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General: ARCO DEL TRIUNFO DE PARIS, DISEÑADO EN FUNCION A LA ESTRELLA SIRIO
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That's right: Sirius rises at 26 degrees south of east, or bearing 116 degrees, from the latitude of Paris, and this is the direction in which the Champs Elysées is aligned. The Champs Elysées. The name is French for "Elysian Fields":
Quote:
| Elysium or the Elysian Fields (Ancient Greek: Ἠλύσιον πεδίον, Ēlýsion pedíon) is a conception of the afterlife that evolved over time and was maintained by certain Greek religious and philosophical sects, and cults. Initially separate from the realm of Hades, admission was initially reserved for mortals related to the gods and other heroes. Later, it expanded to include those chosen by the gods, the righteous, and the heroic, where they would remain after death, to live a blessed and happy life, and indulging in whatever employment they had enjoyed in life. |
Remember how the novel Arch of Triumph 1948 describes the Arc de Triomphe?: as the "huge gate to Hades"Now, the star Sirius, which is the star associated with Isis, rises from Paris every day at 116 degrees, but it does so at a different time each day. On August 31 each year, and on August 31 1997, Sirius rises about 5:30am. That means that if you had stood in the Champs Elysées and sighted along the avenue, before dawn on the morning that Diana died, you would see this sight: or at least, this is a version of what it would look like stitched together out of Google earth and Stellarium. I got a bit more creative:  Then, a few minutes later, the moon rose, though it was almost imperceptible. Nevertheless it was there: so this was the scene in the skies to the east of Paris, literally as the official announcement of the death of Diana was made. Sirius rising through the Arc de Triomphe and along the Champs Elysées, and the moon further to the north, breaking the horizon within minutes. The moon, Diana, and Sirius, Isis, hovering over the city waking up to the news. So how is Diana equal to Isis, or Sirius?Diana was born with the sun conjunct Sirius. Her astrology chart for those of you who are happy with that kind of thing, is here. Her natal sun is at 9 degrees 40 minutes of Cancer, and Sirius is at 13 degrees 32 minutes of Cancer, which is within the orb of a conjunction.So Diana's sun at birth is conjunct Sirius! Now this is true for any one who is born on July 1, or a day or two either side. Like Charles Laughton. Anyone with a July 1 birthday is a fitting archetype, potentially, for Isis, as their sun, or individuality, aligns with that of Isis. Diana certainly steps into her archetypes, no question of that, as the images above show, and plenty more to come on that.There are enough clues on the table now to be able to bring some ideas into focus.Elysian Fields. Gate to Hades. Arc de Triomphe sited on the "star", symbol of Isis. Champs Elysées aligned to the rising of Sirius=Isis. Paris as ancient temple of Isis. Isis who came to Paris on a boat. Diana, who came to Paris on a boat, whose name was changed to Osiris. The moon at it's lowest ebb, at it's darkest, at it's nadir. Death, as the moon is extinguished. And then rebirth, as Sirius rises above the horizon, reborn, through the gates, the portals, of the Arch of Triumph. This is a ritual, a theatrical presentation, a play that runs without a script yet everything, somehow, happens right on cue. Down to the minute. Yet it seems to resonate across the centuries, even the millennia...
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Evening view, courtyard of the Louvre and I.M. Pei pyramid. (Photographer: Benh Lieu Song.)
Louvre {loov'-ruh} — a French palace and the national art museum of France.
Located in Paris, the Louvre is one of the largest palaces in the world and, as a former residence of the kings of France, one of the most illustrious. It exemplifies traditional French architecture since the Renaissance, and it houses a magnificent collection of ancient and Western art.
 Ground floor diagram, Louvre MuseumThe Palace
The first Louvre was a fortress built at the beginning of the 13th century by Philip II Augustus to defend the Seine below Paris against the Normans and English. It consisted of a thick cylindrical donjon (dungeon) surrounded by towered walls. This chteau, enlarged and embellished by Charles V in the 14th century, was sacrificed in the 16th century at the end of the reign of Francis I in order to make room for a new Renaissance structure of the same size. Only the west wing and part of the south wing of the projected palace, conceived by the architect Pierre Lescot and decorated with sculptures by Jean Goujon, were finished.
In 1564 Catherine de Médicis had her architect, Philibert Delorme, build a little chteau in a neighboring field to the west called the Tuileries. It was then decided to create a grandiose royal residence by joining the Louvre and the Palais des Tuileries by a series of buildings. The most important is the Grande Galerie built along the Seine in the reign of Henry IV.
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Dusk view of I.M. Pei's pyramid in Louvre courtyard, with Arc du Carrousel in near background. Notice the Place de la Concorde, Arc de Triomphe de l'Etoile, and the Grande Arche de la Défense in far upper right background.
© Jonathan F. Yorck —
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In the 17th century Louis XIII and his minister Richelieu extended Lescot's west wing northward by adding the majestically domed Pavillon de l'Horloge (clock pavillion) by Jacques Lemercier and recreating Lescot's building beyond it. Under Louis XIV and his minister Colbert, the Cour Carrée, a great square court, was constructed by Louis Le Vau. The east façade of the east wing was later given a classical colonnade by Le Vau and Claude Perrault. The royal apartments were sumptuously decorated by Charles Le Brun and others, as the Galerie d'Apollon still bears witness. The Louvre was abandoned as a royal residence when Louis XIV moved the court to Versailles in 1682.
After the Revolution of 1789, Napoleon I, later kings, and Napoleon III lived in the Tuileries. The Louvre was used for offices and a museum. Along the Rue de Rivoli, Napoleon I began a wing parallel to that of Henry IV along the Seine. Napoleon III finished the wing, thus closing the great quadrilateral.
A few years later, during the uprising of the Paris Commune in 1871, the Tuileries was burned. Paradoxically, the disappearance of the Tuileries, which had originally brought about the extension of the Louvre, opened the admirable perspective that now stretches from the Arc du Carrousel west through the Tuileries Gardens and the Place de la Concorde to the Place Charles de Gaulle.
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Le Salon Carré, en 1865,
au Musée du Louvre
by Giuseppe Castiglione
Canvas - H 0,69 m ; L 1,03 m
(27"H x 40.5"W) |
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In the late 1980s the Louvre embarked upon an aggressive program of renovation and expansion. When the first plans by the Chinese-American architect Ieoh Ming Pei were unveiled in 1984, they included a glass pyramid in the central courtyard that would serve as the museum's main entrance. Despite drawing protests before the fact, since its opening in 1989 the pyramid has proven remarkably effective in accommodating the large numbers of visitors, and has even become a relatively beloved landmark of the city. In November 1993, to mark its 200th anniversary, the museum unveiled the Richelieu wing in the quarters that had been vacated, grudgingly, by the Ministry of Finance in 1989. This expansion, which completed the museum's occupancy of the palace complex, added 230,000 square feet (21,390 sq meters) to the existing 325,000 square feet (30,225 sq meters) of exhibition space, and allowed it to put an additional 12,000 works of art on display in 165 new rooms.
The Museum
In 1793, during the Revolution, the first state museum was opened in the Louvre, consisting of the former royal collections of painting and sculpture. It was enriched temporarily by loot from the Napoleonic wars and then permanently by purchases and gifts, including archaeological finds. More and more specialized divisions were created.
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Projet d'aménagement de la Grande
Galerie du Louvre, vers 1789?
by Hubert Robert, 1796
Musée du Louvre |
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The present Louvre departments include Oriental (ancient Mesopotamian) antiquities; Egyptian antiquities; Greek and Roman antiquities; sculpture from the Middle Ages to modern times; furniture and objets d'art; and paintings representing all the European schools. A section of the museum is devoted to Islamic art.
