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General: JESUCRISTO, EL MAYOR CIENTIFICO Y ALQUIMISTA DE LA HISTORIA
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Message 1 de 1468 de ce thème |
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TABERNACULO =TEMPLO DE SALOMON = KAABA = GIZE= VATICANO= WASHINGTON D.C = NUEVA JERUSALEN = JUAN MARCOS
CENACULO DE JERUSALEN=SAN MARCOS
"AGUJERO DE GUSANO MUNDIAL" ES VESICA PISCIS. NEXO CON EL CUBO
En diversos periodos de la historia ha sido tema de especulaciones místicas; probablemente los primeros fueron los Pitagóricos, que la consideraban una figura sagrada. La razón matemática de su anchura (medida por los puntos extremos del "cuerpo", sin incluir la "cola") por su altura fue aproximada por el cociente 265:153. Esta razón, que da 1,73203, se consideró un número sagrado llamado la medida del pez. Exactamente, la razón geométrica de estas dimensiones es la raíz cuadrada de 3, o 1,73205... (ya que si se traza la línea recta que une los centros de ambos círculos, junto con los dos puntos donde los círculos se intersecan, se obtienen dos triángulos equiláteros unidos por un lado). El cociente 265:153 es una aproximación a la raíz cuadrada de 3, y tiene la propiedad de que no se puede obtener ninguna aproximación mejor con números más pequeños. El número 153 aparece en el Evangelio de Juan (21:11) como el número de peces que Jesús hizo que se capturaran en la milagrosa captura de los peces, lo que algunos consideran como una referencia cifrada de las creencias pitagóricas.
APOCALIPSIS 21
NU-EVA J-ER-U-S-A-LE-N /JUAN
EVA (NUMERO NU-EVE)=MARIA MAGDALENA O MARIA LA GRANDE
JUAN MARCOS=SANTO GRIAL
9. Vino entonces a mí uno de los siete ángeles que tenían las siete copas llenas de las siete plagas postreras, y habló conmigo, diciendo: Ven acá, yo te mostraré la desposada, la esposa del Cordero. (Noten la relacion de la COPA CON LA ESPOSA DEL CORDERO)
10. Y me llevó en el Espíritu a un monte grande y alto, y me mostró la gran ciudad santa de Jerusalén, que descendía del cielo, de Dios,
11. teniendo la gloria de Dios. Y su fulgor era semejante al de una piedra preciosísima, como piedra de jaspe, diáfana como el cristal. (LA "GLORIA DE DIOS" es una clave sabatica en contexto a EXODO 24 Y 25. Se vuelve a repetir el patron del libro de EFESO EN SU CAPITULO 5.)
12. Tenía un muro grande y alto con doce puertas; y en las puertas, doce ángeles, y nombres inscritos, que son los de las doce tribus de los hijos de Israel;
13. al oriente tres puertas; al norte tres puertas; al sur tres puertas; al occidente tres puertas.
14. Y el muro de la ciudad tenía doce cimientos, y sobre ellos los doce nombres de los doce apóstoles del Cordero.
ESTRELLA DE DAVID ES LA ALQUIMIA, OSEA LA UNION ENTRE EL HOMBRE Y LA MUJER





(ABCD) Double Square in Solomons Temple
EL LUGAR SANTISIMO DEL TABERNACULO Y DEL TEMPLO DE SALOMON TENIA FORMA DE CUBO
NOTEN LA ESTRELLA DE 5 PUNTAS EN EL CENTRO DEL EXAGONO CENTRO DE LA ESTRELLA DE 6 PUNTAS
EL EXAGONO TAMBIEN ES UNA REFERENCIA AL CUBO.
