized for its proportional harmony which has influenced generations of designers. The pediment and frieze were decorated with sculpted scenes of Athena, the Gods, and heroes.

Math in Architecture

Parthenon Golden Section

Notre Dame Cathedral in Paris

Built on the Ile de la Cite, Notre Dame was built on the site of two earlier churches. The foundation stone was laid by Pope Alexander III in 1163. The stone building demonstrates various styles of architecture, due to the fact that construction occurred for over 300 years. It is predominantly French Gothic, but also has elements of Renaissance and Naturalism. The cathedral interior is 427 feet x 157 feet in plan. The two Gothic towers on the west façade are 223 feet high. They were intended to be crowned by spires, but the spires were never built. The cathedral is especially loved for its three stained glass rose windows and daring flying buttresses. During the Revolution, the building was extensively damaged and was saved from demolition by the emperor Napoleon.

Math in Architecture.

Notre Dame Cathedral in Paris

Taj Mahal

Built in Agra between 1631 and 1648, the Taj Mahal is a white marble mausoleum designed by Ustad-Ahmad Lahori. This jewel of Indian architecture was built by Emperor Shah Jahan in memory of his favorite wife. Additional buildings and elements were completed in 1653. The square tomb is raised and is dramatically located at the end of a formal garden. On the interior, the tomb chamber is octagonal and is surrounded by hallways and four corner rooms. Building materials are brick and lime veneered with marble and sandstone.

Math in Architecture and the Golden Section

Taj Mahal designed by Ustad-Ahmad Lahori

As you can see from the above examples, the application of mathematical principles can result in some pretty amazing architecture. The architects’ work reflects eye-catching harmony and balance. Although these buildings are all quite old, their designs have pleasing proportions which have truly passed the test of time.

 

https://bleckarchitects.com/math-in-architecture/


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De: BARILOCHENSE6999 Enviado: 05/07/2019 20:27
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De: BARILOCHENSE6999 Enviado: 13/07/2021 02:10

THE GOLDEN RATIO IN SATURN

Saturn, the unique planet shining in the sky above the world like a crowned king in all planets. People have long worshipped it for thousands of years, assuming it was a one-eyed or crowned God. Saturday, the 6th day of the week, is a blessing of Saturn. Western civilization gave the names of the beings that they thought were gods to all days and months. All paganist beliefs aside; as it was the most beautiful planet of stars shining in the sky, the golden ratio was revealing in many ways.

The space inside the Saturn rings is located at the golden ratio point of the ring.

The width of the ring and the distance from the inner line of the ring to the Saturn surface is also the golden ratio.

The width of Saturn and the distance from the surface to the outermost point of the rings is again the golden ratio.

The ratio of the distance between the front and back of the gap in the ring is again the golden ratio.

THE GOLDEN RATIO IN THE DESIGN OF THE WORLD AND THE MOON

When the world and the moon merged, 3 golden ratios were revealed at the same time.

The most powerful theory of the formation of the moon is that some of the particles scattered from the earth colliding with a planet are formed by the accumulation of the Earth in close orbit. Scientists state that some of the scattered parts are reunited with the rest of the world and the rest of them are formed in orbit like satellites. In other words, when the world and the moon first formed, it was like a whole. In time, it moved away and went back to its current position. In the picture above, you see the extraordinary golden ratio triangle that appears when the earth and the moon are combined.

When the equatorial radius of the world is considered as a unit, the distance between the earth centre and the lunar centre is the root of the golden ratio and the opposite edge of the triangle gives the number of the golden ratio.

In scriptures, the creator said, apart from other celestial bodies, he subjugated the moon and the Earth, forming them according to a measure. Scientists did not anticipate that they would encounter such symbolism in the design of the Earth and Moon at an intertwined rate.


https://www.erdemcetinkaya.com/en/the-golden-ratio-in-the-earth-the-moon-and-the-solar-system/


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De: BARILOCHENSE6999 Enviado: 06/03/2022 01:21
emmanuel on Twitter: "McFly has to reach the speed of 88MPH at exactly  10:04 pm or 22:04 military time. In gematria we remove the zero to get the  number 224. Marty crashed

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The September Pope: The Final Days of John Paul I: Stefania Falasca:  9781681929378: Amazon.com: Books


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