Universally famous ancient works of art in the Louvre include a statuette of the Sumerian ruler Gudea, a stele bearing Hammurabi's code, an Egyptian painted stone statue of a scribe sitting cross-legged, the Venus de Milo, and the Victory of Samothrace. Among outstanding later works are two marble Slaves by Michelangelo, the treasure of the abbey of St. Denis, and the French crown diamonds. Important paintings include the Pietà of Avignon, Leonardo da Vinci's Mona Lisa, Veronese's immense Wedding at Cana (which was badly damaged in 1992 while being installed in the newly renovated galleries), and Watteau's Embarkation for Cythera.
The school of the Louvre trains curators in history of art and archaeology. Special exhibits are indicated in the Revue du Louvre.
Archaeological Discoveries
Traces of the medieval fortress from which the present day palace originates have been uncovered. Restoration work on the Cour Carrée and the excavation required for construction of the pyramid and the Carrousel area enabled archeological digs to be undertaken, and for the various phases of occupation of the palace and its quarters to be seen.
The architectural structures of the basement will henceforth be included in the visit tours. Thus, it is possible to walk along the moats of the medieval fortress under the Cour Carrée, to pass around the base of the dungeon to get to the Salle Saint-Louis (13th century), or — when going to the underground carpark — to walk along the so-called Charles V Moats.
Amongst the items discovered during these digs, one of the most remarkable is a parade helmet belonging to Charles VI, which was reconstituted from the one hundred and sixty-nine fragments which were found scattered about. It is on display in the Salle Saint-Louis (Sully Wing).
Admission
For those who plan to visit many monuments and museums during your séjour à Paris, Discover France offers the "Museums and Monuments Card" (Carte Musées et Monuments), valid for unlimited visits and priority access to approximately 70 locations in — and near — Paris. It can also be purchased at the Paris Tourist Office (127, avenue des Champs-Elysées), at its reception offices in certain Paris train stations, at the Eiffel Tower, in the major Métro stations, or at most of the 70 attractions. Cards are available in denominations valid for either one, three, or five consecutive days.
http://www.discoverfrance.net/France/Paris/Museums-Paris/Louvre.shtml |
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La Pirámide invertida del Louvre y “El Código Da Vinci”.
La sala donde se encuentra la pirámide Invertida del Louvre.
Hace ya algunos meses, el pasado 7 de Abril, escribí un post titulado “La pirámide de I. M. Pei” en referencia a la famosa Pirámide del Louvre que ocupa el centro del Cour Napoleon y sirve, hoy día, de entrada principal al recinto museístico.
Advertí también, entonces, de la existencia de una segunda pirámide mucho menos conocida y mucho más enigmática que la ya mencionada.
A este enigma ha contribuído el libro “El Código Da Vinci” de Dan Brown, otorgándole un grado de notoriedad esotérica y religiosa que anteriormente no tenía.
Desde entonces, esta pirámide ha sido considerada como uno de los puntos de la ciudad más importante para visitar por los turistas llegados a la capital de Francia en busca de referencias físicas para la comprensión de dicho libro.
Nos estamos refiriendo a la Pyramide Inversée o Pirámide Invertida del Louvre.
Desde el exterior del edificio no es fácil distinguir la posición de la Pirámide Invertida, que como su nombre indica, es una pirámide que nace a ras de suelo y el vértice superior, en este caso inferior, está en el subterráneo.
Si nos situamos en el Arco del Triunfo del Carrousel y fijamos nuestra mirada en la Pirámide principal, nos encontramos a mitad de camino con una rotonda que soporta una gran circulación de vehículos, es la Place du Carrousel. Aparentemente es una rotonda como otra cualquiera que tiene en su circunferencia unos setos de aproximadamente un metro de altura. Pues bien, estos setos enmarcan la base cuadrada de la Pyramide Inversée.
El seto de la rotonda oculta la estructura de cristal y acero de la pirámide Invertida.
Al igual que la principal, está fabricada en acero y cristal y su inclinación es de 51º, como las pirámides egípcias.
El vértice inferior de la misma no llega al suelo, sino que se queda aproximadamente a un metro y medio de distancia del mismo.
Justo debajo de la estructura modernista de cristal y acero, se construyó una pequeña pirámide de piedra que cubre esa distancia, dejando de separación entre ambos vértices el espacio aproximado de una cabeza.
A esta pequeña pirámide se refiere Dan Brown en su libro como el lugar donde se encuentra el misterio del Santo Grial, la tumba de María Magdalena.
A este punto, situado en el subterráneo del Museo del Louvre viajan al año millones y millones de turistas, unos simplemente para admirar la belleza de su construcción, otros, por el contrario, para conocer el lugar que el autor norteamericano eligió como escondite secreto del Santo Grial en su obra más conocida.
Después, muchos, reflejan su descontento al conocer la realidad de la construcción y la ficción del episodio novelado.
Antes de ver el texto donde aparece esta escena, si quieres conocer otros artículos publicados sobre París y “El Código da Vinci” puedes pinchar aquí La Virgen de las Rocas y “El Código Da Vinci”, o aquí En Saint Sulpice, “El Código Da Vinci” miente, o aquí “La Rue Haxo y El Código Da Vinci”.
El texto de El Código da Vinci dice así en sus dos últimas páginas:
Ahora, avanzando a toda prisa por la Rué de Rivoli, Langdon sentía que su destino estaba cerca. A menos de una travesía.
Bajo la antigua Roslin el Grial con impaciencia espera tu llegada.
Las revelaciones parecían sucederse las unas a las otras. La manera antigua de escribir Rosslyn… la espada y el cáliz… la tumba adornada por artes de maestros.
«¿Era por eso por lo que Saunière tenía que hablar conmigo? ¿Había adivinado yo la verdad sin saberlo?»
Empezó a correr, sintiendo que la Línea Rosa bajo sus pies le guiaba, le empujaba hacia su destino. Al entrar en el largo túnel del Passage Richelieu, el vello de la nuca empezó a erizársele de la emoción anticipada. Sabía que al final de ese túnel se encontraba el monumento más misterioso de París, concebido y encargado en la década de 1980 por la esfinge en persona, Francois Mitterrand, un hombre del que se rumoreaba que se movía en círculos secretos, un hombre cuyo legado final a París había sido un lugar que Langdon había visitado hacía sólo unos días.
«En otra vida.»
Con un esfuerzo final, Langdon salió del pasaje, llegó a una explanada que le resultaba familiar y se detuvo. Sin aliento, levantó la vista muy despacio, con cautela, intentando abarcar la brillante estructura que tenía delante.
«La Pirámide del Louvre.»
Iluminada en la oscuridad. La admiró sólo un instante. Estaba más interesado en lo que le quedaba a la derecha. Se volvió y notó que una vez más los pies se le movían solos por el camino invisible de la antigua Línea Rosa y lo llevaban hacia el Carrousel du Louvre —el enorme círculo de césped rodeado en su perímetro por unos setos bien cortados—, en otro tiempo escenario de primitivas fiestas de culto a la naturaleza… alegres ritos de celebración de la fertilidad y la diosa.
Al meterse entre los setos y acceder a la zona de césped, Langdon se sintió como si estuviera entrando en otro mundo. Aquel suelo horadado estaba rematado en la actualidad por uno de los monumentos más atípicos de la ciudad.
En el centro, hundiéndose en la tierra como un abismo de cristal, se encontraba la pirámide invertida que había visto hacía unos días al entrar en el la zona subterránea del Louvre.
«La Pyramide Inversée.»
Tembloroso, se fue hasta el borde y contempló el museo que se extendía a sus pies, iluminado por una luz dorada. No sólo se fijaba en la impresionante pirámide invertida, sino en lo que había justo debajo. Ahí, en el suelo de la sala se veía una estructura minúscula, una estructura que Langdon mencionaba en su texto.
La posibilidad de que aquello pudiera ser cierto lo mantenía plenamente despierto. Volvió a alzar la vista y contempló el museo y notó que sus enormes alas lo rodeaban… aquellos pasillos llenos de las mejores obras de arte…
Leonardo da Vinci, Boticcelli…
Adornada por artes de maestros, ella reposa al fin en su morada.