NOTEN QUE EN ESTA ESTRELLA DE 6 PUNTAS HAY 13 TRIANGULOS DE 5 PUNTAS, OSEA QUE NOS DA UN NEXO CON LAS 12 CONSTELACIONES DEL ZODIACO, CON LAS 12 HORAS DEL DIA, CON LAS 12 LUNAS QUE HAY EN EL CALENDARIO, CON LA SANTA CENA EN EL CONTEXTO A LOS 12 APOSTOLES, CON LAS 12 TRIBUS DE ISRAEL, CON EL MERIDIANO DE GREENWICH E INCLUSO CON ROSE LINE, ETC,ETC. TODO TIENE COMO PATRON LA ESTRELLA DE 6 PUNTAS, OSEA LA UNION ENTRE EL HOMBRE Y LA MUJER QUE LA TRADICION RELIGIOSA "OLVIDO". ESTE ES EL PATRON ESOTERICO DETRAS DE APOCALIPSIS 22 EN SU RELACION CON VENUS.

Noten el MONSTRUOSO NUMERO 36, incluso con la FORMA DE ORION, en una estrella de 6 puntas. Son siete pelotitas, con 6 perimetrales. 6x6=36
AQUI ESTA EL ULTRA SECRETO DEL NEXO 666 CON LA PIRAMIDE DE LOUVRE, EN EL CODIGO DA VINCI. 1+2+3+ 4+5+6+7+8+9 +20+11+12+13 +14+15+16+17+18 +19+20+21+22+23 +24+25+ 26+27+28+29 +30+31 +32+33+ 34+35 +36=666
15. El que hablaba conmigo tenía una caña de medir, de oro, para medir la ciudad, sus puertas y su muro.
16. La ciudad se halla establecida en cuadro, y su longitud es igual a su anchura; y él midió la ciudad con la caña, doce mil estadios; la longitud, la altura y la anchura de ella son iguales. (LA CUBICACION DE UNA ESFERA. HAY UN OBVIO NEXO ALQUIMICO. LA GRAN CIUDAD ESTA DISEÑADA CON EL MISMO PATRON DE LA GRAN PIRAMIDE DE GIZE)

Figura 16. La relación geométrica entre el codo real y el metro.
LA CLAVE MATEMATICA ESTA EN LA ECUACION:
PI-(PHI ELEVADO AL CUADRADO)=CODO REAL
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3.1416 - 2.61800 = 0.5236
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3.1416-2.618=0.5236
CODO REAL=.5236
ESTE ES EL SECRETO DEL NEXO "ROSE LINE", EN EL CONTEXTO AL METRO Y EN EL CONTEXTO A LA PIRAMIDE DE LOUVRE.
17. Y midió su muro, ciento cuarenta y cuatro codos, de medida de hombre, la cual es de ángel.
21. Las doce puertas eran doce perlas; cada una de las puertas era una perla. Y la calle de la ciudad era de oro puro, transparente como vidrio.
22. Y no vi en ella templo; porque el Señor Dios Todopoderoso es el templo de ella, y el Cordero.
23. La ciudad no tiene necesidad de sol ni de luna que brillen en ella; porque la gloria de Dios la ilumina, y el Cordero es su lumbrera.

Haz clic en la imagen para volver
INICIACIÓN A LOS NÚMEROS DE LA ARQUITECTURA O DE COMO DARLE FORMA A UN EDIFICIO
Los números pueden estar explicados matemáticamente en la “red” pero el problema que plantea el conocimiento de la arquitectura es: ¿cómo se le da forma con esos números a un edificio?. En arquitectura los números operan a partir de los polígonos estrellados formando concatenaciones, tal y como a continuación vamos a describir.

NÚMERO DE ORO - PENTÁGONO
El número de oro viene dado por la solución a la ecuación de segundo grado x + x² = 1 x = 1+√5 /2 = 1,618033989 Propiedades 1/ 1,618 = 0,618 1,618... x 1,618... = 2,618... Dado una circunferencia de radio 1 el lado del decágono inscrito en él es 0,618... Dado un pentágono de lado 1, las diagonales de ese pentágono = 1,618... La técnica con la que opera la arquitectura es la de las concatenaciones. Una de ellas, la más usual, es la que presentamos en el dibujo. Si la circunferencia en color azul tiene R=1 el radio de la roja es R= 2,618, correspondiente a la que presentamos en “El vitruvio” de Leonardo da Vinci en la portada de este trabajo.