Maravillado, miró hacia abajo una vez más a través del cristal y vio la diminuta estructura.
«¡Tengo que bajar como sea!»
Salió de allí y cruzó la explanada en dirección a la pirámide que hacía las veces de entrada al museo. Los últimos visitantes de aquel día ya iban saliendo.
Empujó la puerta giratoria y bajó por la escalera circular. Notaba que el aire se iba haciendo más fresco. Al llegar abajo, entró en un largo túnel que, bajo el patio del Louvre, llegaba a La Pyramide Inversée.
Al otro lado del túnel había una sala grande. Delante de él, colgando desde las alturas, estaba la pirámide invertida, un asombroso perfil triangular hecho de cristal.
«El cáliz.»
Los ojos de Langdon siguieron su forma decreciente desde la base hasta la punta, suspendida más de dos metros por encima del suelo. Y ahí, justo debajo de ella, se encontraba la diminuta estructura.
Una pirámide en miniatura. De apenas un metro de alto. La única cosa en aquel inmenso complejo que se había hecho a pequeña escala.
El ensayo de Langdon, además de tratar sobre la colección artística dedicada a la diosa que albergaba el museo, hacía un breve comentario sobre aquella discreta pirámide.
«Esa estructura en miniatura sobresale del suelo como si fuera la punta de un iceberg, el ápice de una enorme sala piramidal sumergida debajo como una cámara oculta.»
Iluminadas con la luz tenue de aquel sótano desierto, las dos pirámides se apuntaban la una a la otra, y sus puntas casi se tocaban.
«El cáliz encima. La espada debajo.»
Custodios y guardianes de sus puertas serán por siempre el cáliz y la espada.
Langdon oyó las palabras de Marie Chauvel. «Un día lo entenderás.»
Estaba ahí de pie, bajo la antigua Línea Rosa, rodeado de «artes de maestros». «¿Qué mejor lugar que aquel para que Saunière pudiera estar siempre vigilante?» Ahora, al fin, le parecía que entendía el verdadero significado de los versos del Gran Maestre. Alzando los ojos al cielo, miró a través del cristal. La noche estaba cuajada de estrellas.
Y el manto que la cubre en su descanso no es otro que la bóveda estrellada.
Como los murmullos de los espíritus en la oscuridad, resonaron unas palabras olvidadas.
«La búsqueda del Grial es literalmente el intento de arrodillarse ante los huesos de María Magdalena. Un viaje para orar a los pies de la descastada, de la divinidad femenina perdida.»
Con repentina emoción, Robert Langdon cayó postrado de rodillas.
Por un momento le pareció oír la voz de una mujer… la sabiduría de los Tiempos… que susurraba desde los abismos más profundos de la tierra.
FIN.
Vista aérea del recinto palacial del Louvre. Junto al círculo rojo podemos ver el cristas superior de la pirámide Invertida del Louvre. El tráfico rodado y unos altos setos impiden apreciarla desde la calle.
* Si te ha gustado este post, puedes pinchar en “me gusta”, o retwittearlo, o quizá incluirlo en tu página de Facebook. Un sólo click ayudará a difundir este blog y su contenido. No es más que un segundo. Muchas gracias por tu visita y por dedicarnos tu tiempo.
https://aparisconelena.wordpress.com/2014/07/10/la-piramide-invertida-del-louvre-y-el-codigo-da-vinci/
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The Message of Cycle 23
Decoding the Mayan 'Double-Sun' Timecode
By Goro Adachi
May 24, 2002
Final Countdown
According to the incredibly sophisticated and accurate calendar of the Maya from Central America, one of the most mysterious ancient civilizations rivaling ancient Egypt, we are currently living in the 'fifth age of the sun' which began on August 12, 3114 BC -- a date designated the 'Birth of Venus'. According to Mayan tradition, the previous four ages ended in great cataclysms, leaving only a small number of survivors, not unlike the biblical tale of Noah. This arcane view certainly makes us curious and somewhat nervous about the projected ending date of the current, the fifth, age of the sun. When one finds out when this termination point actually is, the nervousness shoots up into the realm of worry. The Mayan calendar is now even beginning to enter the public consciousness at large, as this very subject was, for example, a key theme incorporated into the final episode of the popular 'paranormal' TV show The X-Files aired May 19, 2002. As we get closer to the ending date of the calendar, we are sure to hear a lot more about it from various sources.
On '9-11', the world -- and especially the US, the New World -- has realized just how a seemingly stable and proud system or world view can be made so fragile and overwhelmed in one day. The possibility of the world crumbling into total chaos is no longer a farfetched movie scenario but a uncomfortably realistic prospect. And just in time for this paradigm shift, the world is to be made aware that 'the end of the world' as foreseen by the Maya is rapidly approaching us. On December 22, 2012, about ten years from now, the timeline of the 'fifth age of the sun' will terminate. The redden sun has reached the western horizon and is about to go under.
What does this mean? Are we talking about a literal annihilation of human civilization or could it be more metaphorical? No one really knows. It is my view, however, and it is sensible, that the more insights we have into the situation/pattern, the more metaphorical the manifestation of the projected pattern will be. Or in simpler terms -- more preparation, less damage.
I am not writing this article out of fear or survivalist mentality, however. (I am not one of those who animalistically think survival is/should be our highest priority.) Instead, I was prompted to write this piece because I detected a significant pattern that coherently links the underlying esoteric themes of today's events discussed in my previous articles and the Mayan calendar. While I had originally been viewing the projected ending date as something conceptually akin to the equinoxes/solstices -- in that they astronomically yield specific dates but only approximately mark the change of seasons -- the new findings have pushed me to reconsider my position and theorize that the calendar is counting down to a specific event of profound importance.
The '9-11' event, it now appears, was only a part of the sequence of events leading up to a culmination in/around 2012.
Two Suns, Two Years
It was prophetic Quatrains X-72 and II-41 of Nostradamus, curiously enough, that helped me 'see the light'.
As explained in depth before in my previous articles (The Labour of the Sun and Rex Deux), X-72's infamous line, '1999 seven months', could actually denote '2001 September' for certain calendrical reasons, and the whole quatrain, when decoded, would directly relate to the '9-11' attacks. (See Labour for detail.)
Century X-72
L'an mil neuf cens nonante neuf sept mois,
Du ciel viendra vn grand Roy d'effrayeur:
Resusciter le grand Roy d'Angolmois,
Auant apres Mars regner par bon-heur.
The year 1999 seven months,
From the sky will come a great King of terror:
To bring back to life the great King of Angolmois,
Before after Mars to reign by good luck
The curious 2-year offset between 1999 and 2001 observed here was found to be nicely reflected by various other aspects. For instance, we had the huge 'II' shape (i.e. '2') of the WTC twin towers, and the twin nature of Hercules, the mythological character associated with the antediluvian/'Atlantean' pillars which in turn were discerned to be analogous to the WTC towers. Hercules in particular was found to be of great metaphoric significance for 9-11 -- because just as '11' was a key number encoded in the whole event (i.e. an airplane Flight 11 crashing into a 110-story towers visually forming '11' on the 11th day of the month, etc.), it was during Hercules' '11th labor' that he directly interacted with Atlas (the first king of Atlantis) in Greek mythology -- thus reinforcing the view that the 'Pillars of Hercules' (= 'Atlantean' pillars) represent the archetypal WTC towers. Hercules being a personification of the sun, moreover, resonates well with the fact that the Egyptian death-god Osiris was both associated with the black sun and described as the 'Lord of Terror' as in the 'King of terror' of X-72. The correlation becomes stronger when added that there was a major total solar eclipse (i.e. a 'black sun') in August of 1999 (= '1999'+'7 months', as per X-72). Also, similarly, the Great Sphinx represented both the embodiment of the sun and the 'Father of Terror'.
From these associations, it was inferred that Hercules was both a 'twin' and the 'sun'. And this brought us to the next phase of interpretation involving Quatrain II-41. First, it was determined that Hercules represented, at least in our context, a form of 'double sun'. This was supported by the sphinx, associated with Hercules, traditionally found in pairs -- thus signifying 'two suns'. And 'two sun' could be reasonably interpreted as 'two years' to corroborate the '2-year offset scheme' of X-72. After this, we were naturally led to II-41, one of the quatrains I had personally considered applicable to our own era, long before 9/11. Line 2 of the quatrain reads 'the cloud will make two suns appear'.
Century II - 41
La grand' estoille par sept jours bruslera,
Nuee fera deux soleils apparoir:
Le gros mastin toute nuit hurlera,
Quand grand pontife changera de terroir.
The great star will burn for seven days,
The cloud will make two suns appear:
The large mastiff will howl all night
When the great pontiff changes his abode.
Lines 1 and 2 complement the correlation as these strongly evoke the 'great star' (the brightest star) Sirius. It is commonly known as the 'Dog Star' as in 'the large mastiff' (Line 3), and in ancient Egypt the star was called Sept, which in turn would denote 'seven' as in 'seven days' (Line 1). Also, as explained in Labour, Sirius' heliacal rising -- an extremely important astronomical event for the ancient Egyptians -- signified 'the 1st day of the 1st month of Thoth', which was the New Year's Day of the ancient Egyptian calendar. During the early Christian times this special day took place on the Gregorian September 11th, and this caused the Coptic/Christian-Egyptian (as well as Ethiopian) calendar to fix its New Year's Day on September 11 (Gregorian), and this is the case to this day. Sirius, alluded to by II-41, is therefore very much linked to what has now become a date of infamy, '9-11'. This consequently implies that the initial 'double sun' correlation was indeed valid.
As for Line 4 which indicates a change of the papacy, it was pointed out that the current pope, John Paul II, is given the motto 'De Labore Solis' ('From the Labor of the Sun') by St. Malachy's prophetic list of popes. (I personally tend to agree with the view that this remarkably accurate prophetic list was actually composed by Nostradamus.) Needless to say, the motto not only conforms to the underlying 'sun' theme, but it even resonates specifically with the aforementioned 'labor of Hercules' (since Hercules = sun) the 11th of which was found inseparable from the 9-11 event! Moreover, the motto has also been interpreted to denote 'Of the Eclipse of the Sun' (indeed, JPII was born during an eclipse) -- in which case, it would again congruently conform to the 'black sun' theme and the total solar eclipse of August 1999. So, it was confirmed on multiple levels that there was a strong connection between II-41, X-72, and the 9/11 terrorism.
The prophetic implication of this was that Pope JPII would be replaced by a new pope in the very near future to coincide with the aftermath of 9-11. And seemingly as a foreshadow, the Church, especially in the US, suddenly found itself in serious trouble as we entered the year 2002 (i.e. the sexual abuse scandal). At first, I was just amused to see the apparent manifestation of the projected pattern and wondered how it would culminate in the exit of JPII. Then, something got my attention and it caused a shift in my perspective. I began to see a bigger picture as well a more focused context and pattern for the on-going world events.
Seeing the Light
The more I looked into the 9-11 event, the more 'prophetic' it became -- both in the sense that it strongly interacted with 'prophecies' made in the past and the sense that the event itself was a coded 'prophecy' for the future. And as I became more aware of the latter implication, I noticed something that I felt I should have noticed long time ago. This was that by adding '11' -- the encoded key number of 9/11 -- to the year of the event, 2001, one would get '2012', which is none other than the ending date of the Mayan calendar.
Coincidence? Maybe, maybe not. But consider the following. Just as the number '11' is found to be inseparable from the sun, so is the Mayan calendar which, as ingeniously decoded by researcher Maurice Cotterell, essentially represents a time-keeping system for the sun, the sunspot activity, which is known to have an 11-year cycle! The fact that the Mayan calendar was also used to calculate and predict solar eclipses adds to the coherence as we have already noted the prophetic significance of the 1999 total eclipse.
In The Mayan Prophecies (1995), Cotterell revealed his remarkable theory that the strange rhythm of the Mayan calendar, which had perplexed all other investigators, actually corresponded with the complex cycles of the solar magnetic fields which in turn would produce 'sunspots', the dark spots on the surface of the sun.
It is scientifically known that those sunspots spew out a lot of ions (charged particles) and affect the magnetic field of the earth. More sunspots means more electrical stuff/'solar wind'  (solar flares and coronal mass ejections) emitted outward to bombard the earth's magnetosphere. (The most visible effect of this would be the aurora lights). Every 11 years, the sun reaches a 'solar maximum', which is when the number of sunspots peaks, or when the sun is the most active. Presently, in fact, we are undergoing the solar maximum of 'Cycle 23' -- though the peak was 'officially' reached in mid-2000. This means that the next solar maximum will be around 2012, the Mayan 'end date'!
What made the correlation even more satisfying was the fact that the Mayan calendar was intimately linked to the planet Venus -- as evidenced by the fact that the starting date of the Calendar (Aug 13, 3114 BC) is called 'the Birth of Venus'. In esoteric tradition, Venus (along with Sirius) is symbolized by a pentagram (five-pointed star). The pentagram is obviously related geometrically to the pentagon -- and the 'Pentagon' is of course none other than the third building hit in the 9/11 attacks.
What about the 2-year/'double-sun' offset scheme that has been prophetically linked to 9/11?  Remarkably, we learn that the nature of the current solar maximum perfectly echoes this strange theme. First, astronomers have noted that Cycle 23 active at the present has a rare double-peak maximum. It was initially observed that the solar intensity crested, rather prematurely, in April 2000 or so. And then, in early 2002, astronomers started to notice that the sunspots were increasing again seemingly to a equally (if not more) pronounced second peak, almost exactly 2 years after the first peak. So, not only is it a 'double sun' maximum, the twin peaks are even 'two suns' (2 years) apart! This is a strong sign that we are onto something here.
Actually, as if these weren't enough, we also find that there was a clear 'spike' in the sunspot activity in the month of '9/11' as the graph (right) shows.
The more we look, the more we realize that there is a close relationship between the 'prophetic' events of our time and the changing conditions of our sun.
What could all this mean?
It wasn't long before I began to see further patterns and specific implications. I was to be exposed to a very clear 'signal', a 'message', that could show us what would likely transpire in the immediate future.
The Equidistant Sequence
I made a simple timeline on a sheet of paper and then drew in the two 'double-sun' schemes -- that is, the pair of X-72 (~Aug. 1999) and 9/11/01 separated by 2 years, and the Cycle 23 maximum peaks similarly separated by 2 years (Apr. 2000 and ~Apr. 2002).
This helped me visualize better the chronological mismatch between the two periods. Although I had inferred that the two 'double sun' events were connected, these overlapping periods were offset by 8 months. Why? Was this some unintended distortion in the 'design' or was this a directive misalignment leading us to the next revelation? I had to explore the latter possibility as I knew from experience that this approach would often lead to productive results. It was warranted especially in this case as there was still a sense of intelligent design in the offset -- '8 months' was exactly one third of '2 years'. And so I studied the timeline closely to see if there was a further pattern just beneath the 'surface'.
After some thinking, I recalled that there was another major event that I had already interpreted to be part of the 'double sun' theme. This was the 2000 US presidential election -- an event that produced two winners or two 'suns'. The designation of the 'sun' here was supported by the fact that, for example, the eye of the storm that was the 2000 election was Florida, the 'Sunshine State'. Also, in a previous article I identified Clinton as a version of Amenhotep III (historical Solomon) which made his successor a version of Akhenaten (the Egyptian king who followed Amenhotep III), often called the 'Sun King'. (The 'two presidents' therefore had become analogous to 'two suns'. See The Two Suns of Election MM for more details.)