Se aplicará en la restitución de una tabla de F. Brunelleschi Nº 6.


NÚMERO DE PLATA - EL OCTÓGONO
Así como el número de oro está asociado a la √5 el número de plata está asociado a √2 y presenta una serie de propiedades similares a las del número de oro. √2 = 1,414213562 tg. 22,5º = 0,414213562 tg.67,5º = 2,414213562 1/2,4142... = 0,4142... 2,4142... x 1,4142... = 3,4142... Observa nuevamente la concatenación, esta vez con el octógono, de la circunferencia en color azul sobre la de color rojo. Si el radio de la circunferencia azul es 1 la de color rojo es 2,4142.... Si el radio de la circunferencia azul es 0,4142... la de rojo es 1. Aquí tenéis un ejemplo.
Se aplicará en la Rix House de J. Soane Nº 3.
NÚMERO DE PLATINO - EL HEXÁGONO
De igual forma que el número de oro está relacionado con la √5 y el de plata con la √2, el de platino lo va a estar con la √3 √3 = tg.60º = 1,732050808 1,732... x 2,732... = 4,732... Combinación, esta, muy utilizada por Andrea Palladio. Observa la concatenación de la circunferencia azul sobre la de rojo, a través del hexágono, directamente a la circunferencia azul. Si el radio de la circunferencia color azul es 1 el de la circunferencia en color rojo es 2 y el lado del triángulo inscrito es 2 x 1,732... Este polígono es el más prolífico en la historia de arquitectura como vamos a verlo en los ejercicios. Aquí tenéis un ejemplo.
Se aplicará al resto de los trabajos Nº 1 - 2 - 4 y 5.
Todos los derechos reservados. Depósito Legal ZA - Nº 69 - 1998
Página web optimizada para ver en resolución de 1024 x 768 2006 - 2007
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Message 479 de 1468 de ce thème |
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Message 480 de 1468 de ce thème |
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 forum.andrewgough.co.uk "My dear Roseline, who died on 715 × 506 - 67k - jpg |
 en.wikipedia.org Rose Line 1355 × 1490 - 665k - jpg |
 en.wikipedia.org brass line on the floor. 481 × 641 - 192k - jpg |
 collections.vam.ac.uk Poster - Neon Rose #13; 355 × 355 - 32k - jpg |
 pravoslavie.ru Mosaic of the Transfiguration 300 × 452 - 85k - jpg |
 cromleck-de-rennes.com Poussin & 756 × 800 - 112k - jpg |
 cromleck-de-rennes.com Sulpice and the Rose Line 800 × 438 - 108k - jpg |
 cromleck-de-rennes.com The Rose Line not only goes 360 × 281 - 16k - jpg |
 pinterest.com Transfiguration on Pinterest 465 × 640 - 10k - png |
 mudbloodcatholic.blogs... I don't mean that I think 1000 × 1428 - 238k - jpg |
 watercolorjournal.word... The Transfiguration, 2400 × 3051 - 1012k - jpg |
 rosamondpress.com ork3.jpg 550 × 473 - 75k - jpg |
 gabitos.com Transfiguration below. 640 × 397 - 90k - gif |
 dwellingintheword.word... Transfiguration circle. 770 × 768 - 173k - png |
 youtube.com Death and Transfiguration 1280 × 720 - 70k - jpg |
 bloorlansdownechristia... BLCF: the_transfiguration 615 × 774 - 42k - gif |
 gutenberg.org The Project Gutenberg eBook of 279 × 431 - 28k - jpg |
 gabitos.com 3. 367 × 333 - 32k - jpg |
 catholicplayground.com transfiguration coloring page 438 × 342 - 71k - png |
 forum.andrewgough.co.uk The ROSE LINE goes through 600 × 389 - 44k - jpg |
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Message 481 de 1468 de ce thème |
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Philippe de Chérisey
From Wikipedia, the free encyclopedia
Philippe de Chérisey |
Born |
Philippe Louis Henri Marie de Chérisey (1923-02-13)13 February 1923 Paris, France |
Died |
17 July 1985(1985-07-17) (aged 62) Paris, France |
Nationality |
French |
Occupation |
radio humorist, supporting actor, writer |
Known for |
surrealist, Priory of Sion |
Philippe Louis Henri Marie de Chérisey, 9th marquess de Chérisey (13 February 1923 – 17 July 1985) was a French writer, radio humorist, surrealist and supporting actor (using the stage name Amédée).