Subsequently, I realized that the timing of this event was right in the middle of the combined timeframe of the other two 'double sun' events. In fact, it was placed at the dead center. To visualize it better, I marked it on the timeline -- and immediately emerged a great sense of order. Then it hit me: this third 'double sun' event (Dec. 2000) was offset ~8 months from the nearest marked events on both sides. This meant, in other words, that all of the events in the combined sequence, five in all, were equally distanced, 8-month apart!
What made this more remarkable was the fact that the rotation period of Venus, the planet intimately associated with the Mayan calendar, is 243 earth-days -- that is, almost exactly 8 months! (30x8=240.) Even Venus' orbital period around the sun turned out to be 225 earth days (7.5 months), very close to 8 months. [Update: the number '225' reinforces the the 9-11 connection in that 2001 was the 225th year from the birth of US, 1776!] Additionally, there was the complementary fact that the 'tzolkin' cycle of 260 days was an essential element of the Mayan calendar -- actually corresponding to the cycle of the interaction between the polar and equatorial magnetic fields of the sun (as pointed out by Cotterell).
These correlations strongly suggested to me that I was on the right track, and encouraged me to proceed further.
Contextual Resonance
To find more encoded patterns, I turned my attention to the first of the 'double sun' sequence composite taking place circa Aug. 1999. This was a conceptual 'preview' of its 'second peak' 2 years later, namely the 9/11 attacks. And this was not only in terms of X-72. Recently in May 2002, it was revealed that the first of the warnings about the coming major terrorist attack, i.e. '9/11', emerged in September 1999, exactly 2 years before 9/11.
So I naturally wondered if this same concept could be applied to the twin peaks of Cycle 23.
First, I had to refresh my memory regarding the world events at the time of the first solar peak in the spring/summer of 2000. Internationally, the major news around that time was the successive collapses of the critical Israel-Palestine peace talks in Israel and later at Camp David (US) mediated by Clinton and Albright (viewed as "the last chance for peace"). Semi-internationally, dominating the news in the same timeframe was the saga of the 'Cuban boy' Elian Gonzales in US who was eventually returned to Cuba. And Cuba was also a significant place esoterically in the summer of 2000 as it was then that the enigmatic underwater 'city' off the west coast of Cuba, widely speculated to be the ruins of 'Atlantis', was first discovered (investigation still continuing). So, it appeared that the first Cycle-23 peak was very 'Cuban' in nature and related to the Israeli-Palestinian conflict.
Now it was time to see if the second sunspot peak reflected, or actualized, the 'warning' of the first. Since the second peak is taking place right now (spring/summer of 2002), we can actually just look around to see if this may be the case. Though the time 'window' is still open as of this writing, we have already witnessed a political focus suddenly placed on Cuba in May. First, there was the historic visit of ex-President Carter to Cuba, which was then closely followed by President Bush addressing the Cuban-Americans in Florida, giving a speech on US-Cuba relations. And then the March and April of 2002 saw a major crisis in Israel, which was so severe that the rest of the world was also polarized and a lot of violence ensued. And we can also add that investigators are returning to the Cuban-"Atlantean" underwater city for more data in the same timeframe, and strangely the captured Taliban/Al Qaeda members are being held at 'Camp X-Ray' in Cuba.
So, it appeared to me that there was indeed a conceptual echo effect between the two sunspot peaks. But what about the current crisis of the Church coinciding with the second peak? It turns out that this does have important 'prophetic' implications, as we will see.
Extended Projection
Based on the empirical observations, it may be inferred that the 2000 US presidential election will have an 'echo' exactly 2 years later and this is scheduled to take place at the end of 2002.
What can this anticipated event be? Obviously, the implication is that there is to be some kind of election/voting that involves a major leader, or simply a change of leadership. One possibility is that the US will have a new president at/around the end of 2002.
[Update: In December 2002, Republican Senate majority leader Trent Lott, i.e. the leader of President Bush's political party, stepped down unexpectedly amid a big controversy that erupted after he made a seemingly racist statement in the same month. By vote, Bill Frist was quickly elected as new leader of the Republican party.]
Another possibility, which I consider more likely, is that we will see the exit of Pope John Paul II and the election of the next pope. This derives from the close parallel detected between US presidency and the papacy at this moment in history, as discussed in the Two Suns article -- after all, both are inseparable from Quatrain II-41. And especially because the last line of II-41 states: "When the great pontiff changes his abode".
[Update: Indeed, in accordance with the suspected parallel, the same period of December 2002 also saw the resignation of Cardinal Law of Boston Archdiocese (who is specifically named in this article below). It is very interesting that although the US President and the Pope survived the 'December window', the leaders just below them (Lott and Law) did make their exit concurrently. Certainly, then, we did indeed experience "a change of leadership" in the US and the Church in this December.]
It should also be pointed out that the prophetic motto assigned to Pope JPII, 'of the Labor of the Sun', directly associates him with the current solar maximum which indeed is a 'labored' state of the sun. Combined with the pronounced twin peaks of Cycle 23 (i.e. 'double sun'), it seems inevitable that JPII comes to be involved in the current cycle... probably by making his exit.
There is another reason why the papacy/Church is likely to 'fulfill' the 2-year offset 'echo' of the 2000 presidential election. For this, we need to project the sequence backwards just one step toward the past. By subtracting '8 months' from the first event, Aug. 1999 (X-72), we arrive at December 1998. Importantly, this is exactly two years away from the presidential election -- thus effectively making it a 'reverse-echo' event. So what happened in December 1998? The answer is: the historic impeachment of President Clinton. Needless to say, there is strong resonance here; after all, the impeachment was conceptually close to the presidency ending. This was the little 'preview' of the succeeding events in the 2-year cycle.
Now, what is important here is what led to Clinton's impeachment. It was, of course, the president's sexual misconduct (involving a young intern, Monica Lewinsky), the news of which broke in January of the same year (on Drudge Report). Therefore, if we are to expect an amplified 'echo' in/around December 2002 of the 'impeachment', it is reasonable to theorize that it is also to be preceded by a similar (but more serious) development, i.e. a serious sexual scandal. Could it be just coincidence that we are currently having the developing story of the sexual abuse of children by Catholic priests? The current scandal even began in January when Father Geoghan was convicted of sexually abusing a boy on January 18 (the news of Clinton's sex scandal broke on Jan. 19, '98). This strongly suggests that things are moving toward the 'impeachment' (i.e. the end) of the leadership of the Church, i.e. the Pope, near the end of 2002. (Although it is also possible to interpret the 'leader' as an American Cardinal namely Cardinal Law of Boston).
[Update: As already mentioned, Cardinal Law, named above, did step down in December 2002, in precise accordance with the projection! In retrospect, it appears that the 'echo effect' in this December window was not an 'amplified' but downgraded (by just one step) event. Did the number of people aware of the pattern reached a critical mass to slightly alter the pattern?]
Personally, I find it very unlikely that Pope JPII will stay in his office beyond 2002 (spring of 2003 at the latest), because as the 'Labor of the Sun'/'Solar Max' pope, it won't be symbolically very coherent for him to make his exit when the sun has become quiet. As he came into this world during a solar eclipse (another manifestation of the expression 'labor of the sun'), it would be symmetrically sound for him to exit in a similar symbolic context. My bet, therefore, is on the current development leading directly or indirectly to the pope leaving the office later this year. And it is very possible, as explained in my previous articles, that the subsequent papal election will produce 'two suns', either by ending up with two contenders claiming to be the pope, or something else similar in concept.
'It's the End of the World as We Know It, and I Feel Fine.'
Looking back, the controlled demolition of the Russian space station Mir in spring 2001 was eerily prophetic in that the name Mir means 'peace' and thus the end of Mir symbolically denoted the 'end of peace', which indeed was to be the case just several months later on 9/11. I was actually very much aware of this doomy symbolism of the planned destruction of Mir as early as 1999. In the Two Suns article, for example, I wrote: "since the name Mir means 'peace', the end of Mir has the ominous symbolic implication of the 'end of peace'". And I had also noted that "the name Solomon, deriving from salaam, [also] means 'peace'". This is important for in the same article I conceptually equated both Clinton and Pope JPII with Solomon (or Amenhotep III). Hence the 'end of peace' predicted by Mir and realized on 9/11 was also hinting at the imminent 'end of Pope John Paul II'. And congruently, we have earlier compared the pope's end to the 'end' (i.e. impeachment) of the other 'Solomon', Clinton.
Even more ominously, the term 'Mir' can also denote 'world', which means that the destruction of Mir was also the 'end of the world'. Perhaps this implication is applicable to the next solar maximum (Cycle 24) in 2012, when the world ends according to the Mayan calendar. It may be inferred that the sequenced events of the Cycle 23 solar max represent the 'watered down'/metaphoric preview of what is take place with the next peak of the sun that will in effect end the world.
My take on the coming 'end of the world' is this. Based on the 'message' of Cycle 23, it is possible to infer that what is to end in the next solar cycle, 24, would be the United States and the Catholic Church -- the two that have come to parallel each other in a prophetic context. In line with this interpretation, the pope list of St. Malachy has only two (possibly one) more popes to go after the current one. And as for America, I have other tangible data (which I won't discuss here) that strongly suggests that the United States' time is up at the beginning of the 21st century. Basically here is how I tend to look at the situation: the United States and the Church hit the iceberg during the peak of Cycle 23 (2001 +/-2 yr) and are now taking on water; and by the time of the peak of Cycle 24 around 2012, these titanic 'ships' will have gone vertical, sinking straight down to the bottom of the abyss. I'm not saying that these systems will cease to exist completely, but I would say at least their 'essence' will not be in existence soon after the end of this decade.
There is, however, a little light of hope in all this. The function of Mir did not simply cease to exist; it was smoothly passed on to a new space station, the ISS (International Space Station) which is currently under construction and orbiting the earth. In other words, the symbolic message seems to be that this is a time when the 'old world' ends and the 'new world' begins. This is a time of transition, not the end. It is certainly fitting that the name 'ISS' is reminiscent of 'ISIS', the Egyptian goddess of rebirth and the personification of Sirius, the brightest star in the night sky. Indeed, as already mentioned, the day of the 'rebirth' (heliacal rising) of Sirius would correspond to the symbolic 'end date', 9/11. Like the phoenix, then, from the ashes of destruction is to rise the next incarnation to usher in the new age. (Here we come, Mars!)
Perhaps we are to learn from the 'message of Cycle 23' so that the 'end of the world' that the coming peak of Cycle 24 is scheduled to bring about will not necessarily have to be so literal. The more we become aware, the less physical/literal the manifestation of the pattern becomes. [Update: Was this concept demonstrated in December 2002?] Mankind, as is the sun, is in labor, and the best we can do is to properly prepare - mentally, physically, emotionally, and intellectually - for the inevitable. The pain will grow in intensity, but it won't have to be deadly. It's just that it's darkest before dawn.
http://www.goroadachi.com/etemenanki/message-cycle23.htm
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 Sheila! You've made a career out of missing the point. Tilluel? Lime Tree. The French are marking the Paris Meridian with Lime trees as we speak. Le Méridienne Verte"6th August Feast of the Transfiguration""En effet ! "... je connus ma Roseline qui mourut le 6 août 1967, fête de la Transfiguration, en franchissant le Méridien 0 en voiture." (p. 108)" Philippe de Cherisey. 
Quote:
Pierre Plantard de Saint-Clair had been the Grand Master of the Priory of Sion until 1989 however his son Thomas Plantard de Saint-Clair was proclaimed Grand Master “by an act dated 6th July 1989” by 107 votes in favour, 5 absentees and 9 votes against. There should be nothing significant in this assuming that the Priory of Sion is nothing but a small group playing at historical intrigue. However the date of appointment of the ratification of his son[i1] on the 6th August 1989 in Paris is significant because elevation of Plantard’s son to Grand Master was specifically timed at
10 o’clock solar time.
[i1]Vaincre No 3 September 1989
_-_Sunset_-_2008-05-06-19-56-02.jpg) _-_Sunset_-_2008-05-06-19-59-12.jpg) _-_Sunset_-_2008-05-06-20-03-19.jpg) _-_Sunset_-_2008-05-06-20-04-04.jpg) _-_Sunset_-_2008-05-06-20-04-40.jpg)  It's all about the effin SUN for goodness sakeThe very word JESUS means THE SUNHow much more ILLUMINATION do you need ?
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 KEYSTONE being 'SET' into place on the St. Louis Gateway Arch.
On Oct. 28, 1965. KEYSTONE = 69Please note the 4 Evangelists/Beasts on the shield in the above image of the Freemason Tracing Board. What is a KEYSTONE? HOW do we connect the KEYSTONE in both images above to FREEMASON activity in the USA and elsewhere?  B U S T E D Freemasons are a non-issue? Hardly... The wankers leave 'numerical' evidence everywhere they appear, just like a King Midas, they leave gold dust as residue in everything they touch.   Again I ask you to note the 4 Evangelists/Beasts on the shield in the above image of the Freemason Tracing Board. Scorpio (eagle) and Aquarius (the man) are in the SOUTH. And Taurus (bull) and Leo (lion) are in the NORTH. This is the reverse or shall we say a POLE/polarity flip of what the Tarot in CARDS X and XXI depict. CARD X is without a doubt the TREASURE map. namaste Raphael CERN and 69? |
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LA LETRA S (SABIDURIA/SABADO/DRACO/$) EN EL ALFABETO INGLES ES LA LETRA NUMERO 19-IMPRESIONANTE CLAVE MASONICA CON REFERENCIA AL SABADO SEGUN LAS FASES DE LA LUNA
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VERSICULO BIBLICO QUE "ANTICIPO" INFERNO, ESCRITO POR DAN BROWN
DAN BROWN= SERPIENTE= "AGUJERO DE GUSANO"
NOTEN EL NEXO DE DAN, CON LA SERPIENTE (VENECIA) Y EL CABALLO (PLAZA SAN MARCOS)
7. Génesis 49:17 Será Dan SERPIENTE junto al camino, Víbora junto a la senda, Que muerde los talones del caballo, Y hace caer hacia atrás al jinete.
7. Mateo 23:33 ¡Serpientes, generación de víboras! ¿Cómo escaparéis de la condenación del INFIERNO?
MONTE HERMON (TRIBU DE DAN)
DAN-IEL / PARALELO 33
MON / MOON / LUNA / TRANSFIGURACION
LINAJE DE A-DAN
EL VERDADERO VALOR DE PI, AL ESTAR RELACIONADO CON EL NUMERO PHI Y EL CUATRO EVIDENCIA EL NEXO CON EL SABADO LUNAR, EN EL CONTEXTO AL CUARTO MANDAMIENTO, CUATRO FASES E INCLUSO QUE LA LUNA FUE CREADA EN EL CUARTO DIA. LA CLAVE ES SU NEXO CON EL NUMERO CUATRO.
SABIDURIA= SOPHIA= PHI
MEZQUITA DE SANTA SOFIA EN ESTAMBUL, TURQUIA
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Message 2 of 3 on the subject |
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200. Hechos 7:22 Y fue enseñado Moisés en toda la sabiduría de los egipcios; y era poderoso en sus palabras y obras.
201. Romanos 11:33 ¡Oh profundidad de las riquezas de la sabiduría y de la ciencia de Dios! ¡Cuán insondables son sus juicios, e inescrutables sus caminos!