He is best known for his creation of fake parchments published in the 1967 book L'Or de Rennes by Gérard de Sède, as part of his involvement in the Priory of Sion hoax between 1962-1983.
Early life[edit]
Coming from a wealthy family in the Lorraine, de Chérisey decided to become an actor against his family's wishes. He enrolled in the René Simon drama school in 1946 where he started his actor's training,[1] and his most notable film appearance was in Jeux interdits in 1952. He was known as a bon viveur, regularly enjoyed wine and frequented public libraries where his natural curiosity made him follow up anything that took his fancy.
Surrealism[edit]
Philippe de Chérisey was a follower of the surrealist movement, who claimed acquaintance with Eugene Ionesco and was like him a member of the College of Pataphysics, although - like his membership of Oulipo - there is no evidence that he was actively involved. His desire to subvert the norms of culture, or in other words, create an alternate reality that became more real than reality itself, was done within the context of the Priory of Sion and to promote the claim that Pierre Plantard was the direct descendant of Dagobert II. He considered himself a satirist from his days in French radio, and continued this persona within the theme of the Priory of Sion calling himself a prankster. The best known example of this is his esoteric novella Circuit (originally written in 1968, but not actually deposited within the Bibliothèque nationale de France until 1971).
Rennes-le-Chteau[edit]
By the early 1960s Philippe de Chérisey met Pierre Plantard, and together they developed an interest in Rennes-le-Chteau. From the mid-1950s local hotelier Noël Corbu circulated a story to boost trade, that the 19th century priest Bérenger Saunière of Rennes-le-Chteau had discovered the treasure of Blanche of Castile. The author Robert Charroux published Corbu's story in his 1962 book Trésors du Monde.[2] In a letter dated 2 April 1965 to his girlfriend, de Chérisey wrote: "Don't tell anyone, but I'll be setting out again for four days in the Pyrenees with Plantard to see if we can get any closer to Mary Magdalene."[3] A mixture of de Chérisey's humor and surrealism can be identified within his activities relating to the Priory of Sion hoax, Gisors and Rennes-le-Chteau, contained in his correspondence as well as in his documents that he deposited in the Bibliothèque nationale de France in Paris.
Parchments[edit]
During the early 1960s de Chérisey forged two parchments, photocopies of which appeared in the 1967 book L'Or de Rennes by Gérard de Sède.[4] De Sède's book adapted Corbu's story to fit-in with Plantard's claims about the Priory of Sion. The parchments hinted at the survival of the line of the Frankish king Dagobert II, that Plantard claimed to be descended from, as well as attempting to verify the existence of the 1000-year-old secret society, the Priory of Sion. The two "parchments" were later used as source material for the 1982 book The Holy Blood and the Holy Grail, which was itself used as a primary source for the 2003 bestselling novel The Da Vinci Code. Other documents, containing fake genealogies, were planted in the French National Library, the Bibliothèque Nationale in Paris throughout the 1960s, 1970s and 1980s.