202. 1 Corintios 1:17 Pues no me envió Cristo a bautizar, sino a predicar el evangelio; no con sabiduría de palabras, para que no se haga vana la cruz de Cristo.
203. 1 Corintios 1:19 Pues está escrito: Destruiré la sabiduría de los sabios, Y desecharé el entendimiento de los entendidos.
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Message 14 of 18 on the subject |
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Message 15 of 18 on the subject |
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Message 3 of 3 on the subject |
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232. Apocalipsis 13:18 Aquí hay sabiduría. El que tiene entendimiento, cuente el número de la bestia, pues es número de hombre. Y su número es seiscientos sesenta y seis.
MARCA DE LA BESTIA (MARCA O MARCO)
666= SISTEMA SEXAGECIMAL= RELOJ
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©2017 - Gabitos - All rights reserved
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| From: Alcoseri (Original message) |
Sent: 14/04/2013 11:57 |
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Tras los proyectos espaciales se esconde algún grupo iniciático de corte masónico o iluminista que pretende retomar ese contacto. Sus sospechas se fundamentan en que muchos de los lanzamientos y aterrizajes del proyecto Apollo tienen lugar coincidiendo con significativos alineamientos con la constelación de Orión. Y son tantos que descarta que puedan ser atribuidos a la casualidad. El 20 de julio, sin ir más lejos, el día en que el módulo lunar descendió sobre la superficie de nuestro satélite, coincide curiosamente con el inicio del calendario egipcio. De ahí deduce que “alguien” con notable influencia en el seno de la NASA venera al dios Osiris cuya expresión estelar es, precisamente, la constelación de Orión. Todavía hay más. Treinta y tres minutos después de alunizar (33 son los grados de la mayoría de ritos francmasónicos), Sirio se alineaba perfectamente con el horizonte lunar mientras era perfectamente visible Orión, a 19,5º de altura. ¿Casualidad? El logotipo de la misión Apollo incluye la constelación de Orión En absoluto. Los lugares de alunizaje de las misiones Apollo fueron seleccionadas por Eugenio Shoemaker y el geólogo Farouk Al Baz, este último, curiosamente, estuvo involucrado en una investigación arqueológica que pretendía explorar el interior de la Gran Pirámide de Keops mediante técnicas de geo-radar. La Gran pirámide, como es sabido, presenta notables alineaciones estelares, algunas de las más significativas tienen lugar con Sirio y Orión. - Leer más en: https://groups.google.com/group/secreto-masonico/browse_thread/thread/4f5e506dda56593/c14a7f2961b1f184?lnk=gst&q=orion#c14a7f2961b1f184
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Message 27 of 27 on the subject |
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Message 282 of 282 on the subject |
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m: Alcoseri (Original message)
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El Secreto Ancestral del Número 666- 3.142857
El mismo Juan Bíblico escritor del Libro de la Revelación advierte que en el 666 hay sabiduría, y sólo el que tiene entendimiento puede contar el número de la bestia, pues es número de hombre (no de Satanás), según Apocalipsis 13: 18. 18 Aquí hay sabiduría. El que tiene entendimiento, cuente el número de la bestia; porque es el número de hombre: y el número de ella, seiscientos sesenta y seis ---666. Seria mas exacto el saber que la traducción indica inteligencia de calcular el número pero hay que ver que si a eso nos vamos es mas fácil calcularlo si no es un numero ya que las matemáticas son extensas así que en si el 666 significan seis cosas, una por cada 6 y son los poderes que gobiernan hoy el mundo y han segado a muchos para que la luz no pase por sus ojos y vean la verdad, ¿Podrían decir cuales son? ___Respuesta___ El 6 era dibujado por los egipcios como una pletina, abierta en un extremo superior, es decir un clavo, siendo la finalidad de la apertura superior la de sujetar las tablas que se clavaban. El dibujo es exactamente igual a nuestra "Y" así como su simbología.___ El 6 es, como clavo, el nexo de unión de las cosas. ___ a conjunción copulativa "y" que es como pasó al castellano, a través del fenicio y latín, realiza dicha función en nuestra gramática, pues decimos: 1 comedor = 1 mesa y 6 sillas De forma que con el clavo hemos convertido varias unidades sueltas en la unidad En judaico, es el signo "Wao" que normalmente se dice "W" solo, pero que significa clavo, Moisés, lo usa en hebreo de dos formas diferentes. 1- Uniendo 2- Manteniendo unido la unidad que se ha roto. Me explico. Moisés, denomina Adam (ADM µda ) a la Humanidad unida, tal como Díos los creó, hombre y mujer (Génesis 1:27 y 5:2) Moisés, narra como Esaú se deja llevar por los apetitos, y vende su primogenitur a, Génesis 25: 28 y a partir de ese momento, Esaú es Edom (ADWM). ___ DM significa "homogeneidad, igualdad", de forma que al introducir el clavo en medio, Moisés rompe la "homogeneidad o igualdad de la humanidad" y convierte ADM en ADWM; es decir, la humanidad unida = Adam, se convierte en humanidad rota = Edom, por culpa de la codicia o de sucumbir a los apetitos. ___ Otras formas cásicas de romper la unión o la raíz en sí misma, se aprecian al comparar: AB = Padre en potencia; ABA = Padre de hecho AWB = espíritu, se abortó la paternidad. ___ Pero como nexo de unión, el clavo o Wao, Moisés lo usa para generar el Verbo divino HWH y el Nombre de Díos YHWH. ___ H = Ser, espíritu puro, HH = esencia de la vida HWH = Ser-Siendo = Era-Es-Será; pero de forma en que no admite conjugación verbal, pues simplemente "ES"; y donde el clavo, une el pasado y el futuro en una unidad que es el presente. Es un concepto un tanto extraño, habituados a pensar en pasado- presente y futuro. ___ Pero en realidad, el pasado no existe, pues ya pasó. El futuro no existe pues no llegó. ___ ___El presente es infinito.___ Y sino perdonamos el pasado, sus cadenas condicionarán nuestro futuro impidiendonos vivir el pesente. ___ El 6 o clavo, es símbolo del Mesías, como nexo de unión entre el cielo y la tierra; nunca de imperfección. ___ H = Ser = 5 Z = 7 = la meta, nuestro mundo físico 3-D; pues para representarlo con bloques de piedra, necesitaremos: 2 bloques, 1 arriba y 1 abajo = eje vertical 2 bloques, 1 derecha y 1 izquierda = eje horizontal 2 bloques, 1 al frente y 1 al forndo = eje transversal, o como queramos decirle 1 bloque en el cruce de los 3 ejes 7 bloques en total Estando el 6, entre el 5 y el 7; desarrolla los conceptos, como clavo o nexo de unión, de nuestros sntido, pues son los que nos unen al mundo físico. *************************************************************************** ************************************* El 666 es el arca, donde se guarda la Toráh en la Sinagoga. La primera vez que los cabalistas se fijan en este número, es con el pasaje de Moisés, cuando se encuentra con Díos, sobre el monte Sinaí, y este le declara su Nombre. ___ El pasaje, debe leerse considerando que: 40 = suficiente, son las 40 semanas que necesita un feto para nacer en condiciones normales. Cuarentena. ___ Sinaí = odio, pasiones odiosas Moisés, tras estar el tiempo suficiente (40 días y noches) por encima del odio y de las pasiones odiosas (cima del Sinaí) se encontró cara a cara con Díos y este le reveló su Nombre "YO SOY". YO SOY EL QUE SOY = 543 Moisés = 345 De esta forma, vemos que efectivamente 543 y 345, son la inversa uno del otro, por eso, la cara de Moisés, brillaba cuando descendió. Al observar esta coincidencia; y habiendo olvidado el origen de los signos, los hombres pensaron que existía un "número mágico" que sería el Nombre de Díos y que el que lo descubriera, pronunciandolo, podría hacer milagros. 543 534 345 354 453 435 24-24-24 las sumas de las 3 columnas 6-6-6 reduciendolo a un dígito. Es decir 666 Apocalipsis dice "Yo soy el alfa y el Omega"; pero en el texto griego, dice textualmente "Yo soy el alfa y la :W" (W por omega), es decir, escribe la palabra alfa integramente, pero solo pone el signo omega. Alfa+W = 1.332 = 666 + 666 = 666 y 666 Pero la suma de la serie 1+2+3+4....+36 = 666 Así que sustituyendo por sus equivalentes: 72 = 36 y 36 Y 72, es el tetragramón YHWH, 10 5 6 5, o que es lo mismo 10=5 y 5; pues 6 = clavo o "y" conjunción copulativa. ___ Así que si YHWH lo podemos escribir como clave 10=5y5 Si el valor del Tetragramón es 72; escribiremos 72 = 36 y 36 De donde se deduce que "El Alfa y el Omega" es un simil de YHWH; como puede ser Padre-Hijo, según se quiera interpretar. La otra referencia existente al 666, es Lucifer. ___ Lucifer = Él-Astro por excelencia, el que más brilla (orgullo) En hebreo STR rts significa oculto-secreto, y así se traduce en Jueces 3:19, Isaías 16:4, Salmo 32:7, Proverbios 25:23. De esta palabra, saldrá "Star" en inglés; y de "STR" al ponerle la "A" delante, saldrá "ASTR" y en castellano Astro, Astronomía etc... El motivo por el que signifique oculto, secreto, escondido; es porque una estrella no se ve brillar cuando está el sol o la luna, las dos lumbreras hechas para enseñorearse del día y de la noche. Es decir "ASTR" es el "Poder oculto" o "la existencia oculta". ___ Al anteponerle el pronombre "Él" se generará HASTR rtsah = 5+1+60+400+200 = 666 = Lucifer = El poder oculto. ____Moab______ En la Biblia, es el libro de Esther (Estrella), libro donde nunca se nombra a Díos ni a su pueblo Israel, y donde se justifica el "ataque preventivo" con la masacre de 75.000 seres humanos. Curiosamente: H= 5..........5 A= 1..........6 S= 60........66 T= 400......466 R= 200......666 ......666....1.209 El 11 o número de los pares opuestos, de valor 20, es K. Y es sinónimo de orgullo enfrentado a Díos, 1.....0......1, es la interpretación de Moisés ante Díos 543 - 345, desde el EGO. ____Alcoseri______ Y 3 veces 11, es sinónimo de Anticristo, en Apocalipsis, 11x11x11=1331 el Anticristo, podrá hacer lo mismo que Cristo (1332) excepto dar la vida. ____Alcoseri______ Es 3 veces, pues 3, es nuestro mundo 3-D, 3 dimensiones. Largo x ancho x alto. ____Alcoseri______ Esta estrella, nunca fue del Rey David ni de Salomón ni del pueblo judío. Fue incorporada por Tzabatei (nombrado "el mesías" por el sanedrin, en realñidad anticristo) como símbolo suyo, y adoptado por los ritos mágicos de Rothchilt (Maguen Edom, o Escuido rojo). Los números que están en las puntas del hexagrama son simplemente el resultado de dividir 10 (el poder manifiesto de Díos, los 10 mandamientos) por 7 (número de meta física); que da una serie periódica de 142857...142857... al infinito, la Serpiente del tiempo, el círculo, todo se repite "en el plano físico", ojo. Para cosntruirla, el Zohar del Explendor dice, que se traza un cuadrado de lado 10. ____Alcoseri______ Dentro del cuadrado, se inscribe un círculo de diámetro 10. Esta operación, se conoce como "encuadratura del círculo o cuadratura del círculo (por mala traducción)", y no representa ninguna equivalencia de superficie ni longitud. ____Alcoseri______ En las 4 esquinas, se trazan 4 círculos tangentes al círculo de diámetro 10, obteniendo el carro, con sus 4 ruedas. Allí, donde los 4 círculos o ruedas del carro, cortan el cuadrado de lado 10, se trazarán rectas horizontales de lado 10, una superior y otra inferior. ____Alcoseri______ Sobre estas rectas, o bases de triángulos equiláteros, símbolo de "L" o "Lamed" de valor 30, que significa la elevación; se elevarán sendos triángulos de lado 10, uno hacia arriba (sobre la recta inferior) y el otro hacia abajo. ____Alcoseri______ El perimetro resultante de este hexagrama, es de 40. Igual que el valor del perímetro del cuadrado. ____Alcoseri______ Mientras, que su valor, por triángulos separados, es de 30+30=60, Sameq, la serpiente. ____Alcoseri______ El círculo interior del hexagrama, es de 6 (se desprecian los decimales, pues los egipcios construian con blouesd epiedra). ____Alcoseri______ Y como el círculo es la esfera, igual que el cuadrado es al cubo. Si el diámetro del círculo es 6, el cubo que lo circunscribe, es 6x6x6 = 666 cabalisticamente hablando. ____Alcoseri______ El círculo exterior, es de valor 11, de diámetro. Y el cubo, o símbolo del mundo tridimensional, será 11 x 11 x 11 = 1.331 = Anticristos en griego. ____666______¿Casualidades o causalidades? ____666______ La ciudad de Wasington D.C. fué edificada sobre la finca denominada "Rome" (Roma en francés), para hacerlo en una ciudad totalmente nueva, y que ninguna ciudad pudiera tener envidia de otra, por ser escogida como capital del País. ____666______ El tratado de independencia, fue firmado por 10 personas, de los que 9 eran masones. ____666______ 22.07.1209 Exterminio de 100.000 cristianos cátaros en Beciers (Francia); 22 es 11 x 2 y 7 como número terminal, es un comodín. 1209 era la suma acumulada de Lucifer. ____666______ 21-22.07.1946 Atentado en hotel Rey David de Jerusalem, más de 100 civiles muertos. ____666______ 07.07.2005 (3 veces 7) atentado de Londres.____666______ 21.07.2005 segundo atentado de Londres, 60 (la serpiente) años despues del de Jerusalen. ____666______ En el año 1246 se decidió que las fuerzas Trinitarias, vencían a las fuerzas Unitarias; me refiero a la s guerras de Reconquista, donde los que defendían al díos Trino, acabaron venciendo a los que defendían al díos Uno. El aumentativo en hebreo, se hace añadiendo 700 (nun), así que 1246 + 700 = 1946 = Abadón en griego, ver Apocalipsis. Abadón, es Él-Destructor, la Supremacía por la destrucción, y el 1.945, se lanzaron las 2 bombas atómicas de Hirosima y Nagasaki. ____666______ En Kabbaláh, +/- 1, no tiene importancia; ya que unas veces se completa el ciclo en dicho número, y otras veces se empieza el ciclo en el siguiente. ____666______ Rabin, fue asesinado el 04.11.1995, y 666 días despues, el día del Aquelarre, en el túnel de las ánimas, sería sacrificada una mujer embnarazada, Ladi Dí, el 31.08.1997, en el día del Centenario del primer congreso Sionista de 31.08.1897. Uno, acaba con la duda, de sí las profecías se cumplen por mandato divino, o porque ciertos señoes que practican la mágia negra o satánica, se empeñan en justificar sus crímenes a través de los números. ____666______ Moisés, usa los números como una forma de lenguaje, igual que los profetas, Jesús o sus apostoles. ____666______ La Kabbalah Mágica, trata de justificar el universo y el poder de dominarlo a través del número "para ayudar a Díos", según manifestaba un eminente Doctor Kabalista, en la contraportada de la Vanguardia, apenas hace 10 días. ____666______ Peronalmente, creo en un Díos-Uno, que es Amor, y el amor, no necesita ayudas de mágias ni otras tonterías o demencias humanas.
Fraternalmente Vicente Alcoseri
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