Pierre Plantard and Gérard de Sède fell out over book royalties when L'Or de Rennes was published in 1967, at the same time Philippe de Chérisey announced that he had forged the "parchments". De Chérisey elaborated about this in his 1978 unpublished document L'Énigme de Rennes, claiming they were originally made for his friend Francis Blanche, as material for a French radio serial entitled Signé Furax.[5] A second document by de Chérisey entitled Pierre et papier ("Stone and Paper") provides a more detailed explanation, giving the more complicated decoding technique to one of the "parchments" by using a Knight's Tour 25-letter alphabet, omitting the letter "w", the knowledge of which can only be known to the forger.[6] An English translation of this document, together with a reproduction of the original, was published by Jean-Luc Chaumeil in 2010.[7]
Details of the forgeries[edit]
The text of one "parchment" (parchment 1) was copied from Codex Bezae,[8] an Old Latin/Greek diglot from the 5th century CE contained in the book by Fulcran Grégoire Vigouroux, Dictionnaire De La Bible (1895).[9] Philippe de Chérisey's reason for copying the passage from the Codex Bezae was his interest in the phrase "In Sabbato Secundo Primo", also found in the Gospel of Luke 6:1. Philippe de Chérisey stated: "This phrase has given headaches to the anonymous (secret) societies. It has to be said that 'A day of Sabbath, second first' is not really translatable. No one has ever heard of that. So, as the disciples walk through a cornfield and, being hungry, eat the corn, there and then, it must mean 'Second Sabbath following the first day of the shewbread.' This is the only interpretation we could find." De Chérisey went on to provide his own interpretation: "In Sabbato Secundo Primo does not mean 'A day of Sabbath, second first' but rather 'As second in command, Sabassius became first.' What is interesting is that the witches' meetings are called 'Sabbaths', not because of the Jewish celebrations, but because of Sabassius, god of the Phrygians".[10]
This "parchment" also contained an encrypted message written in modern French: "À Dagobert II Roi et à Sion est ce trésor et il est là mort." (translated as "To King Dagobert II and to Sion does this treasure belong, and he is there, dead").
De Chérisey also chose to copy material from Vigouroux because he was a priest connected with the Church of St Sulpice, a location that had been exploited as part of the Priory of Sion myths as created by Plantard and de Chérisey, so de Chérisey's utilisation of this priest fitted in nicely into these myths.
According to an investigation into the Priory of Sion hoax by the American news program 60 Minutes, the other document (parchment 2) was copied from a 19th-century version of the Latin Vulgate published by John Wordsworth and Henry J. White Novum Testamentum Domini Nostri Iesu Christi latine secundum sancti Hieronymi (Oxford: Clarendon Press, 1889–1954),[11] and the original forged "parchments" are now in the possession of Jean-Luc Chaumeil, a French writer, who states that he had their age analyzed, and it was confirmed that they were merely decades old, not centuries. Chaumeil also has letters by de Chérisey, which contain proof that De Chérisey was knowingly engaging in a fraud.
That Philippe de Chérisey was not a specialist of Latin paleography and had even a bit lost his Latin knowledge (got from high school) is demonstrated in his copying of the Latin Text from the Codex Bezae for one of his "parchments": for instance, he made several of the most basic errors in copying the Latin uncials, which therefore garbles the spelling of multiple words. This information is frequently omitted by those who present the "parchments" as being authentic.
In an interview during the 1970s with author Jean-Luc Chaumeil, Philippe de Chérisey asserted: "the parchments of the Gospel according to Saint Luke fabricated by me and for which I pinched the uncial text from the work L'archéologie chrétienne (Christian Archaeology) by Dom Cabrol at the National Library, section C25".[12]
Philippe de Chérisey asserted in a letter dated 29 January 1974 to French author Pierre Jarnac: "P.S. Do you know that the famous manuscripts supposedly discovered by the Abbé Saunière were composed in 1965? And that I took responsibility for being the author?"[13]
According to Henry Lincoln, one of the co-authors of Holy Blood Holy Grail, Plantard admitted to him in person that the various documents had been forged, and identified de Chérisey as their creator.[14]
Relationship with Plantard[edit]
A schism developed between Pierre Plantard and Philippe de Chérisey in 1983, when de Chérisey began collaborating with Paul Rouelle (his dentist) on a book which would have incorporated the Priory of Sion concepts.[15]
French author Pierre Jarnac reproduced part of a letter he received dated 22 May 1985 from Pierre Plantard: "You need to know only that I have no involvement whatsoever with the 'deathless prose' of Monsieur Philippe de Chérisey, who was the co-author with Monsieur Paul Rouelle of the book COURT-CIRCUIT, lodged with the BN in December 1984 or January 1985, which dragged my name through the mud. The Marquis de Chérisey was a good friend of mine from university days, but I very often disapprove of his books which are really quite bizarre."[16]
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Réponse |
Message 482 de 1468 de ce thème |
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Réponse |
Message 483 de 1468 de ce thème |
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Message 484 de 1468 de ce thème |
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Jesus, whether a real man or not is being portrayed as a Sun Deity.
Here Jesus (the Sun) pushes away from Summer with his right hand but opens his hand and looks toward Autumn. The female looking disciple to the right of Jesus is Virgo.
Libra can be seen pushing away Scorpio Libra prepares the way of the Anti-Christ Scorpio.
An anteroom is a room that you go through before you enter a larger i.e. A room before another room. The Anti-Christ was a prophet before the main prophet i.e. John the Baptist, hence Leonardo Da Vinci depicts Scorpio the same as he depicts his previous paintings of John the Baptist i.e. finger pointing upwards.
In December 2012 the Sun crossed the Galactic plain and entered the Age of Aquarius this was done when the sun was between the arrow of Sagittarius and the sting of Scorpio.
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First thing that strikes you is that we are not told whose wedding this is but not only have Jesus and the disciples been invited but also Mary mother of Jesus.
The second question is what spiritual significance does this have? Turning water into wine? The significance was that it was Jesus' first miracle?
Firstly we must understand that when the Gospels were first written they would only have been written for trained eyes schooled with understanding. they were never envisaged for inclusion into a book written for everyone. All religious writing was done in the form of a reference to the scriptures. The meaning of the inclusion of this apparent 'party trick' is on another level of meaning called a 'Pesher'. Jesus is breaking with tradition for only celibates (this would have included Jesus at this point) could receive communion. In this apparent miracle he was allowing the 'unclean' persons (Gentiles) to receive communion.
But whose wedding was this? There is nothing sinister about us not being told because it would have been irrelevant to the Pesher and the assumption is clear to those with understanding. Mary mother of Jesus was part of the story and so was included in the text.
When Essene marriage rules are brought together it is clear that this was in fact ONE of the marriages of Jesus to Mary Magdalene at Cana (Ain Feshkha) conducted under Hellenist rules. Three marriages are required, the wedding at Cana is in fact merely a betrothal but is a little more than just an engagement. The phrase 'my time has not yet come' means that this was the feast that preceded the ceremony. We actually can make a very good guess of the date of this wedding, it is June 6th 30CE. It occurred in the evening on the same day that Jesus was in the corn fields with the disciples which is depicted in parchment one. We know this from a correlation between the four Gospels (Mark 2, Luke 6 and John 2) and a deep understanding of the strict rules surrounding Essene marriage from the Temple Scrolls worked out from the Sabbatical year.
The transcripts of the two Priory Of Sion parchments, Jesus in the corn fields and the anointment of the feet of Jesus by Mary Magdalene, signify a quite definite allusion to the marriage of Jesus and Mary Magdalene. Clearly the authors of these two parchments knew something.
http://www.cromleck-de-rennes.com/mary_magdalene.htm
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Message 33 of 33 on the subject |
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IMPRESIONANTE NEXO CON FATIMA EN EL CONTEXTO AL NUMERO 47
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Message 485 de 1468 de ce thème |
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CRISTO, MOISES Y ELIAS (TRES)
PEDRO, SANTIAGO Y JUAN (TRES)
TREINTA Y TRES
EL DIA NUMERO 227 ESTA EN LA SEMANA NUMERO 33.
30*7=210
31*7=217
32*7=224
33*7=231
EFECTIVAMENTE, EL DIA NUMERO 227 ESTA EN LA SEMANA NUMERO 33.
LAS MATEMATICAS SON EXACTAS.
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Message 486 de 1468 de ce thème |
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Title : Crop circle in July 2010, the Leonardo Da Vinci cubic model Description or keywords : Crop circle based on the bubic model made by Leornado Da Vinci on the 9th of July 2010 in Cley Hill Archimedes 200 BC  DaVinci drawing of a tank 
_________________ Everything is Connected and there are no coincidences
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Message 487 de 1468 de ce thème |
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i found another Crop circle that goes with the idea of the Metratron cube its all about dimensions  it is the dark and light checkerboard floor and the doors to where? Like the Matrix  we just have to see the code to open the door 
_________________ Everything is Connected and there are no coincidences
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Message 488 de 1468 de ce thème |
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 I just saw an article comparing this crop circle to the background of Da Vinci`s Last Supper, they use the same perspective!  I knew that room looked familiar!
_________________ From the Borderlands - mjastudio.com
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Message 489 de 1468 de ce thème |
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 A page for L. - triangles.  |
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Message 490 de 1468 de ce thème |
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 Saint Germaine has the Tetragrammaton that Sauniere wore in his regalia It has the cube like pattern around it like the floor pattern at Rennes Chateau  Saunieres regalia  and the cube like pattern on the floor of Rennes The Tiles of Bethanie at Rennes Chateau are octagons http://www.geolocation.ws/v/L/6083241274/tiles-in-bethania-at-rennes-le-chateau/enand this pattern at Magdala Tower looks similar to the crop circle in Italy proclaiming Ea Enki http://www.geolocation.ws/v/L/6083180770/tiles-in-magdala-tower-at-rennes-le/en
I want to point out there is a difference between the cubes in the stained glass windows at St Sulpice and the cubes on the floor at Rennes the floor cubes at Rennes are Black and the ones at Saint Sulpice is White DaVinci's Flower of Life  the cube pattern is there  Fruit of Life Platonic Solids The "Fruit of Life" symbol is composed of 13 circles taken from the design of the Flower of Life The Fruit of Life is said to be the blueprint of the universe, containing the basis for the design of every atom, molecular structure, life form, and everything in existence. The number 13 has a connection with the Templars There are 13 Archimedean solids The apparitions of the Virgin of Fátima in 1917 were claimed to occur on the 13th of six consecutive months.[3]
In Catholic devotional practice, the number thirteen is also associated with Saint Anthony of Padua, since his feast day falls on June 13. A traditional devotion called the Thirteen Tuesdays of St. Anthony involves praying to the saint every Tuesday over a period of thirteen weeks. Another devotion, St. Anthony's Chaplet, consists of thirteen decades of three beads each.The end of the Mayan calendar's 13th Baktun is superstitiously feared as a harbinger of the apocalyptic 2012 phenomenon At Jesus Christ's last supper, there were thirteen people around the table, counting Christ and the twelve apostles 37 years which have 13 full moons compared with 63 years with 12 full moons, http://en.wikipedia.org/wiki/13_%28number%29
_________________ Everything is Connected and there are no coincidences
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Message 491 de 1468 de ce thème |
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 You can see the Four fixed points the eagle lion water man and bull angels We find them in Ezekiel and in Revelations there are 13 spheres Enoch lived for 365 years before he became the Metraton.....365 = a year In the Southern Jourisdiction of the Scottish Rites the Thirteenth Degree relates to what is called the Royal Arch of Enoch (as in an arch supported by two columns). In this Enoch legend he is instructed to excavate nine chambers featuring nine arches and to hide a white cube bearing a golden triangle inscribed with the name of God. Instead of dealing with the soul's journey alone (as Metatron's Cube appears to) this legend deals with the history of the World/Universe. In Enoch's myth, the cube represents materiality in general (Shekinah), and the golden traingle represents the divine spark inherent in everything. (see Alchemy, Hasidism etc.) The lowest of the nine arcs (ark, arch) in this scheme is the earth. This is the Shekinah story again.Manley Hall suggests that the nine worlds image relates to the nine stages of the Nordic initiation, the chambers where the rites were performed and the nine divisions of their cosmological template. Albert Pike suggests the same thing of the Enoch legend, that it pointed to a rite with nine stages that was performed literally underground, the form of which was related mathematically to their astronomical template. The logic goes like this: We'll form a club based on the nine planetary spheres, there with will be nine degrees to represent the phases of the souls journey. These numbers and ideas will inform our architecture and ceremonies. Underground chambers symbolize the womb, and nine of them would represent the human gestation period, nine months. The legend is an astronomy learning tool fashioned around the story of human reproduction.http://dcsymbols.com/journey/treebook3.htm great article The Great Seal of the US stars above the eagle has a pattern of the Seal of Solomon arranged in rows of 1-4-3-4-1, forming a six-pointed star. The Number thirteen is the arrows and circles(olives) on the leaves
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Message 492 de 1468 de ce thème |
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I want to emphasize the Meandros and the cubes and the pattern There has been a You tube explaining the pattern similar to the floor of Rennes Chateau  Theory has It has a connection to the Mayan Calendar and the Second Coming of Christ The Mayans awaited the arrival of the Feathered Serpent King It has a connection with the number 17 Crop circles tend to have the numbers 13 and 17 within their messages interesting article http://www.greatdreams.com/2012.htmThe 6 pointed star, when looked at from an angle, looks like 3 blocks Here is a You tube recently out about this cropcircle http://youtu.be/DpRfIgAXHJ8Nibiru Anunnaki - Crop Circle Predicts 2012 I see the connection of the design of the cubes at Rennes Chateau and with other places near Rennes
_________________ Everything is Connected and there are no coincidences
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Message 493 de 1468 de ce thème |
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it is interesting you bring up fractalssome crop circles represent fractalsthis one is amazing A Fractal Representation of Pi… In a Crop Circleit took a retired astrophysicist to decode ithttp://www.astroengine.com/2008/06/a-fractal-pattern-representation-of-pi-in-a-crop-circle/#ixzz1qLb0KDiY this some say is a fractalhttp://www.cropcircleconnector.com/Bert/3dfractals.htmlIn the mid 90s some of the found crop circles were based on fractals. For instance the so-called 'Julia set' at Stonehenge in 1996 and the 'Triple Julia set' at Windmill Hill the same year. Or the Koch-fractals in 1997. In later years, this resembling disappeared and was replaced by other features. In 1999 many of the crop circles looked three-dimensional. It has a Sierpinsky Gasket, which is a well-known fractal!Sierpinski gasket or the Sierpinski Sieve, is a fractal and attractive fixed set named after the Polish mathematician Wacław Sierpiński who described it in 1915. However, similar patterns appear already in the 13th-century Cosmati mosaics in the cathedral of Anagni, Italy.[1] and other places, such as in the nave of the roman Basilica of Santa Maria in Cosmedin.Sierpinski triangle or the Sierpinski carpet to equivalent repetitive tiling arrangements, it is evident that similar structures can be built into any rep-tile arrangements. This is Pascal's triangle Geometric floor mosaic (Sierpinski triangles), nave of Santa Maria in Cosmedin, Forum Boarium, Rome.but created in the 13th centuryhttp://www.flickr.com/photos/mymuk/6304896451Thing is I'm not a mathematician Cosmati floor Basilica of Saint Mary in CosmedinThe church was built in the 8th century during the Byzantine Papacy over the remains of the Templum Herculis Pompeiani in the Forum Boarium and of the Statio annonae, one of the food distribution centres of ancient RomeIn a side altar on the left of the church is kept the flower crowned skull of St Valentine.
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